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Color name
RGB 206 126 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 126 80 it is the complementary color RGB 49 129 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 126 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 126 80 shade: RGB 211 126 75, RGB 228 144 94, RGB 245 162 113, RGB 255 180 132 and RGB 255 198 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 126 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 126 80 shade: RGB 206 126 80, RGB 189 108 61, RGB 172 90 42, RGB 155 72 23 and RGB 138 54 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 126 80 shade: RGB 205 125 79, RGB 205 91 79 and RGB 205 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 126 80 shade: RGB 205 125 79, RGB 205 159 79, RGB 205 193 79, RGB 183 205 79 and RGB 149 205 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 126 80 shade matches the following richer shades: RGB 205 125 79, RGB 223 120 61 and RGB 241 116 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 126 80 shade: RGB 205 125 79, RGB 187 130 98, RGB 169 135 116, RGB 151 140 134 and RGB 133 145 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 126 80 shade: RGB 205 79 103, RGB 205 90 79, RGB 205 123 79, RGB 205 157 79 and RGB 205 190 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 126 80 shade: RGB 158 86 44, RGB 190 103 53, RGB 205 125 79, RGB 214 149 112 and RGB 223 173 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 126 80 shade: RGB 206 126 80, RGB 136 205 79 and RGB 79 86 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 126 80 shade: RGB 206 126 80, RGB 79 205 123 and RGB 123 79 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 126 80 shade: RGB 206 126 80, RGB 136 205 79, RGB 79 161 205 and RGB 149 79 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 126 80 shade: RGB 206 126 80, RGB 98 205 79, RGB 79 161 205 and RGB 186 79 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

Complementary color

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 0 / 40 / 64 / 17

HEX #D37E4B

RGB 211 126 75

HSL 22.5, 0.61%, 0.56%

LAB 61.03, 28.39, 41.29

 

CMYK 0 / 37 / 59 / 11

HEX #E4905E

RGB 228 144 94

HSL 22.39, 0.71%, 0.63%

LAB 67.46, 27, 39.56

 

CMYK 0 / 34 / 54 / 4

HEX #F5A271

RGB 245 162 113

HSL 22.27, 0.87%, 0.7%

LAB 73.83, 25.77, 37.95

 

CMYK 0 / 29 / 48 / 0

HEX #FFB484

RGB 255 180 132

HSL 23.41, 1%, 0.76%

LAB 79.37, 21.93, 35.3

 

CMYK 0 / 22 / 41 / 0

HEX #FFC697

RGB 255 198 151

HSL 27.12, 1%, 0.8%

LAB 83.9, 14.41, 31.34

 

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 0 / 43 / 68 / 26

HEX #BD6C3D

RGB 189 108 61

HSL 22.03, 0.51%, 0.49%

LAB 53.9, 28.16, 39.62

 

CMYK 0 / 48 / 76 / 33

HEX #AC5A2A

RGB 172 90 42

HSL 22.15, 0.61%, 0.42%

LAB 47.3, 29.84, 41.48

 

CMYK 0 / 54 / 85 / 39

HEX #9B4817

RGB 155 72 23

HSL 22.27, 0.74%, 0.35%

LAB 40.68, 31.71, 43.09

 

CMYK 0 / 61 / 97 / 46

HEX #8A3604

RGB 138 54 4

HSL 22.39, 0.94%, 0.28%

LAB 34.09, 33.69, 43.85

 

CMYK 0 / 39 / 61 / 20

HEX #CD7D4F

RGB 205 125 79

HSL 21.9, 0.56%, 0.56%

LAB 60.08, 26.74, 37.87

 

CMYK 0 / 56 / 61 / 20

HEX #CD5B4F

RGB 205 91 79

HSL 5.71, 0.56%, 0.56%

LAB 52.98, 44.36, 29.12

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 39 / 61 / 20

HEX #CD7D4F

RGB 205 125 79

HSL 21.9, 0.56%, 0.56%

LAB 60.08, 26.74, 37.87

 

CMYK 0 / 22 / 61 / 20

HEX #CD9F4F

RGB 205 159 79

HSL 38.1, 0.56%, 0.56%

LAB 68.27, 8.27, 47.47

 

CMYK 0 / 6 / 61 / 20

HEX #CDC14F

RGB 205 193 79

HSL 54.29, 0.56%, 0.56%

LAB 77.09, -9.67, 57.29

 

CMYK 11 / 0 / 61 / 20

HEX #B7CD4F

RGB 183 205 79

HSL 70.48, 0.56%, 0.56%

LAB 78.63, -24.75, 58.46

 

CMYK 27 / 0 / 61 / 20

HEX #95CD4F

RGB 149 205 79

HSL 86.67, 0.56%, 0.56%

LAB 76.45, -37.93, 55.44

 

CMYK 0 / 39 / 61 / 20

HEX #CD7D4F

RGB 205 125 79

HSL 21.9, 0.56%, 0.56%

LAB 60.08, 26.74, 37.87

 

CMYK 0 / 46 / 73 / 13

HEX #DF783D

RGB 223 120 61

HSL 21.85, 0.72%, 0.56%

LAB 61.18, 35.62, 48.97

 

CMYK 0 / 52 / 82 / 5

HEX #F1742B

RGB 241 116 43

HSL 22.12, 0.88%, 0.56%

LAB 62.82, 43.99, 59.46

 

CMYK 0 / 39 / 61 / 20

HEX #CD7D4F

RGB 205 125 79

HSL 21.9, 0.56%, 0.56%

LAB 60.08, 26.74, 37.87

 

CMYK 0 / 30 / 48 / 27

HEX #BB8262

RGB 187 130 98

HSL 21.57, 0.4%, 0.56%

LAB 59.35, 18.19, 26.1

 

CMYK 0 / 20 / 31 / 34

HEX #A98774

RGB 169 135 116

HSL 21.51, 0.24%, 0.56%

LAB 59, 10.14, 15.14

 

CMYK 0 / 7 / 11 / 41

HEX #978C86

RGB 151 140 134

HSL 21.18, 0.08%, 0.56%

LAB 59.03, 3.02, 4.67

 

CMYK 13 / 5 / 0 / 40

HEX #859198

RGB 133 145 152

HSL 202.11, 0.08%, 0.56%

LAB 59.44, -2.83, -5.18

 

CMYK 0 / 61 / 50 / 20

HEX #CD4F67

RGB 205 79 103

HSL 348.57, 0.56%, 0.56%

LAB 51.32, 51.82, 12.78

 

CMYK 0 / 56 / 61 / 20

HEX #CD5A4F

RGB 205 90 79

HSL 5.24, 0.56%, 0.56%

LAB 52.79, 44.84, 28.89

 

CMYK 0 / 40 / 61 / 20

HEX #CD7B4F

RGB 205 123 79

HSL 20.95, 0.56%, 0.56%

LAB 59.63, 27.82, 37.32

 

CMYK 0 / 23 / 61 / 20

HEX #CD9D4F

RGB 205 157 79

HSL 37.14, 0.56%, 0.56%

LAB 67.77, 9.35, 46.89

 

CMYK 0 / 7 / 61 / 20

HEX #CDBE4F

RGB 205 190 79

HSL 52.86, 0.56%, 0.56%

LAB 76.3, -8.13, 56.42

 

CMYK 0 / 46 / 72 / 38

HEX #9E562C

RGB 158 86 44

HSL 22.11, 0.56%, 0.4%

LAB 44.39, 26.23, 36.73

 

CMYK 0 / 46 / 72 / 25

HEX #BE6735

RGB 190 103 53

HSL 21.9, 0.56%, 0.48%

LAB 52.85, 30.83, 42.61

 

CMYK 0 / 39 / 61 / 20

HEX #CD7D4F

RGB 205 125 79

HSL 21.9, 0.56%, 0.56%

LAB 60.08, 26.74, 37.87

 

CMYK 0 / 30 / 48 / 16

HEX #D69570

RGB 214 149 112

HSL 21.76, 0.55%, 0.64%

LAB 67.25, 20.2, 29.31

 

CMYK 0 / 22 / 35 / 13

HEX #DFAD90

RGB 223 173 144

HSL 22.03, 0.55%, 0.72%

LAB 74.56, 14.36, 21.92

 

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 34 / 0 / 61 / 20

HEX #88CD4F

RGB 136 205 79

HSL 92.86, 0.56%, 0.56%

LAB 75.74, -42.6, 54.45

 

CMYK 61 / 58 / 0 / 20

HEX #4F56CD

RGB 79 86 205

HSL 236.67, 0.56%, 0.56%

LAB 42.35, 33.34, -62.72

 

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 61 / 0 / 40 / 20

HEX #4FCD7B

RGB 79 205 123

HSL 140.95, 0.56%, 0.56%

LAB 74.03, -52.9, 30.75

 

CMYK 40 / 61 / 0 / 20

HEX #7B4FCD

RGB 123 79 205

HSL 260.95, 0.56%, 0.56%

LAB 44.53, 46, -59

 

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 34 / 0 / 61 / 20

HEX #88CD4F

RGB 136 205 79

HSL 92.86, 0.56%, 0.56%

LAB 75.74, -42.6, 54.45

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

CMYK 27 / 61 / 0 / 20

HEX #954FCD

RGB 149 79 205

HSL 273.33, 0.56%, 0.56%

LAB 47.48, 51.82, -54.1

 

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 52 / 0 / 61 / 20

HEX #62CD4F

RGB 98 205 79

HSL 110.95, 0.56%, 0.56%

LAB 74.08, -54.47, 52.14

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

CMYK 9 / 61 / 0 / 20

HEX #BA4FCD

RGB 186 79 205

HSL 290.95, 0.56%, 0.56%

LAB 52.33, 60.64, -46.07

 

Description

Color code: RGB 206 126 80 | qconv.com Color code: RGB 206 126 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 126 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 126 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 61 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 61% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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