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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 172 210 it is the complementary color RGB 48 83 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 172 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 172 210 shade: RGB 212 172 205, RGB 229 190 224, RGB 246 208 243, RGB 255 226 255 and RGB 255 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 172 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 190 154 191, RGB 173 136 172, RGB 156 118 153 and RGB 139 100 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 210 172 203, RGB 210 172 192, RGB 210 172 182 and RGB 210 172 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 197 172 210, RGB 186 172 210, RGB 176 172 210 and RGB 172 172 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 172 210 shade matches the following richer shades: RGB 207 172 210, RGB 216 161 220, RGB 224 151 231, RGB 233 141 241 and RGB 242 130 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 198 182 200, RGB 189 192 189, RGB 181 203 179 and RGB 172 213 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 172 210 shade: RGB 186 172 210, RGB 196 172 210, RGB 207 172 210, RGB 210 172 203 and RGB 210 172 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 172 210 shade: RGB 176 118 181, RGB 191 145 195, RGB 207 172 210, RGB 222 198 224 and RGB 238 225 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 210 176 172 and RGB 172 210 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 210 207 172 and RGB 172 210 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 210 176 172, RGB 175 210 172 and RGB 172 205 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 172 210 shade: RGB 207 172 210, RGB 210 188 172, RGB 175 210 172 and RGB 172 194 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

Complementary color

CMYK 42 / 0 / 46 / 67

HEX #30532D

RGB 48 83 45

HSL 115.26, 0.3%, 0.25%

LAB 31.82, -21.47, 18.36

 

CMYK 0 / 19 / 3 / 17

HEX #D4ACCD

RGB 212 172 205

HSL 310.5, 0.32%, 0.75%

LAB 74.77, 20.1, -11.23

 

CMYK 0 / 17 / 2 / 10

HEX #E5BEE0

RGB 229 190 224

HSL 307.69, 0.43%, 0.82%

LAB 81.22, 19.61, -11.72

 

CMYK 0 / 15 / 1 / 4

HEX #F6D0F3

RGB 246 208 243

HSL 304.74, 0.68%, 0.89%

LAB 87.57, 19.16, -12.2

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 1 / 19 / 0 / 25

HEX #BE9ABF

RGB 190 154 191

HSL 298.38, 0.22%, 0.68%

LAB 67.89, 19.84, -14.03

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 0 / 24 / 2 / 39

HEX #9C7699

RGB 156 118 153

HSL 304.74, 0.16%, 0.54%

LAB 54.37, 21, -13.12

 

CMYK 0 / 28 / 4 / 45

HEX #8B6486

RGB 139 100 134

HSL 307.69, 0.16%, 0.47%

LAB 47.4, 21.67, -12.63

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 18 / 3 / 18

HEX #D2ACCB

RGB 210 172 203

HSL 311.05, 0.3%, 0.75%

LAB 74.52, 19.05, -10.52

 

CMYK 0 / 18 / 9 / 18

HEX #D2ACC0

RGB 210 172 192

HSL 328.42, 0.3%, 0.75%

LAB 74.2, 17.11, -4.98

 

CMYK 0 / 18 / 13 / 18

HEX #D2ACB6

RGB 210 172 182

HSL 344.21, 0.3%, 0.75%

LAB 73.92, 15.42, 0.1

 

CMYK 0 / 18 / 18 / 18

HEX #D2ACAC

RGB 210 172 172

HSL 0, 0.3%, 0.75%

LAB 73.67, 13.82, 5.21

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 6 / 18 / 0 / 18

HEX #C5ACD2

RGB 197 172 210

HSL 279.47, 0.3%, 0.75%

LAB 73.56, 15.99, -15.91

 

CMYK 11 / 18 / 0 / 18

HEX #BAACD2

RGB 186 172 210

HSL 262.11, 0.3%, 0.75%

LAB 72.63, 12.35, -17.41

 

CMYK 16 / 18 / 0 / 18

HEX #B0ACD2

RGB 176 172 210

HSL 246.32, 0.3%, 0.75%

LAB 71.82, 9.11, -18.71

 

CMYK 18 / 18 / 0 / 18

HEX #ACACD2

RGB 172 172 210

HSL 240, 0.3%, 0.75%

LAB 71.51, 7.84, -19.21

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 2 / 27 / 0 / 14

HEX #D8A1DC

RGB 216 161 220

HSL 295.93, 0.46%, 0.75%

LAB 73.06, 30.19, -21.97

 

CMYK 3 / 35 / 0 / 9

HEX #E097E7

RGB 224 151 231

HSL 294.75, 0.63%, 0.75%

LAB 72.06, 40.17, -29.45

 

CMYK 3 / 41 / 0 / 5

HEX #E98DF1

RGB 233 141 241

HSL 295.2, 0.78%, 0.75%

LAB 71.37, 49.95, -35.91

 

CMYK 4 / 48 / 0 / 2

HEX #F282FB

RGB 242 130 251

HSL 295.54, 0.94%, 0.75%

LAB 70.74, 59.79, -42.28

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 1 / 9 / 0 / 22

HEX #C6B6C8

RGB 198 182 200

HSL 293.33, 0.14%, 0.75%

LAB 75.84, 8.94, -7.03

 

CMYK 2 / 0 / 2 / 25

HEX #BDC0BD

RGB 189 192 189

HSL 120, 0.02%, 0.75%

LAB 77.4, -1.59, 1.14

 

CMYK 11 / 0 / 12 / 20

HEX #B5CBB3

RGB 181 203 179

HSL 115, 0.19%, 0.75%

LAB 79.49, -11.93, 9.47

 

CMYK 19 / 0 / 21 / 16

HEX #ACD5A9

RGB 172 213 169

HSL 115.91, 0.34%, 0.75%

LAB 81.41, -21.8, 17.41

 

CMYK 11 / 18 / 0 / 18

HEX #BAACD2

RGB 186 172 210

HSL 262.11, 0.3%, 0.75%

LAB 72.63, 12.35, -17.41

 

CMYK 7 / 18 / 0 / 18

HEX #C4ACD2

RGB 196 172 210

HSL 277.89, 0.3%, 0.75%

LAB 73.48, 15.65, -16.05

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 18 / 3 / 18

HEX #D2ACCB

RGB 210 172 203

HSL 311.05, 0.3%, 0.75%

LAB 74.52, 19.05, -10.52

 

CMYK 0 / 18 / 8 / 18

HEX #D2ACC1

RGB 210 172 193

HSL 326.84, 0.3%, 0.75%

LAB 74.23, 17.28, -5.48

 

CMYK 3 / 35 / 0 / 29

HEX #B076B5

RGB 176 118 181

HSL 295.24, 0.3%, 0.59%

LAB 57.58, 33.27, -24.2

 

CMYK 2 / 26 / 0 / 24

HEX #BF91C3

RGB 191 145 195

HSL 295.2, 0.29%, 0.67%

LAB 65.96, 25.94, -19.18

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 1 / 12 / 0 / 12

HEX #DEC6E0

RGB 222 198 224

HSL 295.38, 0.3%, 0.83%

LAB 82.54, 12.99, -9.81

 

CMYK 0 / 6 / 0 / 6

HEX #EEE1EF

RGB 238 225 239

HSL 295.71, 0.3%, 0.91%

LAB 90.9, 6.88, -5.23

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 16 / 18 / 18

HEX #D2B0AC

RGB 210 176 172

HSL 6.32, 0.3%, 0.75%

LAB 74.65, 11.66, 6.63

 

CMYK 18 / 0 / 9 / 18

HEX #ACD2BF

RGB 172 210 191

HSL 150, 0.3%, 0.75%

LAB 81.09, -16.29, 5.26

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 1 / 18 / 18

HEX #D2CFAC

RGB 210 207 172

HSL 55.26, 0.3%, 0.75%

LAB 82.54, -4.75, 17.8

 

CMYK 18 / 0 / 1 / 18

HEX #ACD2CF

RGB 172 210 207

HSL 175.26, 0.3%, 0.75%

LAB 81.49, -13.08, -2.68

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 16 / 18 / 18

HEX #D2B0AC

RGB 210 176 172

HSL 6.32, 0.3%, 0.75%

LAB 74.65, 11.66, 6.63

 

CMYK 17 / 0 / 18 / 18

HEX #AFD2AC

RGB 175 210 172

HSL 115.26, 0.3%, 0.75%

LAB 80.84, -18.77, 15.05

 

CMYK 18 / 2 / 0 / 18

HEX #ACCDD2

RGB 172 205 210

HSL 187.89, 0.3%, 0.75%

LAB 80.23, -9.87, -6.15

 

CMYK 1 / 18 / 0 / 18

HEX #CFACD2

RGB 207 172 210

HSL 295.26, 0.3%, 0.75%

LAB 74.46, 19.33, -14.47

 

CMYK 0 / 10 / 18 / 18

HEX #D2BCAC

RGB 210 188 172

HSL 25.26, 0.3%, 0.75%

LAB 77.67, 5.23, 10.93

 

CMYK 17 / 0 / 18 / 18

HEX #AFD2AC

RGB 175 210 172

HSL 115.26, 0.3%, 0.75%

LAB 80.84, -18.77, 15.05

 

CMYK 18 / 8 / 0 / 18

HEX #ACC2D2

RGB 172 194 210

HSL 205.26, 0.3%, 0.75%

LAB 77.29, -4.09, -10.52

 

Description

Color code: RGB 207 172 210 | qconv.com Color code: RGB 207 172 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 172 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 172 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 18 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 18% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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