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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 69 200 it is the complementary color RGB 46 186 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 69 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 69 200 shade: RGB 214 69 195, RGB 231 87 214, RGB 248 105 233, RGB 255 123 252 and RGB 255 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 69 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 69 200 shade: RGB 209 69 200, RGB 192 51 181, RGB 175 33 162, RGB 158 15 143 and RGB 141 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 69 200 shade: RGB 209 71 200, RGB 209 71 163, RGB 209 71 125, RGB 209 71 88 and RGB 209 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 69 200 shade: RGB 209 71 200, RGB 180 71 209, RGB 143 71 209, RGB 106 71 209 and RGB 71 71 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 69 200 shade matches the following richer shades: RGB 209 71 200, RGB 227 52 216 and RGB 246 34 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 69 200 shade: RGB 209 71 200, RGB 190 89 184, RGB 171 108 167, RGB 153 127 151 and RGB 134 145 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 69 200 shade: RGB 142 71 209, RGB 179 71 209, RGB 209 71 202, RGB 209 71 165 and RGB 209 71 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 69 200 shade: RGB 158 39 150, RGB 191 47 182, RGB 209 71 200, RGB 217 104 210 and RGB 225 137 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 69 200 shade: RGB 209 69 200, RGB 209 105 71 and RGB 71 209 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 69 200 shade: RGB 209 69 200, RGB 202 209 71 and RGB 71 202 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 69 200 shade: RGB 209 69 200, RGB 209 105 71, RGB 71 209 78 and RGB 71 174 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 69 200 shade: RGB 209 69 200, RGB 209 147 71, RGB 71 209 78 and RGB 71 133 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

Complementary color

CMYK 75 / 0 / 70 / 27

HEX #2EBA37

RGB 46 186 55

HSL 123.86, 0.6%, 0.45%

LAB 66.5, -61.34, 53.42

 

CMYK 0 / 68 / 9 / 16

HEX #D645C3

RGB 214 69 195

HSL 307.86, 0.64%, 0.55%

LAB 54.55, 69.71, -36.56

 

CMYK 0 / 62 / 7 / 9

HEX #E757D6

RGB 231 87 214

HSL 307.08, 0.75%, 0.62%

LAB 60.48, 69.89, -37.9

 

CMYK 0 / 58 / 6 / 3

HEX #F869E9

RGB 248 105 233

HSL 306.29, 0.91%, 0.69%

LAB 66.48, 69.74, -38.98

 

CMYK 0 / 52 / 1 / 0

HEX #FF7BFC

RGB 255 123 252

HSL 301.36, 1%, 0.74%

LAB 71.18, 66.74, -42.01

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

CMYK 0 / 73 / 6 / 25

HEX #C033B5

RGB 192 51 181

HSL 304.68, 0.58%, 0.48%

LAB 48.15, 68.65, -38.74

 

CMYK 0 / 81 / 7 / 31

HEX #AF21A2

RGB 175 33 162

HSL 305.49, 0.68%, 0.41%

LAB 42.48, 67.21, -36.64

 

CMYK 0 / 91 / 9 / 38

HEX #9E0F8F

RGB 158 15 143

HSL 306.29, 0.83%, 0.34%

LAB 37.1, 64.63, -33.82

 

CMYK 0 / 100 / 12 / 45

HEX #8D007C

RGB 141 0 124

HSL 307.23, 1%, 0.28%

LAB 32.07, 60.7, -30.18

 

CMYK 0 / 66 / 4 / 18

HEX #D147C8

RGB 209 71 200

HSL 303.91, 0.6%, 0.55%

LAB 54.27, 68.56, -39.92

 

CMYK 0 / 66 / 22 / 18

HEX #D147A3

RGB 209 71 163

HSL 320, 0.6%, 0.55%

LAB 52.63, 63.12, -20.98

 

CMYK 0 / 66 / 40 / 18

HEX #D1477D

RGB 209 71 125

HSL 336.52, 0.6%, 0.55%

LAB 51.32, 58.58, -0.36

 

CMYK 0 / 66 / 58 / 18

HEX #D14758

RGB 209 71 88

HSL 352.61, 0.6%, 0.55%

LAB 50.41, 55.34, 20.64

 

CMYK 0 / 66 / 66 / 18

HEX #D14747

RGB 209 71 71

HSL 0, 0.6%, 0.55%

LAB 50.12, 54.25, 30.33

 

CMYK 0 / 66 / 4 / 18

HEX #D147C8

RGB 209 71 200

HSL 303.91, 0.6%, 0.55%

LAB 54.27, 68.56, -39.92

 

CMYK 14 / 66 / 0 / 18

HEX #B447D1

RGB 180 71 209

HSL 287.39, 0.6%, 0.55%

LAB 50.47, 63.44, -51.38

 

CMYK 32 / 66 / 0 / 18

HEX #8F47D1

RGB 143 71 209

HSL 271.3, 0.6%, 0.55%

LAB 45.57, 55.37, -59.52

 

CMYK 49 / 66 / 0 / 18

HEX #6A47D1

RGB 106 71 209

HSL 255.22, 0.6%, 0.55%

LAB 41.49, 48.12, -66.32

 

CMYK 66 / 66 / 0 / 18

HEX #4747D1

RGB 71 71 209

HSL 240, 0.6%, 0.55%

LAB 38.64, 42.63, -71.1

 

CMYK 0 / 66 / 4 / 18

HEX #D147C8

RGB 209 71 200

HSL 303.91, 0.6%, 0.55%

LAB 54.27, 68.56, -39.92

 

CMYK 0 / 77 / 5 / 11

HEX #E334D8

RGB 227 52 216

HSL 303.77, 0.76%, 0.55%

LAB 55.83, 80.95, -46.4

 

CMYK 0 / 86 / 6 / 4

HEX #F622E8

RGB 246 34 232

HSL 303.96, 0.92%, 0.55%

LAB 58.57, 90.5, -50.9

 

CMYK 0 / 66 / 4 / 18

HEX #D147C8

RGB 209 71 200

HSL 303.91, 0.6%, 0.55%

LAB 54.27, 68.56, -39.92

 

CMYK 0 / 53 / 3 / 25

HEX #BE59B8

RGB 190 89 184

HSL 303.56, 0.44%, 0.55%

LAB 53.55, 53.26, -32.03

 

CMYK 0 / 37 / 2 / 33

HEX #AB6CA7

RGB 171 108 167

HSL 303.81, 0.27%, 0.55%

LAB 54.21, 34.49, -21.35

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 8 / 0 / 7 / 43

HEX #869187

RGB 134 145 135

HSL 125.45, 0.05%, 0.55%

LAB 59.04, -5.97, 3.94

 

CMYK 32 / 66 / 0 / 18

HEX #8E47D1

RGB 142 71 209

HSL 270.87, 0.6%, 0.55%

LAB 45.44, 55.17, -59.72

 

CMYK 14 / 66 / 0 / 18

HEX #B347D1

RGB 179 71 209

HSL 286.96, 0.6%, 0.55%

LAB 50.33, 63.22, -51.61

 

CMYK 0 / 66 / 3 / 18

HEX #D147CA

RGB 209 71 202

HSL 303.04, 0.6%, 0.55%

LAB 54.37, 68.88, -40.91

 

CMYK 0 / 66 / 21 / 18

HEX #D147A5

RGB 209 71 165

HSL 319.13, 0.6%, 0.55%

LAB 52.71, 63.39, -22.04

 

CMYK 0 / 66 / 39 / 18

HEX #D14780

RGB 209 71 128

HSL 335.22, 0.6%, 0.55%

LAB 51.41, 58.9, -2.02

 

CMYK 0 / 75 / 5 / 38

HEX #9E2796

RGB 158 39 150

HSL 304.03, 0.6%, 0.39%

LAB 39.45, 60.02, -34.38

 

CMYK 0 / 75 / 5 / 25

HEX #BF2FB6

RGB 191 47 182

HSL 303.75, 0.61%, 0.47%

LAB 47.61, 69.81, -40.19

 

CMYK 0 / 66 / 4 / 18

HEX #D147C8

RGB 209 71 200

HSL 303.91, 0.6%, 0.55%

LAB 54.27, 68.56, -39.92

 

CMYK 0 / 52 / 3 / 15

HEX #D968D2

RGB 217 104 210

HSL 303.72, 0.6%, 0.63%

LAB 61.05, 58.16, -34.9

 

CMYK 0 / 39 / 3 / 12

HEX #E189DB

RGB 225 137 219

HSL 304.09, 0.59%, 0.71%

LAB 68.76, 45.63, -27.91

 

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

CMYK 0 / 50 / 66 / 18

HEX #D16947

RGB 209 105 71

HSL 14.78, 0.6%, 0.55%

LAB 56.2, 38.37, 37.68

 

CMYK 66 / 0 / 23 / 18

HEX #47D1A0

RGB 71 209 160

HSL 158.7, 0.6%, 0.55%

LAB 75.75, -48.56, 13.6

 

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

CMYK 3 / 0 / 66 / 18

HEX #CAD147

RGB 202 209 71

HSL 63.04, 0.6%, 0.55%

LAB 81.08, -19.45, 64.71

 

CMYK 66 / 3 / 0 / 18

HEX #47CAD1

RGB 71 202 209

HSL 183.04, 0.6%, 0.55%

LAB 74.94, -32.83, -13.96

 

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

CMYK 0 / 50 / 66 / 18

HEX #D16947

RGB 209 105 71

HSL 14.78, 0.6%, 0.55%

LAB 56.2, 38.37, 37.68

 

CMYK 66 / 0 / 63 / 18

HEX #47D14E

RGB 71 209 78

HSL 123.04, 0.6%, 0.55%

LAB 74.5, -62.33, 52.83

 

CMYK 66 / 17 / 0 / 18

HEX #47AED1

RGB 71 174 209

HSL 195.22, 0.6%, 0.55%

LAB 66.68, -18.85, -26.51

 

CMYK 0 / 67 / 4 / 18

HEX #D145C8

RGB 209 69 200

HSL 303.86, 0.6%, 0.55%

LAB 54.01, 69.31, -40.33

 

CMYK 0 / 30 / 66 / 18

HEX #D19347

RGB 209 147 71

HSL 33.04, 0.6%, 0.55%

LAB 65.65, 15.95, 48.5

 

CMYK 66 / 0 / 63 / 18

HEX #47D14E

RGB 71 209 78

HSL 123.04, 0.6%, 0.55%

LAB 74.5, -62.33, 52.83

 

CMYK 66 / 36 / 0 / 18

HEX #4785D1

RGB 71 133 209

HSL 213.04, 0.6%, 0.55%

LAB 54.78, 4.19, -45.08

 

Description

Color code: RGB 209 69 200 | qconv.com Color code: RGB 209 69 200 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 69 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 69 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 4 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 4% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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