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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 142 165 it is the complementary color RGB 33 113 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 142 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 142 165 shade: RGB 227 142 160, RGB 244 160 179, RGB 255 178 198, RGB 255 196 217 and RGB 255 214 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 142 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 142 165 shade: RGB 222 142 165, RGB 205 124 146, RGB 188 106 127, RGB 171 88 108 and RGB 154 70 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 142 165 shade: RGB 221 140 163, RGB 221 140 141 and RGB 221 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 142 165 shade: RGB 221 140 163, RGB 221 140 185, RGB 221 140 207, RGB 213 140 221 and RGB 191 140 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 142 165 shade matches the following richer shades: RGB 221 140 163, RGB 233 128 158 and RGB 245 116 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 142 165 shade: RGB 221 140 163, RGB 209 152 168, RGB 197 164 173, RGB 185 176 179 and RGB 173 188 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 142 165 shade: RGB 221 140 208, RGB 221 140 186, RGB 221 140 164, RGB 221 140 143 and RGB 221 159 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 142 165 shade: RGB 203 76 112, RGB 212 108 138, RGB 221 140 163, RGB 231 172 189 and RGB 240 204 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 142 165 shade: RGB 222 142 165, RGB 221 213 140 and RGB 140 197 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 142 165 shade: RGB 222 142 165, RGB 164 221 140 and RGB 140 164 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 142 165 shade: RGB 222 142 165, RGB 221 213 140, RGB 140 221 197 and RGB 140 148 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 142 165 shade: RGB 222 142 165, RGB 205 221 140, RGB 140 221 197 and RGB 156 140 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

Complementary color

CMYK 71 / 0 / 20 / 56

HEX #21715A

RGB 33 113 90

HSL 162.75, 0.55%, 0.29%

LAB 42.57, -29.94, 5.86

 

CMYK 0 / 37 / 30 / 11

HEX #E38EA0

RGB 227 142 160

HSL 347.29, 0.6%, 0.72%

LAB 68.18, 34.49, 4.18

 

CMYK 0 / 34 / 27 / 4

HEX #F4A0B3

RGB 244 160 179

HSL 346.43, 0.79%, 0.79%

LAB 74.59, 33.66, 3.15

 

CMYK 0 / 30 / 22 / 0

HEX #FFB2C6

RGB 255 178 198

HSL 344.42, 1%, 0.85%

LAB 80.28, 30.77, 1.2

 

CMYK 0 / 23 / 15 / 0

HEX #FFC4D9

RGB 255 196 217

HSL 338.64, 1%, 0.88%

LAB 84.87, 24.17, -2.3

 

CMYK 0 / 16 / 7 / 0

HEX #FFD6EC

RGB 255 214 236

HSL 327.8, 1%, 0.92%

LAB 89.58, 17.82, -5.43

 

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

CMYK 0 / 40 / 29 / 20

HEX #CD7C92

RGB 205 124 146

HSL 343.7, 0.45%, 0.65%

LAB 61.19, 34.22, 1.66

 

CMYK 0 / 44 / 32 / 26

HEX #BC6A7F

RGB 188 106 127

HSL 344.63, 0.38%, 0.58%

LAB 54.59, 35.13, 2.83

 

CMYK 0 / 49 / 37 / 33

HEX #AB586C

RGB 171 88 108

HSL 345.54, 0.33%, 0.51%

LAB 47.91, 36.08, 4.2

 

CMYK 0 / 55 / 42 / 40

HEX #9A4659

RGB 154 70 89

HSL 346.43, 0.38%, 0.44%

LAB 41.17, 37.04, 5.85

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA3

RGB 221 140 163

HSL 342.96, 0.54%, 0.71%

LAB 67.11, 33.8, 0.85

 

CMYK 0 / 37 / 36 / 13

HEX #DD8C8D

RGB 221 140 141

HSL 359.26, 0.54%, 0.71%

LAB 66.56, 30.94, 12.44

 

CMYK 0 / 37 / 37 / 13

HEX #DD8C8C

RGB 221 140 140

HSL 0, 0.54%, 0.71%

LAB 66.54, 30.82, 12.97

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA3

RGB 221 140 163

HSL 342.96, 0.54%, 0.71%

LAB 67.11, 33.8, 0.85

 

CMYK 0 / 37 / 16 / 13

HEX #DD8CB9

RGB 221 140 185

HSL 326.67, 0.54%, 0.71%

LAB 67.75, 37.06, -10.56

 

CMYK 0 / 37 / 6 / 13

HEX #DD8CCF

RGB 221 140 207

HSL 310.37, 0.54%, 0.71%

LAB 68.48, 40.7, -21.72

 

CMYK 4 / 37 / 0 / 13

HEX #D58CDD

RGB 213 140 221

HSL 294.07, 0.54%, 0.71%

LAB 68.11, 40.73, -30.14

 

CMYK 14 / 37 / 0 / 13

HEX #BF8CDD

RGB 191 140 221

HSL 277.78, 0.54%, 0.71%

LAB 65.79, 34, -33.91

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA3

RGB 221 140 163

HSL 342.96, 0.54%, 0.71%

LAB 67.11, 33.8, 0.85

 

CMYK 0 / 45 / 32 / 9

HEX #E9809E

RGB 233 128 158

HSL 342.86, 0.7%, 0.71%

LAB 65.93, 43.63, 2.14

 

CMYK 0 / 53 / 38 / 4

HEX #F57499

RGB 245 116 153

HSL 342.79, 0.87%, 0.71%

LAB 65.12, 53.02, 4.02

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA3

RGB 221 140 163

HSL 342.96, 0.54%, 0.71%

LAB 67.11, 33.8, 0.85

 

CMYK 0 / 27 / 20 / 18

HEX #D198A8

RGB 209 152 168

HSL 343.16, 0.38%, 0.71%

LAB 68.63, 23.71, 0.11

 

CMYK 0 / 17 / 12 / 23

HEX #C5A4AD

RGB 197 164 173

HSL 343.64, 0.22%, 0.71%

LAB 70.48, 13.57, -0.11

 

CMYK 0 / 5 / 3 / 27

HEX #B9B0B3

RGB 185 176 179

HSL 340, 0.06%, 0.71%

LAB 72.64, 3.75, -0.39

 

CMYK 8 / 0 / 2 / 26

HEX #ADBCB8

RGB 173 188 184

HSL 164, 0.1%, 0.71%

LAB 75.02, -5.93, 0.24

 

CMYK 0 / 37 / 6 / 13

HEX #DD8CD0

RGB 221 140 208

HSL 309.63, 0.54%, 0.71%

LAB 68.52, 40.87, -22.22

 

CMYK 0 / 37 / 16 / 13

HEX #DD8CBA

RGB 221 140 186

HSL 325.93, 0.54%, 0.71%

LAB 67.78, 37.22, -11.07

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 0 / 37 / 35 / 13

HEX #DD8C8F

RGB 221 140 143

HSL 357.78, 0.54%, 0.71%

LAB 66.61, 31.19, 11.38

 

CMYK 0 / 28 / 37 / 13

HEX #DD9F8C

RGB 221 159 140

HSL 14.07, 0.54%, 0.71%

LAB 70.91, 20.62, 19.05

 

CMYK 0 / 63 / 45 / 20

HEX #CB4C70

RGB 203 76 112

HSL 342.99, 0.55%, 0.55%

LAB 50.73, 53.33, 6.49

 

CMYK 0 / 49 / 35 / 17

HEX #D46C8A

RGB 212 108 138

HSL 342.69, 0.55%, 0.63%

LAB 58.56, 44.03, 2.57

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA3

RGB 221 140 163

HSL 342.96, 0.54%, 0.71%

LAB 67.11, 33.8, 0.85

 

CMYK 0 / 26 / 18 / 9

HEX #E7ACBD

RGB 231 172 189

HSL 342.71, 0.55%, 0.79%

LAB 76.17, 24.09, -0.2

 

CMYK 0 / 15 / 11 / 6

HEX #F0CCD6

RGB 240 204 214

HSL 343.33, 0.55%, 0.87%

LAB 85.28, 14.24, -0.25

 

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

CMYK 0 / 4 / 37 / 13

HEX #DDD58C

RGB 221 213 140

HSL 54.07, 0.54%, 0.71%

LAB 84.41, -7.85, 37.09

 

CMYK 37 / 11 / 0 / 13

HEX #8CC5DD

RGB 140 197 221

HSL 197.78, 0.54%, 0.71%

LAB 76.51, -12.47, -17.82

 

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

CMYK 26 / 0 / 37 / 13

HEX #A4DD8C

RGB 164 221 140

HSL 102.22, 0.54%, 0.71%

LAB 82.65, -32.92, 34.05

 

CMYK 37 / 26 / 0 / 13

HEX #8CA4DD

RGB 140 164 221

HSL 222.22, 0.54%, 0.71%

LAB 67.54, 5.48, -31.54

 

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

CMYK 0 / 4 / 37 / 13

HEX #DDD58C

RGB 221 213 140

HSL 54.07, 0.54%, 0.71%

LAB 84.41, -7.85, 37.09

 

CMYK 37 / 0 / 11 / 13

HEX #8CDDC5

RGB 140 221 197

HSL 162.22, 0.54%, 0.71%

LAB 82.55, -30.1, 3.97

 

CMYK 37 / 33 / 0 / 13

HEX #8C94DD

RGB 140 148 221

HSL 234.07, 0.54%, 0.71%

LAB 63.32, 14.61, -38.09

 

CMYK 0 / 36 / 26 / 13

HEX #DE8EA5

RGB 222 142 165

HSL 342.75, 0.55%, 0.71%

LAB 67.72, 33.37, 0.63

 

CMYK 7 / 0 / 37 / 13

HEX #CDDD8C

RGB 205 221 140

HSL 71.85, 0.54%, 0.71%

LAB 85.29, -18.03, 38

 

CMYK 37 / 0 / 11 / 13

HEX #8CDDC5

RGB 140 221 197

HSL 162.22, 0.54%, 0.71%

LAB 82.55, -30.1, 3.97

 

CMYK 29 / 37 / 0 / 13

HEX #9C8CDD

RGB 156 140 221

HSL 251.85, 0.54%, 0.71%

LAB 62.55, 23.67, -39.22

 

Description

Color code: RGB 222 142 165 | qconv.com Color code: RGB 222 142 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 142 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 142 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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