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Color name
RGB 222 59 245

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 59 245 it is the complementary color RGB 33 196 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 59 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 59 245 shade: RGB 227 59 240, RGB 244 77 255, RGB 255 95 255, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 59 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 59 245 shade: RGB 222 59 245, RGB 205 41 226, RGB 188 23 207, RGB 171 5 188 and RGB 154 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 59 245 shade: RGB 222 61 244, RGB 244 61 217, RGB 244 61 168, RGB 244 61 118 and RGB 244 61 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 59 245 shade: RGB 222 61 244, RGB 172 61 244, RGB 123 61 244, RGB 73 61 244 and RGB 61 61 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 59 245 shade matches the following richer shades: RGB 222 61 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 59 245 shade: RGB 222 61 244, RGB 209 77 228, RGB 197 94 211, RGB 184 110 195 and RGB 172 127 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 59 245 shade: RGB 122 61 244, RGB 171 61 244, RGB 220 61 244, RGB 244 61 220 and RGB 244 61 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 59 245 shade: RGB 187 11 212, RGB 215 22 242, RGB 222 61 244, RGB 228 100 246 and RGB 235 139 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 59 245 shade: RGB 222 59 245, RGB 244 73 61 and RGB 61 244 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 59 245 shade: RGB 222 59 245, RGB 244 220 61 and RGB 61 244 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 59 245 shade: RGB 222 59 245, RGB 244 73 61, RGB 85 244 61 and RGB 61 232 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 59 245 shade: RGB 222 59 245, RGB 244 128 61, RGB 85 244 61 and RGB 61 177 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

Complementary color

CMYK 83 / 0 / 95 / 23

HEX #21C40A

RGB 33 196 10

HSL 112.58, 0.9%, 0.4%

LAB 69.34, -68.39, 67.42

 

CMYK 5 / 75 / 0 / 6

HEX #E33BF0

RGB 227 59 240

HSL 295.69, 0.86%, 0.59%

LAB 57.8, 82.74, -56.79

 

CMYK 4 / 70 / 0 / 0

HEX #F44DFF

RGB 244 77 255

HSL 296.29, 1%, 0.65%

LAB 63.14, 82.99, -56.43

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

CMYK 9 / 82 / 0 / 11

HEX #CD29E2

RGB 205 41 226

HSL 293.19, 0.76%, 0.52%

LAB 51.9, 81.07, -58.56

 

CMYK 9 / 89 / 0 / 19

HEX #BC17CF

RGB 188 23 207

HSL 293.8, 0.8%, 0.45%

LAB 46.72, 78.59, -56.17

 

CMYK 9 / 97 / 0 / 26

HEX #AB05BC

RGB 171 5 188

HSL 294.43, 0.95%, 0.38%

LAB 41.84, 74.95, -53.12

 

CMYK 9 / 100 / 0 / 34

HEX #9A00A9

RGB 154 0 169

HSL 294.67, 1%, 0.33%

LAB 37.36, 69.79, -49.22

 

CMYK 9 / 75 / 0 / 4

HEX #DE3DF4

RGB 222 61 244

HSL 292.79, 0.89%, 0.6%

LAB 57.46, 81.86, -59.61

 

CMYK 0 / 75 / 11 / 4

HEX #F43DD9

RGB 244 61 217

HSL 308.85, 0.89%, 0.6%

LAB 59.51, 82.16, -40.98

 

CMYK 0 / 75 / 31 / 4

HEX #F43DA8

RGB 244 61 168

HSL 324.92, 0.89%, 0.6%

LAB 57.46, 76.05, -16.01

 

CMYK 0 / 75 / 52 / 4

HEX #F43D76

RGB 244 61 118

HSL 341.31, 0.89%, 0.6%

LAB 55.97, 71.38, 11.3

 

CMYK 0 / 75 / 72 / 4

HEX #F43D45

RGB 244 61 69

HSL 357.38, 0.89%, 0.6%

LAB 55.07, 68.51, 38.92

 

CMYK 9 / 75 / 0 / 4

HEX #DE3DF4

RGB 222 61 244

HSL 292.79, 0.89%, 0.6%

LAB 57.46, 81.86, -59.61

 

CMYK 30 / 75 / 0 / 4

HEX #AC3DF4

RGB 172 61 244

HSL 276.39, 0.89%, 0.6%

LAB 50.26, 72.8, -71.58

 

CMYK 50 / 75 / 0 / 4

HEX #7B3DF4

RGB 123 61 244

HSL 260.33, 0.89%, 0.6%

LAB 44.35, 65.15, -81.49

 

CMYK 70 / 75 / 0 / 4

HEX #493DF4

RGB 73 61 244

HSL 243.93, 0.89%, 0.6%

LAB 40.06, 59.42, -88.7

 

CMYK 75 / 75 / 0 / 4

HEX #3D3DF4

RGB 61 61 244

HSL 240, 0.89%, 0.6%

LAB 39.35, 58.45, -89.9

 

CMYK 9 / 75 / 0 / 4

HEX #DE3DF4

RGB 222 61 244

HSL 292.79, 0.89%, 0.6%

LAB 57.46, 81.86, -59.61

 

CMYK 9 / 75 / 0 / 4

HEX #DE3DF4

RGB 222 61 244

HSL 292.79, 0.89%, 0.6%

LAB 57.46, 81.86, -59.61

 

CMYK 8 / 66 / 0 / 11

HEX #D14DE4

RGB 209 77 228

HSL 292.45, 0.74%, 0.6%

LAB 56.55, 70.98, -52.21

 

CMYK 7 / 55 / 0 / 17

HEX #C55ED3

RGB 197 94 211

HSL 292.82, 0.57%, 0.6%

LAB 56.66, 57.66, -42.54

 

CMYK 6 / 44 / 0 / 24

HEX #B86EC3

RGB 184 110 195

HSL 292.24, 0.41%, 0.6%

LAB 57.35, 42.88, -32.48

 

CMYK 3 / 29 / 0 / 30

HEX #AC7FB2

RGB 172 127 178

HSL 292.94, 0.25%, 0.6%

LAB 59.13, 26.32, -20.15

 

CMYK 50 / 75 / 0 / 4

HEX #7A3DF4

RGB 122 61 244

HSL 260, 0.89%, 0.6%

LAB 44.24, 65.01, -81.66

 

CMYK 30 / 75 / 0 / 4

HEX #AB3DF4

RGB 171 61 244

HSL 276.07, 0.89%, 0.6%

LAB 50.13, 72.63, -71.81

 

CMYK 10 / 75 / 0 / 4

HEX #DC3DF4

RGB 220 61 244

HSL 292.13, 0.89%, 0.6%

LAB 57.16, 81.49, -60.11

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 0 / 75 / 30 / 4

HEX #F43DAB

RGB 244 61 171

HSL 323.93, 0.89%, 0.6%

LAB 57.57, 76.38, -17.59

 

CMYK 12 / 95 / 0 / 17

HEX #BB0BD4

RGB 187 11 212

HSL 292.54, 0.9%, 0.44%

LAB 46.39, 80.71, -59.6

 

CMYK 11 / 91 / 0 / 5

HEX #D716F2

RGB 215 22 242

HSL 292.64, 0.89%, 0.52%

LAB 53.42, 88.56, -65.05

 

CMYK 9 / 75 / 0 / 4

HEX #DE3DF4

RGB 222 61 244

HSL 292.79, 0.89%, 0.6%

LAB 57.46, 81.86, -59.61

 

CMYK 7 / 59 / 0 / 4

HEX #E464F6

RGB 228 100 246

HSL 292.6, 0.89%, 0.68%

LAB 63.56, 69.1, -50.95

 

CMYK 5 / 44 / 0 / 3

HEX #EB8BF8

RGB 235 139 248

HSL 292.84, 0.89%, 0.76%

LAB 71.49, 52.84, -39.53

 

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

CMYK 0 / 70 / 75 / 4

HEX #F4493D

RGB 244 73 61

HSL 3.93, 0.89%, 0.6%

LAB 56.42, 64.19, 44.84

 

CMYK 75 / 0 / 40 / 4

HEX #3DF492

RGB 61 244 146

HSL 147.87, 0.89%, 0.6%

LAB 85.89, -66.17, 34.62

 

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

CMYK 0 / 10 / 75 / 4

HEX #F4DC3D

RGB 244 220 61

HSL 52.13, 0.89%, 0.6%

LAB 87.37, -7.89, 75.59

 

CMYK 75 / 0 / 10 / 4

HEX #3DF4DC

RGB 61 244 220

HSL 172.13, 0.89%, 0.6%

LAB 87.42, -49.83, -1.33

 

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

CMYK 0 / 70 / 75 / 4

HEX #F4493D

RGB 244 73 61

HSL 3.93, 0.89%, 0.6%

LAB 56.42, 64.19, 44.84

 

CMYK 65 / 0 / 75 / 4

HEX #55F43D

RGB 85 244 61

HSL 112.13, 0.89%, 0.6%

LAB 85.49, -72.57, 70.79

 

CMYK 75 / 5 / 0 / 4

HEX #3DE8F4

RGB 61 232 244

HSL 183.93, 0.89%, 0.6%

LAB 84.61, -37.95, -18.12

 

CMYK 9 / 76 / 0 / 4

HEX #DE3BF5

RGB 222 59 245

HSL 292.58, 0.9%, 0.6%

LAB 57.32, 82.61, -60.39

 

CMYK 0 / 48 / 75 / 4

HEX #F4803D

RGB 244 128 61

HSL 21.97, 0.89%, 0.6%

LAB 65.76, 39.8, 54.64

 

CMYK 65 / 0 / 75 / 4

HEX #55F43D

RGB 85 244 61

HSL 112.13, 0.89%, 0.6%

LAB 85.49, -72.57, 70.79

 

CMYK 75 / 27 / 0 / 4

HEX #3DB1F4

RGB 61 177 244

HSL 201.97, 0.89%, 0.6%

LAB 68.73, -10.36, -42.53

 

Description

Color code: RGB 222 59 245 | qconv.com Color code: RGB 222 59 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 59 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 59 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 76 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 76% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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