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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 214 82 it is the complementary color RGB 185 41 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 214 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 214 82 shade: RGB 75 214 77, RGB 92 232 96, RGB 109 250 115, RGB 126 255 134 and RGB 143 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 214 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 53 196 63, RGB 36 178 44, RGB 19 160 25 and RGB 2 142 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 97 214 70, RGB 136 214 70, RGB 175 214 70 and RGB 213 214 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 70 214 121, RGB 70 214 160, RGB 70 214 199 and RGB 70 191 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 214 82 shade matches the following richer shades: RGB 70 214 82, RGB 52 232 67 and RGB 34 250 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 89 196 98, RGB 107 178 113, RGB 125 160 128 and RGB 143 141 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 214 82 shade: RGB 135 214 70, RGB 97 214 70, RGB 70 214 82, RGB 70 214 121 and RGB 70 214 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 214 82 shade: RGB 36 166 47, RGB 43 200 57, RGB 70 214 82, RGB 104 222 114 and RGB 138 229 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 70 173 214 and RGB 214 70 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 82 70 214 and RGB 214 82 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 70 173 214, RGB 214 70 202 and RGB 214 111 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 214 82 shade: RGB 70 214 82, RGB 70 130 214, RGB 214 70 202 and RGB 214 154 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

Complementary color

CMYK 0 / 78 / 6 / 27

HEX #B929AD

RGB 185 41 173

HSL 305, 0.64%, 0.44%

LAB 45.52, 68.87, -38.26

 

CMYK 65 / 0 / 64 / 16

HEX #4BD64D

RGB 75 214 77

HSL 120.86, 0.63%, 0.57%

LAB 76.15, -63.35, 55.11

 

CMYK 60 / 0 / 59 / 9

HEX #5CE860

RGB 92 232 96

HSL 121.71, 0.75%, 0.64%

LAB 82.29, -63.98, 54.01

 

CMYK 56 / 0 / 54 / 2

HEX #6DFA73

RGB 109 250 115

HSL 122.55, 0.93%, 0.7%

LAB 88.38, -64.34, 52.81

 

CMYK 51 / 0 / 47 / 0

HEX #7EFF86

RGB 126 255 134

HSL 123.72, 1%, 0.75%

LAB 90.63, -59.61, 46.87

 

CMYK 44 / 0 / 40 / 0

HEX #8FFF99

RGB 143 255 153

HSL 125.36, 1%, 0.78%

LAB 91.53, -52.38, 38.98

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 73 / 0 / 68 / 23

HEX #35C43F

RGB 53 196 63

HSL 124.2, 0.57%, 0.49%

LAB 69.89, -62.74, 53.9

 

CMYK 80 / 0 / 75 / 30

HEX #24B22C

RGB 36 178 44

HSL 123.38, 0.66%, 0.42%

LAB 63.67, -61.13, 54.53

 

CMYK 88 / 0 / 84 / 37

HEX #13A019

RGB 19 160 25

HSL 122.55, 0.79%, 0.35%

LAB 57.42, -58.73, 54.36

 

CMYK 99 / 0 / 96 / 44

HEX #028E06

RGB 2 142 6

HSL 121.71, 0.97%, 0.28%

LAB 51.12, -55.4, 52.75

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 55 / 0 / 67 / 16

HEX #61D646

RGB 97 214 70

HSL 108.75, 0.64%, 0.56%

LAB 76.73, -58.94, 58.76

 

CMYK 36 / 0 / 67 / 16

HEX #88D646

RGB 136 214 70

HSL 92.5, 0.64%, 0.56%

LAB 78.33, -47.16, 60.94

 

CMYK 18 / 0 / 67 / 16

HEX #AFD646

RGB 175 214 70

HSL 76.25, 0.64%, 0.56%

LAB 80.54, -32.8, 63.94

 

CMYK 0 / 0 / 67 / 16

HEX #D5D646

RGB 213 214 70

HSL 60.42, 0.64%, 0.56%

LAB 83.27, -17.42, 67.59

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 0 / 43 / 16

HEX #46D679

RGB 70 214 121

HSL 141.25, 0.64%, 0.56%

LAB 76.54, -58.37, 34.99

 

CMYK 67 / 0 / 25 / 16

HEX #46D6A0

RGB 70 214 160

HSL 157.5, 0.64%, 0.56%

LAB 77.24, -50.77, 15.7

 

CMYK 67 / 0 / 7 / 16

HEX #46D6C7

RGB 70 214 199

HSL 173.75, 0.64%, 0.56%

LAB 78.18, -41.26, -3.76

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 78 / 0 / 71 / 9

HEX #34E843

RGB 52 232 67

HSL 125, 0.8%, 0.56%

LAB 81.21, -73.77, 64.26

 

CMYK 86 / 0 / 79 / 2

HEX #22FA34

RGB 34 250 52

HSL 125, 0.96%, 0.56%

LAB 86.48, -81.78, 74.12

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 55 / 0 / 50 / 23

HEX #59C462

RGB 89 196 98

HSL 125.05, 0.48%, 0.56%

LAB 71.2, -51.04, 39.82

 

CMYK 40 / 0 / 37 / 30

HEX #6BB271

RGB 107 178 113

HSL 125.07, 0.32%, 0.56%

LAB 66.64, -36, 26.41

 

CMYK 22 / 0 / 20 / 37

HEX #7DA080

RGB 125 160 128

HSL 125.14, 0.16%, 0.56%

LAB 62.56, -18.58, 12.81

 

CMYK 0 / 1 / 0 / 44

HEX #8F8D8F

RGB 143 141 143

HSL 300, 0.01%, 0.56%

LAB 58.86, 1.13, -0.81

 

CMYK 37 / 0 / 67 / 16

HEX #87D646

RGB 135 214 70

HSL 92.92, 0.64%, 0.56%

LAB 78.28, -47.5, 60.88

 

CMYK 55 / 0 / 67 / 16

HEX #61D646

RGB 97 214 70

HSL 108.75, 0.64%, 0.56%

LAB 76.73, -58.94, 58.76

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 0 / 43 / 16

HEX #46D679

RGB 70 214 121

HSL 141.25, 0.64%, 0.56%

LAB 76.54, -58.37, 34.99

 

CMYK 67 / 0 / 26 / 16

HEX #46D69F

RGB 70 214 159

HSL 157.08, 0.64%, 0.56%

LAB 77.22, -50.99, 16.2

 

CMYK 78 / 0 / 72 / 35

HEX #24A62F

RGB 36 166 47

HSL 125.08, 0.64%, 0.4%

LAB 59.76, -57.07, 49.43

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 53 / 0 / 49 / 13

HEX #68DE72

RGB 104 222 114

HSL 125.08, 0.64%, 0.64%

LAB 79.84, -55.18, 42.83

 

CMYK 40 / 0 / 36 / 10

HEX #8AE592

RGB 138 229 146

HSL 125.27, 0.64%, 0.72%

LAB 83.71, -43.93, 32.16

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 19 / 0 / 16

HEX #46ADD6

RGB 70 173 214

HSL 197.08, 0.64%, 0.56%

LAB 66.55, -16.9, -29.47

 

CMYK 0 / 67 / 46 / 16

HEX #D64674

RGB 214 70 116

HSL 340.83, 0.64%, 0.56%

LAB 51.77, 59.59, 5.81

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 62 / 67 / 0 / 16

HEX #5246D6

RGB 82 70 214

HSL 245, 0.64%, 0.56%

LAB 39.63, 46.32, -72.32

 

CMYK 0 / 62 / 67 / 16

HEX #D65246

RGB 214 82 70

HSL 5, 0.64%, 0.56%

LAB 52.7, 51.19, 34.25

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 19 / 0 / 16

HEX #46ADD6

RGB 70 173 214

HSL 197.08, 0.64%, 0.56%

LAB 66.55, -16.9, -29.47

 

CMYK 0 / 67 / 6 / 16

HEX #D646CA

RGB 214 70 202

HSL 305, 0.64%, 0.56%

LAB 55.01, 70.42, -39.85

 

CMYK 0 / 48 / 67 / 16

HEX #D66F46

RGB 214 111 70

HSL 17.08, 0.64%, 0.56%

LAB 58.14, 37.18, 40.66

 

CMYK 67 / 0 / 62 / 16

HEX #46D652

RGB 70 214 82

HSL 125, 0.64%, 0.56%

LAB 76.07, -63.79, 52.87

 

CMYK 67 / 39 / 0 / 16

HEX #4682D6

RGB 70 130 214

HSL 215, 0.64%, 0.56%

LAB 54.16, 7.57, -48.89

 

CMYK 0 / 67 / 6 / 16

HEX #D646CA

RGB 214 70 202

HSL 305, 0.64%, 0.56%

LAB 55.01, 70.42, -39.85

 

CMYK 0 / 28 / 67 / 16

HEX #D69A46

RGB 214 154 70

HSL 35, 0.64%, 0.56%

LAB 67.91, 14.24, 51.61

 

Description

Color code: RGB 70 214 82 | qconv.com Color code: RGB 70 214 82 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 214 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 214 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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