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Color name
RGB 209 243 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 243 21 it is the complementary color RGB 46 12 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 243 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 243 21 shade: RGB 214 243 16, RGB 231 255 35, RGB 248 255 54, RGB 255 255 73 and RGB 255 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 243 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 243 21 shade: RGB 209 243 21, RGB 192 225 2, RGB 175 207 0, RGB 158 189 0 and RGB 141 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 243 21 shade: RGB 209 242 22, RGB 242 217 22, RGB 242 157 22, RGB 242 98 22 and RGB 242 38 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 243 21 shade: RGB 209 242 22, RGB 149 242 22, RGB 90 242 22, RGB 30 242 22 and RGB 22 242 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 243 21 shade matches the following richer shades: RGB 209 242 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 243 21 shade: RGB 209 242 22, RGB 195 222 42, RGB 181 203 62, RGB 167 183 81 and RGB 154 163 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 243 21 shade: RGB 242 158 22, RGB 242 217 22, RGB 209 242 22, RGB 150 242 22 and RGB 92 242 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 243 21 shade: RGB 148 173 9, RGB 181 212 11, RGB 209 242 22, RGB 216 244 61 and RGB 224 246 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 243 21 shade: RGB 209 243 21, RGB 22 242 99 and RGB 187 22 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 243 21 shade: RGB 209 243 21, RGB 22 209 242 and RGB 242 22 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 243 21 shade: RGB 209 243 21, RGB 22 242 99, RGB 55 22 242 and RGB 242 22 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 243 21 shade: RGB 209 243 21, RGB 22 242 165, RGB 55 22 242 and RGB 242 22 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

Complementary color

CMYK 80 / 95 / 0 / 8

HEX #2E0CEA

RGB 46 12 234

HSL 249.19, 0.9%, 0.48%

LAB 31.31, 72.78, -97.61

 

CMYK 12 / 0 / 93 / 5

HEX #D6F310

RGB 214 243 16

HSL 67.67, 0.9%, 0.51%

LAB 90.98, -32.49, 87.31

 

CMYK 9 / 0 / 86 / 0

HEX #E7FF23

RGB 231 255 35

HSL 66.55, 1%, 0.57%

LAB 95.43, -30.87, 88.68

 

CMYK 3 / 0 / 79 / 0

HEX #F8FF36

RGB 248 255 54

HSL 62.09, 1%, 0.61%

LAB 96.72, -23.52, 86.14

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

CMYK 15 / 0 / 99 / 12

HEX #C0E102

RGB 192 225 2

HSL 68.88, 0.98%, 0.45%

LAB 84.52, -33.23, 82.92

 

CMYK 15 / 0 / 100 / 19

HEX #AFCF00

RGB 175 207 0

HSL 69.28, 1%, 0.41%

LAB 78.31, -31.84, 77.92

 

CMYK 16 / 0 / 100 / 26

HEX #9EBD00

RGB 158 189 0

HSL 69.84, 1%, 0.37%

LAB 72, -30.41, 72.67

 

CMYK 18 / 0 / 100 / 33

HEX #8DAB00

RGB 141 171 0

HSL 70.53, 1%, 0.34%

LAB 65.58, -28.97, 67.32

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 0 / 10 / 91 / 5

HEX #F2D916

RGB 242 217 22

HSL 53.18, 0.89%, 0.52%

LAB 86.29, -8.25, 83.93

 

CMYK 0 / 35 / 91 / 5

HEX #F29D16

RGB 242 157 22

HSL 36.82, 0.89%, 0.52%

LAB 71.59, 22.89, 72.87

 

CMYK 0 / 60 / 91 / 5

HEX #F26216

RGB 242 98 22

HSL 20.73, 0.89%, 0.52%

LAB 59.59, 52.37, 64.22

 

CMYK 0 / 84 / 91 / 5

HEX #F22616

RGB 242 38 22

HSL 4.36, 0.89%, 0.52%

LAB 52.2, 72.62, 59.21

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 38 / 0 / 91 / 5

HEX #95F216

RGB 149 242 22

HSL 85.36, 0.89%, 0.52%

LAB 86.97, -56.21, 81.85

 

CMYK 63 / 0 / 91 / 5

HEX #5AF216

RGB 90 242 22

HSL 101.45, 0.89%, 0.52%

LAB 84.86, -72.6, 79.24

 

CMYK 88 / 0 / 91 / 5

HEX #1EF216

RGB 30 242 22

HSL 117.82, 0.89%, 0.52%

LAB 83.88, -81.13, 78.02

 

CMYK 91 / 0 / 70 / 5

HEX #16F249

RGB 22 242 73

HSL 133.91, 0.89%, 0.52%

LAB 84.05, -78.8, 64.94

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 12 / 0 / 81 / 13

HEX #C3DE2A

RGB 195 222 42

HSL 69, 0.73%, 0.52%

LAB 83.97, -29.87, 76.58

 

CMYK 11 / 0 / 69 / 20

HEX #B5CB3E

RGB 181 203 62

HSL 69.36, 0.58%, 0.52%

LAB 77.81, -25.68, 64.3

 

CMYK 9 / 0 / 56 / 28

HEX #A7B751

RGB 167 183 81

HSL 69.41, 0.41%, 0.52%

LAB 71.33, -20.28, 49.13

 

CMYK 6 / 0 / 38 / 36

HEX #9AA365

RGB 154 163 101

HSL 68.71, 0.25%, 0.52%

LAB 64.97, -13.27, 31.15

 

CMYK 0 / 35 / 91 / 5

HEX #F29E16

RGB 242 158 22

HSL 37.09, 0.89%, 0.52%

LAB 71.82, 22.36, 73.04

 

CMYK 0 / 10 / 91 / 5

HEX #F2D916

RGB 242 217 22

HSL 53.18, 0.89%, 0.52%

LAB 86.29, -8.25, 83.93

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 38 / 0 / 91 / 5

HEX #96F216

RGB 150 242 22

HSL 85.09, 0.89%, 0.52%

LAB 87.02, -55.87, 81.9

 

CMYK 62 / 0 / 91 / 5

HEX #5CF216

RGB 92 242 22

HSL 100.91, 0.89%, 0.52%

LAB 84.91, -72.17, 79.3

 

CMYK 14 / 0 / 95 / 32

HEX #94AD09

RGB 148 173 9

HSL 69.15, 0.9%, 0.36%

LAB 66.67, -26.84, 67.24

 

CMYK 15 / 0 / 95 / 17

HEX #B5D40B

RGB 181 212 11

HSL 69.25, 0.9%, 0.44%

LAB 80.14, -31.59, 78.46

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 11 / 0 / 75 / 4

HEX #D8F43D

RGB 216 244 61

HSL 69.18, 0.89%, 0.6%

LAB 91.52, -30.97, 78.66

 

CMYK 9 / 0 / 59 / 4

HEX #E0F664

RGB 224 246 100

HSL 69.04, 0.89%, 0.68%

LAB 92.87, -26.53, 66.01

 

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

CMYK 91 / 0 / 59 / 5

HEX #16F263

RGB 22 242 99

HSL 141, 0.89%, 0.52%

LAB 84.26, -76.08, 54.7

 

CMYK 23 / 91 / 0 / 5

HEX #BB16F2

RGB 187 22 242

HSL 285, 0.89%, 0.52%

LAB 48.94, 84.51, -72.51

 

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

CMYK 91 / 14 / 0 / 5

HEX #16D1F2

RGB 22 209 242

HSL 189, 0.89%, 0.52%

LAB 77.39, -30.49, -28.07

 

CMYK 0 / 91 / 14 / 5

HEX #F216D1

RGB 242 22 209

HSL 309, 0.89%, 0.52%

LAB 56.14, 88.35, -41.75

 

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

CMYK 91 / 0 / 59 / 5

HEX #16F263

RGB 22 242 99

HSL 141, 0.89%, 0.52%

LAB 84.26, -76.08, 54.7

 

CMYK 77 / 91 / 0 / 5

HEX #3716F2

RGB 55 22 242

HSL 249, 0.89%, 0.52%

LAB 33.56, 72.94, -98.4

 

CMYK 0 / 91 / 32 / 5

HEX #F216A5

RGB 242 22 165

HSL 321, 0.89%, 0.52%

LAB 54.2, 83.29, -19.24

 

CMYK 14 / 0 / 91 / 5

HEX #D1F315

RGB 209 243 21

HSL 69.19, 0.9%, 0.52%

LAB 90.65, -34.42, 86.34

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 77 / 91 / 0 / 5

HEX #3716F2

RGB 55 22 242

HSL 249, 0.89%, 0.52%

LAB 33.56, 72.94, -98.4

 

CMYK 0 / 91 / 59 / 5

HEX #F21663

RGB 242 22 99

HSL 339, 0.89%, 0.52%

LAB 52.23, 77.94, 17.5

 

Description

Color code: RGB 209 243 21 | qconv.com Color code: RGB 209 243 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 243 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 243 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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