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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 17 214 it is the complementary color RGB 52 238 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 17 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 17 214 shade: RGB 208 17 209, RGB 225 35 228, RGB 242 53 247, RGB 255 71 255 and RGB 255 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 17 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 17 214 shade: RGB 203 17 214, RGB 186 0 195, RGB 169 0 176, RGB 152 0 157 and RGB 135 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 17 214 shade: RGB 201 17 212, RGB 212 17 170, RGB 212 17 117, RGB 212 17 65 and RGB 212 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 17 214 shade: RGB 201 17 212, RGB 148 17 212, RGB 96 17 212, RGB 43 17 212 and RGB 17 17 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 17 214 shade matches the following richer shades: RGB 201 17 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 17 214 shade: RGB 201 17 212, RGB 184 35 193, RGB 168 54 175, RGB 151 72 156 and RGB 135 91 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 17 214 shade: RGB 95 17 212, RGB 147 17 212, RGB 199 17 212, RGB 212 17 173 and RGB 212 17 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 17 214 shade: RGB 128 11 135, RGB 165 14 174, RGB 201 17 212, RGB 225 33 237 and RGB 230 71 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 17 214 shade: RGB 203 17 214, RGB 212 43 17 and RGB 17 212 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 17 214 shade: RGB 203 17 214, RGB 212 199 17 and RGB 17 212 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 17 214 shade: RGB 203 17 214, RGB 212 43 17, RGB 30 212 17 and RGB 17 186 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 17 214 shade: RGB 203 17 214, RGB 212 101 17, RGB 30 212 17 and RGB 17 127 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

Complementary color

CMYK 78 / 0 / 83 / 7

HEX #34EE29

RGB 52 238 41

HSL 116.65, 0.85%, 0.55%

LAB 82.93, -77.19, 73.72

 

CMYK 0 / 92 / 0 / 18

HEX #D011D1

RGB 208 17 209

HSL 299.69, 0.85%, 0.44%

LAB 49.99, 82.98, -51.89

 

CMYK 1 / 85 / 0 / 11

HEX #E123E4

RGB 225 35 228

HSL 299.07, 0.78%, 0.52%

LAB 54.88, 86.08, -54.74

 

CMYK 2 / 79 / 0 / 3

HEX #F235F7

RGB 242 53 247

HSL 298.45, 0.92%, 0.59%

LAB 60.01, 88.2, -57.02

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

CMYK 5 / 100 / 0 / 24

HEX #BA00C3

RGB 186 0 195

HSL 297.23, 1%, 0.38%

LAB 44.77, 78.86, -52.37

 

CMYK 4 / 100 / 0 / 31

HEX #A900B0

RGB 169 0 176

HSL 297.61, 1%, 0.35%

LAB 40.52, 73.26, -48.17

 

CMYK 3 / 100 / 0 / 38

HEX #98009D

RGB 152 0 157

HSL 298.09, 1%, 0.31%

LAB 36.19, 67.55, -43.88

 

CMYK 2 / 100 / 0 / 46

HEX #87008A

RGB 135 0 138

HSL 298.7, 1%, 0.27%

LAB 31.77, 61.72, -39.48

 

CMYK 5 / 92 / 0 / 17

HEX #C911D4

RGB 201 17 212

HSL 296.62, 0.85%, 0.45%

LAB 48.97, 82.28, -55.31

 

CMYK 0 / 92 / 20 / 17

HEX #D411AA

RGB 212 17 170

HSL 312.92, 0.85%, 0.45%

LAB 48.64, 78.43, -31.25

 

CMYK 0 / 92 / 45 / 17

HEX #D41175

RGB 212 17 117

HSL 329.23, 0.85%, 0.45%

LAB 46.55, 72.91, -2.41

 

CMYK 0 / 92 / 69 / 17

HEX #D41141

RGB 212 17 65

HSL 345.23, 0.85%, 0.45%

LAB 45.33, 69.54, 28.14

 

CMYK 0 / 92 / 92 / 17

HEX #D41111

RGB 212 17 17

HSL 0, 0.85%, 0.45%

LAB 44.86, 68.2, 53.32

 

CMYK 5 / 92 / 0 / 17

HEX #C911D4

RGB 201 17 212

HSL 296.62, 0.85%, 0.45%

LAB 48.97, 82.28, -55.31

 

CMYK 30 / 92 / 0 / 17

HEX #9411D4

RGB 148 17 212

HSL 280.31, 0.85%, 0.45%

LAB 40.33, 74.53, -69.73

 

CMYK 55 / 92 / 0 / 17

HEX #6011D4

RGB 96 17 212

HSL 264.31, 0.85%, 0.45%

LAB 33.22, 69.03, -81.67

 

CMYK 80 / 92 / 0 / 17

HEX #2B11D4

RGB 43 17 212

HSL 248, 0.85%, 0.45%

LAB 28.56, 66.08, -89.56

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 5 / 92 / 0 / 17

HEX #C911D4

RGB 201 17 212

HSL 296.62, 0.85%, 0.45%

LAB 48.97, 82.28, -55.31

 

CMYK 5 / 92 / 0 / 17

HEX #C911D4

RGB 201 17 212

HSL 296.62, 0.85%, 0.45%

LAB 48.97, 82.28, -55.31

 

CMYK 5 / 82 / 0 / 24

HEX #B823C1

RGB 184 35 193

HSL 296.58, 0.69%, 0.45%

LAB 45.96, 73.32, -49.31

 

CMYK 4 / 69 / 0 / 31

HEX #A836AF

RGB 168 54 175

HSL 296.53, 0.53%, 0.45%

LAB 44.32, 61.25, -41.53

 

CMYK 3 / 54 / 0 / 39

HEX #97489C

RGB 151 72 156

HSL 296.43, 0.37%, 0.45%

LAB 43.67, 45.44, -31.41

 

CMYK 2 / 34 / 0 / 46

HEX #875B8A

RGB 135 91 138

HSL 296.17, 0.21%, 0.45%

LAB 44.9, 26.34, -18.88

 

CMYK 55 / 92 / 0 / 17

HEX #5F11D4

RGB 95 17 212

HSL 264, 0.85%, 0.45%

LAB 33.11, 68.95, -81.87

 

CMYK 31 / 92 / 0 / 17

HEX #9311D4

RGB 147 17 212

HSL 280, 0.85%, 0.45%

LAB 40.18, 74.4, -69.99

 

CMYK 6 / 92 / 0 / 17

HEX #C711D4

RGB 199 17 212

HSL 296, 0.85%, 0.45%

LAB 48.63, 81.96, -55.88

 

CMYK 0 / 92 / 18 / 17

HEX #D411AD

RGB 212 17 173

HSL 312, 0.85%, 0.45%

LAB 48.78, 78.8, -32.8

 

CMYK 0 / 92 / 43 / 17

HEX #D41179

RGB 212 17 121

HSL 328, 0.85%, 0.45%

LAB 46.68, 73.26, -4.68

 

CMYK 5 / 92 / 0 / 47

HEX #800B87

RGB 128 11 135

HSL 296.61, 0.85%, 0.29%

LAB 30.83, 58.36, -39.21

 

CMYK 5 / 92 / 0 / 32

HEX #A50EAE

RGB 165 14 174

HSL 296.63, 0.85%, 0.37%

LAB 40.2, 70.77, -47.55

 

CMYK 5 / 92 / 0 / 17

HEX #C911D4

RGB 201 17 212

HSL 296.62, 0.85%, 0.45%

LAB 48.97, 82.28, -55.31

 

CMYK 5 / 86 / 0 / 7

HEX #E121ED

RGB 225 33 237

HSL 296.47, 0.85%, 0.53%

LAB 55.29, 87.78, -59.15

 

CMYK 4 / 70 / 0 / 6

HEX #E647F0

RGB 230 71 240

HSL 296.45, 0.85%, 0.61%

LAB 59.54, 79.65, -53.98

 

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

CMYK 0 / 80 / 92 / 17

HEX #D42B11

RGB 212 43 17

HSL 8, 0.85%, 0.45%

LAB 46.67, 63.05, 54.48

 

CMYK 92 / 0 / 43 / 17

HEX #11D479

RGB 17 212 121

HSL 152, 0.85%, 0.45%

LAB 75.19, -63.48, 33.1

 

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

CMYK 0 / 6 / 92 / 17

HEX #D4C711

RGB 212 199 17

HSL 56, 0.85%, 0.45%

LAB 78.97, -12.1, 77.9

 

CMYK 92 / 0 / 6 / 17

HEX #11D4C7

RGB 17 212 199

HSL 176, 0.85%, 0.45%

LAB 76.88, -45.11, -5.76

 

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

CMYK 0 / 80 / 92 / 17

HEX #D42B11

RGB 212 43 17

HSL 8, 0.85%, 0.45%

LAB 46.67, 63.05, 54.48

 

CMYK 86 / 0 / 92 / 17

HEX #1ED411

RGB 30 212 17

HSL 116, 0.85%, 0.45%

LAB 74.45, -73.04, 70.78

 

CMYK 92 / 12 / 0 / 17

HEX #11BAD4

RGB 17 186 212

HSL 188, 0.85%, 0.45%

LAB 69.46, -29.18, -23.97

 

CMYK 5 / 92 / 0 / 16

HEX #CB11D6

RGB 203 17 214

HSL 296.65, 0.85%, 0.45%

LAB 49.44, 82.91, -55.69

 

CMYK 0 / 52 / 92 / 17

HEX #D46511

RGB 212 101 17

HSL 25.85, 0.85%, 0.45%

LAB 55.43, 39.63, 60.45

 

CMYK 86 / 0 / 92 / 17

HEX #1ED411

RGB 30 212 17

HSL 116, 0.85%, 0.45%

LAB 74.45, -73.04, 70.78

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

Description

Color code: RGB 203 17 214 | qconv.com Color code: RGB 203 17 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 17 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 17 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 92 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 92% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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