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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 100 18 it is the complementary color RGB 60 155 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 100 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 100 18 shade: RGB 200 100 13, RGB 217 118 32, RGB 234 136 51, RGB 251 154 70 and RGB 255 172 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 100 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 178 82 0, RGB 161 64 0, RGB 144 46 0 and RGB 127 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 195 52 18 and RGB 195 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 195 148 18, RGB 195 195 18, RGB 147 195 18 and RGB 99 195 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 100 18 shade matches the following richer shades: RGB 195 100 18 and RGB 213 99 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 178 101 35, RGB 161 103 52, RGB 144 104 70 and RGB 126 105 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 100 18 shade: RGB 195 18 33, RGB 195 50 18, RGB 195 98 18, RGB 195 145 18 and RGB 195 193 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 100 18 shade: RGB 120 61 11, RGB 158 81 14, RGB 195 100 18, RGB 233 119 22 and RGB 236 141 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 80 195 18 and RGB 27 18 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 18 195 98 and RGB 98 18 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 80 195 18, RGB 18 115 195 and RGB 133 18 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 100 18 shade: RGB 195 100 18, RGB 27 195 18, RGB 18 115 195 and RGB 187 18 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

Complementary color

CMYK 75 / 35 / 0 / 7

HEX #3C9BED

RGB 60 155 237

HSL 207.8, 0.83%, 0.58%

LAB 62.1, -0.52, -49.13

 

CMYK 0 / 50 / 94 / 22

HEX #C8640D

RGB 200 100 13

HSL 27.91, 0.88%, 0.42%

LAB 53.41, 35.29, 59.15

 

CMYK 0 / 46 / 85 / 15

HEX #D97620

RGB 217 118 32

HSL 27.89, 0.74%, 0.49%

LAB 59.72, 33.21, 59.55

 

CMYK 0 / 42 / 78 / 8

HEX #EA8833

RGB 234 136 51

HSL 27.87, 0.81%, 0.56%

LAB 66.01, 31.32, 58.8

 

CMYK 0 / 39 / 72 / 2

HEX #FB9A46

RGB 251 154 70

HSL 27.85, 0.96%, 0.63%

LAB 72.27, 29.63, 57.56

 

CMYK 0 / 33 / 65 / 0

HEX #FFAC59

RGB 255 172 89

HSL 30, 1%, 0.67%

LAB 76.97, 22.86, 54.01

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 54 / 100 / 30

HEX #B25200

RGB 178 82 0

HSL 27.64, 1%, 0.35%

LAB 46.31, 35.49, 55.88

 

CMYK 0 / 60 / 100 / 37

HEX #A14000

RGB 161 64 0

HSL 23.85, 1%, 0.32%

LAB 39.99, 37.77, 50.83

 

CMYK 0 / 68 / 100 / 44

HEX #902E00

RGB 144 46 0

HSL 19.17, 1%, 0.28%

LAB 33.74, 39.73, 45.81

 

CMYK 0 / 78 / 100 / 50

HEX #7F1C00

RGB 127 28 0

HSL 13.23, 1%, 0.25%

LAB 27.69, 40.99, 39.9

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 73 / 91 / 24

HEX #C33412

RGB 195 52 18

HSL 11.53, 0.83%, 0.42%

LAB 44.38, 55.09, 51

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 24 / 91 / 24

HEX #C39412

RGB 195 148 18

HSL 44.07, 0.83%, 0.42%

LAB 64.02, 7.24, 65.6

 

CMYK 0 / 0 / 91 / 24

HEX #C3C312

RGB 195 195 18

HSL 60, 0.83%, 0.42%

LAB 76.48, -17.4, 75.22

 

CMYK 25 / 0 / 91 / 24

HEX #93C312

RGB 147 195 18

HSL 76.27, 0.83%, 0.42%

LAB 73.07, -37.35, 71.07

 

CMYK 49 / 0 / 91 / 24

HEX #63C312

RGB 99 195 18

HSL 92.54, 0.83%, 0.42%

LAB 70.68, -54.26, 68.13

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 54 / 100 / 16

HEX #D56300

RGB 213 99 0

HSL 27.89, 1%, 0.42%

LAB 55.14, 40.83, 63.83

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 43 / 80 / 30

HEX #B26523

RGB 178 101 35

HSL 27.69, 0.67%, 0.42%

LAB 50.56, 26.1, 48.23

 

CMYK 0 / 36 / 68 / 37

HEX #A16734

RGB 161 103 52

HSL 28.07, 0.51%, 0.42%

LAB 48.92, 18.42, 37.69

 

CMYK 0 / 28 / 51 / 44

HEX #906846

RGB 144 104 70

HSL 27.57, 0.35%, 0.42%

LAB 47.33, 11.79, 25.39

 

CMYK 0 / 17 / 31 / 51

HEX #7E6957

RGB 126 105 87

HSL 27.69, 0.18%, 0.42%

LAB 45.94, 5.44, 13.24

 

CMYK 0 / 91 / 83 / 24

HEX #C31221

RGB 195 18 33

HSL 354.92, 0.83%, 0.42%

LAB 41.44, 63.95, 41.67

 

CMYK 0 / 74 / 91 / 24

HEX #C33212

RGB 195 50 18

HSL 10.85, 0.83%, 0.42%

LAB 44.13, 55.78, 50.83

 

CMYK 0 / 50 / 91 / 24

HEX #C36212

RGB 195 98 18

HSL 27.12, 0.83%, 0.42%

LAB 52.27, 34.37, 56.73

 

CMYK 0 / 26 / 91 / 24

HEX #C39112

RGB 195 145 18

HSL 43.05, 0.83%, 0.42%

LAB 63.26, 8.87, 65.01

 

CMYK 0 / 1 / 91 / 24

HEX #C3C112

RGB 195 193 18

HSL 59.32, 0.83%, 0.42%

LAB 75.94, -16.4, 74.8

 

CMYK 0 / 49 / 91 / 53

HEX #783D0B

RGB 120 61 11

HSL 27.52, 0.83%, 0.26%

LAB 32.6, 22.35, 38.84

 

CMYK 0 / 49 / 91 / 38

HEX #9E510E

RGB 158 81 14

HSL 27.92, 0.84%, 0.34%

LAB 43.04, 27.9, 48.52

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 0 / 49 / 91 / 9

HEX #E97716

RGB 233 119 22

HSL 27.58, 0.83%, 0.5%

LAB 62.15, 38.93, 65.41

 

CMYK 0 / 40 / 75 / 7

HEX #EC8D3B

RGB 236 141 59

HSL 27.8, 0.82%, 0.58%

LAB 67.43, 29.83, 56.87

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 59 / 0 / 91 / 24

HEX #50C312

RGB 80 195 18

HSL 98.98, 0.83%, 0.42%

LAB 70.02, -59.51, 67.31

 

CMYK 86 / 91 / 0 / 24

HEX #1B12C3

RGB 27 18 195

HSL 243.05, 0.83%, 0.42%

LAB 25.58, 60.83, -84.6

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 91 / 0 / 50 / 24

HEX #12C362

RGB 18 195 98

HSL 147.12, 0.83%, 0.42%

LAB 69.5, -61.68, 37.39

 

CMYK 50 / 91 / 0 / 24

HEX #6212C3

RGB 98 18 195

HSL 267.12, 0.83%, 0.42%

LAB 31.74, 65.06, -74.2

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 59 / 0 / 91 / 24

HEX #50C312

RGB 80 195 18

HSL 98.98, 0.83%, 0.42%

LAB 70.02, -59.51, 67.31

 

CMYK 91 / 41 / 0 / 24

HEX #1273C3

RGB 18 115 195

HSL 207.12, 0.83%, 0.42%

LAB 47.4, 4.1, -48.92

 

CMYK 32 / 91 / 0 / 24

HEX #8512C3

RGB 133 18 195

HSL 278.98, 0.83%, 0.42%

LAB 36.67, 69.09, -65.92

 

CMYK 0 / 49 / 91 / 24

HEX #C36412

RGB 195 100 18

HSL 27.8, 0.83%, 0.42%

LAB 52.69, 33.32, 57.04

 

CMYK 86 / 0 / 91 / 24

HEX #1BC312

RGB 27 195 18

HSL 116.95, 0.83%, 0.42%

LAB 68.97, -68.49, 66

 

CMYK 91 / 41 / 0 / 24

HEX #1273C3

RGB 18 115 195

HSL 207.12, 0.83%, 0.42%

LAB 47.4, 4.1, -48.92

 

CMYK 4 / 91 / 0 / 24

HEX #BB12C3

RGB 187 18 195

HSL 297.29, 0.83%, 0.42%

LAB 45.55, 77.24, -51.11

 

Description

Color code: RGB 195 100 18 | qconv.com Color code: RGB 195 100 18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 100 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 100 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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