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Color name
RGB 215 98 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 98 88 it is the complementary color RGB 40 157 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 98 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 98 88 shade: RGB 220 98 83, RGB 237 116 102, RGB 254 134 121, RGB 255 152 140 and RGB 255 170 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 98 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 98 88 shade: RGB 215 98 88, RGB 198 80 69, RGB 181 62 50, RGB 164 44 31 and RGB 147 26 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 98 88 shade: RGB 214 96 86 and RGB 214 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 98 88 shade: RGB 214 96 86, RGB 214 131 86, RGB 214 165 86, RGB 214 199 86 and RGB 194 214 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 98 88 shade matches the following richer shades: RGB 214 96 86, RGB 231 82 69 and RGB 248 68 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 98 88 shade: RGB 214 96 86, RGB 197 110 103, RGB 180 125 120, RGB 163 139 137 and RGB 146 153 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 98 88 shade: RGB 214 86 146, RGB 214 86 112, RGB 214 95 86, RGB 214 129 86 and RGB 214 163 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 98 88 shade: RGB 175 53 42, RGB 206 65 53, RGB 214 96 86, RGB 222 127 119 and RGB 230 159 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 98 88 shade: RGB 215 98 88, RGB 180 214 86 and RGB 86 129 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 98 88 shade: RGB 215 98 88, RGB 86 214 95 and RGB 95 86 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 98 88 shade: RGB 215 98 88, RGB 180 214 86, RGB 86 205 214 and RGB 120 86 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 98 88 shade: RGB 215 98 88, RGB 141 214 86, RGB 86 205 214 and RGB 158 86 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

Complementary color

CMYK 76 / 6 / 0 / 35

HEX #289DA7

RGB 40 157 167

HSL 184.72, 0.61%, 0.41%

LAB 59.3, -27.64, -14.35

 

CMYK 0 / 55 / 62 / 14

HEX #DC6253

RGB 220 98 83

HSL 6.57, 0.66%, 0.59%

LAB 56.66, 46.7, 31.96

 

CMYK 0 / 51 / 57 / 7

HEX #ED7466

RGB 237 116 102

HSL 6.22, 0.79%, 0.66%

LAB 62.89, 45.48, 29.72

 

CMYK 0 / 47 / 52 / 0

HEX #FE8679

RGB 254 134 121

HSL 5.86, 0.99%, 0.74%

LAB 69.11, 44.29, 27.76

 

CMYK 0 / 40 / 45 / 0

HEX #FF988C

RGB 255 152 140

HSL 6.26, 1%, 0.77%

LAB 73.29, 37.27, 22.95

 

CMYK 0 / 33 / 38 / 0

HEX #FFAA9F

RGB 255 170 159

HSL 6.87, 1%, 0.81%

LAB 77.59, 29.95, 18.5

 

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

CMYK 0 / 60 / 65 / 22

HEX #C65045

RGB 198 80 69

HSL 5.12, 0.53%, 0.52%

LAB 49.7, 46.41, 30.57

 

CMYK 0 / 66 / 72 / 29

HEX #B53E32

RGB 181 62 50

HSL 5.5, 0.57%, 0.45%

LAB 43.51, 47.47, 33.46

 

CMYK 0 / 73 / 81 / 36

HEX #A42C1F

RGB 164 44 31

HSL 5.86, 0.68%, 0.38%

LAB 37.47, 48.22, 36.75

 

CMYK 0 / 82 / 92 / 42

HEX #931A0C

RGB 147 26 12

HSL 6.22, 0.85%, 0.31%

LAB 31.73, 48.3, 39.93

 

CMYK 0 / 55 / 60 / 16

HEX #D66056

RGB 214 96 86

HSL 4.69, 0.61%, 0.59%

LAB 55.41, 45.7, 28.49

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 55 / 60 / 16

HEX #D66056

RGB 214 96 86

HSL 4.69, 0.61%, 0.59%

LAB 55.41, 45.7, 28.49

 

CMYK 0 / 39 / 60 / 16

HEX #D68356

RGB 214 131 86

HSL 21.09, 0.61%, 0.59%

LAB 62.68, 27.69, 37.55

 

CMYK 0 / 23 / 60 / 16

HEX #D6A556

RGB 214 165 86

HSL 37.03, 0.61%, 0.59%

LAB 70.79, 9.36, 47.2

 

CMYK 0 / 7 / 60 / 16

HEX #D6C756

RGB 214 199 86

HSL 52.97, 0.61%, 0.59%

LAB 79.51, -8.49, 57.08

 

CMYK 9 / 0 / 60 / 16

HEX #C2D656

RGB 194 214 86

HSL 69.38, 0.61%, 0.59%

LAB 81.97, -24.16, 59.34

 

CMYK 0 / 55 / 60 / 16

HEX #D66056

RGB 214 96 86

HSL 4.69, 0.61%, 0.59%

LAB 55.41, 45.7, 28.49

 

CMYK 0 / 65 / 70 / 9

HEX #E75245

RGB 231 82 69

HSL 4.81, 0.77%, 0.59%

LAB 55.54, 56.89, 38.86

 

CMYK 0 / 73 / 79 / 3

HEX #F84434

RGB 248 68 52

HSL 4.9, 0.93%, 0.59%

LAB 56.43, 66.83, 49.77

 

CMYK 0 / 55 / 60 / 16

HEX #D66056

RGB 214 96 86

HSL 4.69, 0.61%, 0.59%

LAB 55.41, 45.7, 28.49

 

CMYK 0 / 44 / 48 / 23

HEX #C56E67

RGB 197 110 103

HSL 4.47, 0.45%, 0.59%

LAB 56.09, 33.63, 19.13

 

CMYK 0 / 31 / 33 / 29

HEX #B47D78

RGB 180 125 120

HSL 5, 0.29%, 0.59%

LAB 57.78, 20.7, 11.32

 

CMYK 0 / 15 / 16 / 36

HEX #A38B89

RGB 163 139 137

HSL 4.62, 0.12%, 0.59%

LAB 59.94, 8.7, 4.42

 

CMYK 5 / 1 / 0 / 40

HEX #92999A

RGB 146 153 154

HSL 187.5, 0.04%, 0.59%

LAB 62.7, -2.31, -1.4

 

CMYK 0 / 60 / 32 / 16

HEX #D65692

RGB 214 86 146

HSL 331.88, 0.61%, 0.59%

LAB 55.1, 56.12, -7.16

 

CMYK 0 / 60 / 48 / 16

HEX #D65670

RGB 214 86 112

HSL 347.81, 0.61%, 0.59%

LAB 54.16, 52.48, 11.58

 

CMYK 0 / 56 / 60 / 16

HEX #D65F56

RGB 214 95 86

HSL 4.22, 0.61%, 0.59%

LAB 55.23, 46.18, 28.25

 

CMYK 0 / 40 / 60 / 16

HEX #D68156

RGB 214 129 86

HSL 20.16, 0.61%, 0.59%

LAB 62.23, 28.76, 37

 

CMYK 0 / 24 / 60 / 16

HEX #D6A356

RGB 214 163 86

HSL 36.09, 0.61%, 0.59%

LAB 70.29, 10.43, 46.62

 

CMYK 0 / 70 / 76 / 31

HEX #AF352A

RGB 175 53 42

HSL 4.96, 0.61%, 0.43%

LAB 40.94, 48.81, 34.87

 

CMYK 0 / 68 / 74 / 19

HEX #CE4135

RGB 206 65 53

HSL 4.71, 0.61%, 0.51%

LAB 48.46, 54.79, 38.55

 

CMYK 0 / 55 / 60 / 16

HEX #D66056

RGB 214 96 86

HSL 4.69, 0.61%, 0.59%

LAB 55.41, 45.7, 28.49

 

CMYK 0 / 43 / 46 / 13

HEX #DE7F77

RGB 222 127 119

HSL 4.66, 0.61%, 0.67%

LAB 63.38, 35.79, 20.44

 

CMYK 0 / 31 / 33 / 10

HEX #E69F99

RGB 230 159 153

HSL 4.68, 0.61%, 0.75%

LAB 72.17, 25.66, 13.81

 

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

CMYK 16 / 0 / 60 / 16

HEX #B4D656

RGB 180 214 86

HSL 75.94, 0.61%, 0.59%

LAB 81, -29.71, 58

 

CMYK 60 / 40 / 0 / 16

HEX #5681D6

RGB 86 129 214

HSL 219.84, 0.61%, 0.59%

LAB 54.59, 11, -48.16

 

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

CMYK 60 / 0 / 56 / 16

HEX #56D65F

RGB 86 214 95

HSL 124.22, 0.61%, 0.59%

LAB 76.62, -58.97, 47.78

 

CMYK 56 / 60 / 0 / 16

HEX #5F56D6

RGB 95 86 214

HSL 244.22, 0.61%, 0.59%

LAB 44.15, 39.03, -64.9

 

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

CMYK 16 / 0 / 60 / 16

HEX #B4D656

RGB 180 214 86

HSL 75.94, 0.61%, 0.59%

LAB 81, -29.71, 58

 

CMYK 60 / 4 / 0 / 16

HEX #56CDD6

RGB 86 205 214

HSL 184.22, 0.61%, 0.59%

LAB 76.37, -30.44, -14.47

 

CMYK 44 / 60 / 0 / 16

HEX #7856D6

RGB 120 86 214

HSL 255.94, 0.61%, 0.59%

LAB 46.32, 43.92, -61.29

 

CMYK 0 / 54 / 59 / 16

HEX #D76258

RGB 215 98 88

HSL 4.72, 0.61%, 0.59%

LAB 55.97, 45.23, 28.09

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 4 / 0 / 16

HEX #56CDD6

RGB 86 205 214

HSL 184.22, 0.61%, 0.59%

LAB 76.37, -30.44, -14.47

 

CMYK 26 / 60 / 0 / 16

HEX #9E56D6

RGB 158 86 214

HSL 273.75, 0.61%, 0.59%

LAB 50.43, 52.45, -54.46

 

Description

Color code: RGB 215 98 88 | qconv.com Color code: RGB 215 98 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 98 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 98 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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