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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 219 139 it is the complementary color RGB 235 36 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 219 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 219 139 shade: RGB 25 219 134, RGB 42 237 153, RGB 59 255 172, RGB 76 255 191 and RGB 93 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 219 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 3 201 120, RGB 0 183 101, RGB 0 165 82 and RGB 0 147 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 20 219 85, RGB 20 219 32, RGB 62 219 20 and RGB 116 219 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 20 219 192, RGB 20 192 219, RGB 20 138 219 and RGB 20 84 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 219 139 shade matches the following richer shades: RGB 20 219 139 and RGB 0 238 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 39 199 135, RGB 59 180 131, RGB 78 161 127 and RGB 97 141 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 219 139 shade: RGB 20 219 30, RGB 20 219 83, RGB 20 219 136, RGB 20 219 189 and RGB 20 196 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 219 139 shade: RGB 13 143 91, RGB 16 181 115, RGB 20 219 139, RGB 45 235 159 and RGB 83 239 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 20 63 219 and RGB 219 56 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 136 20 219 and RGB 219 136 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 20 63 219, RGB 219 20 103 and RGB 219 176 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 219 139 shade: RGB 20 219 139, RGB 36 20 219, RGB 219 20 103 and RGB 202 219 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

Complementary color

CMYK 0 / 85 / 51 / 8

HEX #EB2474

RGB 235 36 116

HSL 335.88, 0.83%, 0.53%

LAB 52.05, 75.19, 6.72

 

CMYK 89 / 0 / 39 / 14

HEX #19DB86

RGB 25 219 134

HSL 153.71, 0.8%, 0.48%

LAB 77.63, -63.02, 29.69

 

CMYK 82 / 0 / 35 / 7

HEX #2AED99

RGB 42 237 153

HSL 154.15, 0.84%, 0.55%

LAB 83.63, -64.4, 28.04

 

CMYK 77 / 0 / 33 / 0

HEX #3BFFAC

RGB 59 255 172

HSL 154.59, 1%, 0.62%

LAB 89.59, -65.42, 26.52

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFBF

RGB 76 255 191

HSL 158.55, 1%, 0.65%

LAB 90.24, -59.35, 17.77

 

CMYK 64 / 0 / 18 / 0

HEX #5DFFD2

RGB 93 255 210

HSL 163.33, 1%, 0.68%

LAB 91.01, -52.55, 9.14

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 99 / 0 / 40 / 21

HEX #03C978

RGB 3 201 120

HSL 155.45, 0.97%, 0.4%

LAB 71.66, -60.42, 28.96

 

CMYK 100 / 0 / 45 / 28

HEX #00B765

RGB 0 183 101

HSL 153.11, 1%, 0.36%

LAB 65.6, -57.92, 30.89

 

CMYK 100 / 0 / 50 / 35

HEX #00A552

RGB 0 165 82

HSL 149.82, 1%, 0.32%

LAB 59.45, -55.15, 32.87

 

CMYK 100 / 0 / 57 / 42

HEX #00933F

RGB 0 147 63

HSL 145.71, 1%, 0.29%

LAB 53.2, -52.18, 34.84

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 91 / 0 / 61 / 14

HEX #14DB55

RGB 20 219 85

HSL 139.6, 0.83%, 0.47%

LAB 76.96, -70.96, 52.39

 

CMYK 91 / 0 / 85 / 14

HEX #14DB20

RGB 20 219 32

HSL 123.62, 0.83%, 0.47%

LAB 76.63, -75.18, 69.98

 

CMYK 72 / 0 / 91 / 14

HEX #3EDB14

RGB 62 219 20

HSL 107.34, 0.83%, 0.47%

LAB 77.12, -70.92, 72.79

 

CMYK 47 / 0 / 91 / 14

HEX #74DB14

RGB 116 219 20

HSL 91.06, 0.83%, 0.47%

LAB 78.71, -58.02, 74.76

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 91 / 12 / 0 / 14

HEX #14C0DB

RGB 20 192 219

HSL 188.14, 0.83%, 0.47%

LAB 71.53, -29.72, -24.63

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 91 / 62 / 0 / 14

HEX #1454DB

RGB 20 84 219

HSL 220.7, 0.83%, 0.47%

LAB 40.58, 33.6, -73.74

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 100 / 0 / 40 / 7

HEX #00EE8F

RGB 0 238 143

HSL 156.05, 1%, 0.47%

LAB 83.51, -68.74, 32.89

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 80 / 0 / 32 / 22

HEX #27C787

RGB 39 199 135

HSL 156, 0.67%, 0.47%

LAB 71.57, -54.43, 21.03

 

CMYK 67 / 0 / 27 / 29

HEX #3BB483

RGB 59 180 131

HSL 155.7, 0.51%, 0.47%

LAB 65.91, -45.05, 15.43

 

CMYK 52 / 0 / 21 / 37

HEX #4EA17F

RGB 78 161 127

HSL 155.42, 0.35%, 0.47%

LAB 60.46, -33.6, 10.08

 

CMYK 31 / 0 / 12 / 45

HEX #618D7C

RGB 97 141 124

HSL 156.82, 0.18%, 0.47%

LAB 55.12, -18.93, 4.27

 

CMYK 91 / 0 / 86 / 14

HEX #14DB1E

RGB 20 219 30

HSL 123.02, 0.83%, 0.47%

LAB 76.62, -75.26, 70.4

 

CMYK 91 / 0 / 62 / 14

HEX #14DB53

RGB 20 219 83

HSL 138.99, 0.83%, 0.47%

LAB 76.94, -71.2, 53.23

 

CMYK 91 / 0 / 38 / 14

HEX #14DB88

RGB 20 219 136

HSL 154.97, 0.83%, 0.47%

LAB 77.63, -62.91, 28.66

 

CMYK 91 / 0 / 14 / 14

HEX #14DBBD

RGB 20 219 189

HSL 170.95, 0.83%, 0.47%

LAB 78.74, -50.66, 2.33

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

CMYK 91 / 0 / 36 / 44

HEX #0D8F5B

RGB 13 143 91

HSL 156, 0.83%, 0.31%

LAB 52.38, -44.78, 18.85

 

CMYK 91 / 0 / 36 / 29

HEX #10B573

RGB 16 181 115

HSL 156, 0.84%, 0.39%

LAB 65.28, -53.76, 23.1

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 81 / 0 / 32 / 8

HEX #2DEB9F

RGB 45 235 159

HSL 156, 0.83%, 0.55%

LAB 83.17, -62.2, 24.35

 

CMYK 65 / 0 / 26 / 6

HEX #53EFB0

RGB 83 239 176

HSL 155.77, 0.83%, 0.63%

LAB 85.36, -55.22, 18.7

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 91 / 71 / 0 / 14

HEX #143FDB

RGB 20 63 219

HSL 227.04, 0.83%, 0.47%

LAB 35.63, 46.76, -81.88

 

CMYK 0 / 74 / 91 / 14

HEX #DB3814

RGB 219 56 20

HSL 10.85, 0.83%, 0.47%

LAB 49.42, 61.27, 55.93

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 38 / 91 / 0 / 14

HEX #8814DB

RGB 136 20 219

HSL 274.97, 0.83%, 0.47%

LAB 39.33, 73.96, -75.47

 

CMYK 0 / 38 / 91 / 14

HEX #DB8814

RGB 219 136 20

HSL 34.97, 0.83%, 0.47%

LAB 63.93, 24.27, 66.35

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 91 / 71 / 0 / 14

HEX #143FDB

RGB 20 63 219

HSL 227.04, 0.83%, 0.47%

LAB 35.63, 46.76, -81.88

 

CMYK 0 / 91 / 53 / 14

HEX #DB1467

RGB 219 20 103

HSL 334.97, 0.83%, 0.47%

LAB 47.67, 73.06, 8.02

 

CMYK 0 / 20 / 91 / 14

HEX #DBB014

RGB 219 176 20

HSL 47.04, 0.83%, 0.47%

LAB 73.65, 2.89, 73.67

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8B

RGB 20 219 139

HSL 155.88, 0.83%, 0.47%

LAB 77.68, -62.32, 27.18

 

CMYK 84 / 91 / 0 / 14

HEX #2414DB

RGB 36 20 219

HSL 244.82, 0.83%, 0.47%

LAB 29.39, 66.93, -92.24

 

CMYK 0 / 91 / 53 / 14

HEX #DB1467

RGB 219 20 103

HSL 334.97, 0.83%, 0.47%

LAB 47.67, 73.06, 8.02

 

CMYK 8 / 0 / 91 / 14

HEX #CADB14

RGB 202 219 20

HSL 65.13, 0.83%, 0.47%

LAB 83.58, -26.11, 80.72

 

Description

Color code: RGB 20 219 139 | qconv.com Color code: RGB 20 219 139 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 219 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 219 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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