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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8CA4 it is the complementary color #22735B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8CA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8CA4 shade: #E28C9F, #F39EB2, #FFB0C5, #FFC2D8 and #FFD4EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8CA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8CA4 shade: #DD8CA4, #CC7A91, #BB687E, #AA566B and #994458

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8CA4 shade: #DC8DA4, #DC8D8F and #DC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8CA4 shade: #DC8DA4, #DC8DBA, #DC8DCF, #D48DDC and #BF8DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8CA4 shade matches the following richer shades: #DC8DA4, #E8819F and #F4759B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8CA4 shade: #DC8DA4, #D199A9, #C5A5AE, #B9B1B3 and #ADBCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8CA4 shade: #DC8DCF, #DC8DBA, #DC8DA5, #DC8D8F and #DC9F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8CA4 shade: #CA4D72, #D36D8B, #DC8DA4, #E6ACBD and #EFCCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8CA4 shade: #DD8CA4, #DCD48D and #8DC5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8CA4 shade: #DD8CA4, #A5DC8D and #8DA5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8CA4 shade: #DD8CA4, #DCD48D, #8DDCC5 and #8D95DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8CA4 shade: #DD8CA4, #CDDC8D, #8DDCC5 and #9D8DDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

Complementary color

CMYK 70 / 0 / 21 / 55

HEX #22735B

RGB 34 115 91

HSL 162.22, 0.54%, 0.29%

LAB 43.3, -30.43, 6.3

 

CMYK 0 / 38 / 30 / 11

HEX #E28C9F

RGB 226 140 159

HSL 346.74, 0.6%, 0.72%

LAB 67.6, 35.06, 3.88

 

CMYK 0 / 35 / 27 / 5

HEX #F39EB2

RGB 243 158 178

HSL 345.88, 0.78%, 0.79%

LAB 74.01, 34.22, 2.85

 

CMYK 0 / 31 / 23 / 0

HEX #FFB0C5

RGB 255 176 197

HSL 344.05, 1%, 0.85%

LAB 79.81, 31.68, 1.06

 

CMYK 0 / 24 / 15 / 0

HEX #FFC2D8

RGB 255 194 216

HSL 338.36, 1%, 0.88%

LAB 84.38, 25.06, -2.48

 

CMYK 0 / 17 / 8 / 0

HEX #FFD4EB

RGB 255 212 235

HSL 327.91, 1%, 0.92%

LAB 89.09, 18.7, -5.64

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 0 / 40 / 29 / 20

HEX #CC7A91

RGB 204 122 145

HSL 343.17, 0.45%, 0.64%

LAB 60.61, 34.8, 1.36

 

CMYK 0 / 44 / 33 / 27

HEX #BB687E

RGB 187 104 126

HSL 344.1, 0.38%, 0.57%

LAB 54, 35.71, 2.55

 

CMYK 0 / 49 / 37 / 33

HEX #AA566B

RGB 170 86 107

HSL 345, 0.33%, 0.5%

LAB 47.32, 36.65, 3.94

 

CMYK 0 / 56 / 42 / 40

HEX #994458

RGB 153 68 88

HSL 345.88, 0.38%, 0.43%

LAB 40.59, 37.59, 5.63

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA4

RGB 220 141 164

HSL 342.53, 0.53%, 0.71%

LAB 67.24, 33.05, 0.46

 

CMYK 0 / 36 / 35 / 14

HEX #DC8D8F

RGB 220 141 143

HSL 358.48, 0.53%, 0.71%

LAB 66.71, 30.28, 11.51

 

CMYK 0 / 36 / 36 / 14

HEX #DC8D8D

RGB 220 141 141

HSL 0, 0.53%, 0.71%

LAB 66.66, 30.03, 12.57

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA4

RGB 220 141 164

HSL 342.53, 0.53%, 0.71%

LAB 67.24, 33.05, 0.46

 

CMYK 0 / 36 / 15 / 14

HEX #DC8DBA

RGB 220 141 186

HSL 325.82, 0.53%, 0.71%

LAB 67.88, 36.35, -10.93

 

CMYK 0 / 36 / 6 / 14

HEX #DC8DCF

RGB 220 141 207

HSL 309.87, 0.53%, 0.71%

LAB 68.58, 39.85, -21.58

 

CMYK 4 / 36 / 0 / 14

HEX #D48DDC

RGB 212 141 220

HSL 293.92, 0.53%, 0.71%

LAB 68.18, 39.7, -29.49

 

CMYK 13 / 36 / 0 / 14

HEX #BF8DDC

RGB 191 141 220

HSL 277.97, 0.53%, 0.71%

LAB 65.98, 33.23, -33.07

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA4

RGB 220 141 164

HSL 342.53, 0.53%, 0.71%

LAB 67.24, 33.05, 0.46

 

CMYK 0 / 44 / 31 / 9

HEX #E8819F

RGB 232 129 159

HSL 342.52, 0.69%, 0.71%

LAB 66.03, 42.9, 1.7

 

CMYK 0 / 52 / 36 / 4

HEX #F4759B

RGB 244 117 155

HSL 342.05, 0.85%, 0.71%

LAB 65.22, 52.43, 3

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA4

RGB 220 141 164

HSL 342.53, 0.53%, 0.71%

LAB 67.24, 33.05, 0.46

 

CMYK 0 / 27 / 19 / 18

HEX #D199A9

RGB 209 153 169

HSL 342.86, 0.38%, 0.71%

LAB 68.9, 23.32, -0.06

 

CMYK 0 / 16 / 12 / 23

HEX #C5A5AE

RGB 197 165 174

HSL 343.13, 0.22%, 0.71%

LAB 70.76, 13.19, -0.26

 

CMYK 0 / 4 / 3 / 27

HEX #B9B1B3

RGB 185 177 179

HSL 345, 0.05%, 0.71%

LAB 72.9, 3.21, -0.01

 

CMYK 8 / 0 / 2 / 26

HEX #ADBCB8

RGB 173 188 184

HSL 164, 0.1%, 0.71%

LAB 75.02, -5.93, 0.24

 

CMYK 0 / 36 / 6 / 14

HEX #DC8DCF

RGB 220 141 207

HSL 309.87, 0.53%, 0.71%

LAB 68.58, 39.85, -21.58

 

CMYK 0 / 36 / 15 / 14

HEX #DC8DBA

RGB 220 141 186

HSL 325.82, 0.53%, 0.71%

LAB 67.88, 36.35, -10.93

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA5

RGB 220 141 165

HSL 341.77, 0.53%, 0.71%

LAB 67.26, 33.19, -0.06

 

CMYK 0 / 36 / 35 / 14

HEX #DC8D8F

RGB 220 141 143

HSL 358.48, 0.53%, 0.71%

LAB 66.71, 30.28, 11.51

 

CMYK 0 / 28 / 36 / 14

HEX #DC9F8D

RGB 220 159 141

HSL 13.67, 0.53%, 0.71%

LAB 70.83, 20.35, 18.37

 

CMYK 0 / 62 / 44 / 21

HEX #CA4D72

RGB 202 77 114

HSL 342.24, 0.54%, 0.55%

LAB 50.78, 52.77, 5.33

 

CMYK 0 / 48 / 34 / 17

HEX #D36D8B

RGB 211 109 139

HSL 342.35, 0.54%, 0.63%

LAB 58.65, 43.3, 2.1

 

CMYK 0 / 36 / 25 / 14

HEX #DC8DA4

RGB 220 141 164

HSL 342.53, 0.53%, 0.71%

LAB 67.24, 33.05, 0.46

 

CMYK 0 / 25 / 18 / 10

HEX #E6ACBD

RGB 230 172 189

HSL 342.41, 0.54%, 0.79%

LAB 76.07, 23.73, -0.36

 

CMYK 0 / 15 / 10 / 6

HEX #EFCCD7

RGB 239 204 215

HSL 341.14, 0.52%, 0.87%

LAB 85.22, 14.06, -0.89

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 0 / 4 / 36 / 14

HEX #DCD48D

RGB 220 212 141

HSL 53.92, 0.53%, 0.71%

LAB 84.08, -7.62, 36.15

 

CMYK 36 / 10 / 0 / 14

HEX #8DC5DC

RGB 141 197 220

HSL 197.47, 0.53%, 0.71%

LAB 76.53, -12.45, -17.24

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 25 / 0 / 36 / 14

HEX #A5DC8D

RGB 165 220 141

HSL 101.77, 0.53%, 0.71%

LAB 82.44, -31.97, 33.27

 

CMYK 36 / 25 / 0 / 14

HEX #8DA5DC

RGB 141 165 220

HSL 221.77, 0.53%, 0.71%

LAB 67.83, 4.93, -30.53

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 0 / 4 / 36 / 14

HEX #DCD48D

RGB 220 212 141

HSL 53.92, 0.53%, 0.71%

LAB 84.08, -7.62, 36.15

 

CMYK 36 / 0 / 10 / 14

HEX #8DDCC5

RGB 141 220 197

HSL 162.53, 0.53%, 0.71%

LAB 82.31, -29.35, 3.63

 

CMYK 36 / 32 / 0 / 14

HEX #8D95DC

RGB 141 149 220

HSL 233.92, 0.53%, 0.71%

LAB 63.61, 14.04, -37.08

 

CMYK 0 / 37 / 26 / 13

HEX #DD8CA4

RGB 221 140 164

HSL 342.22, 0.54%, 0.71%

LAB 67.13, 33.94, 0.32

 

CMYK 7 / 0 / 36 / 14

HEX #CDDC8D

RGB 205 220 141

HSL 71.39, 0.53%, 0.71%

LAB 85.04, -17.41, 37.17

 

CMYK 36 / 0 / 10 / 14

HEX #8DDCC5

RGB 141 220 197

HSL 162.53, 0.53%, 0.71%

LAB 82.31, -29.35, 3.63

 

CMYK 29 / 36 / 0 / 14

HEX #9D8DDC

RGB 157 141 220

HSL 252.15, 0.53%, 0.71%

LAB 62.83, 23.13, -38.21

 

Description

Color code: HEX #DD8CA4 | qconv.com Color code: HEX #DD8CA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 140 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 140 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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