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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 127 212 it is the complementary color RGB 238 128 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 127 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 127 212 shade: RGB 22 127 207, RGB 39 145 226, RGB 56 163 245, RGB 73 181 255 and RGB 90 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 127 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 0 109 193, RGB 0 91 174, RGB 0 73 155 and RGB 0 55 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 17 74 212, RGB 17 22 212, RGB 64 17 212 and RGB 117 17 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 17 74 212, RGB 17 22 212 and RGB 17 17 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 127 212 shade matches the following richer shades: RGB 17 127 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 35 124 193, RGB 54 122 175, RGB 72 120 156 and RGB 91 117 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 127 212 shade: RGB 17 212 192, RGB 17 179 212, RGB 17 127 212, RGB 17 75 212 and RGB 17 23 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 127 212 shade: RGB 11 81 135, RGB 14 104 174, RGB 17 127 212, RGB 33 148 237 and RGB 71 166 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 140 17 212 and RGB 205 212 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 212 17 127 and RGB 127 212 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 140 17 212, RGB 212 101 17 and RGB 88 212 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 127 212 shade: RGB 17 127 212, RGB 199 17 212, RGB 212 101 17 and RGB 30 212 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

Complementary color

CMYK 0 / 46 / 82 / 7

HEX #EE802B

RGB 238 128 43

HSL 26.15, 0.85%, 0.55%

LAB 64.8, 36.81, 61.06

 

CMYK 89 / 39 / 0 / 19

HEX #167FCF

RGB 22 127 207

HSL 205.95, 0.81%, 0.45%

LAB 51.67, 1.6, -48.96

 

CMYK 83 / 36 / 0 / 11

HEX #2791E2

RGB 39 145 226

HSL 205.99, 0.76%, 0.52%

LAB 58.2, -0.8, -49.25

 

CMYK 77 / 33 / 0 / 4

HEX #38A3F5

RGB 56 163 245

HSL 206.03, 0.9%, 0.59%

LAB 64.67, -2.75, -49.47

 

CMYK 71 / 29 / 0 / 0

HEX #49B5FF

RGB 73 181 255

HSL 204.4, 1%, 0.64%

LAB 70.65, -7.37, -45.45

 

CMYK 65 / 22 / 0 / 0

HEX #5AC7FF

RGB 90 199 255

HSL 200.36, 1%, 0.68%

LAB 76.22, -14.57, -36.73

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 100 / 44 / 0 / 24

HEX #006DC1

RGB 0 109 193

HSL 206.11, 1%, 0.38%

LAB 45.34, 6.36, -51.08

 

CMYK 100 / 48 / 0 / 32

HEX #005BAE

RGB 0 91 174

HSL 208.62, 1%, 0.34%

LAB 38.79, 10.27, -50.52

 

CMYK 100 / 53 / 0 / 39

HEX #00499B

RGB 0 73 155

HSL 211.74, 1%, 0.3%

LAB 32.1, 14.47, -49.96

 

CMYK 100 / 60 / 0 / 47

HEX #003788

RGB 0 55 136

HSL 215.74, 1%, 0.27%

LAB 25.29, 18.99, -49.38

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 92 / 65 / 0 / 17

HEX #114AD4

RGB 17 74 212

HSL 222.46, 0.85%, 0.45%

LAB 37.43, 37.27, -74.9

 

CMYK 92 / 90 / 0 / 17

HEX #1116D4

RGB 17 22 212

HSL 238.46, 0.85%, 0.45%

LAB 27.97, 64.07, -90.57

 

CMYK 70 / 92 / 0 / 17

HEX #4011D4

RGB 64 17 212

HSL 254.46, 0.85%, 0.45%

LAB 30.02, 66.93, -87.09

 

CMYK 45 / 92 / 0 / 17

HEX #7511D4

RGB 117 17 212

HSL 270.77, 0.85%, 0.45%

LAB 35.86, 70.95, -77.23

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 92 / 65 / 0 / 17

HEX #114AD4

RGB 17 74 212

HSL 222.46, 0.85%, 0.45%

LAB 37.43, 37.27, -74.9

 

CMYK 92 / 90 / 0 / 17

HEX #1116D4

RGB 17 22 212

HSL 238.46, 0.85%, 0.45%

LAB 27.97, 64.07, -90.57

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 82 / 36 / 0 / 24

HEX #237CC1

RGB 35 124 193

HSL 206.2, 0.69%, 0.45%

LAB 50.24, -0.94, -43.24

 

CMYK 69 / 30 / 0 / 31

HEX #367AAF

RGB 54 122 175

HSL 206.28, 0.53%, 0.45%

LAB 49.25, -3.92, -34.39

 

CMYK 54 / 23 / 0 / 39

HEX #48789C

RGB 72 120 156

HSL 205.71, 0.37%, 0.45%

LAB 48.52, -5.6, -24.39

 

CMYK 34 / 15 / 0 / 46

HEX #5B758A

RGB 91 117 138

HSL 206.81, 0.21%, 0.45%

LAB 47.98, -4.02, -14.52

 

CMYK 92 / 0 / 9 / 17

HEX #11D4C0

RGB 17 212 192

HSL 173.85, 0.85%, 0.45%

LAB 76.69, -47.06, -2.29

 

CMYK 92 / 16 / 0 / 17

HEX #11B3D4

RGB 17 179 212

HSL 190.15, 0.85%, 0.45%

LAB 67.36, -25.7, -27.2

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 92 / 65 / 0 / 17

HEX #114BD4

RGB 17 75 212

HSL 222.15, 0.85%, 0.45%

LAB 37.67, 36.63, -74.5

 

CMYK 92 / 89 / 0 / 17

HEX #1117D4

RGB 17 23 212

HSL 238.15, 0.85%, 0.45%

LAB 28.08, 63.75, -90.39

 

CMYK 92 / 40 / 0 / 47

HEX #0B5187

RGB 11 81 135

HSL 206.13, 0.85%, 0.29%

LAB 33.36, 1.25, -35.73

 

CMYK 92 / 40 / 0 / 32

HEX #0E68AE

RGB 14 104 174

HSL 206.25, 0.85%, 0.37%

LAB 42.84, 2.48, -44.02

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 86 / 38 / 0 / 7

HEX #2194ED

RGB 33 148 237

HSL 206.18, 0.85%, 0.53%

LAB 59.54, 1.04, -53.23

 

CMYK 70 / 31 / 0 / 6

HEX #47A6F0

RGB 71 166 240

HSL 206.27, 0.85%, 0.61%

LAB 65.67, -4.34, -45.12

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 34 / 92 / 0 / 17

HEX #8C11D4

RGB 140 17 212

HSL 277.85, 0.85%, 0.45%

LAB 39.12, 73.53, -71.75

 

CMYK 3 / 0 / 92 / 17

HEX #CDD411

RGB 205 212 17

HSL 62.15, 0.85%, 0.45%

LAB 81.9, -21.53, 79.9

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 0 / 92 / 40 / 17

HEX #D4117F

RGB 212 17 127

HSL 326.15, 0.85%, 0.45%

LAB 46.88, 73.8, -8.06

 

CMYK 40 / 0 / 92 / 17

HEX #7FD411

RGB 127 212 17

HSL 86.15, 0.85%, 0.45%

LAB 77.06, -51.87, 74.02

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 34 / 92 / 0 / 17

HEX #8C11D4

RGB 140 17 212

HSL 277.85, 0.85%, 0.45%

LAB 39.12, 73.53, -71.75

 

CMYK 0 / 52 / 92 / 17

HEX #D46511

RGB 212 101 17

HSL 25.85, 0.85%, 0.45%

LAB 55.43, 39.63, 60.45

 

CMYK 58 / 0 / 92 / 17

HEX #58D411

RGB 88 212 17

HSL 98.15, 0.85%, 0.45%

LAB 75.58, -63.35, 72.18

 

CMYK 92 / 40 / 0 / 17

HEX #117FD4

RGB 17 127 212

HSL 206.15, 0.85%, 0.45%

LAB 51.9, 3.27, -51.44

 

CMYK 6 / 92 / 0 / 17

HEX #C711D4

RGB 199 17 212

HSL 296, 0.85%, 0.45%

LAB 48.63, 81.96, -55.88

 

CMYK 0 / 52 / 92 / 17

HEX #D46511

RGB 212 101 17

HSL 25.85, 0.85%, 0.45%

LAB 55.43, 39.63, 60.45

 

CMYK 86 / 0 / 92 / 17

HEX #1ED411

RGB 30 212 17

HSL 116, 0.85%, 0.45%

LAB 74.45, -73.04, 70.78

 

Description

Color code: RGB 17 127 212 | qconv.com Color code: RGB 17 127 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 127 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 127 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 40 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 40% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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