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Color name
HEX #F315C6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F315C6 it is the complementary color #0CEA39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F315C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F315C6 shade: #F815C1, #FF27D4, #FF39E7, #FF4BFA and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F315C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F315C6 shade: #F315C6, #E203B3, #D100A0, #C0008D and #AF007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F315C6 shade: #F216C6, #F2168A, #F2164F and #F21616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F315C6 shade: #F216C6, #E316F2, #A816F2, #6D16F2 and #3116F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F315C6 shade matches the following richer shades: #F216C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F315C6 shade: #F216C6, #DE2ABA, #CB3EAE, #B751A2 and #A36597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F315C6 shade: #A916F2, #E416F2, #F216C6, #F2168B and #F21651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F315C6 shade: #AD098C, #D40BAB, #F216C6, #F43DCF and #F664D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F315C6 shade: #F315C6, #F26E16 and #16F2C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F315C6 shade: #F315C6, #C6F216 and #16C6F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F315C6 shade: #F315C6, #F26E16, #16F242 and #169AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F315C6 shade: #F315C6, #F2B016, #16F242 and #1658F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

Complementary color

CMYK 95 / 0 / 76 / 8

HEX #0CEA39

RGB 12 234 57

HSL 132.16, 0.9%, 0.48%

LAB 81.41, -78.27, 67.72

 

CMYK 0 / 92 / 22 / 3

HEX #F815C1

RGB 248 21 193

HSL 314.54, 0.94%, 0.53%

LAB 56.43, 87.64, -32.04

 

CMYK 0 / 85 / 17 / 0

HEX #FF27D4

RGB 255 39 212

HSL 311.94, 1%, 0.58%

LAB 59.4, 88.72, -38.18

 

CMYK 0 / 78 / 9 / 0

HEX #FF39E7

RGB 255 57 231

HSL 307.27, 1%, 0.61%

LAB 61.62, 87.41, -45.42

 

CMYK 0 / 71 / 2 / 0

HEX #FF4BFA

RGB 255 75 250

HSL 301.67, 1%, 0.65%

LAB 64.32, 85.12, -51.71

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 0 / 99 / 21 / 11

HEX #E203B3

RGB 226 3 179

HSL 312.65, 0.97%, 0.45%

LAB 51.25, 83.34, -32.27

 

CMYK 0 / 100 / 23 / 18

HEX #D100A0

RGB 209 0 160

HSL 314.07, 1%, 0.41%

LAB 47.1, 78.17, -27.75

 

CMYK 0 / 100 / 27 / 25

HEX #C0008D

RGB 192 0 141

HSL 315.94, 1%, 0.38%

LAB 42.96, 72.7, -22.96

 

CMYK 0 / 100 / 30 / 31

HEX #AF007A

RGB 175 0 122

HSL 318.17, 1%, 0.34%

LAB 38.76, 67.16, -17.99

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 91 / 43 / 5

HEX #F2168A

RGB 242 22 138

HSL 328.36, 0.89%, 0.52%

LAB 53.26, 80.76, -4.61

 

CMYK 0 / 91 / 67 / 5

HEX #F2164F

RGB 242 22 79

HSL 344.45, 0.89%, 0.52%

LAB 51.85, 76.88, 29.1

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 6 / 91 / 0 / 5

HEX #E316F2

RGB 227 22 242

HSL 295.91, 0.89%, 0.52%

LAB 55.4, 90.41, -61.76

 

CMYK 31 / 91 / 0 / 5

HEX #A816F2

RGB 168 22 242

HSL 279.82, 0.89%, 0.52%

LAB 46.06, 82.02, -77.34

 

CMYK 55 / 91 / 0 / 5

HEX #6D16F2

RGB 109 22 242

HSL 263.73, 0.89%, 0.52%

LAB 38.26, 75.97, -90.45

 

CMYK 80 / 91 / 0 / 5

HEX #3116F2

RGB 49 22 242

HSL 247.36, 0.89%, 0.52%

LAB 33.22, 72.74, -98.97

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 81 / 16 / 13

HEX #DE2ABA

RGB 222 42 186

HSL 312, 0.73%, 0.52%

LAB 52.65, 78.2, -34.22

 

CMYK 0 / 69 / 14 / 20

HEX #CB3EAE

RGB 203 62 174

HSL 312.34, 0.58%, 0.52%

LAB 50.92, 66.47, -30.16

 

CMYK 0 / 56 / 11 / 28

HEX #B751A2

RGB 183 81 162

HSL 312.35, 0.41%, 0.52%

LAB 50.17, 51.37, -24.51

 

CMYK 0 / 38 / 7 / 36

HEX #A36597

RGB 163 101 151

HSL 311.61, 0.25%, 0.52%

LAB 51.07, 32.73, -16.88

 

CMYK 30 / 91 / 0 / 5

HEX #A916F2

RGB 169 22 242

HSL 280.09, 0.89%, 0.52%

LAB 46.2, 82.15, -77.09

 

CMYK 6 / 91 / 0 / 5

HEX #E416F2

RGB 228 22 242

HSL 296.18, 0.89%, 0.52%

LAB 55.56, 90.57, -61.48

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 91 / 67 / 5

HEX #F21651

RGB 242 22 81

HSL 343.91, 0.89%, 0.52%

LAB 51.89, 76.98, 27.94

 

CMYK 0 / 95 / 19 / 32

HEX #AD098C

RGB 173 9 140

HSL 312.07, 0.9%, 0.36%

LAB 39.54, 67.92, -27.96

 

CMYK 0 / 95 / 19 / 17

HEX #D40BAB

RGB 212 11 171

HSL 312.24, 0.9%, 0.44%

LAB 48.48, 79.15, -32.09

 

CMYK 0 / 91 / 18 / 5

HEX #F216C6

RGB 242 22 198

HSL 312, 0.89%, 0.52%

LAB 55.61, 86.99, -36.28

 

CMYK 0 / 75 / 15 / 4

HEX #F43DCF

RGB 244 61 207

HSL 312.13, 0.89%, 0.6%

LAB 59.04, 80.8, -36.04

 

CMYK 0 / 59 / 12 / 4

HEX #F664D9

RGB 246 100 217

HSL 311.92, 0.89%, 0.68%

LAB 64.74, 68.87, -32.79

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 0 / 55 / 91 / 5

HEX #F26E16

RGB 242 110 22

HSL 24, 0.89%, 0.52%

LAB 61.73, 46.82, 65.72

 

CMYK 91 / 0 / 18 / 5

HEX #16F2C6

RGB 22 242 198

HSL 168, 0.89%, 0.52%

LAB 85.88, -57.48, 7.89

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 18 / 0 / 91 / 5

HEX #C6F216

RGB 198 242 22

HSL 72, 0.89%, 0.52%

LAB 89.66, -38.3, 85.13

 

CMYK 91 / 18 / 0 / 5

HEX #16C6F2

RGB 22 198 242

HSL 192, 0.89%, 0.52%

LAB 74.17, -25.06, -33.02

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 0 / 55 / 91 / 5

HEX #F26E16

RGB 242 110 22

HSL 24, 0.89%, 0.52%

LAB 61.73, 46.82, 65.72

 

CMYK 91 / 0 / 73 / 5

HEX #16F242

RGB 22 242 66

HSL 132, 0.89%, 0.52%

LAB 84, -79.38, 67.37

 

CMYK 91 / 36 / 0 / 5

HEX #169AF2

RGB 22 154 242

HSL 204, 0.89%, 0.52%

LAB 61.39, -1.22, -53.06

 

CMYK 0 / 91 / 19 / 5

HEX #F315C6

RGB 243 21 198

HSL 312.16, 0.9%, 0.52%

LAB 55.75, 87.29, -36.04

 

CMYK 0 / 27 / 91 / 5

HEX #F2B016

RGB 242 176 22

HSL 42, 0.89%, 0.52%

LAB 76.06, 12.88, 76.19

 

CMYK 91 / 0 / 73 / 5

HEX #16F242

RGB 22 242 66

HSL 132, 0.89%, 0.52%

LAB 84, -79.38, 67.37

 

CMYK 91 / 64 / 0 / 5

HEX #1658F2

RGB 22 88 242

HSL 222, 0.89%, 0.52%

LAB 43.6, 39.76, -81.82

 

Description

Color code: HEX #F315C6 | qconv.com Color code: HEX #F315C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 21 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 21 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 19% 5% C M Y K

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