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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 127 151 it is the complementary color RGB 102 128 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 127 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 127 151 shade: RGB 158 127 146, RGB 175 145 165, RGB 192 163 184, RGB 209 181 203 and RGB 226 199 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 127 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 127 151 shade: RGB 153 127 151, RGB 136 109 132, RGB 119 91 113, RGB 102 73 94 and RGB 85 55 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 127 151 shade: RGB 152 127 150, RGB 152 127 144, RGB 152 127 137, RGB 152 127 130 and RGB 152 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 127 151 shade: RGB 152 127 150, RGB 148 127 152, RGB 141 127 152, RGB 134 127 152 and RGB 127 127 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 127 151 shade matches the following richer shades: RGB 152 127 150, RGB 171 109 166, RGB 190 90 182, RGB 208 71 198 and RGB 227 53 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 127 151 shade: RGB 152 127 150, RGB 134 146 135, RGB 115 164 119, RGB 97 183 103 and RGB 78 201 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 127 151 shade: RGB 141 127 152, RGB 147 127 152, RGB 152 127 151, RGB 152 127 144 and RGB 152 127 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 127 151 shade: RGB 109 88 108, RGB 132 106 130, RGB 152 127 150, RGB 171 150 169 and RGB 189 173 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 127 151 shade: RGB 153 127 151, RGB 152 134 127 and RGB 127 152 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 127 151 shade: RGB 153 127 151, RGB 151 152 127 and RGB 127 151 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 127 151 shade: RGB 153 127 151, RGB 152 134 127, RGB 127 152 129 and RGB 127 146 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 127 151 shade: RGB 153 127 151, RGB 152 141 127, RGB 127 152 129 and RGB 127 138 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

Complementary color

CMYK 20 / 0 / 19 / 50

HEX #668068

RGB 102 128 104

HSL 124.62, 0.11%, 0.45%

LAB 50.99, -14.44, 9.99

 

CMYK 0 / 20 / 8 / 38

HEX #9E7F92

RGB 158 127 146

HSL 323.23, 0.14%, 0.56%

LAB 56.61, 15.22, -5.69

 

CMYK 0 / 17 / 6 / 31

HEX #AF91A5

RGB 175 145 165

HSL 320, 0.16%, 0.63%

LAB 63.41, 14.71, -6.29

 

CMYK 0 / 15 / 4 / 25

HEX #C0A3B8

RGB 192 163 184

HSL 316.55, 0.19%, 0.7%

LAB 70.08, 14.25, -6.85

 

CMYK 0 / 13 / 3 / 18

HEX #D1B5CB

RGB 209 181 203

HSL 312.86, 0.23%, 0.76%

LAB 76.63, 13.83, -7.4

 

CMYK 0 / 12 / 2 / 11

HEX #E2C7DE

RGB 226 199 222

HSL 308.89, 0.32%, 0.83%

LAB 83.07, 13.44, -7.92

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 0 / 20 / 3 / 47

HEX #886D84

RGB 136 109 132

HSL 308.89, 0.11%, 0.48%

LAB 49.3, 14.88, -8.61

 

CMYK 0 / 24 / 5 / 53

HEX #775B71

RGB 119 91 113

HSL 312.86, 0.13%, 0.41%

LAB 42.15, 15.47, -8.07

 

CMYK 0 / 28 / 8 / 60

HEX #66495E

RGB 102 73 94

HSL 316.55, 0.17%, 0.34%

LAB 34.8, 16.16, -7.47

 

CMYK 0 / 35 / 12 / 67

HEX #55374B

RGB 85 55 75

HSL 320, 0.21%, 0.27%

LAB 27.22, 16.94, -6.8

 

CMYK 0 / 16 / 1 / 40

HEX #987F96

RGB 152 127 150

HSL 304.8, 0.11%, 0.55%

LAB 56.14, 13.79, -8.76

 

CMYK 0 / 16 / 5 / 40

HEX #987F90

RGB 152 127 144

HSL 319.2, 0.11%, 0.55%

LAB 55.96, 12.63, -5.57

 

CMYK 0 / 16 / 10 / 40

HEX #987F89

RGB 152 127 137

HSL 336, 0.11%, 0.55%

LAB 55.75, 11.34, -1.82

 

CMYK 0 / 16 / 14 / 40

HEX #987F82

RGB 152 127 130

HSL 352.8, 0.11%, 0.55%

LAB 55.55, 10.1, 1.96

 

CMYK 0 / 16 / 16 / 40

HEX #987F7F

RGB 152 127 127

HSL 0, 0.11%, 0.55%

LAB 55.47, 9.59, 3.58

 

CMYK 0 / 16 / 1 / 40

HEX #987F96

RGB 152 127 150

HSL 304.8, 0.11%, 0.55%

LAB 56.14, 13.79, -8.76

 

CMYK 3 / 16 / 0 / 40

HEX #947F98

RGB 148 127 152

HSL 290.4, 0.11%, 0.55%

LAB 55.83, 12.75, -10.43

 

CMYK 7 / 16 / 0 / 40

HEX #8D7F98

RGB 141 127 152

HSL 273.6, 0.11%, 0.55%

LAB 55.18, 10.26, -11.46

 

CMYK 12 / 16 / 0 / 40

HEX #867F98

RGB 134 127 152

HSL 256.8, 0.11%, 0.55%

LAB 54.57, 7.8, -12.45

 

CMYK 16 / 16 / 0 / 40

HEX #7F7F98

RGB 127 127 152

HSL 240, 0.11%, 0.55%

LAB 53.98, 5.39, -13.39

 

CMYK 0 / 16 / 1 / 40

HEX #987F96

RGB 152 127 150

HSL 304.8, 0.11%, 0.55%

LAB 56.14, 13.79, -8.76

 

CMYK 0 / 36 / 3 / 33

HEX #AB6DA6

RGB 171 109 166

HSL 304.84, 0.27%, 0.55%

LAB 54.39, 33.75, -20.49

 

CMYK 0 / 53 / 4 / 25

HEX #BE5AB6

RGB 190 90 182

HSL 304.8, 0.43%, 0.55%

LAB 53.64, 52.44, -30.73

 

CMYK 0 / 66 / 5 / 18

HEX #D047C6

RGB 208 71 198

HSL 304.38, 0.59%, 0.55%

LAB 54.02, 68.01, -39.18

 

CMYK 0 / 77 / 6 / 11

HEX #E335D5

RGB 227 53 213

HSL 304.83, 0.76%, 0.55%

LAB 55.77, 80.25, -44.8

 

CMYK 0 / 16 / 1 / 40

HEX #987F96

RGB 152 127 150

HSL 304.8, 0.11%, 0.55%

LAB 56.14, 13.79, -8.76

 

CMYK 8 / 0 / 8 / 43

HEX #869287

RGB 134 146 135

HSL 125, 0.05%, 0.55%

LAB 59.32, -6.52, 4.34

 

CMYK 30 / 0 / 27 / 36

HEX #73A477

RGB 115 164 119

HSL 124.9, 0.21%, 0.55%

LAB 62.95, -25.71, 18.25

 

CMYK 47 / 0 / 44 / 28

HEX #61B767

RGB 97 183 103

HSL 124.19, 0.37%, 0.55%

LAB 67.57, -42.81, 32.78

 

CMYK 61 / 0 / 56 / 21

HEX #4EC958

RGB 78 201 88

HSL 124.88, 0.53%, 0.55%

LAB 72.29, -56.88, 45.85

 

CMYK 7 / 16 / 0 / 40

HEX #8D7F98

RGB 141 127 152

HSL 273.6, 0.11%, 0.55%

LAB 55.18, 10.26, -11.46

 

CMYK 3 / 16 / 0 / 40

HEX #937F98

RGB 147 127 152

HSL 288, 0.11%, 0.55%

LAB 55.73, 12.39, -10.58

 

CMYK 0 / 16 / 1 / 40

HEX #987F97

RGB 152 127 151

HSL 302.4, 0.11%, 0.55%

LAB 56.18, 13.99, -9.29

 

CMYK 0 / 16 / 5 / 40

HEX #987F90

RGB 152 127 144

HSL 319.2, 0.11%, 0.55%

LAB 55.96, 12.63, -5.57

 

CMYK 0 / 16 / 10 / 40

HEX #987F89

RGB 152 127 137

HSL 336, 0.11%, 0.55%

LAB 55.75, 11.34, -1.82

 

CMYK 0 / 19 / 1 / 57

HEX #6D586C

RGB 109 88 108

HSL 302.86, 0.11%, 0.39%

LAB 40.1, 12.47, -8.17

 

CMYK 0 / 20 / 2 / 48

HEX #846A82

RGB 132 106 130

HSL 304.62, 0.11%, 0.47%

LAB 48.04, 14.77, -9.35

 

CMYK 0 / 16 / 1 / 40

HEX #987F96

RGB 152 127 150

HSL 304.8, 0.11%, 0.55%

LAB 56.14, 13.79, -8.76

 

CMYK 0 / 12 / 1 / 33

HEX #AB96A9

RGB 171 150 169

HSL 305.71, 0.11%, 0.63%

LAB 64.43, 11.22, -7.07

 

CMYK 0 / 8 / 1 / 26

HEX #BDADBC

RGB 189 173 188

HSL 303.75, 0.11%, 0.71%

LAB 72.45, 8.45, -5.57

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 0 / 12 / 16 / 40

HEX #98867F

RGB 152 134 127

HSL 16.8, 0.11%, 0.55%

LAB 57.33, 5.6, 6.25

 

CMYK 16 / 0 / 5 / 40

HEX #7F9890

RGB 127 152 144

HSL 160.8, 0.11%, 0.55%

LAB 60.77, -10.47, 1.26

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 1 / 0 / 16 / 40

HEX #97987F

RGB 151 152 127

HSL 62.4, 0.11%, 0.55%

LAB 62.14, -4.83, 13.06

 

CMYK 16 / 1 / 0 / 40

HEX #7F9798

RGB 127 151 152

HSL 182.4, 0.11%, 0.55%

LAB 60.7, -8.2, -3.36

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 0 / 12 / 16 / 40

HEX #98867F

RGB 152 134 127

HSL 16.8, 0.11%, 0.55%

LAB 57.33, 5.6, 6.25

 

CMYK 16 / 0 / 15 / 40

HEX #7F9881

RGB 127 152 129

HSL 124.8, 0.11%, 0.55%

LAB 60.39, -13.47, 9.2

 

CMYK 16 / 4 / 0 / 40

HEX #7F9298

RGB 127 146 152

HSL 194.4, 0.11%, 0.55%

LAB 59.28, -5.44, -5.46

 

CMYK 0 / 17 / 1 / 40

HEX #997F97

RGB 153 127 151

HSL 304.62, 0.11%, 0.55%

LAB 56.27, 14.35, -9.13

 

CMYK 0 / 7 / 16 / 40

HEX #988D7F

RGB 152 141 127

HSL 33.6, 0.11%, 0.55%

LAB 59.21, 1.65, 8.94

 

CMYK 16 / 0 / 15 / 40

HEX #7F9881

RGB 127 152 129

HSL 124.8, 0.11%, 0.55%

LAB 60.39, -13.47, 9.2

 

CMYK 16 / 9 / 0 / 40

HEX #7F8A98

RGB 127 138 152

HSL 213.6, 0.11%, 0.55%

LAB 57.03, -0.94, -8.81

 

Description

Color code: RGB 153 127 151 | qconv.com Color code: RGB 153 127 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 127 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 127 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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