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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 234 235 245 it is the complementary color RGB 21 20 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 234 235 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 234 235 245 shade: RGB 239 235 240 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 234 235 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 217 217 226, RGB 200 199 207, RGB 183 181 188 and RGB 166 163 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 236 234 245, RGB 239 234 245, RGB 242 234 245 and RGB 244 234 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 234 235 245 shade: RGB 234 235 245 and RGB 234 234 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 234 235 245 shade matches the following richer shades: RGB 234 235 245, RGB 231 233 247, RGB 229 231 250, RGB 226 229 252 and RGB 224 227 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 236 237 242, RGB 239 239 240, RGB 241 241 237 and RGB 244 243 235

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 234 235 245 shade: RGB 234 241 245, RGB 234 238 245, RGB 234 235 245, RGB 236 234 245 and RGB 238 234 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 234 235 245 shade: RGB 178 182 218, RGB 206 208 231 and RGB 234 235 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 245 234 243 and RGB 239 245 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 245 234 235 and RGB 235 245 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 245 234 243, RGB 245 243 234 and RGB 234 245 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 234 235 245 shade: RGB 234 235 245, RGB 245 234 240, RGB 245 243 234 and RGB 234 245 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

Complementary color

CMYK 0 / 5 / 52 / 92

HEX #15140A

RGB 21 20 10

HSL 54.55, 0.35%, 0.06%

LAB 6.16, -1.38, 5.09

 

CMYK 0 / 2 / 0 / 6

HEX #EFEBF0

RGB 239 235 240

HSL 288, 0.14%, 0.93%

LAB 93.48, 2.23, -1.95

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 4 / 4 / 0 / 11

HEX #D9D9E2

RGB 217 217 226

HSL 240, 0.13%, 0.87%

LAB 86.93, 1.66, -4.42

 

CMYK 3 / 4 / 0 / 19

HEX #C8C7CF

RGB 200 199 207

HSL 247.5, 0.08%, 0.8%

LAB 80.53, 1.84, -3.87

 

CMYK 3 / 4 / 0 / 26

HEX #B7B5BC

RGB 183 181 188

HSL 257.14, 0.05%, 0.72%

LAB 74.03, 2.02, -3.31

 

CMYK 2 / 4 / 0 / 34

HEX #A6A3A9

RGB 166 163 169

HSL 270, 0.03%, 0.65%

LAB 67.4, 2.22, -2.73

RGB 166 163 169

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 4 / 4 / 0 / 4

HEX #ECEAF5

RGB 236 234 245

HSL 250.91, 0.35%, 0.94%

LAB 93.13, 2.66, -5.08

 

CMYK 2 / 4 / 0 / 4

HEX #EFEAF5

RGB 239 234 245

HSL 267.27, 0.35%, 0.94%

LAB 93.36, 3.65, -4.72

 

CMYK 1 / 4 / 0 / 4

HEX #F2EAF5

RGB 242 234 245

HSL 283.64, 0.35%, 0.94%

LAB 93.59, 4.64, -4.36

 

CMYK 0 / 4 / 0 / 4

HEX #F4EAF5

RGB 244 234 245

HSL 294.55, 0.35%, 0.94%

LAB 93.74, 5.3, -4.12

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 4 / 4 / 0 / 4

HEX #EAEAF5

RGB 234 234 245

HSL 240, 0.35%, 0.94%

LAB 92.98, 2, -5.32

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 6 / 6 / 0 / 3

HEX #E7E9F7

RGB 231 233 247

HSL 232.5, 0.5%, 0.94%

LAB 92.57, 1.92, -7

 

CMYK 8 / 8 / 0 / 2

HEX #E5E7FA

RGB 229 231 250

HSL 234.29, 0.68%, 0.94%

LAB 92, 2.87, -9.42

 

CMYK 10 / 9 / 0 / 1

HEX #E2E5FC

RGB 226 229 252

HSL 233.08, 0.81%, 0.94%

LAB 91.34, 3.34, -11.47

 

CMYK 12 / 11 / 0 / 0

HEX #E0E3FE

RGB 224 227 254

HSL 234, 0.94%, 0.94%

LAB 90.75, 4.14, -13.41

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 2 / 2 / 0 / 5

HEX #ECEDF2

RGB 236 237 242

HSL 230, 0.19%, 0.94%

LAB 93.8, 0.57, -2.54

 

CMYK 0 / 0 / 0 / 6

HEX #EFEFF0

RGB 239 239 240

HSL 240, 0.03%, 0.94%

LAB 94.47, 0.18, -0.49

 

CMYK 0 / 0 / 2 / 5

HEX #F1F1ED

RGB 241 241 237

HSL 60, 0.13%, 0.94%

LAB 95.05, -0.7, 1.92

 

CMYK 0 / 0 / 4 / 4

HEX #F4F3EB

RGB 244 243 235

HSL 53.33, 0.29%, 0.94%

LAB 95.72, -1.05, 3.96

 

CMYK 4 / 2 / 0 / 4

HEX #EAF1F5

RGB 234 241 245

HSL 201.82, 0.35%, 0.94%

LAB 94.74, -1.58, -2.74

 

CMYK 4 / 3 / 0 / 4

HEX #EAEEF5

RGB 234 238 245

HSL 218.18, 0.35%, 0.94%

LAB 93.98, -0.05, -3.85

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 4 / 4 / 0 / 4

HEX #ECEAF5

RGB 236 234 245

HSL 250.91, 0.35%, 0.94%

LAB 93.13, 2.66, -5.08

 

CMYK 3 / 4 / 0 / 4

HEX #EEEAF5

RGB 238 234 245

HSL 261.82, 0.35%, 0.94%

LAB 93.28, 3.32, -4.84

 

CMYK 18 / 17 / 0 / 15

HEX #B2B6DA

RGB 178 182 218

HSL 234, 0.35%, 0.78%

LAB 74.81, 6.02, -18.53

 

CMYK 11 / 10 / 0 / 9

HEX #CED0E7

RGB 206 208 231

HSL 235.2, 0.34%, 0.86%

LAB 83.97, 3.75, -11.55

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 0 / 4 / 1 / 4

HEX #F5EAF3

RGB 245 234 243

HSL 310.91, 0.35%, 0.94%

LAB 93.77, 5.28, -3.03

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EA

RGB 239 245 234

HSL 92.73, 0.35%, 0.94%

LAB 95.83, -3.91, 4.59

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 0 / 4 / 4 / 4

HEX #F5EAEB

RGB 245 234 235

HSL 354.55, 0.35%, 0.94%

LAB 93.56, 3.88, 0.83

 

CMYK 4 / 0 / 4 / 4

HEX #EBF5EA

RGB 235 245 234

HSL 114.55, 0.35%, 0.94%

LAB 95.54, -5.25, 4.14

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 0 / 4 / 1 / 4

HEX #F5EAF3

RGB 245 234 243

HSL 310.91, 0.35%, 0.94%

LAB 93.77, 5.28, -3.03

 

CMYK 0 / 1 / 4 / 4

HEX #F5F3EA

RGB 245 243 234

HSL 49.09, 0.35%, 0.94%

LAB 95.77, -0.88, 4.56

 

CMYK 4 / 0 / 4 / 4

HEX #EAF5EB

RGB 234 245 235

HSL 125.45, 0.35%, 0.94%

LAB 95.49, -5.41, 3.54

 

CMYK 4 / 4 / 0 / 4

HEX #EAEBF5

RGB 234 235 245

HSL 234.55, 0.35%, 0.94%

LAB 93.23, 1.49, -4.95

 

CMYK 0 / 4 / 2 / 4

HEX #F5EAF0

RGB 245 234 240

HSL 327.27, 0.35%, 0.94%

LAB 93.69, 4.75, -1.58

 

CMYK 0 / 1 / 4 / 4

HEX #F5F3EA

RGB 245 243 234

HSL 49.09, 0.35%, 0.94%

LAB 95.77, -0.88, 4.56

 

CMYK 4 / 0 / 3 / 4

HEX #EAF5EE

RGB 234 245 238

HSL 141.82, 0.35%, 0.94%

LAB 95.57, -4.88, 2.1

 

Description

Color code: RGB 234 235 245 | qconv.com Color code: RGB 234 235 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 235 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 235 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 4 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 4% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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