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Color name
RGB 205 95 134

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 95 134 it is the complementary color RGB 50 160 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 95 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 95 134 shade: RGB 210 95 129, RGB 227 113 148, RGB 244 131 167, RGB 255 149 186 and RGB 255 167 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 95 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 95 134 shade: RGB 205 95 134, RGB 188 77 115, RGB 171 59 96, RGB 154 41 77 and RGB 137 23 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 95 134 shade: RGB 204 96 134, RGB 204 96 105 and RGB 204 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 95 134 shade: RGB 204 96 134, RGB 204 96 163, RGB 204 96 193, RGB 187 96 204 and RGB 157 96 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 95 134 shade matches the following richer shades: RGB 204 96 134, RGB 221 79 129 and RGB 238 62 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 95 134 shade: RGB 204 96 134, RGB 187 113 139, RGB 170 129 144, RGB 154 146 149 and RGB 137 163 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 95 134 shade: RGB 204 96 193, RGB 204 96 164, RGB 204 96 135, RGB 204 96 106 and RGB 204 114 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 95 134 shade: RGB 165 52 92, RGB 194 64 110, RGB 204 96 134, RGB 214 127 158 and RGB 224 158 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 95 134 shade: RGB 205 95 134, RGB 204 186 96 and RGB 96 179 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 95 134 shade: RGB 205 95 134, RGB 135 204 96 and RGB 96 135 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 95 134 shade: RGB 205 95 134, RGB 204 186 96, RGB 96 204 164 and RGB 96 114 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 95 134 shade: RGB 205 95 134, RGB 190 204 96, RGB 96 204 164 and RGB 110 96 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

Complementary color

CMYK 69 / 0 / 24 / 37

HEX #32A079

RGB 50 160 121

HSL 158.73, 0.52%, 0.41%

LAB 59.16, -40.4, 11.47

 

CMYK 0 / 55 / 39 / 18

HEX #D25F81

RGB 210 95 129

HSL 342.26, 0.56%, 0.6%

LAB 55.55, 48.7, 3.45

 

CMYK 0 / 50 / 35 / 11

HEX #E37194

RGB 227 113 148

HSL 341.58, 0.67%, 0.67%

LAB 61.89, 47.87, 1.89

 

CMYK 0 / 46 / 32 / 4

HEX #F483A7

RGB 244 131 167

HSL 340.88, 0.84%, 0.74%

LAB 68.21, 47.02, 0.55

 

CMYK 0 / 42 / 27 / 0

HEX #FF95BA

RGB 255 149 186

HSL 339.06, 1%, 0.79%

LAB 73.74, 44.13, -1.79

 

CMYK 0 / 35 / 20 / 0

HEX #FFA7CD

RGB 255 167 205

HSL 334.09, 1%, 0.83%

LAB 78.05, 37.53, -5.86

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

CMYK 0 / 59 / 39 / 26

HEX #BC4D73

RGB 188 77 115

HSL 339.46, 0.45%, 0.52%

LAB 48.56, 48.33, 1.23

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 0 / 73 / 50 / 40

HEX #9A294D

RGB 154 41 77

HSL 340.88, 0.58%, 0.38%

LAB 35.97, 48.93, 6.04

 

CMYK 0 / 83 / 58 / 46

HEX #89173A

RGB 137 23 58

HSL 341.58, 0.71%, 0.31%

LAB 30, 48.2, 9.62

 

CMYK 0 / 53 / 34 / 20

HEX #CC6086

RGB 204 96 134

HSL 338.89, 0.51%, 0.59%

LAB 54.99, 46.78, -0.42

 

CMYK 0 / 53 / 49 / 20

HEX #CC6069

RGB 204 96 105

HSL 355, 0.51%, 0.59%

LAB 54.26, 43.65, 15.63

 

CMYK 0 / 53 / 53 / 20

HEX #CC6060

RGB 204 96 96

HSL 0, 0.51%, 0.59%

LAB 54.08, 42.84, 20.66

 

CMYK 0 / 53 / 34 / 20

HEX #CC6086

RGB 204 96 134

HSL 338.89, 0.51%, 0.59%

LAB 54.99, 46.78, -0.42

 

CMYK 0 / 53 / 20 / 20

HEX #CC60A3

RGB 204 96 163

HSL 322.78, 0.51%, 0.59%

LAB 55.93, 50.68, -16.01

 

CMYK 0 / 53 / 5 / 20

HEX #CC60C1

RGB 204 96 193

HSL 306.11, 0.51%, 0.59%

LAB 57.13, 55.42, -31.49

 

CMYK 8 / 53 / 0 / 20

HEX #BB60CC

RGB 187 96 204

HSL 290.56, 0.51%, 0.59%

LAB 55.37, 52.71, -40.69

 

CMYK 23 / 53 / 0 / 20

HEX #9D60CC

RGB 157 96 204

HSL 273.89, 0.51%, 0.59%

LAB 51.72, 44.67, -46.7

 

CMYK 0 / 53 / 34 / 20

HEX #CC6086

RGB 204 96 134

HSL 338.89, 0.51%, 0.59%

LAB 54.99, 46.78, -0.42

 

CMYK 0 / 64 / 42 / 13

HEX #DD4F81

RGB 221 79 129

HSL 338.87, 0.68%, 0.59%

LAB 54.6, 59.36, 2.29

 

CMYK 0 / 74 / 48 / 7

HEX #EE3E7C

RGB 238 62 124

HSL 338.86, 0.84%, 0.59%

LAB 55.15, 69.93, 6.43

 

CMYK 0 / 53 / 34 / 20

HEX #CC6086

RGB 204 96 134

HSL 338.89, 0.51%, 0.59%

LAB 54.99, 46.78, -0.42

 

CMYK 0 / 40 / 26 / 27

HEX #BB718B

RGB 187 113 139

HSL 338.92, 0.35%, 0.59%

LAB 56.33, 32.64, -1.67

 

CMYK 0 / 24 / 15 / 33

HEX #AA8190

RGB 170 129 144

HSL 338.05, 0.19%, 0.59%

LAB 58.28, 18.2, -1.92

 

CMYK 0 / 5 / 3 / 40

HEX #9A9295

RGB 154 146 149

HSL 337.5, 0.04%, 0.59%

LAB 61.31, 3.51, -0.54

 

CMYK 16 / 0 / 6 / 36

HEX #89A39A

RGB 137 163 154

HSL 159.23, 0.12%, 0.59%

LAB 64.84, -10.89, 1.64

 

CMYK 0 / 53 / 5 / 20

HEX #CC60C1

RGB 204 96 193

HSL 306.11, 0.51%, 0.59%

LAB 57.13, 55.42, -31.49

 

CMYK 0 / 53 / 20 / 20

HEX #CC60A4

RGB 204 96 164

HSL 322.22, 0.51%, 0.59%

LAB 55.97, 50.82, -16.53

 

CMYK 0 / 53 / 34 / 20

HEX #CC6087

RGB 204 96 135

HSL 338.33, 0.51%, 0.59%

LAB 55.02, 46.9, -0.97

 

CMYK 0 / 53 / 48 / 20

HEX #CC606A

RGB 204 96 106

HSL 354.44, 0.51%, 0.59%

LAB 54.28, 43.74, 15.07

 

CMYK 0 / 44 / 53 / 20

HEX #CC7260

RGB 204 114 96

HSL 10, 0.51%, 0.59%

LAB 57.77, 33.57, 25.55

 

CMYK 0 / 68 / 44 / 35

HEX #A5345C

RGB 165 52 92

HSL 338.76, 0.52%, 0.43%

LAB 39.96, 49.47, 2.48

 

CMYK 0 / 67 / 43 / 24

HEX #C2406E

RGB 194 64 110

HSL 338.77, 0.52%, 0.51%

LAB 47.32, 55.35, 2.6

 

CMYK 0 / 53 / 34 / 20

HEX #CC6086

RGB 204 96 134

HSL 338.89, 0.51%, 0.59%

LAB 54.99, 46.78, -0.42

 

CMYK 0 / 41 / 26 / 16

HEX #D67F9E

RGB 214 127 158

HSL 338.62, 0.51%, 0.67%

LAB 63.3, 37.5, -2

 

CMYK 0 / 29 / 19 / 12

HEX #E09EB6

RGB 224 158 182

HSL 338.18, 0.52%, 0.75%

LAB 72.01, 28.02, -2.53

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

CMYK 0 / 9 / 53 / 20

HEX #CCBA60

RGB 204 186 96

HSL 50, 0.51%, 0.59%

LAB 75.33, -5.19, 47.42

 

CMYK 53 / 12 / 0 / 20

HEX #60B3CC

RGB 96 179 204

HSL 193.89, 0.51%, 0.59%

LAB 68.81, -18.31, -20.42

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

CMYK 34 / 0 / 53 / 20

HEX #87CC60

RGB 135 204 96

HSL 98.33, 0.51%, 0.59%

LAB 75.56, -40.8, 46.53

 

CMYK 53 / 34 / 0 / 20

HEX #6087CC

RGB 96 135 204

HSL 218.33, 0.51%, 0.59%

LAB 56.26, 6.24, -39.84

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

CMYK 0 / 9 / 53 / 20

HEX #CCBA60

RGB 204 186 96

HSL 50, 0.51%, 0.59%

LAB 75.33, -5.19, 47.42

 

CMYK 53 / 0 / 20 / 20

HEX #60CCA4

RGB 96 204 164

HSL 157.78, 0.51%, 0.59%

LAB 75.05, -40.61, 10.57

 

CMYK 53 / 44 / 0 / 20

HEX #6072CC

RGB 96 114 204

HSL 230, 0.51%, 0.59%

LAB 50.55, 18.94, -48.89

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F86

RGB 205 95 134

HSL 338.73, 0.52%, 0.59%

LAB 54.95, 47.61, -0.46

 

CMYK 7 / 0 / 53 / 20

HEX #BECC60

RGB 190 204 96

HSL 67.78, 0.51%, 0.59%

LAB 79.03, -20.08, 51.48

 

CMYK 53 / 0 / 20 / 20

HEX #60CCA4

RGB 96 204 164

HSL 157.78, 0.51%, 0.59%

LAB 75.05, -40.61, 10.57

 

CMYK 46 / 53 / 0 / 20

HEX #6E60CC

RGB 110 96 204

HSL 247.78, 0.51%, 0.59%

LAB 47.03, 33.04, -54.47

 

Description

Color code: RGB 205 95 134 | qconv.com Color code: RGB 205 95 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 95 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 95 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 35 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 35% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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