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Color name
RGB 219 61 81

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 61 81 it is the complementary color RGB 36 194 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 61 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 61 81 shade: RGB 224 61 76, RGB 241 79 95, RGB 255 97 114, RGB 255 115 133 and RGB 255 133 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 61 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 202 43 62, RGB 185 25 43, RGB 168 7 24 and RGB 151 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 61 81 shade: RGB 219 61 81 and RGB 219 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 219 61 123, RGB 219 61 166, RGB 219 61 209 and RGB 186 61 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 61 81 shade matches the following richer shades: RGB 219 61 81 and RGB 237 42 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 200 79 94, RGB 182 98 108, RGB 163 116 122 and RGB 145 135 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 61 81 shade: RGB 219 61 166, RGB 219 61 124, RGB 219 61 82, RGB 219 82 61 and RGB 219 124 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 61 81 shade: RGB 167 30 47, RGB 202 37 57, RGB 219 61 81, RGB 225 95 112 and RGB 232 130 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 208 219 61 and RGB 61 145 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 82 219 61 and RGB 61 82 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 208 219 61, RGB 61 219 198 and RGB 71 61 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 61 81 shade: RGB 219 61 81, RGB 161 219 61, RGB 61 219 198 and RGB 119 61 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

Complementary color

CMYK 81 / 0 / 10 / 24

HEX #24C2AE

RGB 36 194 174

HSL 172.41, 0.69%, 0.45%

LAB 70.88, -43.15, -1.03

 

CMYK 0 / 73 / 66 / 12

HEX #E03D4C

RGB 224 61 76

HSL 354.48, 0.72%, 0.56%

LAB 51.5, 62.97, 29.7

 

CMYK 0 / 67 / 61 / 5

HEX #F14F5F

RGB 241 79 95

HSL 354.07, 0.85%, 0.63%

LAB 57.19, 62.73, 26.45

 

CMYK 0 / 62 / 55 / 0

HEX #FF6172

RGB 255 97 114

HSL 353.54, 1%, 0.69%

LAB 62.53, 61.21, 22.95

 

CMYK 0 / 55 / 48 / 0

HEX #FF7385

RGB 255 115 133

HSL 352.29, 1%, 0.73%

LAB 65.92, 54.81, 16.73

 

CMYK 0 / 48 / 40 / 0

HEX #FF8598

RGB 255 133 152

HSL 350.66, 1%, 0.76%

LAB 69.68, 48.07, 11.29

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 79 / 69 / 21

HEX #CA2B3E

RGB 202 43 62

HSL 352.83, 0.65%, 0.48%

LAB 45.13, 61.48, 29.25

 

CMYK 0 / 86 / 77 / 27

HEX #B9192B

RGB 185 25 43

HSL 353.25, 0.76%, 0.41%

LAB 39.89, 60.37, 33.7

 

CMYK 0 / 96 / 86 / 34

HEX #A80718

RGB 168 7 24

HSL 353.66, 0.92%, 0.34%

LAB 35.09, 58.09, 38.6

 

CMYK 0 / 100 / 97 / 41

HEX #970005

RGB 151 0 5

HSL 358.01, 1%, 0.3%

LAB 30.86, 54.26, 42.59

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 72 / 24 / 14

HEX #DB3DA6

RGB 219 61 166

HSL 320.13, 0.69%, 0.55%

LAB 53.11, 69.68, -21.86

 

CMYK 0 / 72 / 5 / 14

HEX #DB3DD1

RGB 219 61 209

HSL 303.8, 0.69%, 0.55%

LAB 55.07, 75.66, -43.7

 

CMYK 15 / 72 / 0 / 14

HEX #BA3DDB

RGB 186 61 219

HSL 287.47, 0.69%, 0.55%

LAB 50.56, 70.48, -56.89

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 82 / 72 / 7

HEX #ED2A43

RGB 237 42 67

HSL 352.31, 0.84%, 0.55%

LAB 51.91, 71.59, 36.04

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 61 / 53 / 22

HEX #C84F5E

RGB 200 79 94

HSL 352.56, 0.52%, 0.55%

LAB 50.31, 49.37, 16.65

 

CMYK 0 / 46 / 41 / 29

HEX #B6626C

RGB 182 98 108

HSL 352.86, 0.37%, 0.55%

LAB 51.57, 34.85, 9.63

 

CMYK 0 / 29 / 25 / 36

HEX #A3747A

RGB 163 116 122

HSL 352.34, 0.2%, 0.55%

LAB 53.69, 19.39, 4.07

 

CMYK 0 / 7 / 6 / 43

HEX #918788

RGB 145 135 136

HSL 354, 0.04%, 0.55%

LAB 57.2, 3.93, 0.81

 

CMYK 0 / 72 / 24 / 14

HEX #DB3DA6

RGB 219 61 166

HSL 320.13, 0.69%, 0.55%

LAB 53.11, 69.68, -21.86

 

CMYK 0 / 72 / 43 / 14

HEX #DB3D7C

RGB 219 61 124

HSL 336.08, 0.69%, 0.55%

LAB 51.67, 65.05, 0.97

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D52

RGB 219 61 82

HSL 352.03, 0.69%, 0.55%

LAB 50.7, 61.82, 24.93

 

CMYK 0 / 63 / 72 / 14

HEX #DB523D

RGB 219 82 61

HSL 7.97, 0.69%, 0.55%

LAB 53.42, 52.46, 40.3

 

CMYK 0 / 43 / 72 / 14

HEX #DB7C3D

RGB 219 124 61

HSL 23.92, 0.69%, 0.55%

LAB 61.49, 31.93, 49.13

 

CMYK 0 / 82 / 72 / 35

HEX #A71E2F

RGB 167 30 47

HSL 352.55, 0.7%, 0.39%

LAB 36.65, 54.3, 26.57

 

CMYK 0 / 82 / 72 / 21

HEX #CA2539

RGB 202 37 57

HSL 352.73, 0.69%, 0.47%

LAB 44.48, 62.86, 31.49

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 0 / 58 / 50 / 12

HEX #E15F70

RGB 225 95 112

HSL 352.15, 0.68%, 0.63%

LAB 57.43, 52.07, 16.39

 

CMYK 0 / 44 / 38 / 9

HEX #E8828F

RGB 232 130 143

HSL 352.35, 0.69%, 0.71%

LAB 65.83, 40.47, 10.47

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 5 / 0 / 72 / 14

HEX #D0DB3D

RGB 208 219 61

HSL 64.18, 0.69%, 0.55%

LAB 84.18, -22.38, 71.54

 

CMYK 72 / 34 / 0 / 14

HEX #3D91DB

RGB 61 145 219

HSL 208.1, 0.69%, 0.55%

LAB 58.37, -0.92, -45.03

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 63 / 0 / 72 / 14

HEX #52DB3D

RGB 82 219 61

HSL 112.03, 0.69%, 0.55%

LAB 77.75, -64.99, 63.05

 

CMYK 72 / 63 / 0 / 14

HEX #3D52DB

RGB 61 82 219

HSL 232.03, 0.69%, 0.55%

LAB 41.44, 38.09, -72.28

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 5 / 0 / 72 / 14

HEX #D0DB3D

RGB 208 219 61

HSL 64.18, 0.69%, 0.55%

LAB 84.18, -22.38, 71.54

 

CMYK 72 / 0 / 10 / 14

HEX #3DDBC6

RGB 61 219 198

HSL 172.03, 0.69%, 0.55%

LAB 79.46, -44.92, -1.37

 

CMYK 68 / 72 / 0 / 14

HEX #473DDB

RGB 71 61 219

HSL 243.8, 0.69%, 0.55%

LAB 37.47, 51.55, -78.78

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D51

RGB 219 61 81

HSL 352.41, 0.69%, 0.55%

LAB 50.68, 61.76, 25.5

 

CMYK 26 / 0 / 72 / 14

HEX #A1DB3D

RGB 161 219 61

HSL 82.03, 0.69%, 0.55%

LAB 81.06, -40.96, 67.45

 

CMYK 72 / 0 / 10 / 14

HEX #3DDBC6

RGB 61 219 198

HSL 172.03, 0.69%, 0.55%

LAB 79.46, -44.92, -1.37

 

CMYK 46 / 72 / 0 / 14

HEX #773DDB

RGB 119 61 219

HSL 262.03, 0.69%, 0.55%

LAB 41.8, 58.13, -71.5

 

Description

Color code: RGB 219 61 81 | qconv.com Color code: RGB 219 61 81 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 61 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 61 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 63% 14% C M Y K

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Provide designers and agencies with accurate color values.

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