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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3B60 it is the complementary color #54C49F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3B60 shade: #B03B5B, #C14D6E, #D25F81, #E37194 and #F483A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3B60 shade: #AB3B60, #9A294D, #89173A, #780527 and #670014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3B60 shade: #AA3A5F, #AA3A41 and #AA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3B60 shade: #AA3A5F, #AA3A7D, #AA3A9C, #9B3AAA and #7C3AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3B60 shade matches the following richer shades: #AA3A5F, #BD2759, #D01553 and #E2024C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3B60 shade: #AA3A5F, #984D65, #855F6C, #737272 and #608478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3B60 shade: #AA3A9B, #AA3A7D, #AA3A60, #AA3A42 and #AA513A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3B60 shade: #6D253D, #8C304E, #AA3A5F, #C14C73 and #CC6B8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3B60 shade: #AB3B60, #AA9B3A and #3A8CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3B60 shade: #AB3B60, #60AA3A and #3A60AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3B60 shade: #AB3B60, #AA9B3A, #3AAA85 and #3A49AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3B60 shade: #AB3B60, #98AA3A, #3AAA85 and #4D3AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

Complementary color

CMYK 57 / 0 / 19 / 23

HEX #54C49F

RGB 84 196 159

HSL 160.18, 0.49%, 0.55%

LAB 72.14, -40.8, 9.08

 

CMYK 0 / 66 / 48 / 31

HEX #B03B5B

RGB 176 59 91

HSL 343.59, 0.5%, 0.46%

LAB 42.93, 49.95, 7.61

 

CMYK 0 / 60 / 43 / 24

HEX #C14D6E

RGB 193 77 110

HSL 342.93, 0.48%, 0.53%

LAB 49.22, 49.43, 5.31

 

CMYK 0 / 55 / 39 / 18

HEX #D25F81

RGB 210 95 129

HSL 342.26, 0.56%, 0.6%

LAB 55.55, 48.7, 3.45

 

CMYK 0 / 50 / 35 / 11

HEX #E37194

RGB 227 113 148

HSL 341.58, 0.67%, 0.67%

LAB 61.89, 47.87, 1.89

 

CMYK 0 / 46 / 32 / 4

HEX #F483A7

RGB 244 131 167

HSL 340.88, 0.84%, 0.74%

LAB 68.21, 47.02, 0.55

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 0 / 73 / 50 / 40

HEX #9A294D

RGB 154 41 77

HSL 340.88, 0.58%, 0.38%

LAB 35.97, 48.93, 6.04

 

CMYK 0 / 83 / 58 / 46

HEX #89173A

RGB 137 23 58

HSL 341.58, 0.71%, 0.31%

LAB 30, 48.2, 9.62

 

CMYK 0 / 96 / 68 / 53

HEX #780527

RGB 120 5 39

HSL 342.26, 0.92%, 0.25%

LAB 24.48, 46.17, 14.43

 

CMYK 0 / 100 / 81 / 60

HEX #670014

RGB 103 0 20

HSL 348.35, 1%, 0.2%

LAB 19.78, 41.72, 20.85

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A5F

RGB 170 58 95

HSL 340.18, 0.49%, 0.45%

LAB 41.84, 48.85, 3.42

 

CMYK 0 / 66 / 62 / 33

HEX #AA3A41

RGB 170 58 65

HSL 356.25, 0.49%, 0.45%

LAB 41.14, 46.28, 21.15

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A5F

RGB 170 58 95

HSL 340.18, 0.49%, 0.45%

LAB 41.84, 48.85, 3.42

 

CMYK 0 / 66 / 26 / 33

HEX #AA3A7D

RGB 170 58 125

HSL 324.11, 0.49%, 0.45%

LAB 42.84, 52.39, -13.68

 

CMYK 0 / 66 / 8 / 33

HEX #AA3A9C

RGB 170 58 156

HSL 307.5, 0.49%, 0.45%

LAB 44.19, 56.98, -30.4

 

CMYK 9 / 66 / 0 / 33

HEX #9B3AAA

RGB 155 58 170

HSL 291.96, 0.49%, 0.45%

LAB 42.61, 55.7, -41.41

 

CMYK 27 / 66 / 0 / 33

HEX #7C3AAA

RGB 124 58 170

HSL 275.36, 0.49%, 0.45%

LAB 38.22, 48.44, -48.67

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A5F

RGB 170 58 95

HSL 340.18, 0.49%, 0.45%

LAB 41.84, 48.85, 3.42

 

CMYK 0 / 79 / 53 / 26

HEX #BD2759

RGB 189 39 89

HSL 340, 0.66%, 0.45%

LAB 42.75, 60.65, 8.94

 

CMYK 0 / 90 / 60 / 18

HEX #D01553

RGB 208 21 83

HSL 340.11, 0.82%, 0.45%

LAB 45.04, 68.96, 16.45

 

CMYK 0 / 99 / 66 / 11

HEX #E2024C

RGB 226 2 76

HSL 340.18, 0.98%, 0.45%

LAB 47.92, 74.79, 25.26

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A5F

RGB 170 58 95

HSL 340.18, 0.49%, 0.45%

LAB 41.84, 48.85, 3.42

 

CMYK 0 / 49 / 34 / 40

HEX #984D65

RGB 152 77 101

HSL 340.8, 0.33%, 0.45%

LAB 42.65, 34.09, 0.51

 

CMYK 0 / 29 / 19 / 48

HEX #855F6C

RGB 133 95 108

HSL 339.47, 0.17%, 0.45%

LAB 44.59, 17.58, -1.22

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 0 / 9 / 48

HEX #608478

RGB 96 132 120

HSL 160, 0.16%, 0.45%

LAB 52.23, -15.35, 2.39

 

CMYK 0 / 66 / 9 / 33

HEX #AA3A9B

RGB 170 58 155

HSL 308.04, 0.49%, 0.45%

LAB 44.14, 56.81, -29.87

 

CMYK 0 / 66 / 26 / 33

HEX #AA3A7D

RGB 170 58 125

HSL 324.11, 0.49%, 0.45%

LAB 42.84, 52.39, -13.68

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A60

RGB 170 58 96

HSL 339.64, 0.49%, 0.45%

LAB 41.87, 48.95, 2.84

 

CMYK 0 / 66 / 61 / 33

HEX #AA3A42

RGB 170 58 66

HSL 355.71, 0.49%, 0.45%

LAB 41.16, 46.35, 20.56

 

CMYK 0 / 52 / 66 / 33

HEX #AA513A

RGB 170 81 58

HSL 12.32, 0.49%, 0.45%

LAB 45.27, 34.7, 30.48

 

CMYK 0 / 66 / 44 / 57

HEX #6D253D

RGB 109 37 61

HSL 340, 0.49%, 0.29%

LAB 26.48, 34.27, 1.86

 

CMYK 0 / 66 / 44 / 45

HEX #8C304E

RGB 140 48 78

HSL 340.43, 0.49%, 0.37%

LAB 34.48, 41.67, 2.91

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A5F

RGB 170 58 95

HSL 340.18, 0.49%, 0.45%

LAB 41.84, 48.85, 3.42

 

CMYK 0 / 61 / 40 / 24

HEX #C14C73

RGB 193 76 115

HSL 340, 0.49%, 0.53%

LAB 49.18, 50.42, 2.24

 

CMYK 0 / 48 / 32 / 20

HEX #CC6B8B

RGB 204 107 139

HSL 340.21, 0.49%, 0.61%

LAB 57.29, 41.88, -0

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 0 / 9 / 66 / 33

HEX #AA9B3A

RGB 170 155 58

HSL 51.96, 0.49%, 0.45%

LAB 63.59, -6.19, 51.06

 

CMYK 66 / 18 / 0 / 33

HEX #3A8CAA

RGB 58 140 170

HSL 196.07, 0.49%, 0.45%

LAB 54.61, -15.24, -23.16

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 44 / 0 / 66 / 33

HEX #60AA3A

RGB 96 170 58

HSL 99.64, 0.49%, 0.45%

LAB 62.96, -43.15, 48.89

 

CMYK 66 / 44 / 0 / 33

HEX #3A60AA

RGB 58 96 170

HSL 219.64, 0.49%, 0.45%

LAB 41.48, 11.06, -43.76

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 0 / 9 / 66 / 33

HEX #AA9B3A

RGB 170 155 58

HSL 51.96, 0.49%, 0.45%

LAB 63.59, -6.19, 51.06

 

CMYK 66 / 0 / 22 / 33

HEX #3AAA85

RGB 58 170 133

HSL 160.18, 0.49%, 0.45%

LAB 62.8, -40.5, 9.95

 

CMYK 66 / 57 / 0 / 33

HEX #3A49AA

RGB 58 73 170

HSL 231.96, 0.49%, 0.45%

LAB 35.14, 26.04, -53.97

 

CMYK 0 / 65 / 44 / 33

HEX #AB3B60

RGB 171 59 96

HSL 340.18, 0.49%, 0.45%

LAB 42.2, 48.84, 3.34

 

CMYK 11 / 0 / 66 / 33

HEX #98AA3A

RGB 152 170 58

HSL 69.64, 0.49%, 0.45%

LAB 66.31, -21.76, 53.47

 

CMYK 66 / 0 / 22 / 33

HEX #3AAA85

RGB 58 170 133

HSL 160.18, 0.49%, 0.45%

LAB 62.8, -40.5, 9.95

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

Description

Color code: HEX #AB3B60 | qconv.com Color code: HEX #AB3B60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 59 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 59 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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