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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84D61E it is the complementary color #7B29E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84D61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84D61E shade: #89D619, #9AE82C, #ABFA3F, #BCFF52 and #CDFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84D61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84D61E shade: #84D61E, #73C40B, #62B200, #51A000 and #408E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84D61E shade: #84D61E, #B5D61E, #D6C51E, #D6931E and #D6611E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84D61E shade: #84D61E, #52D61E, #21D61E, #1ED64D and #1ED67E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84D61E shade matches the following richer shades: #84D61E and #86EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84D61E shade: #84D61E, #82C232, #80AE46, #7D9A5A and #7B866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84D61E shade: #D6C31E, #B7D61E, #86D61E, #55D61E and #24D61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84D61E shade: #578D14, #6EB219, #84D61E, #98E33B and #ABE85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84D61E shade: #84D61E, #1ED692 and #D61ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84D61E shade: #84D61E, #1E86D6 and #D61E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84D61E shade: #84D61E, #1ED692, #6E1ED6 and #D61E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84D61E shade: #84D61E, #1ED6C9, #6E1ED6 and #D61E2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

Complementary color

CMYK 45 / 82 / 0 / 12

HEX #7B29E1

RGB 123 41 225

HSL 266.74, 0.75%, 0.52%

LAB 39.97, 68.29, -77.91

 

CMYK 36 / 0 / 88 / 16

HEX #89D619

RGB 137 214 25

HSL 84.44, 0.79%, 0.47%

LAB 78.16, -49.06, 73.88

 

CMYK 34 / 0 / 81 / 9

HEX #9AE82C

RGB 154 232 44

HSL 84.89, 0.8%, 0.54%

LAB 84.36, -49.84, 75.48

 

CMYK 32 / 0 / 75 / 2

HEX #ABFA3F

RGB 171 250 63

HSL 85.35, 0.95%, 0.61%

LAB 90.5, -50.43, 76.13

 

CMYK 26 / 0 / 68 / 0

HEX #BCFF52

RGB 188 255 82

HSL 83.24, 1%, 0.66%

LAB 92.94, -45.4, 72.43

 

CMYK 20 / 0 / 60 / 0

HEX #CDFF65

RGB 205 255 101

HSL 79.48, 1%, 0.7%

LAB 94.07, -37.84, 66.55

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 41 / 0 / 94 / 23

HEX #73C40B

RGB 115 196 11

HSL 86.27, 0.89%, 0.41%

LAB 71.66, -49.67, 70.15

 

CMYK 45 / 0 / 100 / 30

HEX #62B200

RGB 98 178 0

HSL 86.97, 1%, 0.35%

LAB 65.31, -48.4, 66.06

 

CMYK 49 / 0 / 100 / 37

HEX #51A000

RGB 81 160 0

HSL 89.63, 1%, 0.31%

LAB 58.87, -46.86, 60.73

 

CMYK 55 / 0 / 100 / 44

HEX #408E00

RGB 64 142 0

HSL 92.96, 1%, 0.28%

LAB 52.33, -45.17, 55.3

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 15 / 0 / 86 / 16

HEX #B5D61E

RGB 181 214 30

HSL 70.76, 0.75%, 0.48%

LAB 80.74, -32.17, 76.14

 

CMYK 0 / 8 / 86 / 16

HEX #D6C51E

RGB 214 197 30

HSL 54.46, 0.75%, 0.48%

LAB 78.65, -9.99, 75.47

 

CMYK 0 / 31 / 86 / 16

HEX #D6931E

RGB 214 147 30

HSL 38.15, 0.75%, 0.48%

LAB 65.95, 16.4, 65.14

 

CMYK 0 / 55 / 86 / 16

HEX #D6611E

RGB 214 97 30

HSL 21.85, 0.75%, 0.48%

LAB 55.01, 42.63, 56.19

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 62 / 0 / 86 / 16

HEX #52D61E

RGB 82 214 30

HSL 103.04, 0.75%, 0.48%

LAB 76.06, -65.06, 70.29

 

CMYK 85 / 0 / 86 / 16

HEX #21D61E

RGB 33 214 30

HSL 119.02, 0.75%, 0.48%

LAB 75.15, -72.9, 69.14

 

CMYK 86 / 0 / 64 / 16

HEX #1ED64D

RGB 30 214 77

HSL 135.33, 0.75%, 0.48%

LAB 75.39, -69.68, 54.06

 

CMYK 86 / 0 / 41 / 16

HEX #1ED67E

RGB 30 214 126

HSL 151.3, 0.75%, 0.48%

LAB 75.99, -62.46, 31.62

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 43 / 0 / 96 / 8

HEX #86EA0A

RGB 134 234 10

HSL 86.79, 0.92%, 0.48%

LAB 83.93, -58.22, 80.42

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 33 / 0 / 74 / 24

HEX #82C232

RGB 130 194 50

HSL 86.67, 0.59%, 0.48%

LAB 71.93, -42.13, 61.7

 

CMYK 26 / 0 / 60 / 32

HEX #80AE46

RGB 128 174 70

HSL 86.54, 0.43%, 0.48%

LAB 65.98, -32.41, 47.41

 

CMYK 19 / 0 / 42 / 40

HEX #7D9A5A

RGB 125 154 90

HSL 87.19, 0.26%, 0.48%

LAB 60.08, -21.58, 30.31

 

CMYK 8 / 0 / 19 / 47

HEX #7B866D

RGB 123 134 109

HSL 86.4, 0.1%, 0.48%

LAB 54.41, -8.84, 12.13

 

CMYK 0 / 9 / 86 / 16

HEX #D6C31E

RGB 214 195 30

HSL 53.8, 0.75%, 0.48%

LAB 78.12, -8.97, 75.04

 

CMYK 14 / 0 / 86 / 16

HEX #B7D61E

RGB 183 214 30

HSL 70.11, 0.75%, 0.48%

LAB 80.88, -31.36, 76.31

 

CMYK 37 / 0 / 86 / 16

HEX #86D61E

RGB 134 214 30

HSL 86.09, 0.75%, 0.48%

LAB 78.03, -49.96, 72.76

 

CMYK 60 / 0 / 86 / 16

HEX #55D61E

RGB 85 214 30

HSL 102.07, 0.75%, 0.48%

LAB 76.14, -64.36, 70.39

 

CMYK 83 / 0 / 86 / 16

HEX #24D61E

RGB 36 214 30

HSL 118.04, 0.75%, 0.48%

LAB 75.18, -72.61, 69.18

 

CMYK 38 / 0 / 86 / 45

HEX #578D14

RGB 87 141 20

HSL 86.78, 0.75%, 0.32%

LAB 53.09, -36.39, 52.5

 

CMYK 38 / 0 / 86 / 30

HEX #6EB219

RGB 110 178 25

HSL 86.67, 0.75%, 0.4%

LAB 65.92, -43.7, 62.96

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 33 / 0 / 74 / 11

HEX #98E33B

RGB 152 227 59

HSL 86.79, 0.75%, 0.56%

LAB 82.88, -47.76, 69.72

 

CMYK 26 / 0 / 59 / 9

HEX #ABE85F

RGB 171 232 95

HSL 86.72, 0.75%, 0.64%

LAB 85.6, -40.56, 59.11

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 86 / 0 / 32 / 16

HEX #1ED692

RGB 30 214 146

HSL 157.83, 0.75%, 0.48%

LAB 76.34, -58.46, 21.73

 

CMYK 0 / 86 / 3 / 16

HEX #D61ED0

RGB 214 30 208

HSL 301.96, 0.75%, 0.48%

LAB 51.59, 82.06, -48.71

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 86 / 37 / 0 / 16

HEX #1E86D6

RGB 30 134 214

HSL 206.09, 0.75%, 0.48%

LAB 54.22, 0.55, -48.86

 

CMYK 0 / 86 / 37 / 16

HEX #D61E86

RGB 214 30 134

HSL 326.09, 0.75%, 0.48%

LAB 48.19, 72.94, -10.33

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 86 / 0 / 32 / 16

HEX #1ED692

RGB 30 214 146

HSL 157.83, 0.75%, 0.48%

LAB 76.34, -58.46, 21.73

 

CMYK 49 / 86 / 0 / 16

HEX #6E1ED6

RGB 110 30 214

HSL 266.09, 0.75%, 0.48%

LAB 36.17, 67.63, -77.9

 

CMYK 0 / 86 / 55 / 16

HEX #D61E61

RGB 214 30 97

HSL 338.15, 0.75%, 0.48%

LAB 47.09, 69.83, 10.76

 

CMYK 38 / 0 / 86 / 16

HEX #84D61E

RGB 132 214 30

HSL 86.74, 0.75%, 0.48%

LAB 77.93, -50.64, 72.64

 

CMYK 86 / 0 / 6 / 16

HEX #1ED6C9

RGB 30 214 201

HSL 175.76, 0.75%, 0.48%

LAB 77.63, -44.77, -5.72

 

CMYK 49 / 86 / 0 / 16

HEX #6E1ED6

RGB 110 30 214

HSL 266.09, 0.75%, 0.48%

LAB 36.17, 67.63, -77.9

 

CMYK 0 / 86 / 80 / 16

HEX #D61E2A

RGB 214 30 42

HSL 356.09, 0.75%, 0.48%

LAB 46.17, 67.15, 42.68

 

Description

Color code: HEX #84D61E | qconv.com Color code: HEX #84D61E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 214 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 214 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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