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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 12 127 it is the complementary color RGB 54 243 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 12 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 12 127 shade: RGB 206 12 122, RGB 223 30 141, RGB 240 48 160, RGB 255 66 179 and RGB 255 84 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 12 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 12 127 shade: RGB 201 12 127, RGB 184 0 108, RGB 167 0 89, RGB 150 0 70 and RGB 133 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 12 127 shade: RGB 202 11 127, RGB 202 11 76, RGB 202 11 24 and RGB 202 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 12 127 shade: RGB 202 11 127, RGB 202 11 179, RGB 174 11 202, RGB 122 11 202 and RGB 71 11 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 12 127 shade matches the following richer shades: RGB 202 11 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 12 127 shade: RGB 202 11 127, RGB 185 29 124, RGB 167 46 120, RGB 150 63 116 and RGB 133 81 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 12 127 shade: RGB 173 11 202, RGB 202 11 180, RGB 202 11 129, RGB 202 11 78 and RGB 202 11 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 12 127 shade: RGB 124 7 78, RGB 163 9 103, RGB 202 11 127, RGB 241 14 152 and RGB 243 53 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 12 127 shade: RGB 201 12 127, RGB 202 122 11 and RGB 11 202 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 12 127 shade: RGB 201 12 127, RGB 129 202 11 and RGB 11 129 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 12 127 shade: RGB 201 12 127, RGB 202 122 11, RGB 11 202 84 and RGB 11 91 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 12 127 shade: RGB 201 12 127, RGB 202 180 11, RGB 11 202 84 and RGB 11 34 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

Complementary color

CMYK 78 / 0 / 47 / 5

HEX #36F380

RGB 54 243 128

HSL 143.49, 0.89%, 0.58%

LAB 85.22, -69.69, 42.57

 

CMYK 0 / 94 / 41 / 19

HEX #CE0C7A

RGB 206 12 122

HSL 325.98, 0.89%, 0.43%

LAB 45.35, 72.57, -7.41

 

CMYK 0 / 87 / 37 / 13

HEX #DF1E8D

RGB 223 30 141

HSL 325.49, 0.76%, 0.5%

LAB 50.14, 75.66, -11.45

 

CMYK 0 / 80 / 33 / 6

HEX #F030A0

RGB 240 48 160

HSL 325, 0.86%, 0.56%

LAB 55.25, 77.71, -14.73

 

CMYK 0 / 74 / 30 / 0

HEX #FF42B3

RGB 255 66 179

HSL 324.13, 1%, 0.63%

LAB 60.26, 78.46, -17.96

 

CMYK 0 / 67 / 22 / 0

HEX #FF54C6

RGB 255 84 198

HSL 320, 1%, 0.66%

LAB 63.08, 74.81, -24.53

 

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

CMYK 0 / 100 / 41 / 28

HEX #B8006C

RGB 184 0 108

HSL 324.78, 1%, 0.36%

LAB 40.04, 67.65, -7.09

 

CMYK 0 / 100 / 47 / 35

HEX #A70059

RGB 167 0 89

HSL 328.02, 1%, 0.33%

LAB 35.86, 62.2, -1.54

 

CMYK 0 / 100 / 53 / 41

HEX #960046

RGB 150 0 70

HSL 332, 1%, 0.29%

LAB 31.64, 56.71, 4.33

 

CMYK 0 / 100 / 62 / 48

HEX #850033

RGB 133 0 51

HSL 336.99, 1%, 0.26%

LAB 27.37, 51.22, 10.59

 

CMYK 0 / 95 / 37 / 21

HEX #CA0B7F

RGB 202 11 127

HSL 323.56, 0.9%, 0.42%

LAB 44.7, 72.27, -11.54

 

CMYK 0 / 95 / 62 / 21

HEX #CA0B4C

RGB 202 11 76

HSL 339.58, 0.9%, 0.42%

LAB 43.24, 68.33, 18.2

 

CMYK 0 / 95 / 88 / 21

HEX #CA0B18

RGB 202 11 24

HSL 355.92, 0.9%, 0.42%

LAB 42.55, 66.43, 47.77

 

CMYK 0 / 95 / 95 / 21

HEX #CA0B0B

RGB 202 11 11

HSL 0, 0.9%, 0.42%

LAB 42.49, 66.25, 52.92

 

CMYK 0 / 95 / 37 / 21

HEX #CA0B7F

RGB 202 11 127

HSL 323.56, 0.9%, 0.42%

LAB 44.7, 72.27, -11.54

 

CMYK 0 / 95 / 11 / 21

HEX #CA0BB3

RGB 202 11 179

HSL 307.23, 0.9%, 0.42%

LAB 47.04, 78.32, -39.2

 

CMYK 14 / 95 / 0 / 21

HEX #AE0BCA

RGB 174 11 202

HSL 291.2, 0.9%, 0.42%

LAB 43.51, 77.11, -58.58

 

CMYK 40 / 95 / 0 / 21

HEX #7A0BCA

RGB 122 11 202

HSL 274.87, 0.9%, 0.42%

LAB 35.28, 70.31, -72.35

 

CMYK 65 / 95 / 0 / 21

HEX #470BCA

RGB 71 11 202

HSL 258.85, 0.9%, 0.42%

LAB 29.01, 66.07, -82.92

 

CMYK 0 / 95 / 37 / 21

HEX #CA0B7F

RGB 202 11 127

HSL 323.56, 0.9%, 0.42%

LAB 44.7, 72.27, -11.54

 

CMYK 0 / 95 / 37 / 21

HEX #CA0B7F

RGB 202 11 127

HSL 323.56, 0.9%, 0.42%

LAB 44.7, 72.27, -11.54

 

CMYK 0 / 84 / 33 / 27

HEX #B91D7C

RGB 185 29 124

HSL 323.46, 0.73%, 0.42%

LAB 42.23, 65.42, -13.75

 

CMYK 0 / 72 / 28 / 35

HEX #A72E78

RGB 167 46 120

HSL 323.31, 0.57%, 0.42%

LAB 40.45, 55.56, -14.28

 

CMYK 0 / 58 / 23 / 41

HEX #963F74

RGB 150 63 116

HSL 323.45, 0.41%, 0.42%

LAB 40.08, 42.76, -12.63

 

CMYK 0 / 39 / 16 / 48

HEX #855170

RGB 133 81 112

HSL 324.23, 0.24%, 0.42%

LAB 41.28, 26.5, -8.58

 

CMYK 14 / 95 / 0 / 21

HEX #AD0BCA

RGB 173 11 202

HSL 290.89, 0.9%, 0.42%

LAB 43.34, 76.96, -58.86

 

CMYK 0 / 95 / 11 / 21

HEX #CA0BB4

RGB 202 11 180

HSL 306.91, 0.9%, 0.42%

LAB 47.09, 78.45, -39.71

 

CMYK 0 / 95 / 36 / 21

HEX #CA0B81

RGB 202 11 129

HSL 322.93, 0.9%, 0.42%

LAB 44.77, 72.47, -12.66

 

CMYK 0 / 95 / 61 / 21

HEX #CA0B4E

RGB 202 11 78

HSL 338.95, 0.9%, 0.42%

LAB 43.28, 68.44, 16.99

 

CMYK 0 / 95 / 87 / 21

HEX #CA0B1B

RGB 202 11 27

HSL 354.97, 0.9%, 0.42%

LAB 42.57, 66.49, 46.34

 

CMYK 0 / 94 / 37 / 51

HEX #7C074E

RGB 124 7 78

HSL 323.59, 0.89%, 0.26%

LAB 26.7, 50.12, -8.93

 

CMYK 0 / 94 / 37 / 36

HEX #A30967

RGB 163 9 103

HSL 323.38, 0.9%, 0.34%

LAB 35.91, 61.51, -10.55

 

CMYK 0 / 95 / 37 / 21

HEX #CA0B7F

RGB 202 11 127

HSL 323.56, 0.9%, 0.42%

LAB 44.7, 72.27, -11.54

 

CMYK 0 / 94 / 37 / 5

HEX #F10E98

RGB 241 14 152

HSL 323.52, 0.89%, 0.5%

LAB 53.26, 82.62, -13

 

CMYK 0 / 78 / 31 / 5

HEX #F335A8

RGB 243 53 168

HSL 323.68, 0.89%, 0.58%

LAB 56.51, 78.01, -17.46

 

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

CMYK 0 / 40 / 95 / 21

HEX #CA7A0B

RGB 202 122 11

HSL 34.87, 0.9%, 0.42%

LAB 58.51, 24.41, 63.23

 

CMYK 95 / 0 / 1 / 21

HEX #0BCAC7

RGB 11 202 199

HSL 179.06, 0.9%, 0.42%

LAB 73.83, -40.93, -10.3

 

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

CMYK 36 / 0 / 95 / 21

HEX #81CA0B

RGB 129 202 11

HSL 82.93, 0.9%, 0.42%

LAB 74.15, -47.25, 72.43

 

CMYK 95 / 36 / 0 / 21

HEX #0B81CA

RGB 11 129 202

HSL 202.93, 0.9%, 0.42%

LAB 51.88, -2.04, -45.8

 

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

CMYK 0 / 40 / 95 / 21

HEX #CA7A0B

RGB 202 122 11

HSL 34.87, 0.9%, 0.42%

LAB 58.51, 24.41, 63.23

 

CMYK 95 / 0 / 58 / 21

HEX #0BCA54

RGB 11 202 84

HSL 142.93, 0.9%, 0.42%

LAB 71.52, -66.31, 46.53

 

CMYK 95 / 55 / 0 / 21

HEX #0B5BCA

RGB 11 91 202

HSL 214.87, 0.9%, 0.42%

LAB 40.92, 22.04, -63.41

 

CMYK 0 / 94 / 37 / 21

HEX #C90C7F

RGB 201 12 127

HSL 323.49, 0.89%, 0.42%

LAB 44.54, 71.96, -11.81

 

CMYK 0 / 11 / 95 / 21

HEX #CAB40B

RGB 202 180 11

HSL 53.09, 0.9%, 0.42%

LAB 73.04, -6.8, 73.78

 

CMYK 95 / 0 / 58 / 21

HEX #0BCA54

RGB 11 202 84

HSL 142.93, 0.9%, 0.42%

LAB 71.52, -66.31, 46.53

 

CMYK 95 / 83 / 0 / 21

HEX #0B22CA

RGB 11 34 202

HSL 232.77, 0.9%, 0.42%

LAB 28.06, 56.46, -84.6

 

Description

Color code: RGB 201 12 127 | qconv.com Color code: RGB 201 12 127 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 12 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 12 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 37 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 37% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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