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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 58 166 it is the complementary color RGB 54 197 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 58 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 58 166 shade: RGB 206 58 161, RGB 223 76 180, RGB 240 94 199, RGB 255 112 218 and RGB 255 130 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 58 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 184 40 147, RGB 167 22 128, RGB 150 4 109 and RGB 133 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 201 58 127, RGB 201 58 89 and RGB 201 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 197 58 201, RGB 159 58 201, RGB 120 58 201 and RGB 82 58 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 58 166 shade matches the following richer shades: RGB 201 58 166, RGB 221 38 176 and RGB 241 18 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 181 79 156, RGB 160 99 145, RGB 140 119 135 and RGB 120 139 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 58 166 shade: RGB 158 58 201, RGB 196 58 201, RGB 201 58 168, RGB 201 58 130 and RGB 201 58 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 58 166 shade: RGB 139 38 114, RGB 171 47 141, RGB 201 58 166, RGB 210 91 181 and RGB 219 123 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 201 120 58 and RGB 58 201 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 168 201 58 and RGB 58 168 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 201 120 58, RGB 58 201 92 and RGB 58 139 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 58 166 shade: RGB 201 58 166, RGB 201 163 58, RGB 58 201 92 and RGB 58 96 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

Complementary color

CMYK 73 / 0 / 55 / 23

HEX #36C559

RGB 54 197 89

HSL 134.69, 0.57%, 0.49%

LAB 70.48, -59.88, 43.08

 

CMYK 0 / 72 / 22 / 19

HEX #CE3AA1

RGB 206 58 161

HSL 318.24, 0.6%, 0.52%

LAB 50.36, 66.8, -23.33

 

CMYK 0 / 66 / 19 / 13

HEX #DF4CB4

RGB 223 76 180

HSL 317.55, 0.7%, 0.59%

LAB 56.24, 67.19, -25.16

 

CMYK 0 / 61 / 17 / 6

HEX #F05EC7

RGB 240 94 199

HSL 316.85, 0.83%, 0.65%

LAB 62.21, 67.16, -26.62

 

CMYK 0 / 56 / 15 / 0

HEX #FF70DA

RGB 255 112 218

HSL 315.52, 1%, 0.72%

LAB 67.95, 66.3, -28.28

 

CMYK 0 / 49 / 7 / 0

HEX #FF82ED

RGB 255 130 237

HSL 308.64, 1%, 0.75%

LAB 71.78, 61.02, -32.86

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 78 / 20 / 28

HEX #B82893

RGB 184 40 147

HSL 315.42, 0.64%, 0.44%

LAB 43.97, 65.24, -25.16

 

CMYK 0 / 87 / 23 / 35

HEX #A71680

RGB 167 22 128

HSL 316.14, 0.77%, 0.37%

LAB 38.46, 63.25, -22.31

 

CMYK 0 / 97 / 27 / 41

HEX #96046D

RGB 150 4 109

HSL 316.85, 0.95%, 0.3%

LAB 33.3, 59.99, -18.62

 

CMYK 0 / 100 / 32 / 48

HEX #85005A

RGB 133 0 90

HSL 319.4, 1%, 0.26%

LAB 28.71, 54.73, -13.66

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 71 / 37 / 21

HEX #C93A7F

RGB 201 58 127

HSL 331.05, 0.57%, 0.51%

LAB 48.23, 61.42, -6.27

 

CMYK 0 / 71 / 56 / 21

HEX #C93A59

RGB 201 58 89

HSL 346.99, 0.57%, 0.51%

LAB 47.19, 57.94, 15.44

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 2 / 71 / 0 / 21

HEX #C53AC9

RGB 197 58 201

HSL 298.32, 0.57%, 0.51%

LAB 50.82, 70.64, -46.08

 

CMYK 21 / 71 / 0 / 21

HEX #9F3AC9

RGB 159 58 201

HSL 282.38, 0.57%, 0.51%

LAB 45.1, 62.67, -55.55

 

CMYK 40 / 71 / 0 / 21

HEX #783AC9

RGB 120 58 201

HSL 266.01, 0.57%, 0.51%

LAB 39.98, 55.13, -64.1

 

CMYK 59 / 71 / 0 / 21

HEX #523AC9

RGB 82 58 201

HSL 250.07, 0.57%, 0.51%

LAB 36.06, 49, -70.67

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 83 / 20 / 13

HEX #DD26B0

RGB 221 38 176

HSL 314.75, 0.73%, 0.51%

LAB 51.72, 77.59, -29.86

 

CMYK 0 / 93 / 22 / 5

HEX #F112BB

RGB 241 18 187

HSL 314.53, 0.89%, 0.51%

LAB 54.78, 85.92, -31.23

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 56 / 14 / 29

HEX #B54F9C

RGB 181 79 156

HSL 314.71, 0.41%, 0.51%

LAB 49.27, 50.76, -22.38

 

CMYK 0 / 38 / 9 / 37

HEX #A06391

RGB 160 99 145

HSL 314.75, 0.24%, 0.51%

LAB 50.03, 31.74, -14.96

 

CMYK 0 / 15 / 4 / 45

HEX #8C7787

RGB 140 119 135

HSL 314.29, 0.08%, 0.51%

LAB 52.42, 11.09, -5.69

 

CMYK 14 / 0 / 10 / 45

HEX #788B7D

RGB 120 139 125

HSL 135.79, 0.08%, 0.51%

LAB 56.03, -9.73, 5.19

 

CMYK 21 / 71 / 0 / 21

HEX #9E3AC9

RGB 158 58 201

HSL 281.96, 0.57%, 0.51%

LAB 44.96, 62.47, -55.79

 

CMYK 2 / 71 / 0 / 21

HEX #C43AC9

RGB 196 58 201

HSL 297.9, 0.57%, 0.51%

LAB 50.66, 70.43, -46.33

 

CMYK 0 / 71 / 16 / 21

HEX #C93AA8

RGB 201 58 168

HSL 313.85, 0.57%, 0.51%

LAB 49.82, 66.52, -28.37

 

CMYK 0 / 71 / 35 / 21

HEX #C93A82

RGB 201 58 130

HSL 329.79, 0.57%, 0.51%

LAB 48.33, 61.74, -7.94

 

CMYK 0 / 71 / 54 / 21

HEX #C93A5C

RGB 201 58 92

HSL 345.73, 0.57%, 0.51%

LAB 47.26, 58.17, 13.7

 

CMYK 0 / 73 / 18 / 45

HEX #8B2672

RGB 139 38 114

HSL 314.85, 0.57%, 0.35%

LAB 34.17, 50.16, -20.61

 

CMYK 0 / 73 / 18 / 33

HEX #AB2F8D

RGB 171 47 141

HSL 314.52, 0.57%, 0.43%

LAB 42.18, 59.09, -24.48

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 57 / 14 / 18

HEX #D25BB5

RGB 210 91 181

HSL 314.62, 0.57%, 0.59%

LAB 56.6, 57.51, -25.34

 

CMYK 0 / 44 / 11 / 14

HEX #DB7BC3

RGB 219 123 195

HSL 315, 0.57%, 0.67%

LAB 64.3, 46.88, -21.42

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 40 / 71 / 21

HEX #C9783A

RGB 201 120 58

HSL 26.01, 0.57%, 0.51%

LAB 58.18, 26.5, 46.33

 

CMYK 71 / 0 / 12 / 21

HEX #3AC9B1

RGB 58 201 177

HSL 169.93, 0.57%, 0.51%

LAB 73.45, -42.98, 1.13

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 16 / 0 / 71 / 21

HEX #A8C93A

RGB 168 201 58

HSL 73.85, 0.57%, 0.51%

LAB 76.32, -30.22, 63.98

 

CMYK 71 / 16 / 0 / 21

HEX #3AA8C9

RGB 58 168 201

HSL 193.85, 0.57%, 0.51%

LAB 64.26, -20.17, -25.83

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 40 / 71 / 21

HEX #C9783A

RGB 201 120 58

HSL 26.01, 0.57%, 0.51%

LAB 58.18, 26.5, 46.33

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 71 / 31 / 0 / 21

HEX #3A8BC9

RGB 58 139 201

HSL 206.01, 0.57%, 0.51%

LAB 55.67, -4.16, -39.19

 

CMYK 0 / 71 / 17 / 21

HEX #C93AA6

RGB 201 58 166

HSL 314.69, 0.57%, 0.51%

LAB 49.73, 66.24, -27.32

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33A

RGB 201 163 58

HSL 44.06, 0.57%, 0.51%

LAB 68.69, 3.13, 57.27

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

Description

Color code: RGB 201 58 166 | qconv.com Color code: RGB 201 58 166 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 58 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 58 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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