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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8A1C5 it is the complementary color #475E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8A1C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8A1C5 shade: #BDA1C0, #CEB3D3, #DFC5E6, #F0D7F9 and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8A1C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8A1C5 shade: #B8A1C5, #A78FB2, #967D9F, #856B8C and #745979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8A1C5 shade: #B7A0C4, #C1A0C4, #C4A0BE, #C4A0B4 and #C4A0AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8A1C5 shade: #B7A0C4, #ADA0C4, #A3A0C4 and #A0A0C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8A1C5 shade matches the following richer shades: #B7A0C4, #BB93D1, #BE87DD, #C17BE9 and #C56EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8A1C5 shade: #B7A0C4, #B4ACB8, #B0B8AC, #ADC59F and #A9D193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8A1C5 shade: #A3A0C4, #ADA0C4, #B7A0C4, #C1A0C4 and #C4A0BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8A1C5 shade: #916CA5, #A486B5, #B7A0C4, #CAB9D4 and #DED3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8A1C5 shade: #B8A1C5, #C4A0A6 and #A0C4A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8A1C5 shade: #B8A1C5, #C4B7A0 and #A0C4B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8A1C5 shade: #B8A1C5, #C4A0A6, #ADC4A0 and #A0C4BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8A1C5 shade: #B8A1C5, #C4A5A0, #ADC4A0 and #A0BFC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

Complementary color

CMYK 24 / 0 / 38 / 63

HEX #475E3A

RGB 71 94 58

HSL 98.33, 0.24%, 0.3%

LAB 37.21, -16.18, 17.91

 

CMYK 2 / 16 / 0 / 25

HEX #BDA1C0

RGB 189 161 192

HSL 294.19, 0.2%, 0.69%

LAB 69.55, 15.81, -12.1

 

CMYK 2 / 15 / 0 / 17

HEX #CEB3D3

RGB 206 179 211

HSL 290.63, 0.27%, 0.76%

LAB 76.11, 15.38, -12.55

 

CMYK 3 / 14 / 0 / 10

HEX #DFC5E6

RGB 223 197 230

HSL 287.27, 0.4%, 0.84%

LAB 82.56, 14.98, -12.99

 

CMYK 4 / 14 / 0 / 2

HEX #F0D7F9

RGB 240 215 249

HSL 284.12, 0.74%, 0.91%

LAB 88.91, 14.6, -13.42

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 6 / 20 / 0 / 30

HEX #A78FB2

RGB 167 143 178

HSL 281.14, 0.19%, 0.63%

LAB 62.57, 15.55, -14.97

 

CMYK 6 / 21 / 0 / 38

HEX #967D9F

RGB 150 125 159

HSL 284.12, 0.15%, 0.56%

LAB 55.74, 16.05, -14.59

 

CMYK 5 / 24 / 0 / 45

HEX #856B8C

RGB 133 107 140

HSL 287.27, 0.13%, 0.48%

LAB 48.75, 16.61, -14.21

 

CMYK 4 / 26 / 0 / 53

HEX #745979

RGB 116 89 121

HSL 290.63, 0.15%, 0.41%

LAB 41.59, 17.23, -13.82

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 2 / 18 / 0 / 23

HEX #C1A0C4

RGB 193 160 196

HSL 295, 0.23%, 0.7%

LAB 69.8, 18.5, -13.91

 

CMYK 0 / 18 / 3 / 23

HEX #C4A0BE

RGB 196 160 190

HSL 310, 0.23%, 0.7%

LAB 69.89, 18.41, -10.42

 

CMYK 0 / 18 / 8 / 23

HEX #C4A0B4

RGB 196 160 180

HSL 326.67, 0.23%, 0.7%

LAB 69.59, 16.6, -5.31

 

CMYK 0 / 18 / 13 / 23

HEX #C4A0AA

RGB 196 160 170

HSL 343.33, 0.23%, 0.7%

LAB 69.31, 14.89, -0.17

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 12 / 18 / 0 / 23

HEX #ADA0C4

RGB 173 160 196

HSL 261.67, 0.23%, 0.7%

LAB 68.03, 11.78, -16.75

 

CMYK 17 / 18 / 0 / 23

HEX #A3A0C4

RGB 163 160 196

HSL 245, 0.23%, 0.7%

LAB 67.21, 8.5, -18.06

 

CMYK 18 / 18 / 0 / 23

HEX #A0A0C4

RGB 160 160 196

HSL 240, 0.23%, 0.7%

LAB 66.98, 7.53, -18.44

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 11 / 30 / 0 / 18

HEX #BB93D1

RGB 187 147 209

HSL 278.71, 0.4%, 0.7%

LAB 66.55, 26.34, -26.11

 

CMYK 14 / 39 / 0 / 13

HEX #BE87DD

RGB 190 135 221

HSL 278.37, 0.56%, 0.7%

LAB 64.56, 36.45, -35.83

 

CMYK 17 / 47 / 0 / 9

HEX #C17BE9

RGB 193 123 233

HSL 278.18, 0.71%, 0.7%

LAB 62.83, 46.36, -45.18

 

CMYK 20 / 55 / 0 / 4

HEX #C56EF6

RGB 197 110 246

HSL 278.38, 0.88%, 0.7%

LAB 61.37, 56.87, -54.66

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 2 / 7 / 0 / 28

HEX #B4ACB8

RGB 180 172 184

HSL 280, 0.08%, 0.7%

LAB 71.33, 5.1, -5.12

 

CMYK 4 / 0 / 7 / 28

HEX #B0B8AC

RGB 176 184 172

HSL 100, 0.08%, 0.7%

LAB 73.86, -5.02, 5.12

 

CMYK 12 / 0 / 19 / 23

HEX #ADC59F

RGB 173 197 159

HSL 97.89, 0.25%, 0.7%

LAB 76.87, -15.12, 16.39

 

CMYK 19 / 0 / 30 / 18

HEX #A9D193

RGB 169 209 147

HSL 98.71, 0.4%, 0.7%

LAB 79.69, -24.43, 26.57

 

CMYK 17 / 18 / 0 / 23

HEX #A3A0C4

RGB 163 160 196

HSL 245, 0.23%, 0.7%

LAB 67.21, 8.5, -18.06

 

CMYK 12 / 18 / 0 / 23

HEX #ADA0C4

RGB 173 160 196

HSL 261.67, 0.23%, 0.7%

LAB 68.03, 11.78, -16.75

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 2 / 18 / 0 / 23

HEX #C1A0C4

RGB 193 160 196

HSL 295, 0.23%, 0.7%

LAB 69.8, 18.5, -13.91

 

CMYK 0 / 18 / 3 / 23

HEX #C4A0BE

RGB 196 160 190

HSL 310, 0.23%, 0.7%

LAB 69.89, 18.41, -10.42

 

CMYK 12 / 35 / 0 / 35

HEX #916CA5

RGB 145 108 165

HSL 278.95, 0.24%, 0.54%

LAB 51.22, 25.53, -25.03

 

CMYK 9 / 26 / 0 / 29

HEX #A486B5

RGB 164 134 181

HSL 278.3, 0.24%, 0.62%

LAB 60.14, 20.28, -20.39

 

CMYK 7 / 18 / 0 / 23

HEX #B7A0C4

RGB 183 160 196

HSL 278.33, 0.23%, 0.7%

LAB 68.89, 15.12, -15.36

 

CMYK 5 / 13 / 0 / 17

HEX #CAB9D4

RGB 202 185 212

HSL 277.78, 0.24%, 0.78%

LAB 77.29, 10.97, -11.37

 

CMYK 3 / 7 / 0 / 11

HEX #DED3E4

RGB 222 211 228

HSL 278.82, 0.24%, 0.86%

LAB 85.87, 6.84, -7.01

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 0 / 18 / 15 / 23

HEX #C4A0A6

RGB 196 160 166

HSL 350, 0.23%, 0.7%

LAB 69.21, 14.23, 1.9

 

CMYK 18 / 0 / 14 / 23

HEX #A0C4A8

RGB 160 196 168

HSL 133.33, 0.23%, 0.7%

LAB 75.93, -17.54, 10.11

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 0 / 7 / 18 / 23

HEX #C4B7A0

RGB 196 183 160

HSL 38.33, 0.23%, 0.7%

LAB 74.91, 0.82, 13.36

 

CMYK 18 / 0 / 7 / 23

HEX #A0C4B7

RGB 160 196 183

HSL 158.33, 0.23%, 0.7%

LAB 76.3, -14.64, 2.53

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 0 / 18 / 15 / 23

HEX #C4A0A6

RGB 196 160 166

HSL 350, 0.23%, 0.7%

LAB 69.21, 14.23, 1.9

 

CMYK 12 / 0 / 18 / 23

HEX #ADC4A0

RGB 173 196 160

HSL 98.33, 0.23%, 0.7%

LAB 76.62, -14.44, 15.5

 

CMYK 18 / 0 / 3 / 23

HEX #A0C4BE

RGB 160 196 190

HSL 170, 0.23%, 0.7%

LAB 76.48, -13.21, -0.99

 

CMYK 7 / 18 / 0 / 23

HEX #B8A1C5

RGB 184 161 197

HSL 278.33, 0.24%, 0.7%

LAB 69.26, 15.1, -15.35

 

CMYK 0 / 16 / 18 / 23

HEX #C4A5A0

RGB 196 165 160

HSL 8.33, 0.23%, 0.7%

LAB 70.3, 10.54, 6.81

 

CMYK 12 / 0 / 18 / 23

HEX #ADC4A0

RGB 173 196 160

HSL 98.33, 0.23%, 0.7%

LAB 76.62, -14.44, 15.5

 

CMYK 18 / 3 / 0 / 23

HEX #A0BFC4

RGB 160 191 196

HSL 188.33, 0.23%, 0.7%

LAB 75.28, -9.33, -6.01

 

Description

Color code: HEX #B8A1C5 | qconv.com Color code: HEX #B8A1C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 161 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 161 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 18 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 18% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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