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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 118 37 it is the complementary color RGB 43 137 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 118 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 118 37 shade: RGB 217 118 32, RGB 234 136 51, RGB 251 154 70, RGB 255 172 89 and RGB 255 190 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 118 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 195 100 18, RGB 178 82 0, RGB 161 64 0 and RGB 144 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 212 71 37 and RGB 212 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 212 165 37, RGB 212 212 37, RGB 164 212 37 and RGB 117 212 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 118 37 shade matches the following richer shades: RGB 212 118 37 and RGB 232 116 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 192 119 57, RGB 171 121 77, RGB 151 122 98 and RGB 131 124 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 118 37 shade: RGB 212 37 52, RGB 212 69 37, RGB 212 116 37, RGB 212 162 37 and RGB 212 209 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 118 37 shade: RGB 142 79 25, RGB 177 98 31, RGB 212 118 37, RGB 222 139 68 and RGB 228 161 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 98 212 37 and RGB 46 37 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 37 212 116 and RGB 116 37 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 98 212 37, RGB 37 133 212 and RGB 151 37 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 118 37 shade: RGB 212 118 37, RGB 46 212 37, RGB 37 133 212 and RGB 203 37 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

Complementary color

CMYK 80 / 37 / 0 / 15

HEX #2B89DA

RGB 43 137 218

HSL 207.77, 0.7%, 0.51%

LAB 55.55, 1.34, -48.98

 

CMYK 0 / 46 / 85 / 15

HEX #D97620

RGB 217 118 32

HSL 27.89, 0.74%, 0.49%

LAB 59.72, 33.21, 59.55

 

CMYK 0 / 42 / 78 / 8

HEX #EA8833

RGB 234 136 51

HSL 27.87, 0.81%, 0.56%

LAB 66.01, 31.32, 58.8

 

CMYK 0 / 39 / 72 / 2

HEX #FB9A46

RGB 251 154 70

HSL 27.85, 0.96%, 0.63%

LAB 72.27, 29.63, 57.56

 

CMYK 0 / 33 / 65 / 0

HEX #FFAC59

RGB 255 172 89

HSL 30, 1%, 0.67%

LAB 76.97, 22.86, 54.01

 

CMYK 0 / 25 / 58 / 0

HEX #FFBE6C

RGB 255 190 108

HSL 33.47, 1%, 0.71%

LAB 81.38, 14.71, 49.98

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 54 / 100 / 30

HEX #B25200

RGB 178 82 0

HSL 27.64, 1%, 0.35%

LAB 46.31, 35.49, 55.88

 

CMYK 0 / 60 / 100 / 37

HEX #A14000

RGB 161 64 0

HSL 23.85, 1%, 0.32%

LAB 39.99, 37.77, 50.83

 

CMYK 0 / 68 / 100 / 44

HEX #902E00

RGB 144 46 0

HSL 19.17, 1%, 0.28%

LAB 33.74, 39.73, 45.81

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 67 / 83 / 17

HEX #D44725

RGB 212 71 37

HSL 11.66, 0.7%, 0.49%

LAB 50.26, 53.84, 49

 

CMYK 0 / 83 / 83 / 17

HEX #D42525

RGB 212 37 37

HSL 0, 0.7%, 0.49%

LAB 46.25, 64.96, 45.29

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 22 / 83 / 17

HEX #D4A525

RGB 212 165 37

HSL 43.89, 0.7%, 0.49%

LAB 70.2, 6.04, 66.59

 

CMYK 0 / 0 / 83 / 17

HEX #D4D425

RGB 212 212 37

HSL 60, 0.7%, 0.49%

LAB 82.5, -18.17, 77.02

 

CMYK 23 / 0 / 83 / 17

HEX #A4D425

RGB 164 212 37

HSL 76.46, 0.7%, 0.49%

LAB 79.11, -37.8, 72.78

 

CMYK 45 / 0 / 83 / 17

HEX #75D425

RGB 117 212 37

HSL 92.57, 0.7%, 0.49%

LAB 76.68, -54.52, 69.71

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 50 / 93 / 9

HEX #E87411

RGB 232 116 17

HSL 27.63, 0.86%, 0.49%

LAB 61.38, 39.97, 65.99

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 38 / 70 / 25

HEX #C07739

RGB 192 119 57

HSL 27.56, 0.54%, 0.49%

LAB 56.78, 23.2, 44.96

 

CMYK 0 / 29 / 55 / 33

HEX #AB794D

RGB 171 121 77

HSL 28.09, 0.38%, 0.49%

LAB 54.94, 14.48, 31.71

 

CMYK 0 / 19 / 35 / 41

HEX #977A62

RGB 151 122 98

HSL 27.17, 0.21%, 0.49%

LAB 53.36, 7.67, 17.4

 

CMYK 0 / 5 / 10 / 49

HEX #837C76

RGB 131 124 118

HSL 27.69, 0.05%, 0.49%

LAB 52.45, 1.54, 4.22

 

CMYK 0 / 83 / 75 / 17

HEX #D42534

RGB 212 37 52

HSL 354.86, 0.7%, 0.49%

LAB 46.4, 65.42, 37.16

 

CMYK 0 / 67 / 83 / 17

HEX #D44525

RGB 212 69 37

HSL 10.97, 0.7%, 0.49%

LAB 49.96, 54.64, 48.72

 

CMYK 0 / 45 / 83 / 17

HEX #D47425

RGB 212 116 37

HSL 27.09, 0.7%, 0.49%

LAB 58.62, 32.35, 56.51

 

CMYK 0 / 24 / 83 / 17

HEX #D4A225

RGB 212 162 37

HSL 42.86, 0.7%, 0.49%

LAB 69.45, 7.64, 65.94

 

CMYK 0 / 1 / 83 / 17

HEX #D4D125

RGB 212 209 37

HSL 58.97, 0.7%, 0.49%

LAB 81.69, -16.69, 76.34

 

CMYK 0 / 44 / 82 / 44

HEX #8E4F19

RGB 142 79 25

HSL 27.69, 0.7%, 0.33%

LAB 40.27, 22.32, 41.11

 

CMYK 0 / 45 / 82 / 31

HEX #B1621F

RGB 177 98 31

HSL 27.53, 0.7%, 0.41%

LAB 49.72, 27.17, 49.07

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 0 / 37 / 69 / 13

HEX #DE8B44

RGB 222 139 68

HSL 27.66, 0.7%, 0.57%

LAB 65.29, 25.56, 49.97

 

CMYK 0 / 29 / 54 / 11

HEX #E4A168

RGB 228 161 104

HSL 27.58, 0.7%, 0.65%

LAB 71.54, 18.71, 39.36

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 54 / 0 / 83 / 17

HEX #62D425

RGB 98 212 37

HSL 99.09, 0.7%, 0.49%

LAB 75.96, -60.09, 68.79

 

CMYK 78 / 83 / 0 / 17

HEX #2E25D4

RGB 46 37 212

HSL 243.09, 0.7%, 0.49%

LAB 31.01, 59.33, -85.47

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 83 / 0 / 45 / 17

HEX #25D474

RGB 37 212 116

HSL 147.09, 0.7%, 0.49%

LAB 75.29, -62.96, 35.78

 

CMYK 45 / 83 / 0 / 17

HEX #7425D4

RGB 116 37 212

HSL 267.09, 0.7%, 0.49%

LAB 37.46, 65.7, -74.6

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 54 / 0 / 83 / 17

HEX #62D425

RGB 98 212 37

HSL 99.09, 0.7%, 0.49%

LAB 75.96, -60.09, 68.79

 

CMYK 83 / 37 / 0 / 17

HEX #2585D4

RGB 37 133 212

HSL 207.09, 0.7%, 0.49%

LAB 53.94, 0.95, -48.16

 

CMYK 29 / 83 / 0 / 17

HEX #9725D4

RGB 151 37 212

HSL 279.09, 0.7%, 0.49%

LAB 42.24, 70.63, -66.59

 

CMYK 0 / 44 / 83 / 17

HEX #D47625

RGB 212 118 37

HSL 27.77, 0.7%, 0.49%

LAB 59.06, 31.3, 56.9

 

CMYK 78 / 0 / 83 / 17

HEX #2ED425

RGB 46 212 37

HSL 116.91, 0.7%, 0.49%

LAB 74.7, -70.57, 67.18

 

CMYK 83 / 37 / 0 / 17

HEX #2585D4

RGB 37 133 212

HSL 207.09, 0.7%, 0.49%

LAB 53.94, 0.95, -48.16

 

CMYK 4 / 83 / 0 / 17

HEX #CB25D4

RGB 203 37 212

HSL 296.91, 0.7%, 0.49%

LAB 50.42, 79.36, -52.97

 

Description

Color code: RGB 212 118 37 | qconv.com Color code: RGB 212 118 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 118 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 118 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 83 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 83% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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