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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 73 228 it is the complementary color RGB 23 182 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 73 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 73 228 shade: RGB 237 73 223, RGB 254 91 242, RGB 255 109 255, RGB 255 127 255 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 73 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 215 55 209, RGB 198 37 190, RGB 181 19 171 and RGB 164 1 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 232 73 185, RGB 232 73 142, RGB 232 73 99 and RGB 232 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 193 73 232, RGB 150 73 232, RGB 107 73 232 and RGB 73 73 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 73 228 shade matches the following richer shades: RGB 232 73 228 and RGB 249 56 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 216 89 212, RGB 199 106 197, RGB 183 122 181 and RGB 166 139 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 73 228 shade: RGB 150 73 232, RGB 192 73 232, RGB 232 73 229, RGB 232 73 187 and RGB 232 73 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 73 228 shade: RGB 198 24 194, RGB 228 36 223, RGB 232 73 228, RGB 237 110 233 and RGB 241 146 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 232 107 73 and RGB 73 232 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 229 232 73 and RGB 73 229 232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 232 107 73, RGB 73 232 76 and RGB 73 198 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 73 228 shade: RGB 232 73 228, RGB 232 155 73, RGB 73 232 76 and RGB 73 150 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

Complementary color

CMYK 87 / 0 / 85 / 29

HEX #17B61B

RGB 23 182 27

HSL 121.51, 0.78%, 0.4%

LAB 64.74, -64.76, 60.5

 

CMYK 0 / 69 / 6 / 7

HEX #ED49DF

RGB 237 73 223

HSL 305.12, 0.82%, 0.61%

LAB 59.98, 77.82, -43.7

 

CMYK 0 / 64 / 5 / 0

HEX #FE5BF2

RGB 254 91 242

HSL 304.42, 0.99%, 0.68%

LAB 65.72, 78.2, -45.09

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 74 / 3 / 16

HEX #D737D1

RGB 215 55 209

HSL 302.25, 0.67%, 0.53%

LAB 53.8, 76.64, -45.76

 

CMYK 0 / 81 / 4 / 22

HEX #C625BE

RGB 198 37 190

HSL 302.98, 0.69%, 0.46%

LAB 48.32, 75.05, -43.67

 

CMYK 0 / 90 / 6 / 29

HEX #B513AB

RGB 181 19 171

HSL 303.7, 0.81%, 0.39%

LAB 43.11, 72.44, -40.94

 

CMYK 0 / 99 / 7 / 36

HEX #A40198

RGB 164 1 152

HSL 304.42, 0.99%, 0.32%

LAB 38.17, 68.74, -37.56

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 69 / 20 / 9

HEX #E849B9

RGB 232 73 185

HSL 317.74, 0.78%, 0.6%

LAB 57.49, 71.26, -26.01

 

CMYK 0 / 69 / 39 / 9

HEX #E8498E

RGB 232 73 142

HSL 333.96, 0.78%, 0.6%

LAB 55.96, 66.21, -3.21

 

CMYK 0 / 69 / 57 / 9

HEX #E84963

RGB 232 73 99

HSL 350.19, 0.78%, 0.6%

LAB 54.89, 62.51, 20.77

 

CMYK 0 / 69 / 69 / 9

HEX #E84949

RGB 232 73 73

HSL 0, 0.78%, 0.6%

LAB 54.45, 60.97, 35.38

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 17 / 69 / 0 / 9

HEX #C149E8

RGB 193 73 232

HSL 285.28, 0.78%, 0.6%

LAB 53.95, 69.84, -58.75

 

CMYK 35 / 69 / 0 / 9

HEX #9649E8

RGB 150 73 232

HSL 269.06, 0.78%, 0.6%

LAB 48.35, 61.24, -68.06

 

CMYK 54 / 69 / 0 / 9

HEX #6B49E8

RGB 107 73 232

HSL 252.83, 0.78%, 0.6%

LAB 43.82, 53.77, -75.64

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 78 / 2 / 2

HEX #F938F4

RGB 249 56 244

HSL 301.55, 0.94%, 0.6%

LAB 61.22, 88.33, -53.36

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 59 / 2 / 15

HEX #D859D4

RGB 216 89 212

HSL 301.89, 0.62%, 0.6%

LAB 58.51, 64.98, -40.03

 

CMYK 0 / 47 / 1 / 22

HEX #C76AC5

RGB 199 106 197

HSL 301.29, 0.45%, 0.6%

LAB 58.49, 49.78, -31.7

 

CMYK 0 / 33 / 1 / 28

HEX #B77AB5

RGB 183 122 181

HSL 301.97, 0.3%, 0.6%

LAB 59.27, 33.35, -21.54

 

CMYK 0 / 16 / 1 / 35

HEX #A68BA5

RGB 166 139 165

HSL 302.22, 0.13%, 0.6%

LAB 61.04, 14.88, -9.91

 

CMYK 35 / 69 / 0 / 9

HEX #9649E8

RGB 150 73 232

HSL 269.06, 0.78%, 0.6%

LAB 48.35, 61.24, -68.06

 

CMYK 17 / 69 / 0 / 9

HEX #C049E8

RGB 192 73 232

HSL 284.91, 0.78%, 0.6%

LAB 53.81, 69.63, -58.98

 

CMYK 0 / 69 / 1 / 9

HEX #E849E5

RGB 232 73 229

HSL 301.13, 0.78%, 0.6%

LAB 59.51, 77.64, -47.87

 

CMYK 0 / 69 / 19 / 9

HEX #E849BB

RGB 232 73 187

HSL 316.98, 0.78%, 0.6%

LAB 57.57, 71.53, -27.03

 

CMYK 0 / 69 / 38 / 9

HEX #E84991

RGB 232 73 145

HSL 332.83, 0.78%, 0.6%

LAB 56.05, 66.52, -4.84

 

CMYK 0 / 88 / 2 / 22

HEX #C618C2

RGB 198 24 194

HSL 301.38, 0.78%, 0.44%

LAB 47.69, 78.13, -46.99

 

CMYK 0 / 84 / 2 / 11

HEX #E424DF

RGB 228 36 223

HSL 301.56, 0.78%, 0.52%

LAB 55.16, 85.69, -51.43

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 54 / 2 / 7

HEX #ED6EE9

RGB 237 110 233

HSL 301.89, 0.78%, 0.68%

LAB 65.78, 64.69, -40.18

 

CMYK 0 / 39 / 1 / 5

HEX #F192EF

RGB 241 146 239

HSL 301.26, 0.77%, 0.76%

LAB 73.21, 49.4, -31.89

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 54 / 69 / 9

HEX #E86B49

RGB 232 107 73

HSL 12.83, 0.78%, 0.6%

LAB 60.03, 46.18, 41.93

 

CMYK 69 / 0 / 26 / 9

HEX #49E8AB

RGB 73 232 171

HSL 156.98, 0.78%, 0.6%

LAB 82.95, -55.11, 17.91

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 1 / 0 / 69 / 9

HEX #E5E849

RGB 229 232 73

HSL 61.13, 0.78%, 0.6%

LAB 89.32, -19.48, 72.93

 

CMYK 69 / 1 / 0 / 9

HEX #49E5E8

RGB 73 229 232

HSL 181.13, 0.78%, 0.6%

LAB 83.59, -38.61, -13.29

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 54 / 69 / 9

HEX #E86B49

RGB 232 107 73

HSL 12.83, 0.78%, 0.6%

LAB 60.03, 46.18, 41.93

 

CMYK 69 / 0 / 67 / 9

HEX #49E84C

RGB 73 232 76

HSL 121.13, 0.78%, 0.6%

LAB 81.65, -69.8, 61.48

 

CMYK 69 / 15 / 0 / 9

HEX #49C6E8

RGB 73 198 232

HSL 192.83, 0.78%, 0.6%

LAB 74.59, -23.74, -26.92

 

CMYK 0 / 69 / 2 / 9

HEX #E849E4

RGB 232 73 228

HSL 301.51, 0.78%, 0.6%

LAB 59.45, 77.49, -47.39

 

CMYK 0 / 33 / 69 / 9

HEX #E89B49

RGB 232 155 73

HSL 30.94, 0.78%, 0.6%

LAB 70.23, 21.45, 53.33

 

CMYK 69 / 0 / 67 / 9

HEX #49E84C

RGB 73 232 76

HSL 121.13, 0.78%, 0.6%

LAB 81.65, -69.8, 61.48

 

CMYK 69 / 35 / 0 / 9

HEX #4996E8

RGB 73 150 232

HSL 210.94, 0.78%, 0.6%

LAB 60.83, 2.39, -48.35

 

Description

Color code: RGB 232 73 228 | qconv.com Color code: RGB 232 73 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 73 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 73 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 2 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 2% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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