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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2B940 it is the complementary color #4D46BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2B940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2B940 shade: #B7B93B, #C8CB4E, #D9DD61, #EAEF74 and #FBFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2B940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2B940 shade: #B2B940, #A1A72D, #90951A, #7F8307 and #6E7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2B940 shade: #B3BA3F, #BAA03F, #BA7F3F, #BA5E3F and #BA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2B940 shade: #B3BA3F, #92BA3F, #71BA3F, #50BA3F and #3FBA50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2B940 shade matches the following richer shades: #B3BA3F, #C4CE2B, #D6E217 and #E8F603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2B940 shade: #B3BA3F, #A1A553, #8F9168, #7D7D7C and #6B6990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2B940 shade: #BA7E3F, #BA9F3F, #B4BA3F, #93BA3F and #72BA3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2B940 shade: #777C2A, #959B35, #B3BA3F, #C0C75B and #CCD17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2B940 shade: #B2B940, #3FBA5E and #8F3FBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2B940 shade: #B2B940, #3FB4BA and #BA3FB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2B940 shade: #B2B940, #3FBA5E, #453FBA and #BA3F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2B940 shade: #B2B940, #3FBA83, #453FBA and #BA3F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

Complementary color

CMYK 60 / 63 / 0 / 25

HEX #4D46BF

RGB 77 70 191

HSL 243.47, 0.49%, 0.51%

LAB 37.33, 38.22, -62.75

 

CMYK 1 / 0 / 68 / 27

HEX #B7B93B

RGB 183 185 59

HSL 60.95, 0.52%, 0.48%

LAB 72.95, -16.12, 60.62

 

CMYK 1 / 0 / 62 / 20

HEX #C8CB4E

RGB 200 203 78

HSL 61.44, 0.55%, 0.55%

LAB 79.35, -16.88, 60.03

 

CMYK 2 / 0 / 56 / 13

HEX #D9DD61

RGB 217 221 97

HSL 61.94, 0.65%, 0.62%

LAB 85.67, -17.5, 59.15

 

CMYK 2 / 0 / 51 / 6

HEX #EAEF74

RGB 234 239 116

HSL 62.44, 0.79%, 0.7%

LAB 91.9, -18.01, 58.14

 

CMYK 2 / 0 / 47 / 0

HEX #FBFF87

RGB 251 255 135

HSL 62, 1%, 0.76%

LAB 97.54, -17.49, 56.44

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 4 / 0 / 73 / 35

HEX #A1A72D

RGB 161 167 45

HSL 62.95, 0.58%, 0.42%

LAB 66.06, -17.15, 58.46

 

CMYK 3 / 0 / 83 / 42

HEX #90951A

RGB 144 149 26

HSL 62.44, 0.7%, 0.34%

LAB 59.43, -16.14, 57.95

 

CMYK 3 / 0 / 95 / 49

HEX #7F8307

RGB 127 131 7

HSL 61.94, 0.9%, 0.27%

LAB 52.69, -14.86, 55.96

 

CMYK 3 / 0 / 100 / 56

HEX #6E7100

RGB 110 113 0

HSL 61.59, 1%, 0.22%

LAB 45.81, -13.25, 51.52

 

CMYK 4 / 0 / 66 / 27

HEX #B3BA3F

RGB 179 186 63

HSL 63.41, 0.49%, 0.49%

LAB 72.93, -18.09, 58.94

 

CMYK 0 / 14 / 66 / 27

HEX #BAA03F

RGB 186 160 63

HSL 47.32, 0.49%, 0.49%

LAB 66.47, -1.54, 52.38

 

CMYK 0 / 32 / 66 / 27

HEX #BA7F3F

RGB 186 127 63

HSL 31.22, 0.49%, 0.49%

LAB 58.01, 16.55, 43.15

 

CMYK 0 / 49 / 66 / 27

HEX #BA5E3F

RGB 186 94 63

HSL 15.12, 0.49%, 0.49%

LAB 50.46, 34.55, 34.43

 

CMYK 0 / 66 / 66 / 27

HEX #BA3F3F

RGB 186 63 63

HSL 0, 0.49%, 0.49%

LAB 44.73, 49.45, 27.5

 

CMYK 4 / 0 / 66 / 27

HEX #B3BA3F

RGB 179 186 63

HSL 63.41, 0.49%, 0.49%

LAB 72.93, -18.09, 58.94

 

CMYK 22 / 0 / 66 / 27

HEX #92BA3F

RGB 146 186 63

HSL 79.51, 0.49%, 0.49%

LAB 70.59, -31.61, 55.77

 

CMYK 39 / 0 / 66 / 27

HEX #71BA3F

RGB 113 186 63

HSL 95.61, 0.49%, 0.49%

LAB 68.74, -43.78, 53.25

 

CMYK 57 / 0 / 66 / 27

HEX #50BA3F

RGB 80 186 63

HSL 111.71, 0.49%, 0.49%

LAB 67.41, -53.65, 51.43

 

CMYK 66 / 0 / 57 / 27

HEX #3FBA50

RGB 63 186 80

HSL 128.29, 0.49%, 0.49%

LAB 67.09, -55.61, 43.35

 

CMYK 4 / 0 / 66 / 27

HEX #B3BA3F

RGB 179 186 63

HSL 63.41, 0.49%, 0.49%

LAB 72.93, -18.09, 58.94

 

CMYK 5 / 0 / 79 / 19

HEX #C4CE2B

RGB 196 206 43

HSL 63.68, 0.65%, 0.49%

LAB 79.64, -21.78, 72.56

 

CMYK 5 / 0 / 90 / 11

HEX #D6E217

RGB 214 226 23

HSL 63.55, 0.82%, 0.49%

LAB 86.38, -24.43, 82.87

 

CMYK 6 / 0 / 99 / 4

HEX #E8F603

RGB 232 246 3

HSL 63.46, 0.98%, 0.49%

LAB 93.05, -26.71, 90.47

 

CMYK 4 / 0 / 66 / 27

HEX #B3BA3F

RGB 179 186 63

HSL 63.41, 0.49%, 0.49%

LAB 72.93, -18.09, 58.94

 

CMYK 2 / 0 / 50 / 35

HEX #A1A553

RGB 161 165 83

HSL 62.93, 0.33%, 0.49%

LAB 65.84, -13.39, 41.63

 

CMYK 1 / 0 / 28 / 43

HEX #8F9168

RGB 143 145 104

HSL 62.93, 0.16%, 0.49%

LAB 59.06, -7.71, 21.58

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 26 / 27 / 0 / 44

HEX #6B6990

RGB 107 105 144

HSL 243.08, 0.16%, 0.49%

LAB 45.96, 9.84, -21.06

 

CMYK 0 / 32 / 66 / 27

HEX #BA7E3F

RGB 186 126 63

HSL 30.73, 0.49%, 0.49%

LAB 57.77, 17.11, 42.87

 

CMYK 0 / 15 / 66 / 27

HEX #BA9F3F

RGB 186 159 63

HSL 46.83, 0.49%, 0.49%

LAB 66.21, -1, 52.09

 

CMYK 3 / 0 / 66 / 27

HEX #B4BA3F

RGB 180 186 63

HSL 62.93, 0.49%, 0.49%

LAB 73.01, -17.67, 59.04

 

CMYK 21 / 0 / 66 / 27

HEX #93BA3F

RGB 147 186 63

HSL 79.02, 0.49%, 0.49%

LAB 70.65, -31.22, 55.85

 

CMYK 39 / 0 / 66 / 27

HEX #72BA3F

RGB 114 186 63

HSL 95.12, 0.49%, 0.49%

LAB 68.79, -43.44, 53.32

 

CMYK 4 / 0 / 66 / 51

HEX #777C2A

RGB 119 124 42

HSL 63.66, 0.49%, 0.33%

LAB 50.1, -13.33, 42.54

 

CMYK 4 / 0 / 66 / 39

HEX #959B35

RGB 149 155 53

HSL 63.53, 0.49%, 0.41%

LAB 61.73, -15.72, 50.7

 

CMYK 4 / 0 / 66 / 27

HEX #B3BA3F

RGB 179 186 63

HSL 63.41, 0.49%, 0.49%

LAB 72.93, -18.09, 58.94

 

CMYK 4 / 0 / 54 / 22

HEX #C0C75B

RGB 192 199 91

HSL 63.89, 0.49%, 0.57%

LAB 77.76, -17.21, 52.36

 

CMYK 2 / 0 / 42 / 18

HEX #CCD17A

RGB 204 209 122

HSL 63.45, 0.49%, 0.65%

LAB 81.75, -14.48, 42.48

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 66 / 0 / 49 / 27

HEX #3FBA5E

RGB 63 186 94

HSL 135.12, 0.49%, 0.49%

LAB 67.26, -53.64, 36.74

 

CMYK 23 / 66 / 0 / 27

HEX #8F3FBA

RGB 143 63 186

HSL 279.02, 0.49%, 0.49%

LAB 42.67, 53.95, -50.84

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 66 / 3 / 0 / 27

HEX #3FB4BA

RGB 63 180 186

HSL 182.93, 0.49%, 0.49%

LAB 67.46, -30.11, -12.64

 

CMYK 0 / 66 / 3 / 27

HEX #BA3FB4

RGB 186 63 180

HSL 302.93, 0.49%, 0.49%

LAB 48.62, 62.89, -37.47

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 66 / 0 / 49 / 27

HEX #3FBA5E

RGB 63 186 94

HSL 135.12, 0.49%, 0.49%

LAB 67.26, -53.64, 36.74

 

CMYK 63 / 66 / 0 / 27

HEX #453FBA

RGB 69 63 186

HSL 242.93, 0.49%, 0.49%

LAB 34.73, 39.56, -64.09

 

CMYK 0 / 66 / 17 / 27

HEX #BA3F9B

RGB 186 63 155

HSL 315.12, 0.49%, 0.49%

LAB 47.44, 59, -24.54

 

CMYK 4 / 0 / 65 / 27

HEX #B2B940

RGB 178 185 64

HSL 63.47, 0.49%, 0.49%

LAB 72.58, -17.95, 58.15

 

CMYK 66 / 0 / 30 / 27

HEX #3FBA83

RGB 63 186 131

HSL 153.17, 0.49%, 0.49%

LAB 67.88, -46.83, 18.17

 

CMYK 63 / 66 / 0 / 27

HEX #453FBA

RGB 69 63 186

HSL 242.93, 0.49%, 0.49%

LAB 34.73, 39.56, -64.09

 

CMYK 0 / 66 / 37 / 27

HEX #BA3F76

RGB 186 63 118

HSL 333.17, 0.49%, 0.49%

LAB 46.05, 54.19, -4.31

 

Description

Color code: HEX #B2B940 | qconv.com Color code: HEX #B2B940 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 185 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 185 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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