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Color name
RGB 2 201 72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 201 72 it is the complementary color RGB 253 54 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 201 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 201 72 shade: RGB 7 201 67, RGB 24 219 86, RGB 41 237 105, RGB 58 255 124 and RGB 75 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 201 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 0 183 53, RGB 0 165 34, RGB 0 147 15 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 2 201 18, RGB 39 201 2, RGB 93 201 2 and RGB 147 201 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 2 201 126, RGB 2 201 180, RGB 2 169 201 and RGB 2 115 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 201 72 shade matches the following richer shades: RGB 2 201 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 18 185 77, RGB 35 168 82, RGB 51 152 87 and RGB 68 135 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 201 72 shade: RGB 38 201 2, RGB 2 201 18, RGB 2 201 72, RGB 2 201 125 and RGB 2 201 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 201 72 shade: RGB 1 120 43, RGB 1 161 57, RGB 2 201 72, RGB 2 242 87 and RGB 33 252 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 2 92 201 and RGB 201 2 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 72 2 201 and RGB 201 72 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 2 92 201, RGB 201 2 131 and RGB 201 111 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 201 72 shade: RGB 2 201 72, RGB 2 32 201, RGB 201 2 131 and RGB 201 171 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

Complementary color

CMYK 0 / 79 / 28 / 1

HEX #FD36B7

RGB 253 54 183

HSL 321.11, 0.98%, 0.6%

LAB 58.92, 81.71, -22.35

 

CMYK 97 / 0 / 67 / 21

HEX #07C943

RGB 7 201 67

HSL 138.56, 0.93%, 0.41%

LAB 71.02, -68.17, 53.36

 

CMYK 89 / 0 / 61 / 14

HEX #18DB56

RGB 24 219 86

HSL 139.08, 0.8%, 0.48%

LAB 77, -70.6, 52

 

CMYK 83 / 0 / 56 / 7

HEX #29ED69

RGB 41 237 105

HSL 139.59, 0.84%, 0.55%

LAB 82.95, -72.43, 50.52

 

CMYK 77 / 0 / 51 / 0

HEX #3AFF7C

RGB 58 255 124

HSL 140.1, 1%, 0.61%

LAB 88.86, -73.77, 49

 

CMYK 71 / 0 / 44 / 0

HEX #4BFF8F

RGB 75 255 143

HSL 142.67, 1%, 0.65%

LAB 89.39, -68.61, 40.7

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 100 / 0 / 71 / 28

HEX #00B735

RGB 0 183 53

HSL 137.38, 1%, 0.36%

LAB 65.06, -64.54, 52.55

 

CMYK 100 / 0 / 79 / 35

HEX #00A522

RGB 0 165 34

HSL 132.36, 1%, 0.32%

LAB 59, -60.83, 53.18

 

CMYK 100 / 0 / 90 / 42

HEX #00930F

RGB 0 147 15

HSL 126.12, 1%, 0.29%

LAB 52.84, -56.67, 52.59

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 0 / 91 / 21

HEX #02C912

RGB 2 201 18

HSL 124.82, 0.98%, 0.4%

LAB 70.75, -71.57, 67.45

 

CMYK 81 / 0 / 99 / 21

HEX #27C902

RGB 39 201 2

HSL 108.84, 0.98%, 0.4%

LAB 71.01, -69.31, 69.68

 

CMYK 54 / 0 / 99 / 21

HEX #5DC902

RGB 93 201 2

HSL 92.56, 0.98%, 0.4%

LAB 72.3, -58.49, 71.25

 

CMYK 27 / 0 / 99 / 21

HEX #93C902

RGB 147 201 2

HSL 76.28, 0.98%, 0.4%

LAB 74.81, -40.26, 74.29

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 0 / 37 / 21

HEX #02C97E

RGB 2 201 126

HSL 157.39, 0.98%, 0.4%

LAB 71.75, -59.27, 25.97

 

CMYK 99 / 0 / 10 / 21

HEX #02C9B4

RGB 2 201 180

HSL 173.67, 0.98%, 0.4%

LAB 72.95, -46.2, -1.3

 

CMYK 99 / 16 / 0 / 21

HEX #02A9C9

RGB 2 169 201

HSL 189.65, 0.98%, 0.4%

LAB 63.84, -24.83, -26.54

 

CMYK 99 / 43 / 0 / 21

HEX #0273C9

RGB 2 115 201

HSL 205.93, 0.98%, 0.4%

LAB 47.61, 5.84, -52.04

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 90 / 0 / 58 / 27

HEX #12B94D

RGB 18 185 77

HSL 141.2, 0.82%, 0.4%

LAB 66.03, -61.54, 43.33

 

CMYK 79 / 0 / 51 / 34

HEX #23A852

RGB 35 168 82

HSL 141.2, 0.66%, 0.4%

LAB 60.76, -53.52, 34.57

 

CMYK 66 / 0 / 43 / 40

HEX #339857

RGB 51 152 87

HSL 141.39, 0.5%, 0.4%

LAB 55.94, -44.05, 25.89

 

CMYK 50 / 0 / 33 / 47

HEX #44875B

RGB 68 135 91

HSL 140.6, 0.33%, 0.4%

LAB 51.05, -31.82, 17.27

 

CMYK 81 / 0 / 99 / 21

HEX #26C902

RGB 38 201 2

HSL 109.15, 0.98%, 0.4%

LAB 71, -69.43, 69.66

 

CMYK 99 / 0 / 91 / 21

HEX #02C912

RGB 2 201 18

HSL 124.82, 0.98%, 0.4%

LAB 70.75, -71.57, 67.45

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 0 / 38 / 21

HEX #02C97D

RGB 2 201 125

HSL 157.09, 0.98%, 0.4%

LAB 71.74, -59.47, 26.47

 

CMYK 99 / 0 / 11 / 21

HEX #02C9B2

RGB 2 201 178

HSL 173.07, 0.98%, 0.4%

LAB 72.89, -46.75, -0.29

 

CMYK 99 / 0 / 64 / 53

HEX #01782B

RGB 1 120 43

HSL 141.18, 0.98%, 0.24%

LAB 43.67, -46, 33.56

 

CMYK 99 / 0 / 65 / 37

HEX #01A139

RGB 1 161 57

HSL 141, 0.99%, 0.32%

LAB 57.84, -57.42, 43.06

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 0 / 64 / 5

HEX #02F257

RGB 2 242 87

HSL 141.25, 0.98%, 0.48%

LAB 84.07, -78.17, 59.53

 

CMYK 87 / 0 / 56 / 1

HEX #21FC6E

RGB 33 252 110

HSL 141.1, 0.97%, 0.56%

LAB 87.52, -77.05, 53.68

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 54 / 0 / 21

HEX #025CC9

RGB 2 92 201

HSL 212.86, 0.98%, 0.4%

LAB 41.03, 20.69, -62.66

 

CMYK 0 / 99 / 94 / 21

HEX #C9020C

RGB 201 2 12

HSL 356.98, 0.98%, 0.4%

LAB 41.98, 66.88, 52.19

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 64 / 99 / 0 / 21

HEX #4802C9

RGB 72 2 201

HSL 261.11, 0.98%, 0.4%

LAB 28.48, 67.44, -83.21

 

CMYK 0 / 64 / 99 / 21

HEX #C94802

RGB 201 72 2

HSL 21.11, 0.98%, 0.4%

LAB 48.33, 49.01, 58.52

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 54 / 0 / 21

HEX #025CC9

RGB 2 92 201

HSL 212.86, 0.98%, 0.4%

LAB 41.03, 20.69, -62.66

 

CMYK 0 / 99 / 35 / 21

HEX #C90283

RGB 201 2 131

HSL 321.11, 0.98%, 0.4%

LAB 44.38, 73.27, -14.51

 

CMYK 0 / 45 / 99 / 21

HEX #C96F02

RGB 201 111 2

HSL 32.86, 0.98%, 0.4%

LAB 55.88, 29.79, 62.99

 

CMYK 99 / 0 / 64 / 21

HEX #02C948

RGB 2 201 72

HSL 141.11, 0.98%, 0.4%

LAB 71.05, -67.82, 51.29

 

CMYK 99 / 84 / 0 / 21

HEX #0220C9

RGB 2 32 201

HSL 230.95, 0.98%, 0.4%

LAB 27.47, 56.91, -84.99

 

CMYK 0 / 99 / 35 / 21

HEX #C90283

RGB 201 2 131

HSL 321.11, 0.98%, 0.4%

LAB 44.38, 73.27, -14.51

 

CMYK 0 / 15 / 99 / 21

HEX #C9AB02

RGB 201 171 2

HSL 50.95, 0.98%, 0.4%

LAB 70.56, -2.63, 72.96

 

Description

Color code: RGB 2 201 72 | qconv.com Color code: RGB 2 201 72 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 201 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 201 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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