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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 207 72 it is the complementary color RGB 113 48 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 207 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 207 72 shade: RGB 147 207 67, RGB 164 225 86, RGB 181 243 105, RGB 198 255 124 and RGB 215 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 207 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 207 72 shade: RGB 142 207 72, RGB 125 189 53, RGB 108 171 34, RGB 91 153 15 and RGB 74 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 207 72 shade: RGB 142 206 73, RGB 178 206 73, RGB 206 199 73, RGB 206 163 73 and RGB 206 127 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 207 72 shade: RGB 142 206 73, RGB 106 206 73, RGB 73 206 76, RGB 73 206 112 and RGB 73 206 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 207 72 shade matches the following richer shades: RGB 142 206 73, RGB 143 225 55 and RGB 144 243 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 207 72 shade: RGB 142 206 73, RGB 142 188 92, RGB 141 169 110, RGB 140 151 129 and RGB 139 132 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 207 72 shade: RGB 206 197 73, RGB 180 206 73, RGB 144 206 73, RGB 109 206 73 and RGB 73 206 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 207 72 shade: RGB 101 156 41, RGB 122 189 50, RGB 142 206 73, RGB 162 215 106 and RGB 183 224 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 207 72 shade: RGB 142 207 72, RGB 73 206 162 and RGB 206 73 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 207 72 shade: RGB 142 207 72, RGB 73 144 206 and RGB 206 73 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 207 72 shade: RGB 142 207 72, RGB 73 206 162, RGB 135 73 206 and RGB 206 73 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 207 72 shade: RGB 142 207 72, RGB 73 206 202, RGB 135 73 206 and RGB 206 73 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

Complementary color

CMYK 38 / 74 / 0 / 28

HEX #7130B7

RGB 113 48 183

HSL 268.89, 0.58%, 0.45%

LAB 36.07, 54.01, -59.95

 

CMYK 29 / 0 / 68 / 19

HEX #93CF43

RGB 147 207 67

HSL 85.71, 0.59%, 0.54%

LAB 76.82, -40.49, 60.71

 

CMYK 27 / 0 / 62 / 12

HEX #A4E156

RGB 164 225 86

HSL 86.33, 0.7%, 0.61%

LAB 83.13, -40.76, 60.07

 

CMYK 26 / 0 / 57 / 5

HEX #B5F369

RGB 181 243 105

HSL 86.96, 0.85%, 0.68%

LAB 89.37, -40.93, 59.2

 

CMYK 22 / 0 / 51 / 0

HEX #C6FF7C

RGB 198 255 124

HSL 86.11, 1%, 0.74%

LAB 93.87, -38.37, 56.24

 

CMYK 16 / 0 / 44 / 0

HEX #D7FF8F

RGB 215 255 143

HSL 81.43, 1%, 0.78%

LAB 95.14, -30.24, 49.17

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 34 / 0 / 72 / 26

HEX #7DBD35

RGB 125 189 53

HSL 88.24, 0.56%, 0.47%

LAB 70.18, -41.6, 58.83

 

CMYK 37 / 0 / 80 / 33

HEX #6CAB22

RGB 108 171 34

HSL 87.59, 0.67%, 0.4%

LAB 63.7, -41.07, 58.59

 

CMYK 41 / 0 / 90 / 40

HEX #5B990F

RGB 91 153 15

HSL 86.96, 0.82%, 0.33%

LAB 57.12, -40.28, 57.15

 

CMYK 45 / 0 / 100 / 47

HEX #4A8700

RGB 74 135 0

HSL 87.11, 1%, 0.26%

LAB 50.43, -39.14, 54

 

CMYK 31 / 0 / 65 / 19

HEX #8ECE49

RGB 142 206 73

HSL 88.87, 0.58%, 0.55%

LAB 76.3, -41.41, 57.68

 

CMYK 14 / 0 / 65 / 19

HEX #B2CE49

RGB 178 206 73

HSL 72.63, 0.58%, 0.55%

LAB 78.51, -27.66, 60.71

 

CMYK 0 / 3 / 65 / 19

HEX #CEC749

RGB 206 199 73

HSL 56.84, 0.58%, 0.55%

LAB 78.72, -12.68, 61.58

 

CMYK 0 / 21 / 65 / 19

HEX #CEA349

RGB 206 163 73

HSL 40.6, 0.58%, 0.55%

LAB 69.32, 6.14, 51.52

 

CMYK 0 / 38 / 65 / 19

HEX #CE7F49

RGB 206 127 73

HSL 24.36, 0.58%, 0.55%

LAB 60.59, 25.67, 41.65

 

CMYK 31 / 0 / 65 / 19

HEX #8ECE49

RGB 142 206 73

HSL 88.87, 0.58%, 0.55%

LAB 76.3, -41.41, 57.68

 

CMYK 49 / 0 / 65 / 19

HEX #6ACE49

RGB 106 206 73

HSL 105.11, 0.58%, 0.55%

LAB 74.63, -53.19, 55.39

 

CMYK 65 / 0 / 63 / 19

HEX #49CE4C

RGB 73 206 76

HSL 121.35, 0.58%, 0.55%

LAB 73.6, -61.11, 52.69

 

CMYK 65 / 0 / 46 / 19

HEX #49CE70

RGB 73 206 112

HSL 137.59, 0.58%, 0.55%

LAB 74.02, -56.33, 36.28

 

CMYK 65 / 0 / 28 / 19

HEX #49CE94

RGB 73 206 148

HSL 153.83, 0.58%, 0.55%

LAB 74.63, -49.61, 18.44

 

CMYK 31 / 0 / 65 / 19

HEX #8ECE49

RGB 142 206 73

HSL 88.87, 0.58%, 0.55%

LAB 76.3, -41.41, 57.68

 

CMYK 36 / 0 / 76 / 12

HEX #8FE137

RGB 143 225 55

HSL 88.94, 0.74%, 0.55%

LAB 81.82, -50.27, 69.83

 

CMYK 41 / 0 / 85 / 5

HEX #90F324

RGB 144 243 36

HSL 88.7, 0.9%, 0.55%

LAB 87.07, -57.88, 79.49

 

CMYK 31 / 0 / 65 / 19

HEX #8ECE49

RGB 142 206 73

HSL 88.87, 0.58%, 0.55%

LAB 76.3, -41.41, 57.68

 

CMYK 24 / 0 / 51 / 26

HEX #8EBC5C

RGB 142 188 92

HSL 88.75, 0.42%, 0.55%

LAB 71.21, -31.46, 43.32

 

CMYK 17 / 0 / 35 / 34

HEX #8DA96E

RGB 141 169 110

HSL 88.47, 0.26%, 0.55%

LAB 65.88, -20.27, 27.36

 

CMYK 7 / 0 / 15 / 41

HEX #8C9781

RGB 140 151 129

HSL 90, 0.1%, 0.55%

LAB 61.04, -8.14, 10.26

 

CMYK 5 / 10 / 0 / 42

HEX #8B8493

RGB 139 132 147

HSL 268, 0.06%, 0.55%

LAB 56.19, 5.61, -7.09

 

CMYK 0 / 4 / 65 / 19

HEX #CEC549

RGB 206 197 73

HSL 55.94, 0.58%, 0.55%

LAB 78.19, -11.67, 61.02

 

CMYK 13 / 0 / 65 / 19

HEX #B4CE49

RGB 180 206 73

HSL 71.73, 0.58%, 0.55%

LAB 78.65, -26.85, 60.89

 

CMYK 30 / 0 / 65 / 19

HEX #90CE49

RGB 144 206 73

HSL 87.97, 0.58%, 0.55%

LAB 76.41, -40.69, 57.83

 

CMYK 47 / 0 / 65 / 19

HEX #6DCE49

RGB 109 206 73

HSL 103.76, 0.58%, 0.55%

LAB 74.75, -52.31, 55.55

 

CMYK 65 / 0 / 65 / 19

HEX #49CE49

RGB 73 206 73

HSL 120, 0.58%, 0.55%

LAB 73.57, -61.42, 53.93

 

CMYK 35 / 0 / 74 / 39

HEX #659C29

RGB 101 156 41

HSL 88.7, 0.58%, 0.39%

LAB 58.7, -36.69, 51.35

 

CMYK 35 / 0 / 74 / 26

HEX #7ABD32

RGB 122 189 50

HSL 88.92, 0.58%, 0.47%

LAB 70.01, -42.86, 59.67

 

CMYK 31 / 0 / 65 / 19

HEX #8ECE49

RGB 142 206 73

HSL 88.87, 0.58%, 0.55%

LAB 76.3, -41.41, 57.68

 

CMYK 25 / 0 / 51 / 16

HEX #A2D76A

RGB 162 215 106

HSL 89.17, 0.58%, 0.63%

LAB 80.36, -35.11, 47.9

 

CMYK 18 / 0 / 38 / 12

HEX #B7E08A

RGB 183 224 138

HSL 88.6, 0.58%, 0.71%

LAB 84.59, -27.9, 37.81

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 0 / 21 / 19

HEX #49CEA2

RGB 73 206 162

HSL 160.15, 0.58%, 0.55%

LAB 74.93, -46.51, 11.39

 

CMYK 0 / 65 / 4 / 19

HEX #CE49C5

RGB 206 73 197

HSL 304.06, 0.58%, 0.55%

LAB 53.94, 66.6, -38.75

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 30 / 0 / 19

HEX #4990CE

RGB 73 144 206

HSL 207.97, 0.58%, 0.55%

LAB 57.87, -2.96, -38.52

 

CMYK 0 / 65 / 30 / 19

HEX #CE4990

RGB 206 73 144

HSL 327.97, 0.58%, 0.55%

LAB 51.72, 59.04, -11.16

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 0 / 21 / 19

HEX #49CEA2

RGB 73 206 162

HSL 160.15, 0.58%, 0.55%

LAB 74.93, -46.51, 11.39

 

CMYK 34 / 65 / 0 / 19

HEX #8749CE

RGB 135 73 206

HSL 267.97, 0.58%, 0.55%

LAB 44.76, 51.98, -59.14

 

CMYK 0 / 65 / 43 / 19

HEX #CE4976

RGB 206 73 118

HSL 339.7, 0.58%, 0.55%

LAB 50.91, 56.14, 3.21

 

CMYK 31 / 0 / 65 / 19

HEX #8ECF48

RGB 142 207 72

HSL 88.89, 0.58%, 0.55%

LAB 76.58, -41.93, 58.4

 

CMYK 65 / 0 / 2 / 19

HEX #49CECA

RGB 73 206 202

HSL 178.2, 0.58%, 0.55%

LAB 75.96, -36.37, -8.65

 

CMYK 34 / 65 / 0 / 19

HEX #8749CE

RGB 135 73 206

HSL 267.97, 0.58%, 0.55%

LAB 44.76, 51.98, -59.14

 

CMYK 0 / 65 / 62 / 19

HEX #CE494E

RGB 206 73 78

HSL 357.74, 0.58%, 0.55%

LAB 50.02, 52.85, 25.98

 

Description

Color code: RGB 142 207 72 | qconv.com Color code: RGB 142 207 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 207 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 207 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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