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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 243 108 it is the complementary color RGB 42 12 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 243 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 243 108 shade: RGB 218 243 103, RGB 235 255 122, RGB 252 255 141, RGB 255 255 160 and RGB 255 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 243 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 196 225 89, RGB 179 207 70, RGB 162 189 51 and RGB 145 171 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 243 236 108, RGB 243 200 108, RGB 243 164 108 and RGB 243 128 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 177 243 108, RGB 140 243 108, RGB 108 243 112 and RGB 108 243 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 243 108 shade matches the following richer shades: RGB 213 243 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 206 230 121, RGB 199 217 134, RGB 191 204 147 and RGB 184 191 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 243 108 shade: RGB 243 200 108, RGB 243 236 108, RGB 214 243 108, RGB 178 243 108 and RGB 142 243 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 243 108 shade: RGB 191 236 32, RGB 202 240 70, RGB 213 243 108, RGB 224 246 146 and RGB 235 249 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 108 243 164 and RGB 218 108 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 108 214 243 and RGB 243 108 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 108 243 164, RGB 137 108 243 and RGB 243 108 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 243 108 shade: RGB 213 243 108, RGB 108 243 205, RGB 137 108 243 and RGB 243 108 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

Complementary color

CMYK 71 / 92 / 0 / 42

HEX #2A0C93

RGB 42 12 147

HSL 253.33, 0.85%, 0.31%

LAB 19.48, 49.98, -65.74

 

CMYK 10 / 0 / 58 / 5

HEX #DAF367

RGB 218 243 103

HSL 70.71, 0.85%, 0.68%

LAB 91.68, -27.23, 63.3

 

CMYK 8 / 0 / 52 / 0

HEX #EBFF7A

RGB 235 255 122

HSL 69.02, 1%, 0.74%

LAB 96.24, -24.79, 60.51

 

CMYK 1 / 0 / 45 / 0

HEX #FCFF8D

RGB 252 255 141

HSL 61.58, 1%, 0.78%

LAB 97.69, -16.55, 53.84

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 13 / 0 / 60 / 12

HEX #C4E159

RGB 196 225 89

HSL 72.79, 0.69%, 0.62%

LAB 85.15, -28.4, 61.6

 

CMYK 14 / 0 / 66 / 19

HEX #B3CF46

RGB 179 207 70

HSL 72.26, 0.59%, 0.54%

LAB 78.84, -27.93, 62.26

 

CMYK 14 / 0 / 73 / 26

HEX #A2BD33

RGB 162 189 51

HSL 71.74, 0.58%, 0.47%

LAB 72.44, -27.33, 62.52

 

CMYK 15 / 0 / 81 / 33

HEX #91AB20

RGB 145 171 32

HSL 71.22, 0.68%, 0.4%

LAB 65.94, -26.56, 62.03

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 0 / 3 / 56 / 5

HEX #F3EC6C

RGB 243 236 108

HSL 56.89, 0.85%, 0.69%

LAB 91.74, -13.6, 61.71

 

CMYK 0 / 18 / 56 / 5

HEX #F3C86C

RGB 243 200 108

HSL 40.89, 0.85%, 0.69%

LAB 82.62, 4.61, 51.15

 

CMYK 0 / 33 / 56 / 5

HEX #F3A46C

RGB 243 164 108

HSL 24.89, 0.85%, 0.69%

LAB 73.99, 23.51, 40.7

 

CMYK 0 / 47 / 56 / 5

HEX #F3806C

RGB 243 128 108

HSL 8.89, 0.85%, 0.69%

LAB 66.19, 42.19, 30.83

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 27 / 0 / 56 / 5

HEX #B1F36C

RGB 177 243 108

HSL 89.33, 0.85%, 0.69%

LAB 89.17, -42.08, 57.59

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 0 / 54 / 5

HEX #6CF370

RGB 108 243 112

HSL 121.78, 0.85%, 0.69%

LAB 86.24, -62.39, 51.6

 

CMYK 56 / 0 / 39 / 5

HEX #6CF395

RGB 108 243 149

HSL 138.22, 0.85%, 0.69%

LAB 86.73, -57.02, 34.43

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 10 / 0 / 47 / 10

HEX #CEE679

RGB 206 230 121

HSL 73.21, 0.69%, 0.69%

LAB 87.53, -24.11, 50.12

 

CMYK 8 / 0 / 38 / 15

HEX #C7D986

RGB 199 217 134

HSL 73.01, 0.52%, 0.69%

LAB 83.7, -19.05, 38.88

 

CMYK 6 / 0 / 28 / 20

HEX #BFCC93

RGB 191 204 147

HSL 73.68, 0.36%, 0.69%

LAB 79.82, -13.91, 27

 

CMYK 4 / 0 / 17 / 25

HEX #B8BF9F

RGB 184 191 159

HSL 73.13, 0.2%, 0.69%

LAB 76.04, -8.03, 15.35

 

CMYK 0 / 18 / 56 / 5

HEX #F3C86C

RGB 243 200 108

HSL 40.89, 0.85%, 0.69%

LAB 82.62, 4.61, 51.15

 

CMYK 0 / 3 / 56 / 5

HEX #F3EC6C

RGB 243 236 108

HSL 56.89, 0.85%, 0.69%

LAB 91.74, -13.6, 61.71

 

CMYK 12 / 0 / 56 / 5

HEX #D6F36C

RGB 214 243 108

HSL 72.89, 0.85%, 0.69%

LAB 91.45, -28.38, 60.81

 

CMYK 27 / 0 / 56 / 5

HEX #B2F36C

RGB 178 243 108

HSL 88.89, 0.85%, 0.69%

LAB 89.23, -41.72, 57.67

 

CMYK 42 / 0 / 56 / 5

HEX #8EF36C

RGB 142 243 108

HSL 104.89, 0.85%, 0.69%

LAB 87.45, -53.6, 55.15

 

CMYK 19 / 0 / 86 / 7

HEX #BFEC20

RGB 191 236 32

HSL 73.24, 0.84%, 0.53%

LAB 87.57, -38.15, 81.68

 

CMYK 16 / 0 / 71 / 6

HEX #CAF046

RGB 202 240 70

HSL 73.41, 0.85%, 0.61%

LAB 89.54, -34.21, 73.54

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 9 / 0 / 41 / 4

HEX #E0F692

RGB 224 246 146

HSL 73.2, 0.85%, 0.77%

LAB 93.38, -22.34, 45.65

 

CMYK 6 / 0 / 26 / 2

HEX #EBF9B9

RGB 235 249 185

HSL 73.13, 0.84%, 0.85%

LAB 95.55, -14.91, 29.26

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 56 / 0 / 33 / 5

HEX #6CF3A4

RGB 108 243 164

HSL 144.89, 0.85%, 0.69%

LAB 86.98, -54.38, 27.2

 

CMYK 10 / 56 / 0 / 5

HEX #DA6CF3

RGB 218 108 243

HSL 288.89, 0.85%, 0.69%

LAB 63.43, 62.49, -49.59

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 56 / 12 / 0 / 5

HEX #6CD6F3

RGB 108 214 243

HSL 192.89, 0.85%, 0.69%

LAB 80.6, -22.66, -23.54

 

CMYK 0 / 56 / 12 / 5

HEX #F36CD6

RGB 243 108 214

HSL 312.89, 0.85%, 0.69%

LAB 65.46, 64.16, -30.02

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 56 / 0 / 33 / 5

HEX #6CF3A4

RGB 108 243 164

HSL 144.89, 0.85%, 0.69%

LAB 86.98, -54.38, 27.2

 

CMYK 44 / 56 / 0 / 5

HEX #896CF3

RGB 137 108 243

HSL 252.89, 0.85%, 0.69%

LAB 54.57, 43.14, -64.24

 

CMYK 0 / 56 / 23 / 5

HEX #F36CBB

RGB 243 108 187

HSL 324.89, 0.85%, 0.69%

LAB 64.46, 60.28, -16.35

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 56 / 0 / 16 / 5

HEX #6CF3CD

RGB 108 243 205

HSL 163.11, 0.85%, 0.69%

LAB 87.82, -45.9, 7.22

 

CMYK 44 / 56 / 0 / 5

HEX #896CF3

RGB 137 108 243

HSL 252.89, 0.85%, 0.69%

LAB 54.57, 43.14, -64.24

 

CMYK 0 / 56 / 40 / 5

HEX #F36C92

RGB 243 108 146

HSL 343.11, 0.85%, 0.69%

LAB 63.22, 55.34, 5.25

 

Description

Color code: RGB 213 243 108 | qconv.com Color code: RGB 213 243 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 243 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 243 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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