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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 179 216 it is the complementary color RGB 54 76 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 179 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 179 216 shade: RGB 206 179 211, RGB 223 197 230, RGB 240 215 249, RGB 255 233 255 and RGB 255 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 179 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 179 216 shade: RGB 201 179 216, RGB 184 161 197, RGB 167 143 178, RGB 150 125 159 and RGB 133 107 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 179 216 shade: RGB 199 177 215, RGB 210 177 215, RGB 215 177 210, RGB 215 177 199 and RGB 215 177 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 179 216 shade: RGB 199 177 215, RGB 189 177 215, RGB 179 177 215 and RGB 177 177 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 179 216 shade matches the following richer shades: RGB 199 177 215, RGB 201 168 224, RGB 203 158 234, RGB 205 149 243 and RGB 207 139 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 179 216 shade: RGB 199 177 215, RGB 198 187 205, RGB 196 196 196, RGB 194 206 186 and RGB 192 215 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 179 216 shade: RGB 179 177 215, RGB 189 177 215, RGB 199 177 215, RGB 209 177 215 and RGB 215 177 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 179 216 shade: RGB 161 123 187, RGB 180 150 201, RGB 199 177 215, RGB 219 204 229 and RGB 238 232 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 179 216 shade: RGB 201 179 216, RGB 215 177 185 and RGB 177 215 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 179 216 shade: RGB 201 179 216, RGB 215 199 177 and RGB 177 215 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 179 216 shade: RGB 201 179 216, RGB 215 177 185, RGB 193 215 177 and RGB 177 215 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 179 216 shade: RGB 201 179 216, RGB 215 180 177, RGB 193 215 177 and RGB 177 211 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

Complementary color

CMYK 29 / 0 / 49 / 70

HEX #364C27

RGB 54 76 39

HSL 95.68, 0.32%, 0.23%

LAB 29.66, -16.32, 19.27

 

CMYK 2 / 15 / 0 / 17

HEX #CEB3D3

RGB 206 179 211

HSL 290.63, 0.27%, 0.76%

LAB 76.11, 15.38, -12.55

 

CMYK 3 / 14 / 0 / 10

HEX #DFC5E6

RGB 223 197 230

HSL 287.27, 0.4%, 0.84%

LAB 82.56, 14.98, -12.99

 

CMYK 4 / 14 / 0 / 2

HEX #F0D7F9

RGB 240 215 249

HSL 284.12, 0.74%, 0.91%

LAB 88.91, 14.6, -13.42

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 6 / 20 / 0 / 30

HEX #A78FB2

RGB 167 143 178

HSL 281.14, 0.19%, 0.63%

LAB 62.57, 15.55, -14.97

 

CMYK 6 / 21 / 0 / 38

HEX #967D9F

RGB 150 125 159

HSL 284.12, 0.15%, 0.56%

LAB 55.74, 16.05, -14.59

 

CMYK 5 / 24 / 0 / 45

HEX #856B8C

RGB 133 107 140

HSL 287.27, 0.13%, 0.48%

LAB 48.75, 16.61, -14.21

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 2 / 18 / 0 / 16

HEX #D2B1D7

RGB 210 177 215

HSL 292.11, 0.32%, 0.77%

LAB 76.1, 18.57, -14.7

 

CMYK 0 / 18 / 2 / 16

HEX #D7B1D2

RGB 215 177 210

HSL 307.89, 0.32%, 0.77%

LAB 76.4, 19.33, -11.48

 

CMYK 0 / 18 / 7 / 16

HEX #D7B1C7

RGB 215 177 199

HSL 325.26, 0.32%, 0.77%

LAB 76.08, 17.37, -5.97

 

CMYK 0 / 18 / 12 / 16

HEX #D7B1BD

RGB 215 177 189

HSL 341.05, 0.32%, 0.77%

LAB 75.8, 15.67, -0.93

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 12 / 18 / 0 / 16

HEX #BDB1D7

RGB 189 177 215

HSL 258.95, 0.32%, 0.77%

LAB 74.3, 11.63, -17.59

 

CMYK 17 / 18 / 0 / 16

HEX #B3B1D7

RGB 179 177 215

HSL 243.16, 0.32%, 0.77%

LAB 73.5, 8.41, -18.87

 

CMYK 18 / 18 / 0 / 16

HEX #B1B1D7

RGB 177 177 215

HSL 240, 0.32%, 0.77%

LAB 73.35, 7.78, -19.12

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 10 / 25 / 0 / 12

HEX #C9A8E0

RGB 201 168 224

HSL 275.36, 0.47%, 0.77%

LAB 73.42, 22.32, -23.74

 

CMYK 13 / 32 / 0 / 8

HEX #CB9EEA

RGB 203 158 234

HSL 275.53, 0.64%, 0.77%

LAB 71.62, 30.51, -31.95

 

CMYK 16 / 39 / 0 / 5

HEX #CD95F3

RGB 205 149 243

HSL 275.74, 0.8%, 0.77%

LAB 70.14, 37.92, -39.15

 

CMYK 18 / 45 / 0 / 1

HEX #CF8BFD

RGB 207 139 253

HSL 275.79, 0.97%, 0.77%

LAB 68.62, 46, -46.97

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 3 / 9 / 0 / 20

HEX #C6BBCD

RGB 198 187 205

HSL 276.67, 0.15%, 0.77%

LAB 77.25, 7.19, -7.66

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 6 / 0 / 10 / 19

HEX #C2CEBA

RGB 194 206 186

HSL 96, 0.17%, 0.77%

LAB 81.38, -7.72, 8.54

 

CMYK 11 / 0 / 18 / 16

HEX #C0D7B1

RGB 192 215 177

HSL 96.32, 0.32%, 0.77%

LAB 83.43, -14.54, 16.21

 

CMYK 17 / 18 / 0 / 16

HEX #B3B1D7

RGB 179 177 215

HSL 243.16, 0.32%, 0.77%

LAB 73.5, 8.41, -18.87

 

CMYK 12 / 18 / 0 / 16

HEX #BDB1D7

RGB 189 177 215

HSL 258.95, 0.32%, 0.77%

LAB 74.3, 11.63, -17.59

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 3 / 18 / 0 / 16

HEX #D1B1D7

RGB 209 177 215

HSL 290.53, 0.32%, 0.77%

LAB 76.01, 18.24, -14.84

 

CMYK 0 / 18 / 2 / 16

HEX #D7B1D2

RGB 215 177 210

HSL 307.89, 0.32%, 0.77%

LAB 76.4, 19.33, -11.48

 

CMYK 14 / 34 / 0 / 27

HEX #A17BBB

RGB 161 123 187

HSL 275.63, 0.32%, 0.61%

LAB 57.4, 26.88, -28.04

 

CMYK 10 / 25 / 0 / 21

HEX #B496C9

RGB 180 150 201

HSL 275.29, 0.32%, 0.69%

LAB 66.32, 20.73, -22.08

 

CMYK 7 / 18 / 0 / 16

HEX #C7B1D7

RGB 199 177 215

HSL 274.74, 0.32%, 0.77%

LAB 75.13, 14.91, -16.25

 

CMYK 4 / 11 / 0 / 10

HEX #DBCCE5

RGB 219 204 229

HSL 276, 0.32%, 0.85%

LAB 83.92, 9.73, -10.46

 

CMYK 2 / 5 / 0 / 5

HEX #EEE8F3

RGB 238 232 243

HSL 272.73, 0.31%, 0.93%

LAB 92.73, 3.98, -4.61

 

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

CMYK 0 / 18 / 14 / 16

HEX #D7B1B9

RGB 215 177 185

HSL 347.37, 0.32%, 0.77%

LAB 75.7, 15.01, 1.1

 

CMYK 18 / 0 / 14 / 16

HEX #B1D7B8

RGB 177 215 184

HSL 131.05, 0.32%, 0.77%

LAB 82.6, -18.47, 11.19

 

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

CMYK 0 / 7 / 18 / 16

HEX #D7C7B1

RGB 215 199 177

HSL 34.74, 0.32%, 0.77%

LAB 81, 2.02, 13.03

 

CMYK 18 / 0 / 7 / 16

HEX #B1D7C7

RGB 177 215 199

HSL 154.74, 0.32%, 0.77%

LAB 82.95, -15.64, 3.74

 

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

CMYK 0 / 18 / 14 / 16

HEX #D7B1B9

RGB 215 177 185

HSL 347.37, 0.32%, 0.77%

LAB 75.7, 15.01, 1.1

 

CMYK 10 / 0 / 18 / 16

HEX #C1D7B1

RGB 193 215 177

HSL 94.74, 0.32%, 0.77%

LAB 83.5, -14.19, 16.31

 

CMYK 18 / 0 / 4 / 16

HEX #B1D7CE

RGB 177 215 206

HSL 165.79, 0.32%, 0.77%

LAB 83.13, -14.26, 0.28

 

CMYK 7 / 17 / 0 / 15

HEX #C9B3D8

RGB 201 179 216

HSL 275.68, 0.32%, 0.77%

LAB 75.83, 14.68, -15.72

 

CMYK 0 / 16 / 18 / 16

HEX #D7B4B1

RGB 215 180 177

HSL 4.74, 0.32%, 0.77%

LAB 76.23, 12.13, 6.23

 

CMYK 10 / 0 / 18 / 16

HEX #C1D7B1

RGB 193 215 177

HSL 94.74, 0.32%, 0.77%

LAB 83.5, -14.19, 16.31

 

CMYK 18 / 2 / 0 / 16

HEX #B1D3D7

RGB 177 211 215

HSL 186.32, 0.32%, 0.77%

LAB 82.29, -10.35, -5.74

 

Description

Color code: RGB 201 179 216 | qconv.com Color code: RGB 201 179 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 179 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 179 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 17 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 17% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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