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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 61 220 it is the complementary color RGB 11 194 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 61 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 61 220 shade: RGB 249 61 215, RGB 255 79 234, RGB 255 97 253, RGB 255 115 255 and RGB 255 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 61 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 61 220 shade: RGB 244 61 220, RGB 227 43 201, RGB 210 25 182, RGB 193 7 163 and RGB 176 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 61 220 shade: RGB 243 62 219, RGB 243 62 171, RGB 243 62 122, RGB 243 62 73 and RGB 243 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 61 220 shade: RGB 243 62 219, RGB 218 62 243, RGB 169 62 243, RGB 120 62 243 and RGB 71 62 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 61 220 shade matches the following richer shades: RGB 243 62 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 61 220 shade: RGB 243 62 219, RGB 227 78 207, RGB 210 95 195, RGB 194 111 183 and RGB 177 128 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 61 220 shade: RGB 168 62 243, RGB 216 62 243, RGB 243 62 222, RGB 243 62 174 and RGB 243 62 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 61 220 shade: RGB 211 12 185, RGB 241 23 212, RGB 243 62 219, RGB 246 101 227 and RGB 248 140 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 61 220 shade: RGB 244 61 220, RGB 243 119 62 and RGB 62 243 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 61 220 shade: RGB 244 61 220, RGB 222 243 62 and RGB 62 222 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 61 220 shade: RGB 244 61 220, RGB 243 119 62, RGB 62 243 83 and RGB 62 186 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 61 220 shade: RGB 244 61 220, RGB 243 174 62, RGB 62 243 83 and RGB 62 131 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

Complementary color

CMYK 94 / 0 / 82 / 24

HEX #0BC223

RGB 11 194 35

HSL 127.87, 0.89%, 0.4%

LAB 68.59, -68.54, 61.96

 

CMYK 0 / 76 / 14 / 2

HEX #F93DD7

RGB 249 61 215

HSL 310.85, 0.94%, 0.61%

LAB 60.23, 82.95, -38.65

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEA

RGB 255 79 234

HSL 307.16, 1%, 0.65%

LAB 63.99, 81.45, -43.35

 

CMYK 0 / 62 / 1 / 0

HEX #FF61FD

RGB 255 97 253

HSL 300.76, 1%, 0.69%

LAB 67.2, 77.88, -48.8

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 0 / 81 / 11 / 11

HEX #E32BC9

RGB 227 43 201

HSL 308.48, 0.77%, 0.53%

LAB 54.32, 80.99, -40.22

 

CMYK 0 / 88 / 13 / 18

HEX #D219B6

RGB 210 25 182

HSL 309.08, 0.79%, 0.46%

LAB 49.22, 78.51, -37.43

 

CMYK 0 / 96 / 16 / 24

HEX #C107A3

RGB 193 7 163

HSL 309.68, 0.93%, 0.39%

LAB 44.42, 74.91, -33.95

 

CMYK 0 / 100 / 18 / 31

HEX #B00090

RGB 176 0 144

HSL 310.91, 1%, 0.35%

LAB 39.99, 69.97, -29.66

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 0 / 74 / 30 / 5

HEX #F33EAB

RGB 243 62 171

HSL 323.87, 0.88%, 0.6%

LAB 57.5, 75.85, -17.71

 

CMYK 0 / 74 / 50 / 5

HEX #F33E7A

RGB 243 62 122

HSL 340.11, 0.88%, 0.6%

LAB 55.99, 71.12, 8.94

 

CMYK 0 / 74 / 70 / 5

HEX #F33E49

RGB 243 62 73

HSL 356.35, 0.88%, 0.6%

LAB 55.05, 68.08, 36.57

 

CMYK 0 / 74 / 74 / 5

HEX #F33E3E

RGB 243 62 62

HSL 0, 0.88%, 0.6%

LAB 54.92, 67.63, 42.6

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 10 / 74 / 0 / 5

HEX #DA3EF3

RGB 218 62 243

HSL 291.71, 0.88%, 0.6%

LAB 56.9, 80.63, -59.98

 

CMYK 30 / 74 / 0 / 5

HEX #A93EF3

RGB 169 62 243

HSL 275.47, 0.88%, 0.6%

LAB 49.92, 71.71, -71.6

 

CMYK 51 / 74 / 0 / 5

HEX #783EF3

RGB 120 62 243

HSL 259.23, 0.88%, 0.6%

LAB 44.1, 64.03, -81.34

 

CMYK 71 / 74 / 0 / 5

HEX #473EF3

RGB 71 62 243

HSL 242.98, 0.88%, 0.6%

LAB 40.01, 58.43, -88.23

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 0 / 66 / 9 / 11

HEX #E34ECF

RGB 227 78 207

HSL 308.05, 0.73%, 0.6%

LAB 58.31, 71.32, -37.39

 

CMYK 0 / 55 / 7 / 18

HEX #D25FC3

RGB 210 95 195

HSL 307.83, 0.56%, 0.6%

LAB 57.87, 57.9, -31.41

 

CMYK 0 / 43 / 6 / 24

HEX #C26FB7

RGB 194 111 183

HSL 307.95, 0.4%, 0.6%

LAB 58.28, 43.19, -24.09

 

CMYK 0 / 28 / 3 / 31

HEX #B180AB

RGB 177 128 171

HSL 307.35, 0.24%, 0.6%

LAB 59.64, 26.1, -15.32

 

CMYK 31 / 74 / 0 / 5

HEX #A83EF3

RGB 168 62 243

HSL 275.14, 0.88%, 0.6%

LAB 49.79, 71.54, -71.82

 

CMYK 11 / 74 / 0 / 5

HEX #D83EF3

RGB 216 62 243

HSL 291.05, 0.88%, 0.6%

LAB 56.6, 80.25, -60.48

 

CMYK 0 / 74 / 9 / 5

HEX #F33EDE

RGB 243 62 222

HSL 306.96, 0.88%, 0.6%

LAB 59.68, 82.37, -43.54

 

CMYK 0 / 74 / 28 / 5

HEX #F33EAE

RGB 243 62 174

HSL 322.87, 0.88%, 0.6%

LAB 57.61, 76.19, -19.29

 

CMYK 0 / 74 / 49 / 5

HEX #F33E7D

RGB 243 62 125

HSL 339.12, 0.88%, 0.6%

LAB 56.07, 71.36, 7.26

 

CMYK 0 / 94 / 12 / 17

HEX #D30CB9

RGB 211 12 185

HSL 307.84, 0.89%, 0.44%

LAB 49.03, 80.65, -39.48

 

CMYK 0 / 90 / 12 / 5

HEX #F117D4

RGB 241 23 212

HSL 307.98, 0.89%, 0.52%

LAB 56.15, 88.44, -43.46

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 0 / 59 / 8 / 4

HEX #F665E3

RGB 246 101 227

HSL 307.86, 0.89%, 0.68%

LAB 65.32, 69.98, -37.48

 

CMYK 0 / 44 / 6 / 3

HEX #F88CEA

RGB 248 140 234

HSL 307.78, 0.89%, 0.76%

LAB 72.66, 53.65, -29.94

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 0 / 51 / 74 / 5

HEX #F3773E

RGB 243 119 62

HSL 18.9, 0.88%, 0.6%

LAB 63.83, 43.94, 52.14

 

CMYK 74 / 0 / 21 / 5

HEX #3EF3C0

RGB 62 243 192

HSL 163.09, 0.88%, 0.6%

LAB 86.47, -56.21, 11.91

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 9 / 0 / 74 / 5

HEX #DEF33E

RGB 222 243 62

HSL 66.96, 0.88%, 0.6%

LAB 91.68, -28.06, 78.65

 

CMYK 74 / 9 / 0 / 5

HEX #3EDEF3

RGB 62 222 243

HSL 186.96, 0.88%, 0.6%

LAB 81.7, -33.48, -21.99

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 0 / 51 / 74 / 5

HEX #F3773E

RGB 243 119 62

HSL 18.9, 0.88%, 0.6%

LAB 63.83, 43.94, 52.14

 

CMYK 74 / 0 / 66 / 5

HEX #3EF353

RGB 62 243 83

HSL 126.96, 0.88%, 0.6%

LAB 84.87, -74.37, 62.15

 

CMYK 74 / 23 / 0 / 5

HEX #3EBAF3

RGB 62 186 243

HSL 198.9, 0.88%, 0.6%

LAB 71.29, -15.42, -37.98

 

CMYK 0 / 75 / 10 / 4

HEX #F43DDC

RGB 244 61 220

HSL 307.87, 0.89%, 0.6%

LAB 59.65, 82.58, -42.45

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 74 / 0 / 66 / 5

HEX #3EF353

RGB 62 243 83

HSL 126.96, 0.88%, 0.6%

LAB 84.87, -74.37, 62.15

 

CMYK 74 / 46 / 0 / 5

HEX #3E83F3

RGB 62 131 243

HSL 217.13, 0.88%, 0.6%

LAB 55.81, 16.19, -62.47

 

Description

Color code: RGB 244 61 220 | qconv.com Color code: RGB 244 61 220 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 61 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 61 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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