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Color name
HEX #8CF36C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF36C it is the complementary color #730C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF36C shade: #91F367, #A2FF7A, #B3FF8D, #C4FFA0 and #D5FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF36C shade: #8CF36C, #7BE159, #6ACF46, #59BD33 and #48AB20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF36C shade: #8CF36C, #B0F36C, #D5F36C, #F3EC6C and #F3C86C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF36C shade: #8CF36C, #6CF371, #6CF395, #6CF3B9 and #6CF3DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF36C shade matches the following richer shades: #8CF36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF36C shade: #8CF36C, #93E679, #9AD986, #A0CC93 and #A7BF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF36C shade: #D6F36C, #B2F36C, #8EF36C, #6CF36E and #6CF392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF36C shade: #50EC20, #6EF046, #8CF36C, #AAF692 and #C8F9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF36C shade: #8CF36C, #6CF3EC and #F36CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF36C shade: #8CF36C, #6C8EF3 and #F36C8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF36C shade: #8CF36C, #6CF3EC, #D16CF3 and #F36C73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF36C shade: #8CF36C, #6CD1F3, #D16CF3 and #F38E6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

Complementary color

CMYK 22 / 92 / 0 / 42

HEX #730C93

RGB 115 12 147

HSL 285.78, 0.85%, 0.31%

LAB 29.45, 58.15, -48.99

 

CMYK 40 / 0 / 58 / 5

HEX #91F367

RGB 145 243 103

HSL 102, 0.85%, 0.68%

LAB 87.53, -53.2, 57.49

 

CMYK 36 / 0 / 52 / 0

HEX #A2FF7A

RGB 162 255 122

HSL 101.95, 1%, 0.74%

LAB 91.96, -50.77, 54.4

 

CMYK 30 / 0 / 45 / 0

HEX #B3FF8D

RGB 179 255 141

HSL 100, 1%, 0.78%

LAB 93.03, -43.04, 47.03

 

CMYK 23 / 0 / 37 / 0

HEX #C4FFA0

RGB 196 255 160

HSL 97.26, 1%, 0.81%

LAB 94.22, -34.88, 39.54

 

CMYK 16 / 0 / 30 / 0

HEX #D5FFB3

RGB 213 255 179

HSL 93.16, 1%, 0.85%

LAB 95.55, -26.42, 32.03

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 45 / 0 / 60 / 12

HEX #7BE159

RGB 123 225 89

HSL 105, 0.69%, 0.62%

LAB 81.17, -54.1, 56.07

 

CMYK 49 / 0 / 66 / 19

HEX #6ACF46

RGB 106 207 70

HSL 104.23, 0.59%, 0.54%

LAB 74.91, -53.84, 56.92

 

CMYK 53 / 0 / 73 / 26

HEX #59BD33

RGB 89 189 51

HSL 103.48, 0.58%, 0.47%

LAB 68.58, -53.36, 57.41

 

CMYK 58 / 0 / 81 / 33

HEX #48AB20

RGB 72 171 32

HSL 102.73, 0.68%, 0.4%

LAB 62.18, -52.53, 57.22

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 28 / 0 / 56 / 5

HEX #B0F36C

RGB 176 243 108

HSL 89.78, 0.85%, 0.69%

LAB 89.12, -42.43, 57.52

 

CMYK 12 / 0 / 56 / 5

HEX #D5F36C

RGB 213 243 108

HSL 73.33, 0.85%, 0.69%

LAB 91.38, -28.77, 60.71

 

CMYK 0 / 3 / 56 / 5

HEX #F3EC6C

RGB 243 236 108

HSL 56.89, 0.85%, 0.69%

LAB 91.74, -13.6, 61.71

 

CMYK 0 / 18 / 56 / 5

HEX #F3C86C

RGB 243 200 108

HSL 40.89, 0.85%, 0.69%

LAB 82.62, 4.61, 51.15

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 0 / 53 / 5

HEX #6CF371

RGB 108 243 113

HSL 122.22, 0.85%, 0.69%

LAB 86.25, -62.27, 51.15

 

CMYK 56 / 0 / 39 / 5

HEX #6CF395

RGB 108 243 149

HSL 138.22, 0.85%, 0.69%

LAB 86.73, -57.02, 34.43

 

CMYK 56 / 0 / 24 / 5

HEX #6CF3B9

RGB 108 243 185

HSL 154.22, 0.85%, 0.69%

LAB 87.38, -50.26, 16.98

 

CMYK 56 / 0 / 9 / 5

HEX #6CF3DD

RGB 108 243 221

HSL 170.22, 0.85%, 0.69%

LAB 88.21, -42.14, -0.57

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 36 / 0 / 47 / 10

HEX #93E679

RGB 147 230 121

HSL 105.69, 0.69%, 0.69%

LAB 84.06, -45.14, 45.08

 

CMYK 29 / 0 / 38 / 15

HEX #9AD986

RGB 154 217 134

HSL 105.54, 0.52%, 0.69%

LAB 80.86, -35.33, 34.65

 

CMYK 22 / 0 / 28 / 20

HEX #A0CC93

RGB 160 204 147

HSL 106.32, 0.36%, 0.69%

LAB 77.74, -25.15, 23.82

 

CMYK 13 / 0 / 17 / 25

HEX #A7BF9F

RGB 167 191 159

HSL 105, 0.2%, 0.69%

LAB 74.81, -14.18, 13.44

 

CMYK 12 / 0 / 56 / 5

HEX #D6F36C

RGB 214 243 108

HSL 72.89, 0.85%, 0.69%

LAB 91.45, -28.38, 60.81

 

CMYK 27 / 0 / 56 / 5

HEX #B2F36C

RGB 178 243 108

HSL 88.89, 0.85%, 0.69%

LAB 89.23, -41.72, 57.67

 

CMYK 42 / 0 / 56 / 5

HEX #8EF36C

RGB 142 243 108

HSL 104.89, 0.85%, 0.69%

LAB 87.45, -53.6, 55.15

 

CMYK 56 / 0 / 55 / 5

HEX #6CF36E

RGB 108 243 110

HSL 120.89, 0.85%, 0.69%

LAB 86.21, -62.63, 52.48

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 66 / 0 / 86 / 7

HEX #50EC20

RGB 80 236 32

HSL 105.88, 0.84%, 0.53%

LAB 82.81, -72.48, 75.75

 

CMYK 54 / 0 / 71 / 6

HEX #6EF046

RGB 110 240 70

HSL 105.88, 0.85%, 0.61%

LAB 85.04, -64.92, 67.55

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 31 / 0 / 41 / 4

HEX #AAF692

RGB 170 246 146

HSL 105.6, 0.85%, 0.77%

LAB 90.11, -41.4, 40.81

 

CMYK 20 / 0 / 26 / 2

HEX #C8F9B9

RGB 200 249 185

HSL 105.94, 0.84%, 0.85%

LAB 93.25, -27.12, 25.75

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 0 / 3 / 5

HEX #6CF3EC

RGB 108 243 236

HSL 176.89, 0.85%, 0.69%

LAB 88.61, -38.4, -7.82

 

CMYK 0 / 56 / 19 / 5

HEX #F36CC4

RGB 243 108 196

HSL 320.89, 0.85%, 0.69%

LAB 64.78, 61.52, -20.96

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 42 / 0 / 5

HEX #6C8EF3

RGB 108 142 243

HSL 224.89, 0.85%, 0.69%

LAB 60.79, 16.99, -54.4

 

CMYK 0 / 56 / 42 / 5

HEX #F36C8E

RGB 243 108 142

HSL 344.89, 0.85%, 0.69%

LAB 63.12, 54.93, 7.4

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 0 / 3 / 5

HEX #6CF3EC

RGB 108 243 236

HSL 176.89, 0.85%, 0.69%

LAB 88.61, -38.4, -7.82

 

CMYK 14 / 56 / 0 / 5

HEX #D16CF3

RGB 209 108 243

HSL 284.89, 0.85%, 0.69%

LAB 62.3, 60.23, -51.45

 

CMYK 0 / 56 / 53 / 5

HEX #F36C73

RGB 243 108 115

HSL 356.89, 0.85%, 0.69%

LAB 62.52, 52.45, 22.05

 

CMYK 42 / 0 / 56 / 5

HEX #8CF36C

RGB 140 243 108

HSL 105.78, 0.85%, 0.69%

LAB 87.37, -54.21, 55.03

 

CMYK 56 / 14 / 0 / 5

HEX #6CD1F3

RGB 108 209 243

HSL 195.11, 0.85%, 0.69%

LAB 79.19, -20.14, -25.69

 

CMYK 14 / 56 / 0 / 5

HEX #D16CF3

RGB 209 108 243

HSL 284.89, 0.85%, 0.69%

LAB 62.3, 60.23, -51.45

 

CMYK 0 / 42 / 56 / 5

HEX #F38E6C

RGB 243 142 108

HSL 15.11, 0.85%, 0.69%

LAB 69.1, 35.04, 34.56

 

Description

Color code: HEX #8CF36C | qconv.com Color code: HEX #8CF36C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 243 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 243 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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