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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 147 31 it is the complementary color RGB 42 108 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 147 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 147 31 shade: RGB 218 147 26, RGB 235 165 45, RGB 252 183 64, RGB 255 201 83 and RGB 255 219 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 147 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 147 31 shade: RGB 213 147 31, RGB 196 129 12, RGB 179 111 0, RGB 162 93 0 and RGB 145 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 147 31 shade: RGB 214 147 30, RGB 214 98 30, RGB 214 48 30 and RGB 214 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 147 31 shade: RGB 214 147 30, RGB 214 197 30, RGB 181 214 30, RGB 132 214 30 and RGB 82 214 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 147 31 shade matches the following richer shades: RGB 214 147 30 and RGB 234 153 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 147 31 shade: RGB 214 147 30, RGB 194 142 50, RGB 174 136 70, RGB 154 131 90 and RGB 134 125 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 147 31 shade: RGB 214 48 30, RGB 214 97 30, RGB 214 146 30, RGB 214 195 30 and RGB 183 214 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 147 31 shade: RGB 141 97 20, RGB 178 122 25, RGB 214 147 30, RGB 227 166 59 and RGB 232 182 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 147 31 shade: RGB 213 147 31, RGB 61 214 30 and RGB 73 30 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 147 31 shade: RGB 213 147 31, RGB 30 214 146 and RGB 146 30 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 147 31 shade: RGB 213 147 31, RGB 61 214 30, RGB 30 97 214 and RGB 183 30 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 147 31 shade: RGB 213 147 31, RGB 30 214 55, RGB 30 97 214 and RGB 214 30 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

Complementary color

CMYK 81 / 52 / 0 / 12

HEX #2A6CE0

RGB 42 108 224

HSL 218.24, 0.75%, 0.52%

LAB 47.75, 21.47, -64.88

 

CMYK 0 / 33 / 88 / 15

HEX #DA931A

RGB 218 147 26

HSL 37.81, 0.79%, 0.48%

LAB 66.4, 18.05, 66.77

 

CMYK 0 / 30 / 81 / 8

HEX #EBA52D

RGB 235 165 45

HSL 37.89, 0.83%, 0.55%

LAB 72.73, 16.22, 67.24

 

CMYK 0 / 27 / 75 / 1

HEX #FCB740

RGB 252 183 64

HSL 37.98, 0.97%, 0.62%

LAB 79, 14.61, 66.86

 

CMYK 0 / 21 / 67 / 0

HEX #FFC953

RGB 255 201 83

HSL 41.16, 1%, 0.66%

LAB 83.79, 7.41, 64.11

 

CMYK 0 / 14 / 60 / 0

HEX #FFDB66

RGB 255 219 102

HSL 45.88, 1%, 0.7%

LAB 88.39, -0.66, 60.87

 

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

CMYK 0 / 34 / 94 / 23

HEX #C4810C

RGB 196 129 12

HSL 38.15, 0.88%, 0.41%

LAB 59.4, 17.99, 63.34

 

CMYK 0 / 38 / 100 / 30

HEX #B36F00

RGB 179 111 0

HSL 37.21, 1%, 0.35%

LAB 52.9, 20.26, 60

 

CMYK 0 / 43 / 100 / 36

HEX #A25D00

RGB 162 93 0

HSL 34.44, 1%, 0.32%

LAB 46.33, 22.76, 54.67

 

CMYK 0 / 48 / 100 / 43

HEX #914B00

RGB 145 75 0

HSL 31.03, 1%, 0.28%

LAB 39.67, 25.32, 49.29

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 54 / 86 / 16

HEX #D6621E

RGB 214 98 30

HSL 22.17, 0.75%, 0.48%

LAB 55.2, 42.14, 56.34

 

CMYK 0 / 78 / 86 / 16

HEX #D6301E

RGB 214 48 30

HSL 5.87, 0.75%, 0.48%

LAB 47.63, 62.43, 50.09

 

CMYK 0 / 86 / 86 / 16

HEX #D61E1E

RGB 214 30 30

HSL 0, 0.75%, 0.48%

LAB 46.07, 66.86, 48.79

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 8 / 86 / 16

HEX #D6C51E

RGB 214 197 30

HSL 54.46, 0.75%, 0.48%

LAB 78.65, -9.99, 75.47

 

CMYK 15 / 0 / 86 / 16

HEX #B5D61E

RGB 181 214 30

HSL 70.76, 0.75%, 0.48%

LAB 80.74, -32.17, 76.14

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 62 / 0 / 86 / 16

HEX #52D61E

RGB 82 214 30

HSL 103.04, 0.75%, 0.48%

LAB 76.06, -65.06, 70.29

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 35 / 96 / 8

HEX #EA990A

RGB 234 153 10

HSL 38.3, 0.92%, 0.48%

LAB 69.68, 21.47, 73.02

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 27 / 74 / 24

HEX #C28E32

RGB 194 142 50

HSL 38.33, 0.59%, 0.48%

LAB 62.55, 11.07, 54.19

 

CMYK 0 / 22 / 60 / 32

HEX #AE8846

RGB 174 136 70

HSL 38.08, 0.43%, 0.48%

LAB 59.02, 6.8, 40.41

 

CMYK 0 / 15 / 42 / 40

HEX #9A835A

RGB 154 131 90

HSL 38.44, 0.26%, 0.48%

LAB 55.93, 2.84, 25.41

 

CMYK 0 / 7 / 19 / 47

HEX #867D6D

RGB 134 125 109

HSL 38.4, 0.1%, 0.48%

LAB 52.77, 0.59, 9.96

 

CMYK 0 / 78 / 86 / 16

HEX #D6301E

RGB 214 48 30

HSL 5.87, 0.75%, 0.48%

LAB 47.63, 62.43, 50.09

 

CMYK 0 / 55 / 86 / 16

HEX #D6611E

RGB 214 97 30

HSL 21.85, 0.75%, 0.48%

LAB 55.01, 42.63, 56.19

 

CMYK 0 / 32 / 86 / 16

HEX #D6921E

RGB 214 146 30

HSL 37.83, 0.75%, 0.48%

LAB 65.71, 16.94, 64.95

 

CMYK 0 / 9 / 86 / 16

HEX #D6C31E

RGB 214 195 30

HSL 53.8, 0.75%, 0.48%

LAB 78.12, -8.97, 75.04

 

CMYK 14 / 0 / 86 / 16

HEX #B7D61E

RGB 183 214 30

HSL 70.11, 0.75%, 0.48%

LAB 80.88, -31.36, 76.31

 

CMYK 0 / 31 / 86 / 45

HEX #8D6114

RGB 141 97 20

HSL 38.18, 0.75%, 0.32%

LAB 44.61, 11.26, 46.87

 

CMYK 0 / 31 / 86 / 30

HEX #B27A19

RGB 178 122 25

HSL 38.04, 0.75%, 0.4%

LAB 55.54, 14.11, 56.29

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 27 / 74 / 11

HEX #E3A63B

RGB 227 166 59

HSL 38.21, 0.75%, 0.56%

LAB 72.17, 12.8, 61.24

 

CMYK 0 / 22 / 59 / 9

HEX #E8B65F

RGB 232 182 95

HSL 38.1, 0.75%, 0.64%

LAB 76.94, 8.51, 50.46

 

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 66 / 86 / 0 / 16

HEX #491ED6

RGB 73 30 214

HSL 254.02, 0.75%, 0.48%

LAB 32.26, 64.28, -84.5

 

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

CMYK 86 / 0 / 32 / 16

HEX #1ED692

RGB 30 214 146

HSL 157.83, 0.75%, 0.48%

LAB 76.34, -58.46, 21.73

 

CMYK 32 / 86 / 0 / 16

HEX #921ED6

RGB 146 30 214

HSL 277.83, 0.75%, 0.48%

LAB 41.05, 72.12, -69.72

 

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 55 / 0 / 16

HEX #1E61D6

RGB 30 97 214

HSL 218.15, 0.75%, 0.48%

LAB 43.77, 23.79, -65.66

 

CMYK 14 / 86 / 0 / 16

HEX #B71ED6

RGB 183 30 214

HSL 289.89, 0.75%, 0.48%

LAB 46.78, 77.71, -60.15

 

CMYK 0 / 31 / 85 / 16

HEX #D5931F

RGB 213 147 31

HSL 38.24, 0.75%, 0.48%

LAB 65.84, 15.99, 64.72

 

CMYK 86 / 0 / 74 / 16

HEX #1ED637

RGB 30 214 55

HSL 128.15, 0.75%, 0.48%

LAB 75.23, -71.72, 62.29

 

CMYK 86 / 55 / 0 / 16

HEX #1E61D6

RGB 30 97 214

HSL 218.15, 0.75%, 0.48%

LAB 43.77, 23.79, -65.66

 

CMYK 0 / 86 / 12 / 16

HEX #D61EBD

RGB 214 30 189

HSL 308.15, 0.75%, 0.48%

LAB 50.57, 79.4, -39.34

 

Description

Color code: RGB 213 147 31 | qconv.com Color code: RGB 213 147 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 147 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 147 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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