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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 96 201 it is the complementary color RGB 197 159 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 96 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 96 201 shade: RGB 63 96 196, RGB 80 114 215, RGB 97 132 234, RGB 114 150 253 and RGB 131 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 96 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 41 78 182, RGB 24 60 163, RGB 7 42 144 and RGB 0 24 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 59 58 201, RGB 97 58 201, RGB 136 58 201 and RGB 174 58 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 96 201 shade: RGB 58 96 201 and RGB 58 58 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 96 201 shade matches the following richer shades: RGB 58 96 201, RGB 38 87 221 and RGB 18 77 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 79 106 181, RGB 99 115 160, RGB 119 125 140 and RGB 139 134 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 96 201 shade: RGB 58 172 201, RGB 58 134 201, RGB 58 96 201, RGB 58 58 201 and RGB 96 58 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 96 201 shade: RGB 38 65 139, RGB 47 80 171, RGB 58 96 201, RGB 91 122 210 and RGB 123 148 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 191 58 201 and RGB 153 201 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 201 58 96 and RGB 96 201 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 191 58 201, RGB 201 163 58 and RGB 68 201 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 96 201 shade: RGB 58 96 201, RGB 201 58 168, RGB 201 163 58 and RGB 58 201 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

Complementary color

CMYK 0 / 19 / 73 / 23

HEX #C59F36

RGB 197 159 54

HSL 44.06, 0.57%, 0.49%

LAB 67.23, 3.33, 57.3

 

CMYK 68 / 51 / 0 / 23

HEX #3F60C4

RGB 63 96 196

HSL 225.11, 0.53%, 0.51%

LAB 43.37, 21.29, -55.9

 

CMYK 63 / 47 / 0 / 16

HEX #5072D7

RGB 80 114 215

HSL 224.89, 0.63%, 0.58%

LAB 50.27, 19.43, -55.64

 

CMYK 59 / 44 / 0 / 8

HEX #6184EA

RGB 97 132 234

HSL 224.67, 0.77%, 0.65%

LAB 57.06, 17.91, -55.39

 

CMYK 55 / 41 / 0 / 1

HEX #7296FD

RGB 114 150 253

HSL 224.46, 0.97%, 0.72%

LAB 63.74, 16.63, -55.17

 

CMYK 49 / 34 / 0 / 0

HEX #83A8FF

RGB 131 168 255

HSL 222.1, 1%, 0.76%

LAB 69.51, 10.5, -47.08

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 77 / 57 / 0 / 29

HEX #294EB6

RGB 41 78 182

HSL 224.26, 0.63%, 0.44%

LAB 36.55, 24.89, -58.83

 

CMYK 85 / 63 / 0 / 36

HEX #183CA3

RGB 24 60 163

HSL 224.46, 0.74%, 0.37%

LAB 29.59, 27.99, -58.88

 

CMYK 95 / 71 / 0 / 44

HEX #072A90

RGB 7 42 144

HSL 224.67, 0.91%, 0.3%

LAB 22.7, 31.7, -58.59

 

CMYK 100 / 81 / 0 / 51

HEX #00187D

RGB 0 24 125

HSL 228.48, 1%, 0.25%

LAB 16.17, 35.64, -57.46

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 71 / 71 / 0 / 21

HEX #3B3AC9

RGB 59 58 201

HSL 240.42, 0.57%, 0.51%

LAB 34.34, 46.19, -73.55

 

CMYK 52 / 71 / 0 / 21

HEX #613AC9

RGB 97 58 201

HSL 256.36, 0.57%, 0.51%

LAB 37.45, 51.23, -68.32

 

CMYK 32 / 71 / 0 / 21

HEX #883AC9

RGB 136 58 201

HSL 272.73, 0.57%, 0.51%

LAB 41.97, 58.12, -60.77

 

CMYK 13 / 71 / 0 / 21

HEX #AE3AC9

RGB 174 58 201

HSL 288.67, 0.57%, 0.51%

LAB 47.29, 65.77, -51.91

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 83 / 61 / 0 / 13

HEX #2657DD

RGB 38 87 221

HSL 223.93, 0.73%, 0.51%

LAB 41.92, 33.48, -72.67

 

CMYK 93 / 68 / 0 / 5

HEX #124DF1

RGB 18 77 241

HSL 224.13, 0.89%, 0.51%

LAB 40.88, 46.07, -85.73

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 56 / 41 / 0 / 29

HEX #4F6AB5

RGB 79 106 181

HSL 224.12, 0.41%, 0.51%

LAB 46.05, 12.69, -42.86

 

CMYK 38 / 28 / 0 / 37

HEX #6373A0

RGB 99 115 160

HSL 224.26, 0.24%, 0.51%

LAB 48.82, 5.69, -26.14

 

CMYK 15 / 11 / 0 / 45

HEX #777D8C

RGB 119 125 140

HSL 222.86, 0.08%, 0.51%

LAB 52.38, 1.04, -8.88

 

CMYK 0 / 4 / 14 / 45

HEX #8B8678

RGB 139 134 120

HSL 44.21, 0.08%, 0.51%

LAB 55.98, -0.68, 8.2

 

CMYK 71 / 14 / 0 / 21

HEX #3AACC9

RGB 58 172 201

HSL 192.17, 0.57%, 0.51%

LAB 65.45, -22.24, -24

 

CMYK 71 / 33 / 0 / 21

HEX #3A86C9

RGB 58 134 201

HSL 208.11, 0.57%, 0.51%

LAB 54.2, -1.23, -41.49

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 52 / 71 / 0 / 21

HEX #603AC9

RGB 96 58 201

HSL 255.94, 0.57%, 0.51%

LAB 37.35, 51.07, -68.49

 

CMYK 73 / 53 / 0 / 45

HEX #26418B

RGB 38 65 139

HSL 223.96, 0.57%, 0.35%

LAB 29.56, 16.66, -44.26

 

CMYK 73 / 53 / 0 / 33

HEX #2F50AB

RGB 47 80 171

HSL 224.03, 0.57%, 0.43%

LAB 36.52, 20.13, -52.35

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 57 / 42 / 0 / 18

HEX #5B7AD2

RGB 91 122 210

HSL 224.37, 0.57%, 0.59%

LAB 52.73, 14.92, -48.85

 

CMYK 44 / 32 / 0 / 14

HEX #7B94DB

RGB 123 148 219

HSL 224.38, 0.57%, 0.67%

LAB 62.09, 9.59, -39

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 5 / 71 / 0 / 21

HEX #BF3AC9

RGB 191 58 201

HSL 295.8, 0.57%, 0.51%

LAB 49.88, 69.36, -47.63

 

CMYK 24 / 0 / 71 / 21

HEX #99C93A

RGB 153 201 58

HSL 80.14, 0.57%, 0.51%

LAB 75.36, -36.13, 62.71

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 0 / 71 / 52 / 21

HEX #C93A60

RGB 201 58 96

HSL 344.06, 0.57%, 0.51%

LAB 47.35, 58.49, 11.38

 

CMYK 52 / 0 / 71 / 21

HEX #60C93A

RGB 96 201 58

HSL 104.06, 0.57%, 0.51%

LAB 72.6, -55.38, 59.03

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 5 / 71 / 0 / 21

HEX #BF3AC9

RGB 191 58 201

HSL 295.8, 0.57%, 0.51%

LAB 49.88, 69.36, -47.63

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33A

RGB 201 163 58

HSL 44.06, 0.57%, 0.51%

LAB 68.69, 3.13, 57.27

 

CMYK 66 / 0 / 71 / 21

HEX #44C93A

RGB 68 201 58

HSL 115.8, 0.57%, 0.51%

LAB 71.76, -62.11, 57.9

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 0 / 71 / 16 / 21

HEX #C93AA8

RGB 201 58 168

HSL 313.85, 0.57%, 0.51%

LAB 49.82, 66.52, -28.37

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33A

RGB 201 163 58

HSL 44.06, 0.57%, 0.51%

LAB 68.69, 3.13, 57.27

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

Description

Color code: RGB 58 96 201 | qconv.com Color code: RGB 58 96 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 96 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 96 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 52 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 52% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - NTT東日本
Link: http://www.ntt-east.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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