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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 6 162 it is the complementary color RGB 42 249 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 6 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 6 162 shade: RGB 218 6 157, RGB 235 24 176, RGB 252 42 195, RGB 255 60 214 and RGB 255 78 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 6 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 6 162 shade: RGB 213 6 162, RGB 196 0 143, RGB 179 0 124, RGB 162 0 105 and RGB 145 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 6 162 shade: RGB 213 5 162, RGB 213 5 106, RGB 213 5 50 and RGB 213 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 6 162 shade: RGB 213 5 162, RGB 208 5 213, RGB 152 5 213, RGB 96 5 213 and RGB 40 5 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 6 162 shade matches the following richer shades: RGB 213 5 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 6 162 shade: RGB 213 5 162, RGB 196 23 153, RGB 178 40 144, RGB 160 58 135 and RGB 142 76 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 6 162 shade: RGB 151 5 213, RGB 206 5 213, RGB 213 5 165, RGB 213 5 109 and RGB 213 5 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 6 162 shade: RGB 133 3 101, RGB 173 4 131, RGB 213 5 162, RGB 248 11 190 and RGB 249 52 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 6 162 shade: RGB 213 6 162, RGB 213 95 5 and RGB 5 213 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 6 162 shade: RGB 213 6 162, RGB 165 213 5 and RGB 5 165 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 6 162 shade: RGB 213 6 162, RGB 213 95 5, RGB 5 213 54 and RGB 5 123 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 6 162 shade: RGB 213 6 162, RGB 213 158 5, RGB 5 213 54 and RGB 5 61 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

Complementary color

CMYK 83 / 0 / 63 / 2

HEX #2AF95D

RGB 42 249 93

HSL 134.78, 0.95%, 0.57%

LAB 86.52, -77.46, 59.86

 

CMYK 0 / 97 / 28 / 15

HEX #DA069D

RGB 218 6 157

HSL 317.26, 0.95%, 0.44%

LAB 48.85, 79.09, -23.11

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 0 / 83 / 23 / 1

HEX #FC2AC3

RGB 252 42 195

HSL 316.29, 0.97%, 0.58%

LAB 58.31, 85.52, -30.21

 

CMYK 0 / 76 / 16 / 0

HEX #FF3CD6

RGB 255 60 214

HSL 312.62, 1%, 0.62%

LAB 61.09, 84.37, -36.68

 

CMYK 0 / 69 / 9 / 0

HEX #FF4EE9

RGB 255 78 233

HSL 307.46, 1%, 0.65%

LAB 63.83, 81.64, -43.05

 

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

CMYK 0 / 100 / 27 / 23

HEX #C4008F

RGB 196 0 143

HSL 316.22, 1%, 0.38%

LAB 43.83, 73.72, -22.77

 

CMYK 0 / 100 / 31 / 30

HEX #B3007C

RGB 179 0 124

HSL 318.44, 1%, 0.35%

LAB 39.65, 68.2, -17.8

 

CMYK 0 / 100 / 35 / 36

HEX #A20069

RGB 162 0 105

HSL 321.11, 1%, 0.32%

LAB 35.4, 62.61, -12.62

 

CMYK 0 / 100 / 41 / 43

HEX #910056

RGB 145 0 86

HSL 324.41, 1%, 0.28%

LAB 31.09, 56.96, -7.17

 

CMYK 0 / 98 / 24 / 16

HEX #D505A2

RGB 213 5 162

HSL 314.71, 0.95%, 0.43%

LAB 48.09, 78.75, -27.34

 

CMYK 0 / 98 / 50 / 16

HEX #D5056A

RGB 213 5 106

HSL 330.87, 0.95%, 0.43%

LAB 46.04, 73.4, 3.66

 

CMYK 0 / 98 / 77 / 16

HEX #D50532

RGB 213 5 50

HSL 347.02, 0.95%, 0.43%

LAB 44.92, 70.38, 36.75

 

CMYK 0 / 98 / 98 / 16

HEX #D50505

RGB 213 5 5

HSL 0, 0.95%, 0.43%

LAB 44.61, 69.53, 57.13

 

CMYK 0 / 98 / 24 / 16

HEX #D505A2

RGB 213 5 162

HSL 314.71, 0.95%, 0.43%

LAB 48.09, 78.75, -27.34

 

CMYK 2 / 98 / 0 / 16

HEX #D005D5

RGB 208 5 213

HSL 298.56, 0.95%, 0.43%

LAB 49.88, 84.6, -54.36

 

CMYK 29 / 98 / 0 / 16

HEX #9805D5

RGB 152 5 213

HSL 282.4, 0.95%, 0.43%

LAB 40.55, 76.65, -69.91

 

CMYK 55 / 98 / 0 / 16

HEX #6005D5

RGB 96 5 213

HSL 266.25, 0.95%, 0.43%

LAB 32.7, 71.18, -83.12

 

CMYK 81 / 98 / 0 / 16

HEX #2805D5

RGB 40 5 213

HSL 250.1, 0.95%, 0.43%

LAB 27.75, 68.65, -91.5

 

CMYK 0 / 98 / 24 / 16

HEX #D505A2

RGB 213 5 162

HSL 314.71, 0.95%, 0.43%

LAB 48.09, 78.75, -27.34

 

CMYK 0 / 98 / 24 / 16

HEX #D505A2

RGB 213 5 162

HSL 314.71, 0.95%, 0.43%

LAB 48.09, 78.75, -27.34

 

CMYK 0 / 88 / 22 / 23

HEX #C41799

RGB 196 23 153

HSL 314.91, 0.79%, 0.43%

LAB 45.15, 72.34, -26.77

 

CMYK 0 / 78 / 19 / 30

HEX #B22890

RGB 178 40 144

HSL 314.78, 0.63%, 0.43%

LAB 42.76, 63.43, -25.3

 

CMYK 0 / 64 / 16 / 37

HEX #A03A87

RGB 160 58 135

HSL 314.71, 0.47%, 0.43%

LAB 41.61, 50.97, -21.84

 

CMYK 0 / 46 / 11 / 44

HEX #8E4C7E

RGB 142 76 126

HSL 314.55, 0.3%, 0.43%

LAB 41.89, 34.97, -16.14

 

CMYK 29 / 98 / 0 / 16

HEX #9705D5

RGB 151 5 213

HSL 282.12, 0.95%, 0.43%

LAB 40.4, 76.53, -70.18

 

CMYK 3 / 98 / 0 / 16

HEX #CE05D5

RGB 206 5 213

HSL 297.98, 0.95%, 0.43%

LAB 49.54, 84.29, -54.93

 

CMYK 0 / 98 / 23 / 16

HEX #D505A5

RGB 213 5 165

HSL 313.85, 0.95%, 0.43%

LAB 48.22, 79.1, -28.92

 

CMYK 0 / 98 / 49 / 16

HEX #D5056D

RGB 213 5 109

HSL 330, 0.95%, 0.43%

LAB 46.12, 73.63, 1.92

 

CMYK 0 / 98 / 75 / 16

HEX #D50536

RGB 213 5 54

HSL 345.87, 0.95%, 0.43%

LAB 44.97, 70.52, 34.43

 

CMYK 0 / 98 / 24 / 48

HEX #850365

RGB 133 3 101

HSL 314.77, 0.96%, 0.27%

LAB 29.39, 55.56, -19.8

 

CMYK 0 / 98 / 24 / 32

HEX #AD0483

RGB 173 4 131

HSL 314.91, 0.95%, 0.35%

LAB 38.92, 67.35, -23.37

 

CMYK 0 / 98 / 24 / 16

HEX #D505A2

RGB 213 5 162

HSL 314.71, 0.95%, 0.43%

LAB 48.09, 78.75, -27.34

 

CMYK 0 / 96 / 23 / 3

HEX #F80BBE

RGB 248 11 190

HSL 314.68, 0.94%, 0.51%

LAB 56, 88.17, -30.97

 

CMYK 0 / 79 / 19 / 2

HEX #F934C9

RGB 249 52 201

HSL 314.62, 0.94%, 0.59%

LAB 58.8, 83.45, -32.93

 

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

CMYK 0 / 55 / 98 / 16

HEX #D55F05

RGB 213 95 5

HSL 25.96, 0.95%, 0.43%

LAB 54.39, 42.84, 62.38

 

CMYK 98 / 0 / 16 / 16

HEX #05D5B3

RGB 5 213 179

HSL 170.19, 0.95%, 0.43%

LAB 76.6, -51.34, 4.56

 

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

CMYK 23 / 0 / 98 / 16

HEX #A5D505

RGB 165 213 5

HSL 73.85, 0.95%, 0.43%

LAB 79.38, -38.52, 77.98

 

CMYK 98 / 23 / 0 / 16

HEX #05A5D5

RGB 5 165 213

HSL 193.85, 0.95%, 0.43%

LAB 63.13, -18.49, -34.29

 

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

CMYK 0 / 55 / 98 / 16

HEX #D55F05

RGB 213 95 5

HSL 25.96, 0.95%, 0.43%

LAB 54.39, 42.84, 62.38

 

CMYK 98 / 0 / 75 / 16

HEX #05D536

RGB 5 213 54

HSL 134.13, 0.95%, 0.43%

LAB 74.75, -72.87, 62.1

 

CMYK 98 / 42 / 0 / 16

HEX #057BD5

RGB 5 123 213

HSL 205.96, 0.95%, 0.43%

LAB 50.69, 5.69, -53.94

 

CMYK 0 / 97 / 24 / 16

HEX #D506A2

RGB 213 6 162

HSL 314.78, 0.95%, 0.43%

LAB 48.11, 78.67, -27.3

 

CMYK 0 / 26 / 98 / 16

HEX #D59E05

RGB 213 158 5

HSL 44.13, 0.95%, 0.43%

LAB 68.47, 9.65, 71.69

 

CMYK 98 / 0 / 75 / 16

HEX #05D536

RGB 5 213 54

HSL 134.13, 0.95%, 0.43%

LAB 74.75, -72.87, 62.1

 

CMYK 98 / 71 / 0 / 16

HEX #053DD5

RGB 5 61 213

HSL 223.85, 0.95%, 0.43%

LAB 34.34, 45.43, -80.57

 

Description

Color code: RGB 213 6 162 | qconv.com Color code: RGB 213 6 162 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 6 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 6 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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