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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3181AF it is the complementary color #CE7E50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3181AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3181AF shade: #3681AA, #4793BD, #58A5D0, #69B7E3 and #7AC9F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3181AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3181AF shade: #3181AF, #206F9C, #0F5D89, #004B76 and #003963

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3181AF shade: #3181AF, #315FAF, #313DAF, #4731AF and #6931AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3181AF shade: #3181AF, #315FAF, #313DAF and #3131AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3181AF shade matches the following richer shades: #3181AF, #1F86C1 and #0D8AD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3181AF shade: #3181AF, #437C9C, #55778A, #677278 and #796D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3181AF shade: #31AF97, #31A4AF, #3183AF, #3161AF and #3140AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3181AF shade: #1F516E, #28698E, #3181AF, #4097C9 and #60A8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3181AF shade: #3181AF, #7631AF and #AFA831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3181AF shade: #3181AF, #AF3183 and #83AF31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3181AF shade: #3181AF, #7631AF, #AF5D31 and #69AF31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3181AF shade: #3181AF, #9C31AF, #AF5D31 and #44AF31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

Complementary color

CMYK 0 / 39 / 61 / 19

HEX #CE7E50

RGB 206 126 80

HSL 21.9, 0.56%, 0.56%

LAB 60.45, 26.68, 37.81

 

CMYK 68 / 24 / 0 / 33

HEX #3681AA

RGB 54 129 170

HSL 201.21, 0.52%, 0.44%

LAB 51.14, -9.74, -28.55

 

CMYK 62 / 22 / 0 / 26

HEX #4793BD

RGB 71 147 189

HSL 201.36, 0.47%, 0.51%

LAB 57.92, -10.63, -28.84

 

CMYK 58 / 21 / 0 / 18

HEX #58A5D0

RGB 88 165 208

HSL 201.5, 0.56%, 0.58%

LAB 64.6, -11.31, -29.12

 

CMYK 54 / 19 / 0 / 11

HEX #69B7E3

RGB 105 183 227

HSL 201.64, 0.69%, 0.65%

LAB 71.16, -11.83, -29.39

 

CMYK 50 / 18 / 0 / 4

HEX #7AC9F6

RGB 122 201 246

HSL 201.77, 0.87%, 0.72%

LAB 77.62, -12.25, -29.66

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 79 / 29 / 0 / 39

HEX #206F9C

RGB 32 111 156

HSL 201.77, 0.66%, 0.37%

LAB 44.34, -7.32, -31.01

 

CMYK 89 / 32 / 0 / 46

HEX #0F5D89

RGB 15 93 137

HSL 201.64, 0.8%, 0.3%

LAB 37.37, -5.32, -30.61

 

CMYK 100 / 36 / 0 / 54

HEX #004B76

RGB 0 75 118

HSL 201.86, 1%, 0.23%

LAB 30.25, -2.68, -30.13

 

CMYK 100 / 42 / 0 / 61

HEX #003963

RGB 0 57 99

HSL 205.45, 1%, 0.19%

LAB 23.09, 1.19, -29.41

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 72 / 46 / 0 / 31

HEX #315FAF

RGB 49 95 175

HSL 218.1, 0.56%, 0.44%

LAB 41.11, 12.09, -47.32

 

CMYK 72 / 65 / 0 / 31

HEX #313DAF

RGB 49 61 175

HSL 234.29, 0.56%, 0.44%

LAB 32, 34.32, -62.09

 

CMYK 59 / 72 / 0 / 31

HEX #4731AF

RGB 71 49 175

HSL 250.48, 0.56%, 0.44%

LAB 30.95, 44.45, -63.75

 

CMYK 40 / 72 / 0 / 31

HEX #6931AF

RGB 105 49 175

HSL 266.67, 0.56%, 0.44%

LAB 34.59, 50.1, -57.65

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 72 / 46 / 0 / 31

HEX #315FAF

RGB 49 95 175

HSL 218.1, 0.56%, 0.44%

LAB 41.11, 12.09, -47.32

 

CMYK 72 / 65 / 0 / 31

HEX #313DAF

RGB 49 61 175

HSL 234.29, 0.56%, 0.44%

LAB 32, 34.32, -62.09

 

CMYK 72 / 72 / 0 / 31

HEX #3131AF

RGB 49 49 175

HSL 240, 0.56%, 0.44%

LAB 29.27, 41.71, -66.57

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 84 / 31 / 0 / 24

HEX #1F86C1

RGB 31 134 193

HSL 201.85, 0.72%, 0.44%

LAB 53.16, -7.21, -38.64

 

CMYK 94 / 35 / 0 / 17

HEX #0D8AD3

RGB 13 138 211

HSL 202.12, 0.88%, 0.44%

LAB 55.04, -3.86, -45.88

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 57 / 21 / 0 / 39

HEX #437C9C

RGB 67 124 156

HSL 201.57, 0.4%, 0.44%

LAB 49.51, -9.05, -22.89

 

CMYK 38 / 14 / 0 / 46

HEX #55778A

RGB 85 119 138

HSL 201.51, 0.24%, 0.44%

LAB 48.21, -6.98, -14.21

 

CMYK 14 / 5 / 0 / 53

HEX #677278

RGB 103 114 120

HSL 201.18, 0.08%, 0.44%

LAB 47.33, -2.78, -4.72

 

CMYK 0 / 10 / 16 / 53

HEX #796D66

RGB 121 109 102

HSL 22.11, 0.09%, 0.44%

LAB 46.92, 3.42, 5.61

 

CMYK 72 / 0 / 14 / 31

HEX #31AF97

RGB 49 175 151

HSL 168.57, 0.56%, 0.44%

LAB 64.6, -39.58, 2.51

 

CMYK 72 / 6 / 0 / 31

HEX #31A4AF

RGB 49 164 175

HSL 185.24, 0.56%, 0.44%

LAB 61.91, -27.53, -14.9

 

CMYK 72 / 25 / 0 / 31

HEX #3183AF

RGB 49 131 175

HSL 200.95, 0.56%, 0.44%

LAB 51.82, -9.93, -30.39

 

CMYK 72 / 45 / 0 / 31

HEX #3161AF

RGB 49 97 175

HSL 217.14, 0.56%, 0.44%

LAB 41.69, 10.8, -46.4

 

CMYK 72 / 63 / 0 / 31

HEX #3140AF

RGB 49 64 175

HSL 232.86, 0.56%, 0.44%

LAB 32.73, 32.4, -60.89

 

CMYK 72 / 26 / 0 / 57

HEX #1F516E

RGB 31 81 110

HSL 202.03, 0.56%, 0.28%

LAB 32.48, -6.4, -21.57

 

CMYK 72 / 26 / 0 / 44

HEX #28698E

RGB 40 105 142

HSL 201.76, 0.56%, 0.36%

LAB 42.01, -7.8, -26.3

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 68 / 25 / 0 / 21

HEX #4097C9

RGB 64 151 201

HSL 201.9, 0.56%, 0.52%

LAB 59.38, -10.1, -33.37

 

CMYK 54 / 20 / 0 / 18

HEX #60A8D2

RGB 96 168 210

HSL 202.11, 0.56%, 0.6%

LAB 65.86, -10.69, -28.25

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 33 / 72 / 0 / 31

HEX #7631AF

RGB 118 49 175

HSL 272.86, 0.56%, 0.44%

LAB 36.26, 52.58, -54.86

 

CMYK 0 / 4 / 72 / 31

HEX #AFA831

RGB 175 168 49

HSL 56.67, 0.56%, 0.44%

LAB 67.53, -11.36, 58.83

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 0 / 72 / 25 / 31

HEX #AF3183

RGB 175 49 131

HSL 320.95, 0.56%, 0.44%

LAB 42.69, 58.05, -17.52

 

CMYK 25 / 0 / 72 / 31

HEX #83AF31

RGB 131 175 49

HSL 80.95, 0.56%, 0.44%

LAB 66.3, -33.32, 56.52

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 33 / 72 / 0 / 31

HEX #7631AF

RGB 118 49 175

HSL 272.86, 0.56%, 0.44%

LAB 36.26, 52.58, -54.86

 

CMYK 0 / 47 / 72 / 31

HEX #AF5D31

RGB 175 93 49

HSL 20.95, 0.56%, 0.44%

LAB 48.47, 29.81, 39.28

 

CMYK 40 / 0 / 72 / 31

HEX #69AF31

RGB 105 175 49

HSL 93.33, 0.56%, 0.44%

LAB 64.87, -42.94, 54.63

 

CMYK 72 / 26 / 0 / 31

HEX #3181AF

RGB 49 129 175

HSL 201.9, 0.56%, 0.44%

LAB 51.21, -8.78, -31.34

 

CMYK 11 / 72 / 0 / 31

HEX #9C31AF

RGB 156 49 175

HSL 290.95, 0.56%, 0.44%

LAB 41.78, 60.46, -45.68

 

CMYK 0 / 47 / 72 / 31

HEX #AF5D31

RGB 175 93 49

HSL 20.95, 0.56%, 0.44%

LAB 48.47, 29.81, 39.28

 

CMYK 61 / 0 / 72 / 31

HEX #44AF31

RGB 68 175 49

HSL 110.95, 0.56%, 0.44%

LAB 63.43, -53.84, 52.7

 

Description

Color code: HEX #3181AF | qconv.com Color code: HEX #3181AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 129 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 129 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 26 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 26% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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