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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 61 175 it is the complementary color RGB 51 194 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 61 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 61 175 shade: RGB 209 61 170, RGB 226 79 189, RGB 243 97 208, RGB 255 115 227 and RGB 255 133 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 61 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 61 175 shade: RGB 204 61 175, RGB 187 43 156, RGB 170 25 137, RGB 153 7 118 and RGB 136 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 61 175 shade: RGB 203 61 174, RGB 203 61 136, RGB 203 61 98 and RGB 203 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 61 175 shade: RGB 203 61 174, RGB 194 61 203, RGB 155 61 203, RGB 117 61 203 and RGB 79 61 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 61 175 shade matches the following richer shades: RGB 203 61 174, RGB 223 41 186 and RGB 243 21 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 61 175 shade: RGB 203 61 174, RGB 183 81 163, RGB 163 101 151, RGB 144 121 139 and RGB 124 140 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 61 175 shade: RGB 156 61 203, RGB 194 61 203, RGB 203 61 175, RGB 203 61 137 and RGB 203 61 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 61 175 shade: RGB 144 38 122, RGB 176 47 150, RGB 203 61 174, RGB 212 94 188 and RGB 220 126 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 61 175 shade: RGB 204 61 175, RGB 203 118 61 and RGB 61 203 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 61 175 shade: RGB 204 61 175, RGB 175 203 61 and RGB 61 175 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 61 175 shade: RGB 204 61 175, RGB 203 118 61, RGB 61 203 90 and RGB 61 146 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 61 175 shade: RGB 204 61 175, RGB 203 160 61, RGB 61 203 90 and RGB 61 104 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

Complementary color

CMYK 74 / 0 / 59 / 24

HEX #33C250

RGB 51 194 80

HSL 132.17, 0.58%, 0.48%

LAB 69.37, -60.51, 45.97

 

CMYK 0 / 71 / 19 / 18

HEX #D13DAA

RGB 209 61 170

HSL 315.81, 0.62%, 0.53%

LAB 51.6, 67.73, -26.67

 

CMYK 0 / 65 / 16 / 11

HEX #E24FBD

RGB 226 79 189

HSL 315.1, 0.72%, 0.6%

LAB 57.5, 68.07, -28.37

 

CMYK 0 / 60 / 14 / 5

HEX #F361D0

RGB 243 97 208

HSL 314.38, 0.86%, 0.67%

LAB 63.47, 68.01, -29.73

 

CMYK 0 / 55 / 11 / 0

HEX #FF73E3

RGB 255 115 227

HSL 312, 1%, 0.73%

LAB 68.8, 66.33, -31.97

 

CMYK 0 / 48 / 4 / 0

HEX #FF85F6

RGB 255 133 246

HSL 304.43, 1%, 0.76%

LAB 72.69, 61.08, -36.39

 

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

CMYK 0 / 77 / 17 / 27

HEX #BB2B9C

RGB 187 43 156

HSL 312.92, 0.63%, 0.45%

LAB 45.21, 66.29, -28.6

 

CMYK 0 / 85 / 19 / 33

HEX #AA1989

RGB 170 25 137

HSL 313.66, 0.74%, 0.38%

LAB 39.66, 64.46, -25.96

 

CMYK 0 / 95 / 23 / 40

HEX #990776

RGB 153 7 118

HSL 314.38, 0.91%, 0.31%

LAB 34.46, 61.32, -22.48

 

CMYK 0 / 100 / 27 / 47

HEX #880063

RGB 136 0 99

HSL 316.32, 1%, 0.27%

LAB 29.75, 56.43, -17.89

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 0 / 70 / 33 / 20

HEX #CB3D88

RGB 203 61 136

HSL 328.31, 0.58%, 0.52%

LAB 49.27, 61.89, -10.12

 

CMYK 0 / 70 / 52 / 20

HEX #CB3D62

RGB 203 61 98

HSL 344.37, 0.58%, 0.52%

LAB 48.15, 58.14, 11.33

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 4 / 70 / 0 / 20

HEX #C23DCB

RGB 194 61 203

HSL 296.2, 0.58%, 0.52%

LAB 50.83, 69.3, -47.25

 

CMYK 24 / 70 / 0 / 20

HEX #9B3DCB

RGB 155 61 203

HSL 279.72, 0.58%, 0.52%

LAB 45.11, 61.04, -56.73

 

CMYK 42 / 70 / 0 / 20

HEX #753DCB

RGB 117 61 203

HSL 263.66, 0.58%, 0.52%

LAB 40.3, 53.66, -64.75

 

CMYK 61 / 70 / 0 / 20

HEX #4F3DCB

RGB 79 61 203

HSL 247.61, 0.58%, 0.52%

LAB 36.58, 47.56, -70.98

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 0 / 82 / 17 / 13

HEX #DF29BA

RGB 223 41 186

HSL 312.2, 0.74%, 0.52%

LAB 52.75, 78.63, -34.06

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 0 / 56 / 11 / 28

HEX #B751A3

RGB 183 81 163

HSL 311.76, 0.41%, 0.52%

LAB 50.21, 51.53, -25.04

 

CMYK 0 / 38 / 7 / 36

HEX #A36597

RGB 163 101 151

HSL 311.61, 0.25%, 0.52%

LAB 51.07, 32.73, -16.88

 

CMYK 0 / 16 / 3 / 44

HEX #90798B

RGB 144 121 139

HSL 313.04, 0.09%, 0.52%

LAB 53.46, 12.19, -6.45

 

CMYK 11 / 0 / 9 / 45

HEX #7C8C7F

RGB 124 140 127

HSL 131.25, 0.07%, 0.52%

LAB 56.66, -8.43, 4.99

 

CMYK 23 / 70 / 0 / 20

HEX #9C3DCB

RGB 156 61 203

HSL 280.14, 0.58%, 0.52%

LAB 45.24, 61.25, -56.5

 

CMYK 4 / 70 / 0 / 20

HEX #C23DCB

RGB 194 61 203

HSL 296.2, 0.58%, 0.52%

LAB 50.83, 69.3, -47.25

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAF

RGB 203 61 175

HSL 311.83, 0.58%, 0.52%

LAB 50.84, 66.96, -30.88

 

CMYK 0 / 70 / 33 / 20

HEX #CB3D89

RGB 203 61 137

HSL 327.89, 0.58%, 0.52%

LAB 49.3, 62.01, -10.67

 

CMYK 0 / 70 / 51 / 20

HEX #CB3D63

RGB 203 61 99

HSL 343.94, 0.58%, 0.52%

LAB 48.18, 58.23, 10.75

 

CMYK 0 / 74 / 15 / 44

HEX #90267A

RGB 144 38 122

HSL 312.45, 0.58%, 0.36%

LAB 35.44, 52.66, -23.59

 

CMYK 0 / 73 / 15 / 31

HEX #B02F96

RGB 176 47 150

HSL 312.09, 0.58%, 0.44%

LAB 43.46, 61.61, -27.87

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 0 / 56 / 11 / 17

HEX #D45EBC

RGB 212 94 188

HSL 312.2, 0.58%, 0.6%

LAB 57.69, 57.8, -27.67

 

CMYK 0 / 43 / 9 / 14

HEX #DC7EC9

RGB 220 126 201

HSL 312.13, 0.57%, 0.68%

LAB 65.24, 46.65, -23.33

 

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

CMYK 0 / 42 / 70 / 20

HEX #CB763D

RGB 203 118 61

HSL 24.08, 0.58%, 0.52%

LAB 58.03, 28.57, 44.76

 

CMYK 70 / 0 / 14 / 20

HEX #3DCBAF

RGB 61 203 175

HSL 168.17, 0.58%, 0.52%

LAB 74.06, -43.95, 3.11

 

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

CMYK 14 / 0 / 70 / 20

HEX #AFCB3D

RGB 175 203 61

HSL 71.83, 0.58%, 0.52%

LAB 77.38, -28.18, 64.1

 

CMYK 70 / 14 / 0 / 20

HEX #3DAFCB

RGB 61 175 203

HSL 191.83, 0.58%, 0.52%

LAB 66.49, -22.74, -23.51

 

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

CMYK 0 / 42 / 70 / 20

HEX #CB763D

RGB 203 118 61

HSL 24.08, 0.58%, 0.52%

LAB 58.03, 28.57, 44.76

 

CMYK 70 / 0 / 56 / 20

HEX #3DCB5A

RGB 61 203 90

HSL 132.25, 0.58%, 0.52%

LAB 72.52, -60.67, 45.09

 

CMYK 70 / 28 / 0 / 20

HEX #3D92CB

RGB 61 146 203

HSL 204.08, 0.58%, 0.52%

LAB 57.91, -7.06, -36.8

 

CMYK 0 / 70 / 14 / 20

HEX #CC3DAF

RGB 204 61 175

HSL 312.17, 0.58%, 0.52%

LAB 51, 67.21, -30.61

 

CMYK 0 / 21 / 70 / 20

HEX #CBA03D

RGB 203 160 61

HSL 41.83, 0.58%, 0.52%

LAB 68.15, 5.76, 55.52

 

CMYK 70 / 0 / 56 / 20

HEX #3DCB5A

RGB 61 203 90

HSL 132.25, 0.58%, 0.52%

LAB 72.52, -60.67, 45.09

 

CMYK 70 / 49 / 0 / 20

HEX #3D68CB

RGB 61 104 203

HSL 221.83, 0.58%, 0.52%

LAB 45.91, 18.41, -55.85

 

Description

Color code: RGB 204 61 175 | qconv.com Color code: RGB 204 61 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 61 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 61 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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