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Color name
RGB 219 61 123

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 61 123 it is the complementary color RGB 36 194 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 61 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 61 123 shade: RGB 224 61 118, RGB 241 79 137, RGB 255 97 156, RGB 255 115 175 and RGB 255 133 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 61 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 202 43 104, RGB 185 25 85, RGB 168 7 66 and RGB 151 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 219 61 80 and RGB 219 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 219 61 165, RGB 219 61 208, RGB 187 61 219 and RGB 144 61 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 61 123 shade matches the following richer shades: RGB 219 61 123 and RGB 237 42 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 200 79 127, RGB 182 98 131, RGB 163 116 135 and RGB 145 135 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 61 123 shade: RGB 219 61 208, RGB 219 61 166, RGB 219 61 124, RGB 219 61 82 and RGB 219 82 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 61 123 shade: RGB 167 30 84, RGB 202 37 101, RGB 219 61 123, RGB 225 95 146 and RGB 232 130 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 219 187 61 and RGB 61 187 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 124 219 61 and RGB 61 124 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 219 187 61, RGB 61 219 156 and RGB 61 92 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 61 123 shade: RGB 219 61 123, RGB 203 219 61, RGB 61 219 156 and RGB 76 61 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

Complementary color

CMYK 81 / 0 / 32 / 24

HEX #24C284

RGB 36 194 132

HSL 156.46, 0.69%, 0.45%

LAB 69.91, -53.47, 20.34

 

CMYK 0 / 73 / 47 / 12

HEX #E03D76

RGB 224 61 118

HSL 339.02, 0.72%, 0.56%

LAB 52.39, 65.9, 5.73

 

CMYK 0 / 67 / 43 / 5

HEX #F14F89

RGB 241 79 137

HSL 338.52, 0.85%, 0.63%

LAB 58.13, 66.05, 3.09

 

CMYK 0 / 62 / 39 / 0

HEX #FF619C

RGB 255 97 156

HSL 337.59, 1%, 0.69%

LAB 63.52, 64.92, 0.15

 

CMYK 0 / 55 / 31 / 0

HEX #FF73AF

RGB 255 115 175

HSL 334.29, 1%, 0.73%

LAB 66.99, 59.22, -5.58

 

CMYK 0 / 48 / 24 / 0

HEX #FF85C2

RGB 255 133 194

HSL 330, 1%, 0.76%

LAB 70.82, 53.16, -10.55

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 79 / 49 / 21

HEX #CA2B68

RGB 202 43 104

HSL 336.98, 0.65%, 0.48%

LAB 46.02, 64.25, 4.6

 

CMYK 0 / 86 / 54 / 27

HEX #B91955

RGB 185 25 85

HSL 337.5, 0.76%, 0.41%

LAB 40.68, 62.66, 8.44

 

CMYK 0 / 96 / 61 / 34

HEX #A80742

RGB 168 7 66

HSL 338.01, 0.92%, 0.34%

LAB 35.73, 59.87, 13.26

 

CMYK 0 / 100 / 69 / 41

HEX #97002F

RGB 151 0 47

HSL 341.32, 1%, 0.3%

LAB 31.31, 55.49, 19.22

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D50

RGB 219 61 80

HSL 352.78, 0.69%, 0.55%

LAB 50.66, 61.7, 26.08

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 72 / 25 / 14

HEX #DB3DA5

RGB 219 61 165

HSL 320.51, 0.69%, 0.55%

LAB 53.07, 69.55, -21.33

 

CMYK 0 / 72 / 5 / 14

HEX #DB3DD0

RGB 219 61 208

HSL 304.18, 0.69%, 0.55%

LAB 55.02, 75.51, -43.21

 

CMYK 15 / 72 / 0 / 14

HEX #BB3DDB

RGB 187 61 219

HSL 287.85, 0.69%, 0.55%

LAB 50.71, 70.68, -56.65

 

CMYK 34 / 72 / 0 / 14

HEX #903DDB

RGB 144 61 219

HSL 271.52, 0.69%, 0.55%

LAB 44.77, 62.43, -66.53

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 82 / 50 / 7

HEX #ED2A77

RGB 237 42 119

HSL 336.31, 0.84%, 0.55%

LAB 52.94, 74.65, 6.24

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 61 / 37 / 22

HEX #C84F7F

RGB 200 79 127

HSL 336.2, 0.52%, 0.55%

LAB 51.16, 52.65, -1.96

 

CMYK 0 / 46 / 28 / 29

HEX #B66283

RGB 182 98 131

HSL 336.43, 0.37%, 0.55%

LAB 52.2, 37.77, -3.12

 

CMYK 0 / 29 / 17 / 36

HEX #A37487

RGB 163 116 135

HSL 335.74, 0.2%, 0.55%

LAB 54.06, 21.46, -3

 

CMYK 0 / 7 / 4 / 43

HEX #91878B

RGB 145 135 139

HSL 336, 0.04%, 0.55%

LAB 57.28, 4.5, -0.8

 

CMYK 0 / 72 / 5 / 14

HEX #DB3DD0

RGB 219 61 208

HSL 304.18, 0.69%, 0.55%

LAB 55.02, 75.51, -43.21

 

CMYK 0 / 72 / 24 / 14

HEX #DB3DA6

RGB 219 61 166

HSL 320.13, 0.69%, 0.55%

LAB 53.11, 69.68, -21.86

 

CMYK 0 / 72 / 43 / 14

HEX #DB3D7C

RGB 219 61 124

HSL 336.08, 0.69%, 0.55%

LAB 51.67, 65.05, 0.97

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D52

RGB 219 61 82

HSL 352.03, 0.69%, 0.55%

LAB 50.7, 61.82, 24.93

 

CMYK 0 / 63 / 72 / 14

HEX #DB523D

RGB 219 82 61

HSL 7.97, 0.69%, 0.55%

LAB 53.42, 52.46, 40.3

 

CMYK 0 / 82 / 50 / 35

HEX #A71E54

RGB 167 30 84

HSL 336.35, 0.7%, 0.39%

LAB 37.45, 56.74, 3.99

 

CMYK 0 / 82 / 50 / 21

HEX #CA2565

RGB 202 37 101

HSL 336.73, 0.69%, 0.47%

LAB 45.39, 65.58, 5.55

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 58 / 35 / 12

HEX #E15F92

RGB 225 95 146

HSL 336.46, 0.68%, 0.63%

LAB 58.29, 55.51, -2.26

 

CMYK 0 / 44 / 27 / 9

HEX #E882AA

RGB 232 130 170

HSL 336.47, 0.69%, 0.71%

LAB 66.54, 43.83, -3.77

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 15 / 72 / 14

HEX #DBBB3D

RGB 219 187 61

HSL 47.85, 0.69%, 0.55%

LAB 76.64, -1.62, 64.57

 

CMYK 72 / 15 / 0 / 14

HEX #3DBBDB

RGB 61 187 219

HSL 192.15, 0.69%, 0.55%

LAB 70.63, -23.82, -25.96

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 43 / 0 / 72 / 14

HEX #7CDB3D

RGB 124 219 61

HSL 96.08, 0.69%, 0.55%

LAB 79.21, -53.75, 64.99

 

CMYK 72 / 43 / 0 / 14

HEX #3D7CDB

RGB 61 124 219

HSL 216.08, 0.69%, 0.55%

LAB 52.42, 11.69, -54.5

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 0 / 15 / 72 / 14

HEX #DBBB3D

RGB 219 187 61

HSL 47.85, 0.69%, 0.55%

LAB 76.64, -1.62, 64.57

 

CMYK 72 / 0 / 29 / 14

HEX #3DDB9C

RGB 61 219 156

HSL 156.08, 0.69%, 0.55%

LAB 78.49, -54.97, 19.52

 

CMYK 72 / 58 / 0 / 14

HEX #3D5CDB

RGB 61 92 219

HSL 228.23, 0.69%, 0.55%

LAB 43.89, 31.83, -68.28

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7B

RGB 219 61 123

HSL 336.46, 0.69%, 0.55%

LAB 51.64, 64.96, 1.53

 

CMYK 7 / 0 / 72 / 14

HEX #CBDB3D

RGB 203 219 61

HSL 66.08, 0.69%, 0.55%

LAB 83.81, -24.43, 71.06

 

CMYK 72 / 0 / 29 / 14

HEX #3DDB9C

RGB 61 219 156

HSL 156.08, 0.69%, 0.55%

LAB 78.49, -54.97, 19.52

 

CMYK 65 / 72 / 0 / 14

HEX #4C3DDB

RGB 76 61 219

HSL 245.7, 0.69%, 0.55%

LAB 37.82, 52.11, -78.18

 

Description

Color code: RGB 219 61 123 | qconv.com Color code: RGB 219 61 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 61 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 61 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 44 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 44% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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