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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 225 24 it is the complementary color RGB 42 30 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 225 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 225 24 shade: RGB 218 225 19, RGB 235 243 38, RGB 252 255 57, RGB 255 255 76 and RGB 255 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 225 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 225 24 shade: RGB 213 225 24, RGB 196 207 5, RGB 179 189 0, RGB 162 171 0 and RGB 145 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 225 24 shade: RGB 214 226 23, RGB 226 183 23, RGB 226 129 23, RGB 226 74 23 and RGB 226 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 225 24 shade: RGB 214 226 23, RGB 159 226 23, RGB 104 226 23, RGB 50 226 23 and RGB 23 226 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 225 24 shade matches the following richer shades: RGB 214 226 23 and RGB 231 246 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 225 24 shade: RGB 214 226 23, RGB 196 205 43, RGB 178 185 64, RGB 160 165 84 and RGB 142 145 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 225 24 shade: RGB 226 128 23, RGB 226 182 23, RGB 216 226 23, RGB 162 226 23 and RGB 108 226 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 225 24 shade: RGB 143 151 15, RGB 178 188 19, RGB 214 226 23, RGB 223 234 56 and RGB 229 238 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 225 24 shade: RGB 213 225 24, RGB 23 226 74 and RGB 155 23 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 225 24 shade: RGB 213 225 24, RGB 23 216 226 and RGB 226 23 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 225 24 shade: RGB 213 225 24, RGB 23 226 74, RGB 33 23 226 and RGB 226 23 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 225 24 shade: RGB 213 225 24, RGB 23 226 135, RGB 33 23 226 and RGB 226 23 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

Complementary color

CMYK 82 / 87 / 0 / 9

HEX #2A1EE7

RGB 42 30 231

HSL 243.58, 0.81%, 0.51%

LAB 32.24, 67.26, -94.37

 

CMYK 3 / 0 / 92 / 12

HEX #DAE113

RGB 218 225 19

HSL 62.04, 0.84%, 0.48%

LAB 86.41, -22.35, 83.56

 

CMYK 3 / 0 / 84 / 5

HEX #EBF326

RGB 235 243 38

HSL 62.34, 0.9%, 0.55%

LAB 92.53, -23.57, 85.87

 

CMYK 1 / 0 / 78 / 0

HEX #FCFF39

RGB 252 255 57

HSL 60.91, 1%, 0.61%

LAB 97.03, -21.8, 85.75

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 5 / 0 / 98 / 19

HEX #C4CF05

RGB 196 207 5

HSL 63.27, 0.95%, 0.42%

LAB 79.83, -23.04, 79.25

 

CMYK 5 / 0 / 100 / 26

HEX #B3BD00

RGB 179 189 0

HSL 63.17, 1%, 0.37%

LAB 73.53, -21.53, 74.49

 

CMYK 5 / 0 / 100 / 33

HEX #A2AB00

RGB 162 171 0

HSL 63.16, 1%, 0.34%

LAB 67.13, -19.94, 69.17

RGB 162 171 0

CMYK 5 / 0 / 100 / 40

HEX #919900

RGB 145 153 0

HSL 63.14, 1%, 0.3%

LAB 60.61, -18.32, 63.74

RGB 145 153 0

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 0 / 19 / 90 / 11

HEX #E2B717

RGB 226 183 23

HSL 47.29, 0.82%, 0.49%

LAB 76.13, 2.31, 75.33

 

CMYK 0 / 43 / 90 / 11

HEX #E28117

RGB 226 129 23

HSL 31.33, 0.82%, 0.49%

LAB 63.29, 30.96, 65.57

 

CMYK 0 / 67 / 90 / 11

HEX #E24A17

RGB 226 74 23

HSL 15.07, 0.82%, 0.49%

LAB 53.09, 57.02, 58.06

 

CMYK 0 / 90 / 90 / 11

HEX #E21717

RGB 226 23 23

HSL 0, 0.82%, 0.49%

LAB 48.06, 71.07, 54.5

 

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 30 / 0 / 90 / 11

HEX #9FE217

RGB 159 226 23

HSL 79.8, 0.82%, 0.49%

LAB 82.82, -46.18, 78.52

 

CMYK 54 / 0 / 90 / 11

HEX #68E217

RGB 104 226 23

HSL 96.06, 0.82%, 0.49%

LAB 80.4, -63.89, 75.54

 

CMYK 78 / 0 / 90 / 11

HEX #32E217

RGB 50 226 23

HSL 112.02, 0.82%, 0.49%

LAB 79.12, -74.68, 73.94

 

CMYK 90 / 0 / 77 / 11

HEX #17E233

RGB 23 226 51

HSL 128.28, 0.82%, 0.49%

LAB 78.93, -75.92, 67.18

 

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 6 / 0 / 99 / 4

HEX #E7F603

RGB 231 246 3

HSL 63.7, 0.98%, 0.49%

LAB 92.97, -27.11, 90.39

 

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 4 / 0 / 79 / 20

HEX #C4CD2B

RGB 196 205 43

HSL 63.33, 0.65%, 0.49%

LAB 79.37, -21.29, 72.31

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 3 / 0 / 49 / 35

HEX #A0A554

RGB 160 165 84

HSL 63.7, 0.33%, 0.49%

LAB 65.77, -13.71, 41.03

 

CMYK 2 / 0 / 28 / 43

HEX #8E9168

RGB 142 145 104

HSL 64.39, 0.16%, 0.49%

LAB 58.98, -8.11, 21.46

 

CMYK 0 / 43 / 90 / 11

HEX #E28017

RGB 226 128 23

HSL 31.03, 0.82%, 0.49%

LAB 63.07, 31.49, 65.4

 

CMYK 0 / 19 / 90 / 11

HEX #E2B617

RGB 226 182 23

HSL 47, 0.82%, 0.49%

LAB 75.88, 2.83, 75.14

 

CMYK 4 / 0 / 90 / 11

HEX #D8E217

RGB 216 226 23

HSL 62.96, 0.82%, 0.49%

LAB 86.53, -23.6, 83.05

 

CMYK 28 / 0 / 90 / 11

HEX #A2E217

RGB 162 226 23

HSL 78.92, 0.82%, 0.49%

LAB 82.99, -45.07, 78.73

 

CMYK 52 / 0 / 90 / 11

HEX #6CE217

RGB 108 226 23

HSL 94.88, 0.82%, 0.49%

LAB 80.54, -62.81, 75.71

 

CMYK 5 / 0 / 90 / 41

HEX #8F970F

RGB 143 151 15

HSL 63.53, 0.82%, 0.33%

LAB 59.9, -17.92, 60.83

 

CMYK 5 / 0 / 90 / 26

HEX #B2BC13

RGB 178 188 19

HSL 63.55, 0.82%, 0.41%

LAB 73.21, -21.21, 71.92

 

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 5 / 0 / 76 / 8

HEX #DFEA38

RGB 223 234 56

HSL 63.71, 0.81%, 0.57%

LAB 89.31, -23.65, 78.29

 

CMYK 4 / 0 / 61 / 7

HEX #E5EE5E

RGB 229 238 94

HSL 63.75, 0.81%, 0.65%

LAB 91.06, -21.16, 66.62

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 90 / 0 / 67 / 11

HEX #17E24A

RGB 23 226 74

HSL 135.07, 0.82%, 0.49%

LAB 79.08, -74.06, 59.3

 

CMYK 31 / 90 / 0 / 11

HEX #9B17E2

RGB 155 23 226

HSL 279.01, 0.82%, 0.49%

LAB 42.87, 77.15, -73.56

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 90 / 4 / 0 / 11

HEX #17D8E2

RGB 23 216 226

HSL 182.96, 0.82%, 0.49%

LAB 78.92, -38.74, -17.19

 

CMYK 0 / 90 / 4 / 11

HEX #E217D8

RGB 226 23 216

HSL 302.96, 0.82%, 0.49%

LAB 53.75, 86.34, -49.72

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 90 / 0 / 67 / 11

HEX #17E24A

RGB 23 226 74

HSL 135.07, 0.82%, 0.49%

LAB 79.08, -74.06, 59.3

 

CMYK 85 / 90 / 0 / 11

HEX #2117E2

RGB 33 23 226

HSL 242.96, 0.82%, 0.49%

LAB 30.47, 67.87, -94.47

 

CMYK 0 / 90 / 23 / 11

HEX #E217AF

RGB 226 23 175

HSL 315.07, 0.82%, 0.49%

LAB 51.7, 81.04, -29.23

 

CMYK 5 / 0 / 89 / 12

HEX #D5E118

RGB 213 225 24

HSL 63.58, 0.81%, 0.49%

LAB 86.04, -24.35, 82.42

 

CMYK 90 / 0 / 40 / 11

HEX #17E287

RGB 23 226 135

HSL 153.1, 0.82%, 0.49%

LAB 79.8, -65.37, 32.04

 

CMYK 85 / 90 / 0 / 11

HEX #2117E2

RGB 33 23 226

HSL 242.96, 0.82%, 0.49%

LAB 30.47, 67.87, -94.47

 

CMYK 0 / 90 / 50 / 11

HEX #E21772

RGB 226 23 114

HSL 333.1, 0.82%, 0.49%

LAB 49.49, 75.09, 4.04

 

Description

Color code: RGB 213 225 24 | qconv.com Color code: RGB 213 225 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 225 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 225 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 89 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 89% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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