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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 90 213 it is the complementary color RGB 39 165 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 90 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 90 213 shade: RGB 221 90 208, RGB 238 108 227, RGB 255 126 246, RGB 255 144 255 and RGB 255 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 90 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 90 213 shade: RGB 216 90 213, RGB 199 72 194, RGB 182 54 175, RGB 165 36 156 and RGB 148 18 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 90 213 shade: RGB 216 89 213, RGB 216 89 179, RGB 216 89 145, RGB 216 89 110 and RGB 216 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 90 213 shade: RGB 216 89 213, RGB 185 89 216, RGB 151 89 216, RGB 116 89 216 and RGB 89 89 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 90 213 shade matches the following richer shades: RGB 216 89 213, RGB 232 73 228 and RGB 249 56 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 90 213 shade: RGB 216 89 213, RGB 199 106 197, RGB 183 122 181, RGB 166 139 166 and RGB 150 155 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 90 213 shade: RGB 150 89 216, RGB 184 89 216, RGB 216 89 214, RGB 216 89 180 and RGB 216 89 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 90 213 shade: RGB 181 42 177, RGB 208 56 204, RGB 216 89 213, RGB 224 123 221 and RGB 231 156 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 90 213 shade: RGB 216 90 213, RGB 216 117 89 and RGB 89 216 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 90 213 shade: RGB 216 90 213, RGB 214 216 89 and RGB 89 214 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 90 213 shade: RGB 216 90 213, RGB 216 117 89, RGB 89 216 91 and RGB 89 188 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 90 213 shade: RGB 216 90 213, RGB 216 155 89, RGB 89 216 91 and RGB 89 150 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

Complementary color

CMYK 76 / 0 / 75 / 35

HEX #27A52A

RGB 39 165 42

HSL 121.43, 0.62%, 0.4%

LAB 59.44, -56.74, 51.02

 

CMYK 0 / 59 / 6 / 13

HEX #DD5AD0

RGB 221 90 208

HSL 305.95, 0.66%, 0.61%

LAB 59.19, 65.18, -36.63

 

CMYK 0 / 55 / 5 / 7

HEX #EE6CE3

RGB 238 108 227

HSL 305.08, 0.79%, 0.68%

LAB 65.32, 64.85, -37.56

 

CMYK 0 / 51 / 4 / 0

HEX #FF7EF6

RGB 255 126 246

HSL 304.19, 1%, 0.75%

LAB 71.44, 64.36, -38.32

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

CMYK 0 / 64 / 3 / 22

HEX #C748C2

RGB 199 72 194

HSL 302.36, 0.53%, 0.53%

LAB 52.59, 64.81, -39.22

 

CMYK 0 / 70 / 4 / 29

HEX #B636AF

RGB 182 54 175

HSL 303.28, 0.54%, 0.46%

LAB 46.55, 64.46, -37.85

 

CMYK 0 / 78 / 5 / 35

HEX #A5249C

RGB 165 36 156

HSL 304.19, 0.64%, 0.39%

LAB 40.67, 63.41, -36

 

CMYK 0 / 88 / 7 / 42

HEX #941289

RGB 148 18 137

HSL 305.08, 0.78%, 0.33%

LAB 35.07, 61.27, -33.46

 

CMYK 0 / 59 / 1 / 15

HEX #D859D5

RGB 216 89 213

HSL 301.42, 0.62%, 0.6%

LAB 58.55, 65.15, -40.52

 

CMYK 0 / 59 / 17 / 15

HEX #D859B3

RGB 216 89 179

HSL 317.48, 0.62%, 0.6%

LAB 57.07, 59.81, -23.39

 

CMYK 0 / 59 / 33 / 15

HEX #D85991

RGB 216 89 145

HSL 333.54, 0.62%, 0.6%

LAB 55.87, 55.28, -5.39

 

CMYK 0 / 59 / 49 / 15

HEX #D8596E

RGB 216 89 110

HSL 350.08, 0.62%, 0.6%

LAB 54.94, 51.61, 13.91

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 1 / 15

HEX #D859D5

RGB 216 89 213

HSL 301.42, 0.62%, 0.6%

LAB 58.55, 65.15, -40.52

 

CMYK 14 / 59 / 0 / 15

HEX #B959D8

RGB 185 89 216

HSL 285.35, 0.62%, 0.6%

LAB 54.47, 57.94, -48.95

 

CMYK 30 / 59 / 0 / 15

HEX #9759D8

RGB 151 89 216

HSL 269.29, 0.62%, 0.6%

LAB 50.31, 49.73, -55.83

 

CMYK 46 / 59 / 0 / 15

HEX #7459D8

RGB 116 89 216

HSL 252.76, 0.62%, 0.6%

LAB 46.73, 41.95, -61.78

 

CMYK 59 / 59 / 0 / 15

HEX #5959D8

RGB 89 89 216

HSL 240, 0.62%, 0.6%

LAB 44.56, 36.81, -65.41

 

CMYK 0 / 59 / 1 / 15

HEX #D859D5

RGB 216 89 213

HSL 301.42, 0.62%, 0.6%

LAB 58.55, 65.15, -40.52

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 78 / 2 / 2

HEX #F938F4

RGB 249 56 244

HSL 301.55, 0.94%, 0.6%

LAB 61.22, 88.33, -53.36

 

CMYK 0 / 59 / 1 / 15

HEX #D859D5

RGB 216 89 213

HSL 301.42, 0.62%, 0.6%

LAB 58.55, 65.15, -40.52

 

CMYK 0 / 47 / 1 / 22

HEX #C76AC5

RGB 199 106 197

HSL 301.29, 0.45%, 0.6%

LAB 58.49, 49.78, -31.7

 

CMYK 0 / 33 / 1 / 28

HEX #B77AB5

RGB 183 122 181

HSL 301.97, 0.3%, 0.6%

LAB 59.27, 33.35, -21.54

 

CMYK 0 / 16 / 0 / 35

HEX #A68BA6

RGB 166 139 166

HSL 300, 0.13%, 0.6%

LAB 61.07, 15.07, -10.43

 

CMYK 3 / 0 / 3 / 39

HEX #969B96

RGB 150 155 150

HSL 120, 0.02%, 0.6%

LAB 63.45, -2.76, 1.98

 

CMYK 31 / 59 / 0 / 15

HEX #9659D8

RGB 150 89 216

HSL 268.82, 0.62%, 0.6%

LAB 50.2, 49.49, -56.02

 

CMYK 15 / 59 / 0 / 15

HEX #B859D8

RGB 184 89 216

HSL 284.88, 0.62%, 0.6%

LAB 54.34, 57.7, -49.17

 

CMYK 0 / 59 / 1 / 15

HEX #D859D6

RGB 216 89 214

HSL 300.94, 0.62%, 0.6%

LAB 58.6, 65.32, -41.01

 

CMYK 0 / 59 / 17 / 15

HEX #D859B4

RGB 216 89 180

HSL 317.01, 0.62%, 0.6%

LAB 57.11, 59.95, -23.9

 

CMYK 0 / 59 / 32 / 15

HEX #D85992

RGB 216 89 146

HSL 333.07, 0.62%, 0.6%

LAB 55.91, 55.4, -5.93

 

CMYK 0 / 77 / 2 / 29

HEX #B52AB1

RGB 181 42 177

HSL 301.73, 0.62%, 0.44%

LAB 45.16, 68.37, -41.24

 

CMYK 0 / 73 / 2 / 18

HEX #D038CC

RGB 208 56 204

HSL 301.58, 0.62%, 0.52%

LAB 52.51, 74.1, -45.01

 

CMYK 0 / 59 / 1 / 15

HEX #D859D5

RGB 216 89 213

HSL 301.42, 0.62%, 0.6%

LAB 58.55, 65.15, -40.52

 

CMYK 0 / 45 / 1 / 12

HEX #E07BDD

RGB 224 123 221

HSL 301.78, 0.62%, 0.68%

LAB 65.93, 52.82, -33.41

 

CMYK 0 / 32 / 0 / 9

HEX #E79CE6

RGB 231 156 230

HSL 300.8, 0.61%, 0.76%

LAB 73.86, 39.52, -26.09

 

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

CMYK 0 / 46 / 59 / 15

HEX #D87559

RGB 216 117 89

HSL 13.23, 0.62%, 0.6%

LAB 59.93, 36.1, 32.58

 

CMYK 59 / 0 / 23 / 15

HEX #59D8A7

RGB 89 216 167

HSL 156.85, 0.62%, 0.6%

LAB 78.48, -46.64, 13.8

 

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

CMYK 1 / 0 / 59 / 15

HEX #D6D859

RGB 214 216 89

HSL 60.94, 0.62%, 0.6%

LAB 84.03, -16.83, 60.75

 

CMYK 59 / 1 / 0 / 15

HEX #59D6D8

RGB 89 214 216

HSL 180.94, 0.62%, 0.6%

LAB 79.14, -33.66, -11.39

 

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

CMYK 0 / 46 / 59 / 15

HEX #D87559

RGB 216 117 89

HSL 13.23, 0.62%, 0.6%

LAB 59.93, 36.1, 32.58

 

CMYK 59 / 0 / 58 / 15

HEX #59D85B

RGB 89 216 91

HSL 120.94, 0.62%, 0.6%

LAB 77.28, -59.5, 50.4

 

CMYK 59 / 13 / 0 / 15

HEX #59BCD8

RGB 89 188 216

HSL 193.23, 0.62%, 0.6%

LAB 71.59, -20.87, -22.79

 

CMYK 0 / 58 / 1 / 15

HEX #D85AD5

RGB 216 90 213

HSL 301.43, 0.62%, 0.6%

LAB 58.71, 64.72, -40.27

 

CMYK 0 / 28 / 59 / 15

HEX #D89B59

RGB 216 155 89

HSL 31.18, 0.62%, 0.6%

LAB 68.58, 15.8, 43.16

 

CMYK 59 / 0 / 58 / 15

HEX #59D85B

RGB 89 216 91

HSL 120.94, 0.62%, 0.6%

LAB 77.28, -59.5, 50.4

 

CMYK 59 / 31 / 0 / 15

HEX #5996D8

RGB 89 150 216

HSL 211.18, 0.62%, 0.6%

LAB 60.69, -0.17, -39.65

 

Description

Color code: RGB 216 90 213 | qconv.com Color code: RGB 216 90 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 90 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 90 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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