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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 70 201 it is the complementary color RGB 40 185 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 70 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 70 201 shade: RGB 220 70 196, RGB 237 88 215, RGB 254 106 234, RGB 255 124 253 and RGB 255 142 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 70 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 70 201 shade: RGB 215 70 201, RGB 198 52 182, RGB 181 34 163, RGB 164 16 144 and RGB 147 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 70 201 shade: RGB 214 70 200, RGB 214 70 162, RGB 214 70 123, RGB 214 70 84 and RGB 214 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 70 201 shade: RGB 214 70 200, RGB 189 70 214, RGB 151 70 214, RGB 112 70 214 and RGB 73 70 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 70 201 shade matches the following richer shades: RGB 214 70 200, RGB 232 52 215 and RGB 250 34 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 70 201 shade: RGB 214 70 200, RGB 196 89 186, RGB 178 107 171, RGB 160 125 156 and RGB 141 143 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 70 201 shade: RGB 149 70 214, RGB 188 70 214, RGB 214 70 202, RGB 214 70 164 and RGB 214 70 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 70 201 shade: RGB 166 36 153, RGB 200 43 185, RGB 214 70 200, RGB 222 104 210 and RGB 229 138 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 70 201 shade: RGB 215 70 201, RGB 214 111 70 and RGB 70 214 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 70 201 shade: RGB 215 70 201, RGB 202 214 70 and RGB 70 202 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 70 201 shade: RGB 215 70 201, RGB 214 111 70, RGB 70 214 82 and RGB 70 173 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 70 201 shade: RGB 215 70 201, RGB 214 154 70, RGB 70 214 82 and RGB 70 130 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

Complementary color

CMYK 78 / 0 / 71 / 27

HEX #28B936

RGB 40 185 54

HSL 125.79, 0.64%, 0.44%

LAB 66.07, -61.97, 53.33

 

CMYK 0 / 68 / 11 / 14

HEX #DC46C4

RGB 220 70 196

HSL 309.6, 0.68%, 0.57%

LAB 55.67, 70.93, -35.31

 

CMYK 0 / 63 / 9 / 7

HEX #ED58D7

RGB 237 88 215

HSL 308.86, 0.81%, 0.64%

LAB 61.56, 71.14, -36.72

 

CMYK 0 / 58 / 8 / 0

HEX #FE6AEA

RGB 254 106 234

HSL 308.11, 0.99%, 0.71%

LAB 67.52, 71.02, -37.85

 

CMYK 0 / 51 / 1 / 0

HEX #FF7CFD

RGB 255 124 253

HSL 300.92, 1%, 0.74%

LAB 71.4, 66.45, -42.22

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

CMYK 0 / 74 / 8 / 22

HEX #C634B6

RGB 198 52 182

HSL 306.58, 0.58%, 0.49%

LAB 49.3, 69.81, -37.44

 

CMYK 0 / 81 / 10 / 29

HEX #B522A3

RGB 181 34 163

HSL 307.35, 0.68%, 0.42%

LAB 43.67, 68.36, -35.28

 

CMYK 0 / 90 / 12 / 36

HEX #A41090

RGB 164 16 144

HSL 308.11, 0.82%, 0.35%

LAB 38.33, 65.79, -32.41

 

CMYK 0 / 100 / 15 / 42

HEX #93007D

RGB 147 0 125

HSL 308.98, 1%, 0.29%

LAB 33.32, 61.97, -28.77

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 0 / 67 / 24 / 16

HEX #D646A2

RGB 214 70 162

HSL 321.67, 0.64%, 0.56%

LAB 53.26, 64.71, -19.35

 

CMYK 0 / 67 / 43 / 16

HEX #D6467B

RGB 214 70 123

HSL 337.92, 0.64%, 0.56%

LAB 51.96, 60.26, 1.88

 

CMYK 0 / 67 / 61 / 16

HEX #D64654

RGB 214 70 84

HSL 354.17, 0.64%, 0.56%

LAB 51.06, 57.06, 24.03

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 12 / 67 / 0 / 16

HEX #BD46D6

RGB 189 70 214

HSL 289.58, 0.64%, 0.56%

LAB 51.9, 66.79, -51.88

 

CMYK 29 / 67 / 0 / 16

HEX #9746D6

RGB 151 70 214

HSL 273.75, 0.64%, 0.56%

LAB 46.73, 58.66, -60.46

 

CMYK 48 / 67 / 0 / 16

HEX #7046D6

RGB 112 70 214

HSL 257.5, 0.64%, 0.56%

LAB 42.28, 51.12, -67.89

 

CMYK 66 / 67 / 0 / 16

HEX #4946D6

RGB 73 70 214

HSL 241.25, 0.64%, 0.56%

LAB 38.99, 45.11, -73.4

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 0 / 78 / 7 / 9

HEX #E834D7

RGB 232 52 215

HSL 305.67, 0.8%, 0.56%

LAB 56.6, 81.81, -44.56

 

CMYK 0 / 86 / 8 / 2

HEX #FA22E6

RGB 250 34 230

HSL 305.56, 0.96%, 0.56%

LAB 59.14, 90.94, -48.82

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 0 / 55 / 5 / 23

HEX #C459BA

RGB 196 89 186

HSL 305.61, 0.48%, 0.56%

LAB 54.48, 55.29, -31.68

 

CMYK 0 / 40 / 4 / 30

HEX #B26BAB

RGB 178 107 171

HSL 305.92, 0.32%, 0.56%

LAB 54.99, 38.06, -22.4

 

CMYK 0 / 22 / 2 / 37

HEX #A07D9C

RGB 160 125 156

HSL 306.86, 0.16%, 0.56%

LAB 56.63, 18.98, -11.42

 

CMYK 1 / 0 / 1 / 44

HEX #8D8F8E

RGB 141 143 142

HSL 150, 0.01%, 0.56%

LAB 59.21, -0.92, 0.27

 

CMYK 30 / 67 / 0 / 16

HEX #9546D6

RGB 149 70 214

HSL 272.92, 0.64%, 0.56%

LAB 46.48, 58.25, -60.88

 

CMYK 12 / 67 / 0 / 16

HEX #BC46D6

RGB 188 70 214

HSL 289.17, 0.64%, 0.56%

LAB 51.75, 66.57, -52.12

 

CMYK 0 / 67 / 6 / 16

HEX #D646CA

RGB 214 70 202

HSL 305, 0.64%, 0.56%

LAB 55.01, 70.42, -39.85

 

CMYK 0 / 67 / 23 / 16

HEX #D646A4

RGB 214 70 164

HSL 320.83, 0.64%, 0.56%

LAB 53.34, 64.97, -20.41

 

CMYK 0 / 67 / 41 / 16

HEX #D6467E

RGB 214 70 126

HSL 336.67, 0.64%, 0.56%

LAB 52.04, 60.56, 0.21

 

CMYK 0 / 78 / 8 / 35

HEX #A62499

RGB 166 36 153

HSL 306, 0.64%, 0.4%

LAB 40.68, 63.16, -34.16

 

CMYK 0 / 79 / 8 / 22

HEX #C82BB9

RGB 200 43 185

HSL 305.73, 0.65%, 0.48%

LAB 48.9, 73.25, -39.81

 

CMYK 0 / 67 / 7 / 16

HEX #D646C8

RGB 214 70 200

HSL 305.83, 0.64%, 0.56%

LAB 54.91, 70.11, -38.85

 

CMYK 0 / 53 / 5 / 13

HEX #DE68D2

RGB 222 104 210

HSL 306.1, 0.64%, 0.64%

LAB 61.73, 59.54, -33.8

 

CMYK 0 / 40 / 4 / 10

HEX #E58ADC

RGB 229 138 220

HSL 305.93, 0.64%, 0.72%

LAB 69.47, 46.52, -27.34

 

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

CMYK 0 / 48 / 67 / 16

HEX #D66F46

RGB 214 111 70

HSL 17.08, 0.64%, 0.56%

LAB 58.14, 37.18, 40.66

 

CMYK 67 / 0 / 21 / 16

HEX #46D6A9

RGB 70 214 169

HSL 161.25, 0.64%, 0.56%

LAB 77.44, -48.73, 11.19

 

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

CMYK 6 / 0 / 67 / 16

HEX #CAD646

RGB 202 214 70

HSL 65, 0.64%, 0.56%

LAB 82.43, -21.96, 66.46

 

CMYK 67 / 6 / 0 / 16

HEX #46CAD6

RGB 70 202 214

HSL 185, 0.64%, 0.56%

LAB 75.08, -31.53, -16.47

 

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

CMYK 0 / 48 / 67 / 16

HEX #D66F46

RGB 214 111 70

HSL 17.08, 0.64%, 0.56%

LAB 58.14, 37.18, 40.66

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 19 / 0 / 16

HEX #46ADD6

RGB 70 173 214

HSL 197.08, 0.64%, 0.56%

LAB 66.55, -16.9, -29.47

 

CMYK 0 / 67 / 7 / 16

HEX #D746C9

RGB 215 70 201

HSL 305.79, 0.64%, 0.56%

LAB 55.12, 70.5, -39.1

 

CMYK 0 / 28 / 67 / 16

HEX #D69A46

RGB 214 154 70

HSL 35, 0.64%, 0.56%

LAB 67.91, 14.24, 51.61

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 39 / 0 / 16

HEX #4682D6

RGB 70 130 214

HSL 215, 0.64%, 0.56%

LAB 54.16, 7.57, -48.89

 

Description

Color code: RGB 215 70 201 | qconv.com Color code: RGB 215 70 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 70 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 70 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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