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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 24 176 it is the complementary color RGB 20 231 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 24 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 24 176 shade: RGB 240 24 171, RGB 255 42 190, RGB 255 60 209, RGB 255 78 228 and RGB 255 96 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 24 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 24 176 shade: RGB 235 24 176, RGB 218 6 157, RGB 201 0 138, RGB 184 0 119 and RGB 167 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 24 176 shade: RGB 235 25 176, RGB 235 25 119, RGB 235 25 63 and RGB 235 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 24 176 shade: RGB 235 25 176, RGB 235 25 232, RGB 180 25 235, RGB 123 25 235 and RGB 67 25 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 24 176 shade matches the following richer shades: RGB 235 25 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 24 176 shade: RGB 235 25 176, RGB 214 45 167, RGB 194 65 158, RGB 174 85 149 and RGB 154 105 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 24 176 shade: RGB 179 25 235, RGB 235 25 235, RGB 235 25 179, RGB 235 25 123 and RGB 235 25 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 24 176 shade: RGB 163 14 121, RGB 201 17 149, RGB 235 25 176, RGB 238 63 189 and RGB 241 101 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 24 176 shade: RGB 235 24 176, RGB 235 123 25 and RGB 25 235 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 24 176 shade: RGB 235 24 176, RGB 179 235 25 and RGB 25 179 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 24 176 shade: RGB 235 24 176, RGB 235 123 25, RGB 25 235 81 and RGB 25 137 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 24 176 shade: RGB 235 24 176, RGB 235 186 25, RGB 25 235 81 and RGB 25 74 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

Complementary color

CMYK 91 / 0 / 66 / 9

HEX #14E74F

RGB 20 231 79

HSL 136.78, 0.84%, 0.49%

LAB 80.66, -75.18, 59.03

 

CMYK 0 / 90 / 29 / 6

HEX #F018AB

RGB 240 24 171

HSL 319.17, 0.88%, 0.52%

LAB 54.15, 83.27, -22.88

 

CMYK 0 / 84 / 25 / 0

HEX #FF2ABE

RGB 255 42 190

HSL 318.31, 1%, 0.58%

LAB 58.63, 85.56, -26.79

 

CMYK 0 / 76 / 18 / 0

HEX #FF3CD1

RGB 255 60 209

HSL 314.15, 1%, 0.62%

LAB 60.87, 83.73, -34.19

 

CMYK 0 / 69 / 11 / 0

HEX #FF4EE4

RGB 255 78 228

HSL 309.15, 1%, 0.65%

LAB 63.6, 80.92, -40.62

 

CMYK 0 / 62 / 3 / 0

HEX #FF60F7

RGB 255 96 247

HSL 303.02, 1%, 0.69%

LAB 66.78, 77.31, -46.17

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 0 / 97 / 28 / 15

HEX #DA069D

RGB 218 6 157

HSL 317.26, 0.95%, 0.44%

LAB 48.85, 79.09, -23.11

 

CMYK 0 / 100 / 31 / 21

HEX #C9008A

RGB 201 0 138

HSL 318.81, 1%, 0.39%

LAB 44.59, 74.17, -18.46

 

CMYK 0 / 100 / 35 / 28

HEX #B80077

RGB 184 0 119

HSL 321.2, 1%, 0.36%

LAB 40.45, 68.71, -13.37

 

CMYK 0 / 100 / 40 / 35

HEX #A70064

RGB 167 0 100

HSL 324.07, 1%, 0.33%

LAB 36.24, 63.19, -8.05

 

CMYK 0 / 89 / 25 / 8

HEX #EB19B0

RGB 235 25 176

HSL 316.86, 0.84%, 0.51%

LAB 53.48, 82.68, -26.92

 

CMYK 0 / 89 / 49 / 8

HEX #EB1977

RGB 235 25 119

HSL 333.14, 0.84%, 0.51%

LAB 51.48, 77.26, 4.09

 

CMYK 0 / 89 / 73 / 8

HEX #EB193F

RGB 235 25 63

HSL 349.14, 0.84%, 0.51%

LAB 50.35, 74.09, 36.46

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 89 / 25 / 8

HEX #EB19B0

RGB 235 25 176

HSL 316.86, 0.84%, 0.51%

LAB 53.48, 82.68, -26.92

 

CMYK 0 / 89 / 1 / 8

HEX #EB19E8

RGB 235 25 232

HSL 300.86, 0.84%, 0.51%

LAB 56.27, 89.88, -54.67

 

CMYK 23 / 89 / 0 / 8

HEX #B419EB

RGB 180 25 235

HSL 284.29, 0.84%, 0.51%

LAB 47.49, 81.84, -70.97

 

CMYK 48 / 89 / 0 / 8

HEX #7B19EB

RGB 123 25 235

HSL 268, 0.84%, 0.51%

LAB 39.42, 75, -84.52

 

CMYK 71 / 89 / 0 / 8

HEX #4319EB

RGB 67 25 235

HSL 252, 0.84%, 0.51%

LAB 33.75, 70.88, -94.09

 

CMYK 0 / 89 / 25 / 8

HEX #EB19B0

RGB 235 25 176

HSL 316.86, 0.84%, 0.51%

LAB 53.48, 82.68, -26.92

 

CMYK 0 / 89 / 25 / 8

HEX #EB19B0

RGB 235 25 176

HSL 316.86, 0.84%, 0.51%

LAB 53.48, 82.68, -26.92

 

CMYK 0 / 79 / 22 / 16

HEX #D62DA7

RGB 214 45 167

HSL 316.69, 0.67%, 0.51%

LAB 50.64, 73.31, -26.33

 

CMYK 0 / 66 / 19 / 24

HEX #C2419E

RGB 194 65 158

HSL 316.74, 0.51%, 0.51%

LAB 49.15, 60.77, -23.58

 

CMYK 0 / 51 / 14 / 32

HEX #AE5595

RGB 174 85 149

HSL 316.85, 0.35%, 0.51%

LAB 49.09, 44.56, -18.59

 

CMYK 0 / 32 / 9 / 40

HEX #9A698C

RGB 154 105 140

HSL 317.14, 0.2%, 0.51%

LAB 50.53, 25.31, -11.3

 

CMYK 24 / 89 / 0 / 8

HEX #B319EB

RGB 179 25 235

HSL 284, 0.84%, 0.51%

LAB 47.34, 81.7, -71.23

 

CMYK 0 / 89 / 0 / 8

HEX #EB19EB

RGB 235 25 235

HSL 300, 0.84%, 0.51%

LAB 56.44, 90.31, -56.08

 

CMYK 0 / 89 / 24 / 8

HEX #EB19B3

RGB 235 25 179

HSL 316, 0.84%, 0.51%

LAB 53.61, 83.02, -28.47

 

CMYK 0 / 89 / 48 / 8

HEX #EB197B

RGB 235 25 123

HSL 332, 0.84%, 0.51%

LAB 51.6, 77.57, 1.83

 

CMYK 0 / 89 / 71 / 8

HEX #EB1943

RGB 235 25 67

HSL 348, 0.84%, 0.51%

LAB 50.41, 74.25, 34.17

 

CMYK 0 / 91 / 26 / 36

HEX #A30E79

RGB 163 14 121

HSL 316.91, 0.84%, 0.35%

LAB 36.89, 62.88, -20.43

 

CMYK 0 / 92 / 26 / 21

HEX #C91195

RGB 201 17 149

HSL 316.96, 0.84%, 0.43%

LAB 45.62, 73.75, -23.56

 

CMYK 0 / 89 / 25 / 8

HEX #EB19B0

RGB 235 25 176

HSL 316.86, 0.84%, 0.51%

LAB 53.48, 82.68, -26.92

 

CMYK 0 / 74 / 21 / 7

HEX #EE3FBD

RGB 238 63 189

HSL 316.8, 0.84%, 0.59%

LAB 57.47, 76.52, -28.26

 

CMYK 0 / 58 / 16 / 5

HEX #F165CA

RGB 241 101 202

HSL 316.71, 0.83%, 0.67%

LAB 63.57, 64.9, -26.22

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 0 / 48 / 89 / 8

HEX #EB7B19

RGB 235 123 25

HSL 28, 0.84%, 0.51%

LAB 63.26, 37.75, 65.57

 

CMYK 89 / 0 / 12 / 8

HEX #19EBCF

RGB 25 235 207

HSL 172, 0.84%, 0.51%

LAB 84.03, -52.25, 0.49

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 24 / 0 / 89 / 8

HEX #B3EB19

RGB 179 235 25

HSL 76, 0.84%, 0.51%

LAB 86.54, -42.5, 81.72

 

CMYK 89 / 24 / 0 / 8

HEX #19B3EB

RGB 25 179 235

HSL 196, 0.84%, 0.51%

LAB 68.35, -17.49, -38.26

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 0 / 48 / 89 / 8

HEX #EB7B19

RGB 235 123 25

HSL 28, 0.84%, 0.51%

LAB 63.26, 37.75, 65.57

 

CMYK 89 / 0 / 66 / 8

HEX #19EB51

RGB 25 235 81

HSL 136, 0.84%, 0.51%

LAB 81.96, -75.87, 59.65

 

CMYK 89 / 42 / 0 / 8

HEX #1989EB

RGB 25 137 235

HSL 208, 0.84%, 0.51%

LAB 56.18, 6.39, -57.48

 

CMYK 0 / 90 / 25 / 8

HEX #EB18B0

RGB 235 24 176

HSL 316.78, 0.84%, 0.51%

LAB 53.44, 82.81, -26.99

 

CMYK 0 / 21 / 89 / 8

HEX #EBBA19

RGB 235 186 25

HSL 46, 0.84%, 0.51%

LAB 77.79, 4.67, 76.63

 

CMYK 89 / 0 / 66 / 8

HEX #19EB51

RGB 25 235 81

HSL 136, 0.84%, 0.51%

LAB 81.96, -75.87, 59.65

 

CMYK 89 / 69 / 0 / 8

HEX #194AEB

RGB 25 74 235

HSL 226, 0.84%, 0.51%

LAB 39.75, 45.99, -84.2

 

Description

Color code: RGB 235 24 176 | qconv.com Color code: RGB 235 24 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 24 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 24 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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