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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 138 219 it is the complementary color RGB 235 117 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 138 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 138 219 shade: RGB 25 138 214, RGB 42 156 233, RGB 59 174 252, RGB 76 192 255 and RGB 93 210 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 138 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 3 120 200, RGB 0 102 181, RGB 0 84 162 and RGB 0 66 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 20 84 219, RGB 20 31 219, RGB 63 20 219 and RGB 116 20 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 20 84 219, RGB 20 31 219 and RGB 20 20 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 138 219 shade matches the following richer shades: RGB 20 138 219 and RGB 0 141 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 39 134 199, RGB 59 131 180, RGB 78 127 161 and RGB 97 123 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 138 219 shade: RGB 20 219 192, RGB 20 192 219, RGB 20 139 219, RGB 20 86 219 and RGB 20 33 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 138 219 shade: RGB 13 90 143, RGB 16 114 181, RGB 20 138 219, RGB 45 158 235 and RGB 83 175 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 139 20 219 and RGB 219 219 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 219 20 139 and RGB 139 219 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 139 20 219, RGB 219 99 20 and RGB 99 219 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 138 219 shade: RGB 20 138 219, RGB 199 20 219, RGB 219 99 20 and RGB 40 219 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

Complementary color

CMYK 0 / 50 / 85 / 8

HEX #EB7524

RGB 235 117 36

HSL 24.42, 0.83%, 0.53%

LAB 62.09, 41, 61.16

 

CMYK 88 / 36 / 0 / 16

HEX #198AD6

RGB 25 138 214

HSL 204.13, 0.79%, 0.47%

LAB 55.32, -2.15, -47.12

 

CMYK 82 / 33 / 0 / 9

HEX #2A9CE9

RGB 42 156 233

HSL 204.19, 0.81%, 0.54%

LAB 61.79, -4.38, -47.45

 

CMYK 77 / 31 / 0 / 1

HEX #3BAEFC

RGB 59 174 252

HSL 204.25, 0.97%, 0.61%

LAB 68.19, -6.18, -47.72

 

CMYK 70 / 25 / 0 / 0

HEX #4CC0FF

RGB 76 192 255

HSL 201.12, 1%, 0.65%

LAB 73.84, -12.92, -40.46

 

CMYK 64 / 18 / 0 / 0

HEX #5DD2FF

RGB 93 210 255

HSL 196.67, 1%, 0.68%

LAB 79.41, -19.79, -31.8

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 99 / 40 / 0 / 22

HEX #0378C8

RGB 3 120 200

HSL 204.37, 0.97%, 0.4%

LAB 49.03, 2.38, -49.19

 

CMYK 100 / 44 / 0 / 29

HEX #0066B5

RGB 0 102 181

HSL 206.19, 1%, 0.35%

LAB 42.52, 5.98, -48.63

 

CMYK 100 / 48 / 0 / 36

HEX #0054A2

RGB 0 84 162

HSL 208.89, 1%, 0.32%

LAB 35.89, 9.94, -48.06

 

CMYK 100 / 54 / 0 / 44

HEX #00428F

RGB 0 66 143

HSL 212.31, 1%, 0.28%

LAB 29.11, 14.22, -47.5

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 91 / 62 / 0 / 14

HEX #1454DB

RGB 20 84 219

HSL 220.7, 0.83%, 0.47%

LAB 40.58, 33.6, -73.74

 

CMYK 91 / 86 / 0 / 14

HEX #141FDB

RGB 20 31 219

HSL 236.68, 0.83%, 0.47%

LAB 30.02, 62.94, -91.2

 

CMYK 71 / 91 / 0 / 14

HEX #3F14DB

RGB 63 20 219

HSL 252.96, 0.83%, 0.47%

LAB 31.05, 67.93, -89.43

 

CMYK 47 / 91 / 0 / 14

HEX #7414DB

RGB 116 20 219

HSL 268.94, 0.83%, 0.47%

LAB 36.61, 71.82, -80.04

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 91 / 62 / 0 / 14

HEX #1454DB

RGB 20 84 219

HSL 220.7, 0.83%, 0.47%

LAB 40.58, 33.6, -73.74

 

CMYK 91 / 86 / 0 / 14

HEX #141FDB

RGB 20 31 219

HSL 236.68, 0.83%, 0.47%

LAB 30.02, 62.94, -91.2

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 100 / 41 / 0 / 7

HEX #008DEE

RGB 0 141 238

HSL 204.45, 1%, 0.47%

LAB 57.29, 4.26, -57.39

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 80 / 33 / 0 / 22

HEX #2786C7

RGB 39 134 199

HSL 204.38, 0.67%, 0.47%

LAB 53.61, -4.27, -41.34

 

CMYK 67 / 27 / 0 / 29

HEX #3B83B4

RGB 59 131 180

HSL 204.3, 0.51%, 0.47%

LAB 52.35, -6.65, -32.41

 

CMYK 52 / 21 / 0 / 37

HEX #4E7FA1

RGB 78 127 161

HSL 204.58, 0.35%, 0.47%

LAB 51.12, -6.69, -23.28

 

CMYK 31 / 13 / 0 / 45

HEX #617B8D

RGB 97 123 141

HSL 204.55, 0.18%, 0.47%

LAB 50.25, -4.85, -12.82

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 91 / 12 / 0 / 14

HEX #14C0DB

RGB 20 192 219

HSL 188.14, 0.83%, 0.47%

LAB 71.53, -29.72, -24.63

 

CMYK 91 / 37 / 0 / 14

HEX #148BDB

RGB 20 139 219

HSL 204.12, 0.83%, 0.47%

LAB 55.81, -1.13, -49.14

 

CMYK 91 / 61 / 0 / 14

HEX #1456DB

RGB 20 86 219

HSL 220.1, 0.83%, 0.47%

LAB 41.09, 32.31, -72.91

 

CMYK 91 / 85 / 0 / 14

HEX #1421DB

RGB 20 33 219

HSL 236.08, 0.83%, 0.47%

LAB 30.28, 62.15, -90.76

 

CMYK 91 / 37 / 0 / 44

HEX #0D5A8F

RGB 13 90 143

HSL 204.46, 0.83%, 0.31%

LAB 36.71, -1.16, -35.29

 

CMYK 91 / 37 / 0 / 29

HEX #1072B5

RGB 16 114 181

HSL 204.36, 0.84%, 0.39%

LAB 46.29, -0.87, -42.61

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 81 / 33 / 0 / 8

HEX #2D9EEB

RGB 45 158 235

HSL 204.32, 0.83%, 0.55%

LAB 62.52, -4.54, -47.39

 

CMYK 65 / 27 / 0 / 6

HEX #53AFEF

RGB 83 175 239

HSL 204.62, 0.83%, 0.63%

LAB 68.56, -7.88, -40.03

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 37 / 91 / 0 / 14

HEX #8B14DB

RGB 139 20 219

HSL 275.88, 0.83%, 0.47%

LAB 39.75, 74.31, -74.75

 

CMYK 0 / 0 / 91 / 14

HEX #DBDB14

RGB 219 219 20

HSL 60, 0.83%, 0.47%

LAB 84.88, -19.01, 82.29

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 0 / 91 / 37 / 14

HEX #DB148B

RGB 219 20 139

HSL 324.12, 0.83%, 0.47%

LAB 48.79, 76.1, -12.36

 

CMYK 37 / 0 / 91 / 14

HEX #8BDB14

RGB 139 219 20

HSL 84.12, 0.83%, 0.47%

LAB 79.73, -50.51, 76.01

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 37 / 91 / 0 / 14

HEX #8B14DB

RGB 139 20 219

HSL 275.88, 0.83%, 0.47%

LAB 39.75, 74.31, -74.75

 

CMYK 0 / 55 / 91 / 14

HEX #DB6314

RGB 219 99 20

HSL 23.82, 0.83%, 0.47%

LAB 56.12, 43.37, 60.64

 

CMYK 55 / 0 / 91 / 14

HEX #63DB14

RGB 99 219 20

HSL 96.18, 0.83%, 0.47%

LAB 78.09, -62.86, 73.99

 

CMYK 91 / 37 / 0 / 14

HEX #148ADB

RGB 20 138 219

HSL 204.42, 0.83%, 0.47%

LAB 55.52, -0.54, -49.61

 

CMYK 9 / 91 / 0 / 14

HEX #C714DB

RGB 199 20 219

HSL 293.97, 0.83%, 0.47%

LAB 49.2, 82.69, -58.97

 

CMYK 0 / 55 / 91 / 14

HEX #DB6314

RGB 219 99 20

HSL 23.82, 0.83%, 0.47%

LAB 56.12, 43.37, 60.64

 

CMYK 82 / 0 / 91 / 14

HEX #28DB14

RGB 40 219 20

HSL 113.97, 0.83%, 0.47%

LAB 76.78, -73.95, 72.36

 

Description

Color code: RGB 20 138 219 | qconv.com Color code: RGB 20 138 219 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 138 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 138 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 37 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 37% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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