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Color name
RGB 155 122 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 122 58 it is the complementary color RGB 100 133 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 122 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 122 58 shade: RGB 160 122 53, RGB 177 140 72, RGB 194 158 91, RGB 211 176 110 and RGB 228 194 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 122 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 122 58 shade: RGB 155 122 58, RGB 138 104 39, RGB 121 86 20, RGB 104 68 1 and RGB 87 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 122 58 shade: RGB 156 122 57, RGB 156 96 57, RGB 156 69 57 and RGB 156 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 122 58 shade: RGB 156 122 57, RGB 156 149 57, RGB 136 156 57, RGB 110 156 57 and RGB 83 156 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 122 58 shade matches the following richer shades: RGB 156 122 57, RGB 173 128 40, RGB 191 133 23 and RGB 208 139 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 122 58 shade: RGB 156 122 57, RGB 139 117 75, RGB 121 111 92, RGB 104 106 109 and RGB 87 100 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 122 58 shade: RGB 156 69 57, RGB 156 95 57, RGB 156 121 57, RGB 156 148 57 and RGB 138 156 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 122 58 shade: RGB 96 75 35, RGB 126 99 46, RGB 156 122 57, RGB 186 146 69 and RGB 197 164 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 122 58 shade: RGB 155 122 58, RGB 72 156 57 and RGB 82 57 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 122 58 shade: RGB 155 122 58, RGB 57 156 121 and RGB 121 57 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 122 58 shade: RGB 155 122 58, RGB 72 156 57, RGB 57 92 156 and RGB 141 57 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 122 58 shade: RGB 155 122 58, RGB 57 156 72, RGB 57 92 156 and RGB 156 57 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

Complementary color

CMYK 49 / 32 / 0 / 23

HEX #6485C5

RGB 100 133 197

HSL 219.59, 0.46%, 0.58%

LAB 55.6, 6.18, -36.9

 

CMYK 0 / 24 / 67 / 37

HEX #A07A35

RGB 160 122 53

HSL 38.69, 0.5%, 0.42%

LAB 53.65, 7.23, 42.4

 

CMYK 0 / 21 / 59 / 31

HEX #B18C48

RGB 177 140 72

HSL 38.86, 0.42%, 0.49%

LAB 60.4, 6.05, 41.09

 

CMYK 0 / 19 / 53 / 24

HEX #C29E5B

RGB 194 158 91

HSL 39.03, 0.46%, 0.56%

LAB 67.04, 5.07, 39.73

 

CMYK 0 / 17 / 48 / 17

HEX #D3B06E

RGB 211 176 110

HSL 39.21, 0.53%, 0.63%

LAB 73.56, 4.24, 38.4

 

CMYK 0 / 15 / 43 / 11

HEX #E4C281

RGB 228 194 129

HSL 39.39, 0.65%, 0.7%

LAB 79.99, 3.54, 37.13

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 0 / 25 / 72 / 46

HEX #8A6827

RGB 138 104 39

HSL 39.39, 0.56%, 0.35%

LAB 46.24, 6.61, 40.45

 

CMYK 0 / 29 / 83 / 53

HEX #795614

RGB 121 86 20

HSL 39.21, 0.72%, 0.28%

LAB 39.19, 8.24, 41.16

 

CMYK 0 / 35 / 99 / 59

HEX #684401

RGB 104 68 1

HSL 39.03, 0.98%, 0.21%

LAB 31.99, 10.27, 41.06

 

CMYK 0 / 43 / 100 / 66

HEX #573200

RGB 87 50 0

HSL 34.48, 1%, 0.17%

LAB 24.66, 12.96, 34.45

 

CMYK 0 / 22 / 63 / 39

HEX #9C7A39

RGB 156 122 57

HSL 39.39, 0.46%, 0.42%

LAB 53.26, 5.7, 39.86

 

CMYK 0 / 38 / 63 / 39

HEX #9C6039

RGB 156 96 57

HSL 23.64, 0.46%, 0.42%

LAB 46.62, 20.55, 32.17

 

CMYK 0 / 56 / 63 / 39

HEX #9C4539

RGB 156 69 57

HSL 7.27, 0.46%, 0.42%

LAB 40.6, 35.37, 24.85

 

CMYK 0 / 63 / 63 / 39

HEX #9C3939

RGB 156 57 57

HSL 0, 0.46%, 0.42%

LAB 38.36, 41.27, 22.01

 

CMYK 0 / 22 / 63 / 39

HEX #9C7A39

RGB 156 122 57

HSL 39.39, 0.46%, 0.42%

LAB 53.26, 5.7, 39.86

 

CMYK 0 / 4 / 63 / 39

HEX #9C9539

RGB 156 149 57

HSL 55.76, 0.46%, 0.42%

LAB 60.66, -9.22, 48.01

 

CMYK 13 / 0 / 63 / 39

HEX #889C39

RGB 136 156 57

HSL 72.12, 0.46%, 0.42%

LAB 61.05, -21.53, 47.95

 

CMYK 29 / 0 / 63 / 39

HEX #6E9C39

RGB 110 156 57

HSL 87.88, 0.46%, 0.42%

LAB 59.33, -32.06, 45.58

 

CMYK 47 / 0 / 63 / 39

HEX #539C39

RGB 83 156 57

HSL 104.24, 0.46%, 0.42%

LAB 57.95, -41.57, 43.67

 

CMYK 0 / 22 / 63 / 39

HEX #9C7A39

RGB 156 122 57

HSL 39.39, 0.46%, 0.42%

LAB 53.26, 5.7, 39.86

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 30 / 88 / 25

HEX #BF8517

RGB 191 133 23

HSL 39.29, 0.79%, 0.42%

LAB 59.81, 13.77, 60.97

 

CMYK 0 / 33 / 98 / 18

HEX #D08B05

RGB 208 139 5

HSL 39.61, 0.95%, 0.42%

LAB 63.25, 17.72, 67.8

 

CMYK 0 / 22 / 63 / 39

HEX #9C7A39

RGB 156 122 57

HSL 39.39, 0.46%, 0.42%

LAB 53.26, 5.7, 39.86

 

CMYK 0 / 16 / 46 / 45

HEX #8B754B

RGB 139 117 75

HSL 39.38, 0.3%, 0.42%

LAB 50.36, 2.58, 26.31

 

CMYK 0 / 8 / 24 / 53

HEX #796F5C

RGB 121 111 92

HSL 39.31, 0.14%, 0.42%

LAB 47.24, 0.57, 12

 

CMYK 5 / 3 / 0 / 57

HEX #686A6D

RGB 104 106 109

HSL 216, 0.02%, 0.42%

LAB 44.74, -0.13, -1.95

 

CMYK 31 / 21 / 0 / 50

HEX #57647F

RGB 87 100 127

HSL 220.5, 0.19%, 0.42%

LAB 42.27, 1.88, -16.68

 

CMYK 0 / 56 / 63 / 39

HEX #9C4539

RGB 156 69 57

HSL 7.27, 0.46%, 0.42%

LAB 40.6, 35.37, 24.85

 

CMYK 0 / 39 / 63 / 39

HEX #9C5F39

RGB 156 95 57

HSL 23.03, 0.46%, 0.42%

LAB 46.38, 21.12, 31.88

 

CMYK 0 / 22 / 63 / 39

HEX #9C7939

RGB 156 121 57

HSL 38.79, 0.46%, 0.42%

LAB 52.99, 6.26, 39.56

 

CMYK 0 / 5 / 63 / 39

HEX #9C9439

RGB 156 148 57

HSL 55.15, 0.46%, 0.42%

LAB 60.38, -8.68, 47.71

 

CMYK 12 / 0 / 63 / 39

HEX #8A9C39

RGB 138 156 57

HSL 70.91, 0.46%, 0.42%

LAB 61.2, -20.69, 48.16

 

CMYK 0 / 22 / 64 / 62

HEX #604B23

RGB 96 75 35

HSL 39.34, 0.47%, 0.26%

LAB 33.22, 3.65, 26.82

 

CMYK 0 / 21 / 63 / 51

HEX #7E632E

RGB 126 99 46

HSL 39.75, 0.47%, 0.34%

LAB 43.59, 4.4, 33.66

 

CMYK 0 / 22 / 63 / 39

HEX #9C7A39

RGB 156 122 57

HSL 39.39, 0.46%, 0.42%

LAB 53.26, 5.7, 39.86

 

CMYK 0 / 22 / 63 / 27

HEX #BA9245

RGB 186 146 69

HSL 39.49, 0.46%, 0.5%

LAB 62.87, 6.45, 45.65

 

CMYK 0 / 17 / 50 / 23

HEX #C5A463

RGB 197 164 99

HSL 39.8, 0.46%, 0.58%

LAB 68.98, 3.81, 38.07

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 54 / 0 / 63 / 39

HEX #489C39

RGB 72 156 57

HSL 110.91, 0.46%, 0.42%

LAB 57.51, -44.87, 43.06

 

CMYK 47 / 63 / 0 / 39

HEX #52399C

RGB 82 57 156

HSL 255.15, 0.46%, 0.42%

LAB 32.08, 36.01, -50.42

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 63 / 0 / 22 / 39

HEX #399C79

RGB 57 156 121

HSL 158.79, 0.46%, 0.42%

LAB 58.06, -37.37, 9.95

 

CMYK 22 / 63 / 0 / 39

HEX #79399C

RGB 121 57 156

HSL 278.79, 0.46%, 0.42%

LAB 36.73, 45.01, -42.69

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 54 / 0 / 63 / 39

HEX #489C39

RGB 72 156 57

HSL 110.91, 0.46%, 0.42%

LAB 57.51, -44.87, 43.06

 

CMYK 63 / 41 / 0 / 39

HEX #395C9C

RGB 57 92 156

HSL 218.79, 0.46%, 0.42%

LAB 39.45, 8.39, -38.67

 

CMYK 10 / 63 / 0 / 39

HEX #8D399C

RGB 141 57 156

HSL 290.91, 0.46%, 0.42%

LAB 39.56, 50, -38

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 63 / 0 / 54 / 39

HEX #399C48

RGB 57 156 72

HSL 129.09, 0.46%, 0.42%

LAB 57.19, -46.8, 35.35

 

CMYK 63 / 41 / 0 / 39

HEX #395C9C

RGB 57 92 156

HSL 218.79, 0.46%, 0.42%

LAB 39.45, 8.39, -38.67

 

CMYK 0 / 63 / 10 / 39

HEX #9C398D

RGB 156 57 141

HSL 309.09, 0.46%, 0.42%

LAB 41.08, 51.25, -26.36

 

Description

Color code: RGB 155 122 58 | qconv.com Color code: RGB 155 122 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 122 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 122 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 63 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 63% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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