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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 140 6 it is the complementary color RGB 46 115 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 140 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 140 6 shade: RGB 214 140 1, RGB 231 158 20, RGB 248 176 39, RGB 255 194 58 and RGB 255 212 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 140 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 140 6 shade: RGB 209 140 6, RGB 192 122 0, RGB 175 104 0, RGB 158 86 0 and RGB 141 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 140 6 shade: RGB 207 139 6, RGB 207 85 6, RGB 207 30 6 and RGB 207 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 140 6 shade: RGB 207 139 6, RGB 207 193 6, RGB 167 207 6, RGB 113 207 6 and RGB 59 207 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 140 6 shade matches the following richer shades: RGB 207 139 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 140 6 shade: RGB 207 139 6, RGB 190 133 23, RGB 173 128 41, RGB 155 122 58 and RGB 138 117 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 140 6 shade: RGB 207 29 6, RGB 207 83 6, RGB 207 137 6, RGB 207 190 6 and RGB 170 207 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 140 6 shade: RGB 127 85 3, RGB 167 112 5, RGB 207 139 6, RGB 247 166 8 and RGB 248 180 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 140 6 shade: RGB 209 140 6, RGB 36 207 6 and RGB 56 6 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 140 6 shade: RGB 209 140 6, RGB 6 207 137 and RGB 137 6 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 140 6 shade: RGB 209 140 6, RGB 36 207 6, RGB 6 76 207 and RGB 177 6 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 140 6 shade: RGB 209 140 6, RGB 6 207 36, RGB 6 76 207 and RGB 207 6 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

Complementary color

CMYK 82 / 54 / 0 / 2

HEX #2E73F9

RGB 46 115 249

HSL 219.61, 0.94%, 0.58%

LAB 51.48, 26.74, -72.83

 

CMYK 0 / 35 / 100 / 16

HEX #D68C01

RGB 214 140 1

HSL 39.15, 0.99%, 0.42%

LAB 64.21, 19.75, 69.38

 

CMYK 0 / 32 / 91 / 9

HEX #E79E14

RGB 231 158 20

HSL 39.24, 0.84%, 0.49%

LAB 70.52, 17.65, 71.89

 

CMYK 0 / 29 / 84 / 3

HEX #F8B027

RGB 248 176 39

HSL 39.33, 0.94%, 0.56%

LAB 76.77, 15.77, 73.1

 

CMYK 0 / 24 / 77 / 0

HEX #FFC23A

RGB 255 194 58

HSL 41.42, 1%, 0.61%

LAB 81.92, 9.92, 71.93

 

CMYK 0 / 17 / 70 / 0

HEX #FFD44D

RGB 255 212 77

HSL 45.51, 1%, 0.65%

LAB 86.45, 1.46, 69.29

 

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

CMYK 0 / 36 / 100 / 25

HEX #C07A00

RGB 192 122 0

HSL 38.13, 1%, 0.38%

LAB 57.2, 19.93, 63.61

 

CMYK 0 / 41 / 100 / 31

HEX #AF6800

RGB 175 104 0

HSL 35.66, 1%, 0.34%

LAB 50.7, 22.38, 58.33

 

CMYK 0 / 46 / 100 / 38

HEX #9E5600

RGB 158 86 0

HSL 32.66, 1%, 0.31%

LAB 44.12, 24.9, 53.01

 

CMYK 0 / 52 / 100 / 45

HEX #8D4400

RGB 141 68 0

HSL 28.94, 1%, 0.28%

LAB 37.48, 27.46, 47.65

 

CMYK 0 / 33 / 97 / 19

HEX #CF8B06

RGB 207 139 6

HSL 39.7, 0.94%, 0.42%

LAB 63.13, 17.29, 67.52

 

CMYK 0 / 59 / 97 / 19

HEX #CF5506

RGB 207 85 6

HSL 23.58, 0.94%, 0.42%

LAB 51.58, 45.36, 59.98

 

CMYK 0 / 86 / 97 / 19

HEX #CF1E06

RGB 207 30 6

HSL 7.16, 0.94%, 0.42%

LAB 44.53, 64.63, 56.08

 

CMYK 0 / 97 / 97 / 19

HEX #CF0606

RGB 207 6 6

HSL 0, 0.94%, 0.42%

LAB 43.37, 67.95, 55.52

 

CMYK 0 / 33 / 97 / 19

HEX #CF8B06

RGB 207 139 6

HSL 39.7, 0.94%, 0.42%

LAB 63.13, 17.29, 67.52

 

CMYK 0 / 7 / 97 / 19

HEX #CFC106

RGB 207 193 6

HSL 55.82, 0.94%, 0.42%

LAB 76.93, -11.35, 77.4

 

CMYK 19 / 0 / 97 / 19

HEX #A7CF06

RGB 167 207 6

HSL 71.94, 0.94%, 0.42%

LAB 77.79, -35.01, 76.71

 

CMYK 45 / 0 / 97 / 19

HEX #71CF06

RGB 113 207 6

HSL 88.06, 0.94%, 0.42%

LAB 74.92, -54.68, 73.24

 

CMYK 71 / 0 / 97 / 19

HEX #3BCF06

RGB 59 207 6

HSL 104.18, 0.94%, 0.42%

LAB 73.26, -68.08, 71.22

 

CMYK 0 / 33 / 97 / 19

HEX #CF8B06

RGB 207 139 6

HSL 39.7, 0.94%, 0.42%

LAB 63.13, 17.29, 67.52

 

CMYK 0 / 33 / 97 / 19

HEX #CF8B06

RGB 207 139 6

HSL 39.7, 0.94%, 0.42%

LAB 63.13, 17.29, 67.52

 

CMYK 0 / 30 / 88 / 25

HEX #BE8517

RGB 190 133 23

HSL 39.52, 0.78%, 0.42%

LAB 59.69, 13.32, 60.83

 

CMYK 0 / 26 / 76 / 32

HEX #AD8029

RGB 173 128 41

HSL 39.55, 0.62%, 0.42%

LAB 56.57, 9.07, 51.24

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 0 / 15 / 46 / 46

HEX #8A754B

RGB 138 117 75

HSL 40, 0.3%, 0.42%

LAB 50.26, 2.14, 26.16

 

CMYK 0 / 86 / 97 / 19

HEX #CF1D06

RGB 207 29 6

HSL 6.87, 0.94%, 0.42%

LAB 44.46, 64.83, 56.04

 

CMYK 0 / 60 / 97 / 19

HEX #CF5306

RGB 207 83 6

HSL 22.99, 0.94%, 0.42%

LAB 51.23, 46.29, 59.77

 

CMYK 0 / 34 / 97 / 19

HEX #CF8906

RGB 207 137 6

HSL 39.1, 0.94%, 0.42%

LAB 62.65, 18.38, 67.19

 

CMYK 0 / 8 / 97 / 19

HEX #CFBE06

RGB 207 190 6

HSL 54.93, 0.94%, 0.42%

LAB 76.13, -9.82, 76.81

 

CMYK 18 / 0 / 97 / 19

HEX #AACF06

RGB 170 207 6

HSL 71.04, 0.94%, 0.42%

LAB 77.98, -33.8, 76.95

 

CMYK 0 / 33 / 98 / 50

HEX #7F5503

RGB 127 85 3

HSL 39.68, 0.95%, 0.25%

LAB 39.61, 11.27, 47.1

 

CMYK 0 / 33 / 97 / 35

HEX #A77005

RGB 167 112 5

HSL 39.63, 0.94%, 0.34%

LAB 51.63, 14.37, 57.42

 

CMYK 0 / 33 / 97 / 19

HEX #CF8B06

RGB 207 139 6

HSL 39.7, 0.94%, 0.42%

LAB 63.13, 17.29, 67.52

 

CMYK 0 / 33 / 97 / 3

HEX #F7A608

RGB 247 166 8

HSL 39.67, 0.94%, 0.5%

LAB 74.23, 20.11, 77.12

 

CMYK 0 / 27 / 81 / 3

HEX #F8B430

RGB 248 180 48

HSL 39.6, 0.93%, 0.58%

LAB 77.76, 13.93, 71.24

 

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

CMYK 83 / 0 / 97 / 19

HEX #24CF06

RGB 36 207 6

HSL 111.04, 0.94%, 0.42%

LAB 72.9, -71.29, 70.77

 

CMYK 73 / 97 / 0 / 19

HEX #3806CF

RGB 56 6 207

HSL 254.93, 0.94%, 0.42%

LAB 28.05, 67.47, -87.48

 

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

CMYK 97 / 0 / 34 / 19

HEX #06CF89

RGB 6 207 137

HSL 159.1, 0.94%, 0.42%

LAB 73.85, -58.99, 23.03

 

CMYK 34 / 97 / 0 / 19

HEX #8906CF

RGB 137 6 207

HSL 279.1, 0.94%, 0.42%

LAB 37.76, 73.61, -71.11

 

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

CMYK 83 / 0 / 97 / 19

HEX #24CF06

RGB 36 207 6

HSL 111.04, 0.94%, 0.42%

LAB 72.9, -71.29, 70.77

 

CMYK 97 / 63 / 0 / 19

HEX #064CCF

RGB 6 76 207

HSL 219.1, 0.94%, 0.42%

LAB 37.32, 33.73, -72.19

 

CMYK 14 / 97 / 0 / 19

HEX #B106CF

RGB 177 6 207

HSL 291.04, 0.94%, 0.42%

LAB 44.21, 78.86, -60.32

 

CMYK 0 / 33 / 97 / 18

HEX #D18C06

RGB 209 140 6

HSL 39.61, 0.94%, 0.42%

LAB 63.61, 17.63, 67.96

 

CMYK 97 / 0 / 83 / 19

HEX #06CF24

RGB 6 207 36

HSL 128.96, 0.94%, 0.42%

LAB 72.75, -72.32, 65.52

 

CMYK 97 / 63 / 0 / 19

HEX #064CCF

RGB 6 76 207

HSL 219.1, 0.94%, 0.42%

LAB 37.32, 33.73, -72.19

 

CMYK 0 / 97 / 14 / 19

HEX #CF06B1

RGB 207 6 177

HSL 308.96, 0.94%, 0.42%

LAB 47.71, 79.38, -36.9

 

Description

Color code: RGB 209 140 6 | qconv.com Color code: RGB 209 140 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 140 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 140 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 97 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 97% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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