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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD88AC it is the complementary color #527753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD88AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD88AC shade: #B288A7, #C39ABA, #D4ACCD, #E5BEE0 and #F6D0F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD88AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD88AC shade: #AD88AC, #9C7699, #8B6486, #7A5273 and #694060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD88AC shade: #AD89AC, #AD89A2, #AD8999, #AD898F and #AD8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD88AC shade: #AD89AC, #A489AD, #9B89AD, #9189AD and #8989AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD88AC shade matches the following richer shades: #AD89AC, #BD79BB, #CD69CA, #DD59DA and #ED49E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD88AC shade: #AD89AC, #9D999D, #8DA98E, #7DB97E and #6DCA6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD88AC shade: #9A89AD, #A489AD, #AD89AC, #AD89A3 and #AD8999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD88AC shade: #865D85, #9C719B, #AD89AC, #BEA1BD and #CFBACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD88AC shade: #AD88AC, #AD9189 and #89AD9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD88AC shade: #AD88AC, #ACAD89 and #89ACAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD88AC shade: #AD88AC, #AD9189, #89AD8A and #89A5AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD88AC shade: #AD88AC, #AD9C89, #89AD8A and #899AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

Complementary color

CMYK 31 / 0 / 30 / 53

HEX #527753

RGB 82 119 83

HSL 121.62, 0.18%, 0.39%

LAB 46.46, -20.95, 15.73

 

CMYK 0 / 24 / 6 / 30

HEX #B288A7

RGB 178 136 167

HSL 315.71, 0.21%, 0.62%

LAB 61.54, 21.21, -10.18

 

CMYK 0 / 21 / 5 / 24

HEX #C39ABA

RGB 195 154 186

HSL 313.17, 0.25%, 0.68%

LAB 68.21, 20.63, -10.71

 

CMYK 0 / 19 / 3 / 17

HEX #D4ACCD

RGB 212 172 205

HSL 310.5, 0.32%, 0.75%

LAB 74.77, 20.1, -11.23

 

CMYK 0 / 17 / 2 / 10

HEX #E5BEE0

RGB 229 190 224

HSL 307.69, 0.43%, 0.82%

LAB 81.22, 19.61, -11.72

 

CMYK 0 / 15 / 1 / 4

HEX #F6D0F3

RGB 246 208 243

HSL 304.74, 0.68%, 0.89%

LAB 87.57, 19.16, -12.2

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 0 / 24 / 2 / 39

HEX #9C7699

RGB 156 118 153

HSL 304.74, 0.16%, 0.54%

LAB 54.37, 21, -13.12

 

CMYK 0 / 28 / 4 / 45

HEX #8B6486

RGB 139 100 134

HSL 307.69, 0.16%, 0.47%

LAB 47.4, 21.67, -12.63

 

CMYK 0 / 33 / 6 / 52

HEX #7A5273

RGB 122 82 115

HSL 310.5, 0.2%, 0.4%

LAB 40.26, 22.41, -12.1

 

CMYK 0 / 39 / 9 / 59

HEX #694060

RGB 105 64 96

HSL 313.17, 0.24%, 0.33%

LAB 32.95, 23.23, -11.5

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 0 / 21 / 6 / 32

HEX #AD89A2

RGB 173 137 162

HSL 318.33, 0.18%, 0.61%

LAB 61.12, 17.95, -8.01

 

CMYK 0 / 21 / 12 / 32

HEX #AD8999

RGB 173 137 153

HSL 333.33, 0.18%, 0.61%

LAB 60.85, 16.34, -3.28

 

CMYK 0 / 21 / 17 / 32

HEX #AD898F

RGB 173 137 143

HSL 350, 0.18%, 0.61%

LAB 60.57, 14.65, 2.02

 

CMYK 0 / 21 / 21 / 32

HEX #AD8989

RGB 173 137 137

HSL 0, 0.18%, 0.61%

LAB 60.41, 13.68, 5.22

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 5 / 21 / 0 / 32

HEX #A489AD

RGB 164 137 173

HSL 285, 0.18%, 0.61%

LAB 60.61, 16.91, -15.13

 

CMYK 10 / 21 / 0 / 32

HEX #9B89AD

RGB 155 137 173

HSL 270, 0.18%, 0.61%

LAB 59.78, 13.83, -16.46

 

CMYK 16 / 21 / 0 / 32

HEX #9189AD

RGB 145 137 173

HSL 253.33, 0.18%, 0.61%

LAB 58.91, 10.47, -17.87

 

CMYK 21 / 21 / 0 / 32

HEX #8989AD

RGB 137 137 173

HSL 240, 0.18%, 0.61%

LAB 58.25, 7.84, -18.92

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 0 / 36 / 1 / 26

HEX #BD79BB

RGB 189 121 187

HSL 301.76, 0.34%, 0.61%

LAB 59.96, 36.98, -23.84

 

CMYK 0 / 49 / 1 / 20

HEX #CD69CA

RGB 205 105 202

HSL 301.8, 0.5%, 0.61%

LAB 59.29, 52.91, -33.24

 

CMYK 0 / 60 / 1 / 13

HEX #DD59DA

RGB 221 89 218

HSL 301.36, 0.66%, 0.61%

LAB 59.51, 67.24, -41.79

 

CMYK 0 / 69 / 2 / 7

HEX #ED49E9

RGB 237 73 233

HSL 301.46, 0.82%, 0.61%

LAB 60.47, 79.35, -48.53

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 0 / 3 / 0 / 38

HEX #9D999D

RGB 157 153 157

HSL 300, 0.02%, 0.61%

LAB 63.66, 2.22, -1.58

 

CMYK 17 / 0 / 16 / 34

HEX #8DA98E

RGB 141 169 142

HSL 122.14, 0.14%, 0.61%

LAB 66.51, -15.02, 10.76

 

CMYK 32 / 0 / 32 / 27

HEX #7DB97E

RGB 125 185 126

HSL 121, 0.3%, 0.61%

LAB 69.87, -31.32, 23.96

 

CMYK 46 / 0 / 45 / 21

HEX #6DCA6F

RGB 109 202 111

HSL 121.29, 0.47%, 0.61%

LAB 73.96, -46.2, 36.96

 

CMYK 11 / 21 / 0 / 32

HEX #9A89AD

RGB 154 137 173

HSL 268.33, 0.18%, 0.61%

LAB 59.69, 13.49, -16.61

 

CMYK 5 / 21 / 0 / 32

HEX #A489AD

RGB 164 137 173

HSL 285, 0.18%, 0.61%

LAB 60.61, 16.91, -15.13

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 0 / 21 / 6 / 32

HEX #AD89A3

RGB 173 137 163

HSL 316.67, 0.18%, 0.61%

LAB 61.15, 18.13, -8.53

 

CMYK 0 / 21 / 12 / 32

HEX #AD8999

RGB 173 137 153

HSL 333.33, 0.18%, 0.61%

LAB 60.85, 16.34, -3.28

 

CMYK 0 / 31 / 1 / 47

HEX #865D85

RGB 134 93 133

HSL 301.46, 0.18%, 0.45%

LAB 45.07, 23.8, -15.62

 

CMYK 0 / 28 / 1 / 39

HEX #9C719B

RGB 156 113 155

HSL 301.4, 0.18%, 0.53%

LAB 53.22, 24.27, -16.04

 

CMYK 0 / 21 / 1 / 32

HEX #AD89AC

RGB 173 137 172

HSL 301.67, 0.18%, 0.61%

LAB 61.44, 19.83, -13.22

 

CMYK 0 / 15 / 1 / 25

HEX #BEA1BD

RGB 190 161 189

HSL 302.07, 0.18%, 0.69%

LAB 69.55, 15.58, -10.43

 

CMYK 0 / 10 / 0 / 19

HEX #CFBACE

RGB 207 186 206

HSL 302.86, 0.18%, 0.77%

LAB 77.78, 10.99, -7.33

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 0 / 16 / 21 / 32

HEX #AD9189

RGB 173 145 137

HSL 13.33, 0.18%, 0.61%

LAB 62.46, 9.2, 8.15

 

CMYK 21 / 0 / 8 / 32

HEX #89AD9F

RGB 137 173 159

HSL 156.67, 0.18%, 0.61%

LAB 67.81, -15.15, 3.17

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 1 / 0 / 21 / 32

HEX #ACAD89

RGB 172 173 137

HSL 61.67, 0.18%, 0.61%

LAB 69.8, -6.48, 18.43

 

CMYK 21 / 1 / 0 / 32

HEX #89ACAD

RGB 137 172 173

HSL 181.67, 0.18%, 0.61%

LAB 67.9, -11.61, -4.45

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 0 / 16 / 21 / 32

HEX #AD9189

RGB 173 145 137

HSL 13.33, 0.18%, 0.61%

LAB 62.46, 9.2, 8.15

 

CMYK 21 / 0 / 20 / 32

HEX #89AD8A

RGB 137 173 138

HSL 121.67, 0.18%, 0.61%

LAB 67.31, -19.23, 14.04

 

CMYK 21 / 5 / 0 / 32

HEX #89A5AD

RGB 137 165 173

HSL 193.33, 0.18%, 0.61%

LAB 65.94, -7.85, -7.35

 

CMYK 0 / 21 / 1 / 32

HEX #AD88AC

RGB 173 136 172

HSL 301.62, 0.18%, 0.61%

LAB 61.2, 20.39, -13.59

 

CMYK 0 / 10 / 21 / 32

HEX #AD9C89

RGB 173 156 137

HSL 31.67, 0.18%, 0.61%

LAB 65.33, 3.1, 12.22

 

CMYK 21 / 0 / 20 / 32

HEX #89AD8A

RGB 137 173 138

HSL 121.67, 0.18%, 0.61%

LAB 67.31, -19.23, 14.04

 

CMYK 21 / 11 / 0 / 32

HEX #899AAD

RGB 137 154 173

HSL 211.67, 0.18%, 0.61%

LAB 62.88, -1.81, -11.92

 

Description

Color code: HEX #AD88AC | qconv.com Color code: HEX #AD88AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 136 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 136 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 1 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 1% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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