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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 214 86 it is the complementary color RGB 114 41 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 214 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 214 86 shade: RGB 146 214 81, RGB 163 232 100, RGB 180 250 119, RGB 197 255 138 and RGB 214 255 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 214 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 124 196 67, RGB 107 178 48, RGB 90 160 29 and RGB 73 142 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 175 214 86, RGB 210 214 86, RGB 214 183 86 and RGB 214 149 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 107 214 86, RGB 86 214 100, RGB 86 214 135 and RGB 86 214 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 214 86 shade matches the following richer shades: RGB 141 214 86, RGB 139 231 69 and RGB 136 248 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 143 197 103, RGB 146 180 120, RGB 148 163 137 and RGB 150 146 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 214 86 shade: RGB 209 214 86, RGB 175 214 86, RGB 141 214 86, RGB 107 214 86 and RGB 86 214 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 214 86 shade: RGB 99 175 42, RGB 119 206 53, RGB 141 214 86, RGB 163 222 119 and RGB 186 230 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 86 214 184 and RGB 214 86 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 86 141 214 and RGB 214 86 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 86 214 184, RGB 158 86 214 and RGB 214 86 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 214 86 shade: RGB 141 214 86, RGB 86 205 214, RGB 158 86 214 and RGB 214 95 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

Complementary color

CMYK 33 / 76 / 0 / 34

HEX #7229A9

RGB 114 41 169

HSL 274.22, 0.61%, 0.41%

LAB 34.04, 53.87, -54.9

 

CMYK 32 / 0 / 62 / 16

HEX #92D651

RGB 146 214 81

HSL 90.68, 0.62%, 0.58%

LAB 78.92, -42.81, 57.27

 

CMYK 30 / 0 / 57 / 9

HEX #A3E864

RGB 163 232 100

HSL 91.36, 0.74%, 0.65%

LAB 85.21, -42.95, 56.37

 

CMYK 28 / 0 / 52 / 2

HEX #B4FA77

RGB 180 250 119

HSL 92.06, 0.93%, 0.72%

LAB 91.42, -43, 55.34

 

CMYK 23 / 0 / 46 / 0

HEX #C5FF8A

RGB 197 255 138

HSL 89.74, 1%, 0.77%

LAB 93.98, -37.24, 49.86

 

CMYK 16 / 0 / 38 / 0

HEX #D6FF9D

RGB 214 255 157

HSL 85.1, 1%, 0.81%

LAB 95.27, -28.97, 42.57

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 37 / 0 / 66 / 23

HEX #7CC443

RGB 124 196 67

HSL 93.49, 0.52%, 0.52%

LAB 72.34, -43.93, 55.62

 

CMYK 40 / 0 / 73 / 30

HEX #6BB230

RGB 107 178 48

HSL 92.77, 0.58%, 0.44%

LAB 65.89, -43.59, 56.05

 

CMYK 44 / 0 / 82 / 37

HEX #5AA01D

RGB 90 160 29

HSL 92.06, 0.69%, 0.37%

LAB 59.35, -43.01, 55.73

 

CMYK 49 / 0 / 93 / 44

HEX #498E0A

RGB 73 142 10

HSL 91.36, 0.87%, 0.3%

LAB 52.71, -42.07, 54.03

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 18 / 0 / 60 / 16

HEX #AFD656

RGB 175 214 86

HSL 78.28, 0.61%, 0.59%

LAB 80.67, -31.65, 57.55

 

CMYK 2 / 0 / 60 / 16

HEX #D2D656

RGB 210 214 86

HSL 61.88, 0.61%, 0.59%

LAB 83.16, -17.68, 60.99

 

CMYK 0 / 14 / 60 / 16

HEX #D6B756

RGB 214 183 86

HSL 45.47, 0.61%, 0.59%

LAB 75.35, -0.2, 52.43

 

CMYK 0 / 30 / 60 / 16

HEX #D69556

RGB 214 149 86

HSL 29.53, 0.61%, 0.59%

LAB 66.87, 17.98, 42.6

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 50 / 0 / 60 / 16

HEX #6BD656

RGB 107 214 86

HSL 110.16, 0.61%, 0.59%

LAB 77.22, -54.72, 52.72

 

CMYK 60 / 0 / 53 / 16

HEX #56D664

RGB 86 214 100

HSL 126.56, 0.61%, 0.59%

LAB 76.67, -58.33, 45.51

 

CMYK 60 / 0 / 37 / 16

HEX #56D687

RGB 86 214 135

HSL 142.97, 0.61%, 0.59%

LAB 77.17, -52.84, 28.76

 

CMYK 60 / 0 / 21 / 16

HEX #56D6A9

RGB 86 214 169

HSL 158.91, 0.61%, 0.59%

LAB 77.84, -45.93, 11.82

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 40 / 0 / 70 / 9

HEX #8BE745

RGB 139 231 69

HSL 94.07, 0.77%, 0.59%

LAB 83.48, -53.17, 66.68

 

CMYK 45 / 0 / 79 / 3

HEX #88F834

RGB 136 248 52

HSL 94.29, 0.93%, 0.59%

LAB 88.26, -61.63, 76.64

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 27 / 0 / 48 / 23

HEX #8FC567

RGB 143 197 103

HSL 94.47, 0.45%, 0.59%

LAB 74.03, -34.03, 41.39

 

CMYK 19 / 0 / 33 / 29

HEX #92B478

RGB 146 180 120

HSL 94, 0.29%, 0.59%

LAB 69.55, -22.49, 26.94

 

CMYK 9 / 0 / 16 / 36

HEX #94A389

RGB 148 163 137

HSL 94.62, 0.12%, 0.59%

LAB 65.2, -10.22, 11.74

 

CMYK 3 / 5 / 0 / 40

HEX #96929A

RGB 150 146 154

HSL 270, 0.04%, 0.59%

LAB 61.11, 3.03, -3.7

 

CMYK 2 / 0 / 60 / 16

HEX #D1D656

RGB 209 214 86

HSL 62.34, 0.61%, 0.59%

LAB 83.08, -18.09, 60.88

 

CMYK 18 / 0 / 60 / 16

HEX #AFD656

RGB 175 214 86

HSL 78.28, 0.61%, 0.59%

LAB 80.67, -31.65, 57.55

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 50 / 0 / 60 / 16

HEX #6BD656

RGB 107 214 86

HSL 110.16, 0.61%, 0.59%

LAB 77.22, -54.72, 52.72

 

CMYK 60 / 0 / 54 / 16

HEX #56D663

RGB 86 214 99

HSL 126.09, 0.61%, 0.59%

LAB 76.66, -58.46, 45.97

 

CMYK 43 / 0 / 76 / 31

HEX #63AF2A

RGB 99 175 42

HSL 94.29, 0.61%, 0.43%

LAB 64.55, -45.43, 56.7

 

CMYK 42 / 0 / 74 / 19

HEX #77CE35

RGB 119 206 53

HSL 94.12, 0.61%, 0.51%

LAB 75.03, -50.71, 63.52

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 27 / 0 / 46 / 13

HEX #A3DE77

RGB 163 222 119

HSL 94.37, 0.61%, 0.67%

LAB 82.57, -36.47, 44.38

 

CMYK 19 / 0 / 33 / 10

HEX #BAE699

RGB 186 230 153

HSL 94.29, 0.61%, 0.75%

LAB 86.67, -27.66, 32.99

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 0 / 14 / 16

HEX #56D6B8

RGB 86 214 184

HSL 165.94, 0.61%, 0.59%

LAB 78.19, -42.43, 4.32

 

CMYK 0 / 60 / 10 / 16

HEX #D656C0

RGB 214 86 192

HSL 310.31, 0.61%, 0.59%

LAB 56.84, 62.52, -31.26

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 34 / 0 / 16

HEX #568DD6

RGB 86 141 214

HSL 214.22, 0.61%, 0.59%

LAB 57.93, 3.84, -42.88

 

CMYK 0 / 60 / 34 / 16

HEX #D6568D

RGB 214 86 141

HSL 334.22, 0.61%, 0.59%

LAB 54.94, 55.53, -4.45

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 0 / 14 / 16

HEX #56D6B8

RGB 86 214 184

HSL 165.94, 0.61%, 0.59%

LAB 78.19, -42.43, 4.32

 

CMYK 26 / 60 / 0 / 16

HEX #9E56D6

RGB 158 86 214

HSL 273.75, 0.61%, 0.59%

LAB 50.43, 52.45, -54.46

 

CMYK 0 / 60 / 46 / 16

HEX #D65674

RGB 214 86 116

HSL 345.94, 0.61%, 0.59%

LAB 54.25, 52.86, 9.35

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 4 / 0 / 16

HEX #56CDD6

RGB 86 205 214

HSL 184.22, 0.61%, 0.59%

LAB 76.37, -30.44, -14.47

 

CMYK 26 / 60 / 0 / 16

HEX #9E56D6

RGB 158 86 214

HSL 273.75, 0.61%, 0.59%

LAB 50.43, 52.45, -54.46

 

CMYK 0 / 56 / 60 / 16

HEX #D65F56

RGB 214 95 86

HSL 4.22, 0.61%, 0.59%

LAB 55.23, 46.18, 28.25

 

Description

Color code: RGB 141 214 86 | qconv.com Color code: RGB 141 214 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 214 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 214 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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