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Color name
RGB 208 112 71

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 112 71 it is the complementary color RGB 47 143 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 112 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 112 71 shade: RGB 213 112 66, RGB 230 130 85, RGB 247 148 104, RGB 255 166 123 and RGB 255 184 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 112 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 112 71 shade: RGB 208 112 71, RGB 191 94 52, RGB 174 76 33, RGB 157 58 14 and RGB 140 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 112 71 shade: RGB 207 113 72, RGB 207 76 72 and RGB 207 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 112 71 shade: RGB 207 113 72, RGB 207 149 72, RGB 207 186 72, RGB 193 207 72 and RGB 156 207 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 112 71 shade matches the following richer shades: RGB 207 113 72, RGB 226 105 53 and RGB 245 98 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 112 71 shade: RGB 207 113 72, RGB 189 120 91, RGB 170 127 109, RGB 152 135 128 and RGB 133 142 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 112 71 shade: RGB 207 72 106, RGB 207 74 72, RGB 207 110 72, RGB 207 147 72 and RGB 207 183 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 112 71 shade: RGB 157 75 40, RGB 190 91 49, RGB 207 113 72, RGB 216 138 105 and RGB 224 164 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 112 71 shade: RGB 208 112 71, RGB 142 207 72 and RGB 72 88 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 112 71 shade: RGB 208 112 71, RGB 72 207 110 and RGB 110 72 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 112 71 shade: RGB 208 112 71, RGB 142 207 72, RGB 72 169 207 and RGB 137 72 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 112 71 shade: RGB 208 112 71, RGB 101 207 72, RGB 72 169 207 and RGB 178 72 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

Complementary color

CMYK 74 / 22 / 0 / 28

HEX #2F8FB8

RGB 47 143 184

HSL 197.96, 0.59%, 0.45%

LAB 55.8, -13.83, -29.36

 

CMYK 0 / 47 / 69 / 16

HEX #D57042

RGB 213 112 66

HSL 18.78, 0.64%, 0.55%

LAB 58.16, 36.05, 42.74

 

CMYK 0 / 43 / 63 / 10

HEX #E68255

RGB 230 130 85

HSL 18.62, 0.74%, 0.62%

LAB 64.52, 34.54, 40.79

 

CMYK 0 / 40 / 58 / 3

HEX #F79468

RGB 247 148 104

HSL 18.46, 0.9%, 0.69%

LAB 70.84, 33.18, 38.98

 

CMYK 0 / 35 / 52 / 0

HEX #FFA67B

RGB 255 166 123

HSL 19.55, 1%, 0.74%

LAB 76.05, 28.44, 35.74

 

CMYK 0 / 28 / 44 / 0

HEX #FFB88E

RGB 255 184 142

HSL 22.3, 1%, 0.78%

LAB 80.46, 20.8, 31.48

 

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

CMYK 0 / 51 / 73 / 25

HEX #BF5E34

RGB 191 94 52

HSL 18.13, 0.57%, 0.48%

LAB 51.07, 35.93, 41.25

 

CMYK 0 / 56 / 81 / 32

HEX #AE4C21

RGB 174 76 33

HSL 18.3, 0.68%, 0.41%

LAB 44.63, 37.62, 43.3

 

CMYK 0 / 63 / 91 / 38

HEX #9D3A0E

RGB 157 58 14

HSL 18.46, 0.84%, 0.34%

LAB 38.24, 39.34, 44.82

 

CMYK 0 / 71 / 100 / 45

HEX #8C2800

RGB 140 40 0

HSL 17.14, 1%, 0.27%

LAB 32.02, 40.86, 44.35

 

CMYK 0 / 45 / 65 / 19

HEX #CF7148

RGB 207 113 72

HSL 18.22, 0.58%, 0.55%

LAB 57.6, 33.49, 38.72

 

CMYK 0 / 63 / 65 / 19

HEX #CF4C48

RGB 207 76 72

HSL 1.78, 0.58%, 0.55%

LAB 50.57, 51.53, 30.23

 

CMYK 0 / 65 / 65 / 19

HEX #CF4848

RGB 207 72 72

HSL 0, 0.58%, 0.55%

LAB 49.94, 53.23, 29.45

 

CMYK 0 / 45 / 65 / 19

HEX #CF7148

RGB 207 113 72

HSL 18.22, 0.58%, 0.55%

LAB 57.6, 33.49, 38.72

 

CMYK 0 / 28 / 65 / 19

HEX #CF9548

RGB 207 149 72

HSL 34.22, 0.58%, 0.55%

LAB 65.93, 14.08, 48.26

 

CMYK 0 / 10 / 65 / 19

HEX #CFBA48

RGB 207 186 72

HSL 50.67, 0.58%, 0.55%

LAB 75.36, -5.65, 58.49

 

CMYK 7 / 0 / 65 / 19

HEX #C1CF48

RGB 193 207 72

HSL 66.22, 0.58%, 0.55%

LAB 79.86, -22.12, 62.84

 

CMYK 25 / 0 / 65 / 19

HEX #9CCF48

RGB 156 207 72

HSL 82.67, 0.58%, 0.55%

LAB 77.38, -36.77, 59.48

 

CMYK 0 / 45 / 65 / 19

HEX #CF7148

RGB 207 113 72

HSL 18.22, 0.58%, 0.55%

LAB 57.6, 33.49, 38.72

 

CMYK 0 / 54 / 77 / 11

HEX #E26935

RGB 226 105 53

HSL 18.03, 0.75%, 0.55%

LAB 58.54, 44, 50.2

 

CMYK 0 / 60 / 86 / 4

HEX #F56223

RGB 245 98 35

HSL 18, 0.91%, 0.55%

LAB 60.13, 53.67, 60.53

 

CMYK 0 / 45 / 65 / 19

HEX #CF7148

RGB 207 113 72

HSL 18.22, 0.58%, 0.55%

LAB 57.6, 33.49, 38.72

 

CMYK 0 / 37 / 52 / 26

HEX #BD785B

RGB 189 120 91

HSL 17.76, 0.43%, 0.55%

LAB 57.08, 23.87, 27.11

 

CMYK 0 / 25 / 36 / 33

HEX #AA7F6D

RGB 170 127 109

HSL 17.7, 0.26%, 0.55%

LAB 56.91, 14.13, 16.26

 

CMYK 0 / 11 / 16 / 40

HEX #988780

RGB 152 135 128

HSL 17.5, 0.1%, 0.55%

LAB 57.62, 5.2, 6.1

 

CMYK 9 / 3 / 0 / 43

HEX #858E92

RGB 133 142 146

HSL 198.46, 0.06%, 0.55%

LAB 58.42, -2.43, -3.26

 

CMYK 0 / 65 / 49 / 19

HEX #CF486A

RGB 207 72 106

HSL 344.89, 0.58%, 0.55%

LAB 50.62, 55.73, 10.04

 

CMYK 0 / 64 / 65 / 19

HEX #CF4A48

RGB 207 74 72

HSL 0.89, 0.58%, 0.55%

LAB 50.25, 52.39, 29.84

 

CMYK 0 / 47 / 65 / 19

HEX #CF6E48

RGB 207 110 72

HSL 16.89, 0.58%, 0.55%

LAB 56.96, 35.06, 37.97

 

CMYK 0 / 29 / 65 / 19

HEX #CF9348

RGB 207 147 72

HSL 33.33, 0.58%, 0.55%

LAB 65.44, 15.16, 47.71

 

CMYK 0 / 12 / 65 / 19

HEX #CFB748

RGB 207 183 72

HSL 49.33, 0.58%, 0.55%

LAB 74.57, -4.09, 57.66

 

CMYK 0 / 52 / 75 / 38

HEX #9D4B28

RGB 157 75 40

HSL 17.95, 0.59%, 0.39%

LAB 41.77, 31.61, 35.98

 

CMYK 0 / 52 / 74 / 25

HEX #BE5B31

RGB 190 91 49

HSL 17.87, 0.59%, 0.47%

LAB 50.28, 36.94, 41.89

 

CMYK 0 / 45 / 65 / 19

HEX #CF7148

RGB 207 113 72

HSL 18.22, 0.58%, 0.55%

LAB 57.6, 33.49, 38.72

 

CMYK 0 / 36 / 51 / 15

HEX #D88A69

RGB 216 138 105

HSL 17.84, 0.59%, 0.63%

LAB 64.8, 26.28, 29.99

 

CMYK 0 / 27 / 38 / 12

HEX #E0A48A

RGB 224 164 138

HSL 18.14, 0.58%, 0.71%

LAB 72.38, 18.87, 22.21

 

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 57 / 0 / 19

HEX #4858CF

RGB 72 88 207

HSL 232.89, 0.58%, 0.55%

LAB 42.55, 31.65, -63.55

 

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

CMYK 65 / 0 / 47 / 19

HEX #48CF6E

RGB 72 207 110

HSL 136.89, 0.58%, 0.55%

LAB 74.27, -57.21, 37.6

 

CMYK 47 / 65 / 0 / 19

HEX #6E48CF

RGB 110 72 207

HSL 256.89, 0.58%, 0.55%

LAB 41.93, 47.75, -64.44

 

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 18 / 0 / 19

HEX #48A9CF

RGB 72 169 207

HSL 196.89, 0.58%, 0.55%

LAB 65.17, -16.68, -27.73

 

CMYK 34 / 65 / 0 / 19

HEX #8948CF

RGB 137 72 207

HSL 268.89, 0.58%, 0.55%

LAB 44.88, 53.15, -59.51

 

CMYK 0 / 46 / 66 / 18

HEX #D07047

RGB 208 112 71

HSL 17.96, 0.59%, 0.55%

LAB 57.51, 34.35, 39.19

 

CMYK 51 / 0 / 65 / 19

HEX #65CF48

RGB 101 207 72

HSL 107.11, 0.58%, 0.55%

LAB 74.74, -55.08, 55.86

 

CMYK 65 / 18 / 0 / 19

HEX #48A9CF

RGB 72 169 207

HSL 196.89, 0.58%, 0.55%

LAB 65.17, -16.68, -27.73

 

CMYK 14 / 65 / 0 / 19

HEX #B248CF

RGB 178 72 207

HSL 287.11, 0.58%, 0.55%

LAB 50.22, 62.18, -50.64

 

Description

Color code: RGB 208 112 71 | qconv.com Color code: RGB 208 112 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 112 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 112 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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