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Color name
HEX #16F2A5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16F2A5 it is the complementary color #E90D5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16F2A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16F2A5 shade: #1BF2A0, #2CFFB3, #3DFFC6, #4EFFD9 and #5FFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16F2A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16F2A5 shade: #16F2A5, #05E092, #00CE7F, #00BC6C and #00AA59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16F2A5 shade: #17F1A5, #17F16A, #17F12F, #3AF117 and #75F117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16F2A5 shade: #17F1A5, #17F1E0, #17C8F1, #178DF1 and #1752F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16F2A5 shade matches the following richer shades: #17F1A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16F2A5 shade: #17F1A5, #2BDD9F, #3FC999, #53B693 and #66A28D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16F2A5 shade: #17F131, #17F16B, #17F1A5, #17F1DF and #17C9F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16F2A5 shade: #0AAC73, #0CD38D, #17F1A5, #3EF3B4 and #65F6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16F2A5 shade: #16F2A5, #1738F1 and #F14E17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16F2A5 shade: #16F2A5, #A517F1 and #F1A517

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16F2A5 shade: #16F2A5, #1738F1, #F11763 and #F1D017

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16F2A5 shade: #16F2A5, #3817F1, #F11763 and #D0F117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

Complementary color

CMYK 0 / 94 / 61 / 9

HEX #E90D5A

RGB 233 13 90

HSL 339, 0.89%, 0.48%

LAB 49.92, 76.27, 19.56

 

CMYK 89 / 0 / 34 / 5

HEX #1BF2A0

RGB 27 242 160

HSL 157.12, 0.89%, 0.53%

LAB 85.14, -65.83, 26.49

 

CMYK 83 / 0 / 30 / 0

HEX #2CFFB3

RGB 44 255 179

HSL 158.39, 1%, 0.59%

LAB 89.54, -65.39, 22.86

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC6

RGB 61 255 198

HSL 162.37, 1%, 0.62%

LAB 90.13, -59.63, 13.99

 

CMYK 69 / 0 / 15 / 0

HEX #4EFFD9

RGB 78 255 217

HSL 167.12, 1%, 0.65%

LAB 90.85, -53.12, 5.25

 

CMYK 63 / 0 / 7 / 0

HEX #5FFFEC

RGB 95 255 236

HSL 172.88, 1%, 0.69%

LAB 91.69, -45.96, -3.32

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 98 / 0 / 35 / 12

HEX #05E092

RGB 5 224 146

HSL 158.63, 0.96%, 0.45%

LAB 79.28, -63.2, 25.72

 

CMYK 100 / 0 / 38 / 19

HEX #00CE7F

RGB 0 206 127

HSL 156.99, 1%, 0.4%

LAB 73.33, -60.89, 27.56

 

CMYK 100 / 0 / 43 / 26

HEX #00BC6C

RGB 0 188 108

HSL 154.47, 1%, 0.37%

LAB 67.31, -58.34, 29.49

 

CMYK 100 / 0 / 48 / 33

HEX #00AA59

RGB 0 170 89

HSL 151.41, 1%, 0.33%

LAB 61.19, -55.64, 31.46

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 90 / 0 / 56 / 5

HEX #17F16A

RGB 23 241 106

HSL 142.84, 0.89%, 0.52%

LAB 84.04, -74.83, 51.32

 

CMYK 90 / 0 / 80 / 5

HEX #17F12F

RGB 23 241 47

HSL 126.61, 0.89%, 0.52%

LAB 83.6, -80.31, 72.73

 

CMYK 76 / 0 / 90 / 5

HEX #3AF117

RGB 58 241 23

HSL 110.37, 0.89%, 0.52%

LAB 83.9, -77.92, 78.03

 

CMYK 51 / 0 / 90 / 5

HEX #75F117

RGB 117 241 23

HSL 94.13, 0.89%, 0.52%

LAB 85.38, -65.61, 79.86

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 90 / 0 / 7 / 5

HEX #17F1E0

RGB 23 241 224

HSL 175.32, 0.89%, 0.52%

LAB 86.24, -50.25, -5.2

 

CMYK 90 / 17 / 0 / 5

HEX #17C8F1

RGB 23 200 241

HSL 191.28, 0.89%, 0.52%

LAB 74.72, -26.35, -31.63

 

CMYK 90 / 41 / 0 / 5

HEX #178DF1

RGB 23 141 241

HSL 207.52, 0.89%, 0.52%

LAB 57.64, 6.14, -58.48

 

CMYK 90 / 66 / 0 / 5

HEX #1752F1

RGB 23 82 241

HSL 223.76, 0.89%, 0.52%

LAB 42.1, 43.17, -83.71

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 81 / 0 / 28 / 13

HEX #2BDD9F

RGB 43 221 159

HSL 159.1, 0.72%, 0.52%

LAB 78.89, -57.17, 18.45

 

CMYK 69 / 0 / 24 / 21

HEX #3FC999

RGB 63 201 153

HSL 159.13, 0.56%, 0.52%

LAB 72.98, -48.13, 13.42

 

CMYK 54 / 0 / 19 / 29

HEX #53B693

RGB 83 182 147

HSL 158.79, 0.4%, 0.52%

LAB 67.58, -37.51, 9.11

 

CMYK 37 / 0 / 13 / 36

HEX #66A28D

RGB 102 162 141

HSL 159, 0.24%, 0.52%

LAB 62.16, -24.38, 4.79

 

CMYK 90 / 0 / 80 / 5

HEX #17F131

RGB 23 241 49

HSL 127.16, 0.89%, 0.52%

LAB 83.61, -80.2, 72.2

 

CMYK 90 / 0 / 56 / 5

HEX #17F16B

RGB 23 241 107

HSL 143.12, 0.89%, 0.52%

LAB 84.05, -74.69, 50.89

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 90 / 0 / 7 / 5

HEX #17F1DF

RGB 23 241 223

HSL 175.05, 0.89%, 0.52%

LAB 86.22, -50.52, -4.72

 

CMYK 90 / 17 / 0 / 5

HEX #17C9F1

RGB 23 201 241

HSL 191.01, 0.89%, 0.52%

LAB 75.02, -26.85, -31.18

 

CMYK 94 / 0 / 33 / 33

HEX #0AAC73

RGB 10 172 115

HSL 158.89, 0.89%, 0.36%

LAB 62.34, -50.71, 19.12

 

CMYK 94 / 0 / 33 / 17

HEX #0CD38D

RGB 12 211 141

HSL 158.89, 0.89%, 0.44%

LAB 75.2, -59.39, 22.77

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A5

RGB 23 241 165

HSL 159.08, 0.89%, 0.52%

LAB 84.9, -64.64, 23.61

 

CMYK 74 / 0 / 26 / 5

HEX #3EF3B4

RGB 62 243 180

HSL 159.12, 0.88%, 0.6%

LAB 86.22, -58.92, 17.77

 

CMYK 59 / 0 / 21 / 4

HEX #65F6C3

RGB 101 246 195

HSL 158.9, 0.89%, 0.68%

LAB 88.27, -50.77, 13.02

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 90 / 77 / 0 / 5

HEX #1738F1

RGB 23 56 241

HSL 230.92, 0.89%, 0.52%

LAB 36.67, 58.2, -92.69

 

CMYK 0 / 68 / 90 / 5

HEX #F14E17

RGB 241 78 23

HSL 15.14, 0.89%, 0.52%

LAB 56.3, 60.4, 61.55

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 32 / 90 / 0 / 5

HEX #A517F1

RGB 165 23 241

HSL 279.08, 0.89%, 0.52%

LAB 45.58, 81.3, -77.57

 

CMYK 0 / 32 / 90 / 5

HEX #F1A517

RGB 241 165 23

HSL 39.08, 0.89%, 0.52%

LAB 73.33, 18.26, 73.91

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 90 / 77 / 0 / 5

HEX #1738F1

RGB 23 56 241

HSL 230.92, 0.89%, 0.52%

LAB 36.67, 58.2, -92.69

 

CMYK 0 / 90 / 59 / 5

HEX #F11763

RGB 241 23 99

HSL 339.08, 0.89%, 0.52%

LAB 52.08, 77.58, 17.26

 

CMYK 0 / 14 / 90 / 5

HEX #F1D017

RGB 241 208 23

HSL 50.92, 0.89%, 0.52%

LAB 83.9, -4.12, 81.91

 

CMYK 91 / 0 / 32 / 5

HEX #16F2A5

RGB 22 242 165

HSL 159, 0.89%, 0.52%

LAB 85.2, -65.04, 24.01

 

CMYK 77 / 90 / 0 / 5

HEX #3817F1

RGB 56 23 241

HSL 249.08, 0.89%, 0.52%

LAB 33.57, 72.47, -97.8

 

CMYK 0 / 90 / 59 / 5

HEX #F11763

RGB 241 23 99

HSL 339.08, 0.89%, 0.52%

LAB 52.08, 77.58, 17.26

 

CMYK 14 / 0 / 90 / 5

HEX #D0F117

RGB 208 241 23

HSL 69.08, 0.89%, 0.52%

LAB 90.04, -33.88, 85.57

 

Description

Color code: HEX #16F2A5 | qconv.com Color code: HEX #16F2A5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 242 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 242 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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