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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 2 130 it is the complementary color RGB 54 253 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 2 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 2 130 shade: RGB 206 2 125, RGB 223 20 144, RGB 240 38 163, RGB 255 56 182 and RGB 255 74 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 2 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 184 0 111, RGB 167 0 92, RGB 150 0 73 and RGB 133 0 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 201 2 76, RGB 201 2 22 and RGB 201 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 201 2 184, RGB 165 2 201, RGB 111 2 201 and RGB 57 2 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 2 130 shade matches the following richer shades: RGB 201 2 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 185 18 125, RGB 168 35 121, RGB 152 51 116 and RGB 135 68 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 2 130 shade: RGB 165 2 201, RGB 201 2 185, RGB 201 2 131, RGB 201 2 78 and RGB 201 2 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 2 130 shade: RGB 120 1 77, RGB 161 1 104, RGB 201 2 130, RGB 242 2 157 and RGB 252 33 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 201 111 2 and RGB 2 201 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 131 201 2 and RGB 2 131 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 201 111 2, RGB 2 201 72 and RGB 2 92 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 2 130 shade: RGB 201 2 130, RGB 201 171 2, RGB 2 201 72 and RGB 2 32 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

Complementary color

CMYK 79 / 0 / 51 / 1

HEX #36FD7D

RGB 54 253 125

HSL 141.41, 0.98%, 0.6%

LAB 88.22, -73.43, 47.73

 

CMYK 0 / 99 / 39 / 19

HEX #CE027D

RGB 206 2 125

HSL 323.82, 0.98%, 0.41%

LAB 45.15, 73.73, -9.56

 

CMYK 0 / 91 / 35 / 13

HEX #DF1490

RGB 223 20 144

HSL 323.35, 0.84%, 0.48%

LAB 49.74, 77.45, -13.86

 

CMYK 0 / 84 / 32 / 6

HEX #F026A3

RGB 240 38 163

HSL 322.87, 0.87%, 0.55%

LAB 54.61, 80.19, -17.47

 

CMYK 0 / 78 / 29 / 0

HEX #FF38B6

RGB 255 56 182

HSL 322.01, 1%, 0.61%

LAB 59.4, 81.55, -21

 

CMYK 0 / 71 / 21 / 0

HEX #FF4AC9

RGB 255 74 201

HSL 317.9, 1%, 0.65%

LAB 61.98, 78.6, -27.93

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 100 / 40 / 28

HEX #B8006F

RGB 184 0 111

HSL 323.8, 1%, 0.36%

LAB 40.14, 67.93, -8.82

 

CMYK 0 / 100 / 45 / 35

HEX #A7005C

RGB 167 0 92

HSL 326.95, 1%, 0.33%

LAB 35.96, 62.46, -3.33

 

CMYK 0 / 100 / 51 / 41

HEX #960049

RGB 150 0 73

HSL 330.8, 1%, 0.29%

LAB 31.73, 56.95, 2.47

 

CMYK 0 / 100 / 59 / 48

HEX #850036

RGB 133 0 54

HSL 335.64, 1%, 0.26%

LAB 27.44, 51.42, 8.64

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 99 / 62 / 21

HEX #C9024C

RGB 201 2 76

HSL 337.69, 0.98%, 0.4%

LAB 42.74, 68.94, 17.49

 

CMYK 0 / 99 / 89 / 21

HEX #C90216

RGB 201 2 22

HSL 353.97, 0.98%, 0.4%

LAB 42.03, 67.01, 48.2

 

CMYK 0 / 99 / 99 / 21

HEX #C90202

RGB 201 2 2

HSL 0, 0.98%, 0.4%

LAB 41.95, 66.79, 55.5

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 99 / 8 / 21

HEX #C902B8

RGB 201 2 184

HSL 305.13, 0.98%, 0.4%

LAB 46.87, 79.57, -42.42

 

CMYK 18 / 99 / 0 / 21

HEX #A502C9

RGB 165 2 201

HSL 289.15, 0.98%, 0.4%

LAB 41.63, 76.52, -61.12

 

CMYK 45 / 99 / 0 / 21

HEX #6F02C9

RGB 111 2 201

HSL 272.86, 0.98%, 0.4%

LAB 33.22, 70.21, -75.21

 

CMYK 72 / 99 / 0 / 21

HEX #3902C9

RGB 57 2 201

HSL 256.58, 0.98%, 0.4%

LAB 27.1, 66.79, -85.55

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 90 / 32 / 27

HEX #B9127D

RGB 185 18 125

HSL 321.56, 0.82%, 0.4%

LAB 41.58, 67.53, -15.36

 

CMYK 0 / 79 / 28 / 34

HEX #A82379

RGB 168 35 121

HSL 321.2, 0.66%, 0.4%

LAB 39.42, 59.49, -16.46

 

CMYK 0 / 66 / 24 / 40

HEX #983374

RGB 152 51 116

HSL 321.39, 0.5%, 0.4%

LAB 38.38, 48.87, -15.19

 

CMYK 0 / 50 / 18 / 47

HEX #87446F

RGB 135 68 111

HSL 321.49, 0.33%, 0.4%

LAB 38.61, 34.39, -11.97

 

CMYK 18 / 99 / 0 / 21

HEX #A502C9

RGB 165 2 201

HSL 289.15, 0.98%, 0.4%

LAB 41.63, 76.52, -61.12

 

CMYK 0 / 99 / 8 / 21

HEX #C902B9

RGB 201 2 185

HSL 304.82, 0.98%, 0.4%

LAB 46.93, 79.71, -42.92

 

CMYK 0 / 99 / 35 / 21

HEX #C90283

RGB 201 2 131

HSL 321.11, 0.98%, 0.4%

LAB 44.38, 73.27, -14.51

 

CMYK 0 / 99 / 61 / 21

HEX #C9024E

RGB 201 2 78

HSL 337.09, 0.98%, 0.4%

LAB 42.78, 69.05, 16.29

 

CMYK 0 / 99 / 88 / 21

HEX #C90219

RGB 201 2 25

HSL 353.07, 0.98%, 0.4%

LAB 42.05, 67.07, 46.8

 

CMYK 0 / 99 / 36 / 53

HEX #78014D

RGB 120 1 77

HSL 321.68, 0.98%, 0.24%

LAB 25.41, 50.2, -10.29

 

CMYK 0 / 99 / 35 / 37

HEX #A10168

RGB 161 1 104

HSL 321.38, 0.99%, 0.32%

LAB 35.2, 62.17, -12.31

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 99 / 35 / 5

HEX #F2029D

RGB 242 2 157

HSL 321.25, 0.98%, 0.48%

LAB 53.34, 84.16, -15.83

 

CMYK 0 / 87 / 31 / 1

HEX #FC21AE

RGB 252 33 174

HSL 321.37, 0.97%, 0.56%

LAB 56.92, 84.78, -20.2

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 45 / 99 / 21

HEX #C96F02

RGB 201 111 2

HSL 32.86, 0.98%, 0.4%

LAB 55.88, 29.79, 62.99

 

CMYK 99 / 0 / 5 / 21

HEX #02C9BF

RGB 2 201 191

HSL 176.98, 0.98%, 0.4%

LAB 73.25, -43.08, -6.82

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 35 / 0 / 99 / 21

HEX #83C902

RGB 131 201 2

HSL 81.11, 0.98%, 0.4%

LAB 73.94, -46.25, 73.23

 

CMYK 99 / 35 / 0 / 21

HEX #0283C9

RGB 2 131 201

HSL 201.11, 0.98%, 0.4%

LAB 52.36, -3.92, -44.48

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 45 / 99 / 21

HEX #C96F02

RGB 201 111 2

HSL 32.86, 0.98%, 0.4%

LAB 55.88, 29.79, 62.99

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 54 / 0 / 21

HEX #025CC9

RGB 2 92 201

HSL 212.86, 0.98%, 0.4%

LAB 41.03, 20.69, -62.66

 

CMYK 0 / 99 / 35 / 21

HEX #C90282

RGB 201 2 130

HSL 321.41, 0.98%, 0.4%

LAB 44.34, 73.17, -13.95

 

CMYK 0 / 15 / 99 / 21

HEX #C9AB02

RGB 201 171 2

HSL 50.95, 0.98%, 0.4%

LAB 70.56, -2.63, 72.96

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 84 / 0 / 21

HEX #0220C9

RGB 2 32 201

HSL 230.95, 0.98%, 0.4%

LAB 27.47, 56.91, -84.99

 

Description

Color code: RGB 201 2 130 | qconv.com Color code: RGB 201 2 130 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 2 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 2 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 35 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 35% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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